| Abascal, Gudrun: |
| Adams, Douglas, |
| Carwardine, Mark: |
| Ahlstedt, Ivar: |
| Alexander, Lloyd: |
| Almqvist, Carl Jonas Love: |
| Andersen, H.C.: |
| Andersson, Lena: |
| Andersson, Nikael: |
| Arden, William: |
| Arnstberg, Karl-Olov: |
| Asprey, Dave: |
| Asprey, David: |
| Aurell, Lina Nertby, |
| Clase, Mia: |
| Austen, Jane: |
| Austen, Jane, |
| Grahame-Smith, Seth: |
| Awlinson, Richard: |
| Axelsson, Majgull: |
| Bach, Richard: |
| Baigent, Michael, |
| Leigh, Richard, |
| Lincoln, Henry: |
| Baker, Antoinette: |
| Bandler, Richard, |
| Grinder, John: |
| Bandler, Richard: |
| Bandler, Richard, |
| Grinder, John, |
| Andreas, Connirae, |
| Andreas, Steve: |
| Bandler, Richard, |
| Andreas, Connirae, |
| Andreas, Steve: |
| Baricco, Alessandro: |
| Barker, Pat: |
| Barnard, Frank: |
| Bass, Clarence: |
| Bateson, Gregory: |
| Baye, Drew: |
| Beever, Sue: |
| Bengmark, Stig: |
| Bengtsson, Frans G.: |
| Bengtsson, Hans-Uno: |
| Bengtsson, Hans-Uno, |
| Billing, Mischa: |
| Berg, Svante: |
| Bergensten, Gunilla: |
| Bergman, Ingemar: |
| Bergsten, Magnus: |
| Berlepsch, Thimon von: |
| Bernadotte, Lennart: |
| Berns, Gregory: |
| Bertil, Prince: |
| Björklund, Sven, |
| Wretling, Olof: |
| Blair, Forbes Robbins: |
| Blanchard, Ken, |
| Johnson, Spencer: |
| Blunt, Giles: |
| Blythe, Peter: |
| Bodin, Anna, |
| Sjölund, Peter: |
| Boije af Gennäs, Louise: |
| Bojs, Karin, |
| Sjölund, Peter: |
| Bojs, Karin: |
| Bolte Taylor, Jill: |
| Borelius, Maria: |
| Boye, Karin: |
| Bradford, Ernle: |
| Brennan, Barbara: |
| Brent, Jonathan, |
| Naumov, Vladimir: |
| Brink, André: |
| Bronson, Charles: |
| Bruce, Robert: |
| Brusewitz, Gunnar: |
| Brussig, Thomas: |
| Bulgakov, Mikhail: |
| Burchfield, Robert: |
| Burnett, Frances Hodgson: |
| Butler, Andrew M: |
| Cahalan, Susannah: |
| Caldwell, Ian: |
| Caldwell, Ian, |
| Thomason, Dustin: |
| Canavan, Trudi: |
| Capiro, Frank S., |
| Berger, Joseph R.: |
| Cappelli, Oscar: |
| Card, Orson Scott: |
| Carey, Peter: |
| Carney, Scott: |
| Chabon, Michael: |
| Chapman, Gary: |
| Chevalier, Tracy: |
| Chomsky, Noam: |
| Chopra, Deepak: |
| Christensen, Peter, |
| Hoffmann, Bente: |
| Cialdini, Robert B.: |
| Claesson, Stig: |
| Clancy, Tom: |
| Clarke, Arthur C.: |
| Clarke, Susanna: |
| Cline, Ernest: |
| Clinton, Bill: |
| Clinton, Hillary Rodham: |
| Cobbett, William: |
| Cocteau, Jean: |
| Coetzee, J.M.: |
| Cohen, Kenneth S.: |
| Collins, Suzanne: |
| Cooper, Linn F., |
| Ericsson, Milton H.: |
| Coupland, Douglas: |
| Cox, Simon: |
| Crüe, Mötley, |
| Strauss, Neil: |
| Cuddy, Amy: |
| Cunningham, Michael: |
| Cussler, Clive: |
| Dahl, Roald: |
| Dahlen, Micael: |
| Dahlén, Michael: |
| Danielsson, Tage: |
| Darden, Ellington: |
| Dartnell, Lewis: |
| Davies, Paul: |
| Denning, Troy: |
| Denton, Bradley: |
| Donaldson, Stephen R.: |
| Dostojevskij, Fjodor: |
| Doudna, Jennifer, |
| Sternberg, Samuel: |
| Dumas, Alexandre: |
| Dutton, Kevin: |
| Dygat, Stanislav: |
| Eason, Adam: |
| Eberhard, David: |
| Egerkrans, Johan: |
| Ehrlin, Carl-Johan Forssén: |
| Ekdal, Niklas: |
| Ekstedt, Niklas, |
| Ennart, Henrik: |
| Ellenberg, Jordan: |
| Ellis, Bret Easton: |
| Emoto, Masaru: |
| Enamait, Ross: |
| Enders, Giulia: |
| Englund, Peter: |
| Enquist, Per Olov: |
| Ensler, Eve: |
| Enzensberger, Hans Magnus: |
| Epstein, David: |
| Ericsdotter, Åsa: |
| Ericson, Lars, |
| Hårdstedt, Martin, |
| Iko, Per, |
| Sjöblom, Ingvar, |
| Åselius, Gunnar: |
| Ericsson, Anders, |
| Pool, Robert: |
| Eriksson, Lena: |
| Eriksson, Maria: |
| Erlander, Tage: |
| Eugenides, Jeffrey: |
| F., Christiane, |
| Hermann, Kai, |
| Rieck, Horst: |
| Farhad, Andra: |
| Farrell, Nick: |
| Favilli, Elena, |
| Cavallo, Francesca: |
| Ferriss, Tim: |
| Ferriss, Timothy: |
| Fexeus, Henrik: |
| Feynman, Richard P., |
| Leighton, Ralph: |
| Fielding, Helen: |
| Fine, Cordelia: |
| Fisher, Andrew: |
| Fisher, David: |
| Fjellman, Margit: |
| Flygt, Torbjörn: |
| Fogelström, Per-Anders: |
| Fogg, B. J.: |
| Fontane, Theodor: |
| Forester, C. S.: |
| Formas: |
| Forster, E. M.: |
| Fossum, Karin: |
| Fowler, Chad: |
| Frank, Lone: |
| Fredriksson, Ann, |
| Fredriksson, Marianne: |
| Frid, Johanna: |
| Friday, Nancy: |
| From, Peter: |
| Frykman, Per: |
| Funke, Cornelia: |
| Fällman, Hans, |
| Born, Bertil: |
| Gabala, Martin: |
| Gaiman, Neil, |
| Kramer, Ed: |
| Gallwey, W. Timothy: |
| Gamow, George: |
| Garcia, Kami, |
| Stohl, Margaret: |
| Gavalda, Anna: |
| Geary, James: |
| Gibbs, Patrick: |
| Gibson, William: |
| Gilbert, Ian: |
| Gilligan, Stephen: |
| Gluchovskij, Dmitrij: |
| Goldman, William: |
| Goleman, Daniel, |
| Davidson, Richard J.: |
| Gospic, Katarina: |
| Graeber, David: |
| Grahame, Kenneth: |
| Granström, Erik: |
| Greenblatt, Joel: |
| Greene, Graham: |
| Greenfield, Ben: |
| Grinder, John, |
| Bandler, Richard: |
| Grinder, John, |
| Bandler, Richard, |
| Andreas, Steve: |
| Gripe, Maria: |
| Grossman, Lev: |
| Großman, Hannelore: |
| Grünbaum, Catharina: |
| Gudiol, Jacob: |
| Gulliksen, Geir: |
| Gut, Alan: |
| Haag, Martina: |
| Hadnagy, Christopher: |
| Hamrin, Maria, |
| Norqvist, Patrik: |
| Hansen, Anders: |
| Hansson, Bob: |
| Harari, Yuval Noah: |
| Hardy, Thomas: |
| Harris, Robert: |
| Harris, Thomas: |
| Harrison, Sue: |
| Havener, Thorsten: |
| Havener, Thorsten, |
| Spitzbart, Michael: |
| Havens, Ronald A.: |
| Hawking, Lucy, |
| Hawking, Stephen: |
| Heberlein, Ann: |
| Hede, Maria: |
| Hedén, Eva: |
| Helfricht, Jürgen: |
| Heller, Steven, |
| Steele, Terry: |
| Hemdal, Dag: |
| Hemmingsson, Erik: |
| Henrikson, Alf: |
| Henriksson, Alf, |
| Lindahl, Edwald: |
| Henry, Clara: |
| Hensel, Jana: |
| Hermansson, Niclas: |
| Hernhag, Marcus: |
| Hernhag, Marcus, |
| Talving, Arne Kavastu: |
| Higgins, Eliot: |
| Hill, Napoleon: |
| Hirigoyen, Marie-France: |
| Hirschhausen, Eckart von: |
| Hirst, John: |
| Hodges, Andrew: |
| Hof, Wim: |
| Hofmann, Corinne: |
| Hornby, Nick: |
| Hugo, Victor: |
| Hui, Wei: |
| Hulme, Keri: |
| Hunt, Andrew, |
| Thomas, David: |
| Hussey, Stephen: |
| Hyatt, Christopher S.: |
| Hyatt, Christopher S., |
| Iwema, Calvin: |
| Hägg, Göran: |
| Ibsen, Henrik: |
| Ingvar, Sven: |
| Jacquin, Anthony: |
| Jameson, Jenna, |
| Strauss, Neil: |
| Janouch, Katerina: |
| Jansson, Tove: |
| Jersild, P C: |
| Johansson, Josefin: |
| Johansson, Martina: |
| Johns, W.E.: |
| Johnson, Spencer: |
| Johnson, Steven: |
| Josefsson, Dan, |
| Linge, Egil: |
| Jou, Tsung Hwa: |
| Juul, Jesper: |
| Jönsson, |
| Birde, |
| Gunér, |
| et al: |
| Jönsson, Bodil: |
| Kahneman, Daniel: |
| Kaminer, Wladimir: |
| Kaplan, Jerry: |
| Kast, Bas: |
| Kastevik, Janina: |
| Kehlmann, Daniel: |
| Kepler, Lars: |
| Keskisarja, Teemu: |
| Kim, W. Chan, |
| Mauborgne, Renée: |
| Kirchoff, Mary: |
| Kiyosaki, Robert T.: |
| Kling, Marc-Uwe: |
| Klingberg, Torkel: |
| Knausgård, Karl Ove: |
| Koontz, Dean R.: |
| Kreikenbom, Marianne: |
| Kuegler, Sabine: |
| Kästner, Erich: |
| Lagercrantz, Bo, |
| Rehnberg, Mats: |
| Lagercrantz, Olof: |
| Lagerlöf, Selma: |
| Lannebo, Charlotta: |
| Larsson, Björn: |
| Larsson, Mats G.: |
| Larsson, Olle, |
| Marklund, Andreas: |
| Lebert, Benjamin: |
| Lester, Andy: |
| Levitt, Steven D., |
| Dubner, Stephen J.: |
| Levy, Steven: |
| Lilliehöök, Catarina: |
| Linde, Bella: |
| Lindquist, Ulla-Carin: |
| Lindqvist, Herman: |
| Lindqvist, Johan Ajvide: |
| Lindqvist, John Ajvide: |
| Lindqvist, Sven: |
| Lindström, Fredrik: |
| Linna, Vainö: |
| Liu, Cricket, |
| Albitz, Paul: |
| Liukas, Linda: |
| Lodalen, Mian, |
| Tudor, Matilda: |
| Loe, Erlend: |
| Luik, Colette van, |
| Nordlund, Anna: |
| Lundgren, Maja: |
| Lusseyran, Jacques: |
| Malachi, Tau: |
| Maltz, Wendy, |
| Boss, Suzie: |
| Manson, Marilyn, |
| Strauss, Neil: |
| Marcus, Evan, |
| Stern, Hal: |
| Marick, Brian: |
| Marion, Isaac: |
| Marriott, J. W., |
| Brown, Kathi Ann: |
| Marshall, Tim: |
| Masters, Robert, |
| Houston, Jean: |
| Mazetti, Katarina: |
| McColl, Duncan: |
| McGuff, Doug, |
| Little, John: |
| McLeish, John: |
| McNeill, Elizabeth: |
| Mischel, Walter: |
| Mittermeier, Michael: |
| Moberg, Åsa, |
| Inczèdy-Gombos, Adam: |
| Moltke-Leth, Nicolai: |
| Morgenstern, Erin: |
| Mosley, Michael, |
| Bee, Peta: |
| Munroe, Randall: |
| Nabokov, Vladimir: |
| Neander, Albin: |
| Neuhaus, Nele: |
| New Scientist: |
| Nicholls, David: |
| Niemi, Mikael: |
| Niffenegger, Audrey: |
| Niles, Douglas: |
| Nilsson, Johan: |
| Nilsson, Johanna: |
| Nilsson, Ulf, |
| Tidholm, Anna-Clara: |
| Nordqvist, Sven: |
| Nordström, Kjell A., |
| Schlingmann, Per: |
| Norrman-Skugge, Linda, |
| Olsson, Belinda, |
| Zilg, Brita: |
| Nyheter, Dagens: |
| Nöteberg, Staffan: |
| O'Brian, Patrick: |
| Olofsson, Sven Ingemar: |
| Olsson, Anders: |
| Olsson, Lotta: |
| Overdurf, John, |
| Silverthorn, Julie: |
| P., Melissa: |
| Palahniuk, Chuck: |
| Paley, Olga: |
| Paver, Michelle: |
| Pelzer, Dave: |
| Perel, Esther: |
| Perper, Timothy: |
| Pessl, Marisha: |
| Piltz, Georg: |
| Pinker, Steven: |
| Piñeiro, Erik: |
| Pollak, Kay: |
| Polster, Burkard: |
| Poprawa, Peter, |
| Schober, Manfred: |
| Powell, Cherith, |
| Forde, Greg: |
| Praesto, Fredrik: |
| Pratchett, Terry: |
| Preußler, Otfrid: |
| Price, Anthony: |
| Puddicombe, Andy: |
| Pullman, Philip: |
| Pääbo, Svante: |
| Rapp, Johan: |
| Rathsack, Thomas: |
| Rawn, Melanie, |
| Roberson, Jennifer, |
| Elliott, Kate: |
| Redfield, James: |
| Regner, Elisabet: |
| Reynolds, Gretchen: |
| Richard, James Robert: |
| Richardson, Jared, |
| Gwaltney, William: |
| Ridderstråle, Jonas, |
| Nordström, Kjell: |
| Riordan, Rick: |
| Rosander, Lars: |
| Rosenblum, Lawrence D.: |
| Rosling, Hans, |
| Rosling Rönnlund, Anna, |
| Rosling, Ola: |
| Rosling, Hans, |
| Hägerstam, Fanny: |
| Rowling, J. K., |
| Tiffany, John, |
| Thorne, Jack: |
| Rutherford, Adam: |
| Rydberg, Viktor: |
| Réage, Pauline: |
| Sachar, Louis: |
| Saint-Exupéry, Antoine de: |
| Salus, Peter H.: |
| Salvatore, R.A.: |
| Saramago, José: |
| Schenström, Ferdinand: |
| Schildfat, Tobias: |
| Schlingmann, Per, |
| Nordström, Kjell A.: |
| Schlink, Bernhard: |
| Schmitt, Eric-Emmanuel: |
| Schorlau, Wolfgang: |
| Schwartzkopf, Karl-Aage: |
| Schwarz, Jack: |
| Severson, Ellen Dodge: |
| Shade, David: |
| Shea, Robert, |
| Wilson, Robert Anton: |
| Shelley, Mary: |
| Shimomura, Tsutomu: |
| Siems, Michael: |
| Siff, Mel C.: |
| Siilasvou, Hj: |
| Sim, Davidine Siaw-Voon, |
| Gaffney, David: |
| Singer, Isaac Bashevis: |
| Singh, Simon, |
| Ernst, Edzard: |
| Singh, Simon: |
| Sjöström, Olof: |
| Sjöström, Oskar: |
| Skiena, Steven: |
| Smirnoff, Karin: |
| Solomon, Nina: |
| Sommer, Christopher: |
| Sparks, Laurance: |
| Spector, Tim: |
| Stark, Ulf: |
| Steckzén, Birger: |
| Stephenson, Neal: |
| Stephenson, Neal, |
| George, Frederick: |
| Stevenson, Robert Louis: |
| Stork, David G.: |
| Strage, Fredrik: |
| Strauss, Neil: |
| Street, Jayson E., |
| Nabors, Kent, |
| Baskin, Brian: |
| Strindberg, August: |
| Stringer, Lee: |
| Subramaniam, Venkat, |
| Hunt, Andy: |
| Sumpter, David: |
| Sveriges trafikskolors riksförbund: |
| Swicegood, Travis: |
| Sydow, Eric von: |
| Söderbergh, Catharina: |
| Södergård, Anders: |
| Süskind, Patrick: |
| Taavola, Karl: |
| Talbot, Michael: |
| Tan, Chade-Meng: |
| Tebbets, Charles: |
| Tegmark, Max: |
| Temes, Roberta: |
| Thor, Annika: |
| Tolkien, J. R. R.: |
| Travers, P. L.: |
| Turkle, Sherry: |
| Uddberg, Mari, |
| Uddberg, Mariann: |
| Ullman, Linn: |
| Uusma, Bea: |
| Vonnegut, Kurt: |
| Våhlund, Elias, |
| Våhlund, Agnes: |
| Wagner, Eric: |
| Weber, Dieter: |
| Weschcke, Carl Llewellyn, |
| Slate, Joe H.: |
| Wetterberg, Gunnar: |
| Wickman, Mats: |
| Wier, Dennis R.: |
| Wikforss, Åsa: |
| Wilde, Oscar: |
| Wilhelmsson, Jimmy: |
| Wilkins, Chris: |
| Williams, Michael, |
| Williams, Teri: |
| Williams, Tad: |
| Wilson, Robert Anton: |
| Wilson, Timothy D.: |
| Winterson, Jeanette: |
| Wiseman, Sara: |
| Wolf, Fred Alan: |
| Wretman, Tore: |
| Wu, Raymond: |
| Yalom, Marilyn: |
| Zalewski, Michal: |
| Zeh, Juli: |
| Zot, Cristian Vlad: |
| Zusak, Markus: |
| boyd, danah: |
| Ågerup, Karl: |
| Öhrvall, Sara: |
Number of books on this page: 899 of which 410 in Swedish, 403 in English, 71 in German, 7 in Norwegian, 7 in Danish, and 1 in Swedsih (read from December 12th 1999 until now).
(Swedsih, 10 June 2022)
(Swedish, 6 June 2022)
(Swedish, 18 May 2022)
(Swedish, 17 April 2022)
(Swedish, 28 March 2022)
(Swedish, 22 March 2022)
(Swedish, 1 March 2022)
(Swedish, 7 January 2022)
(Swedish, 30 September 2021)
(English, 11 August 2021)
(Swedish, 11 May 2021)
(German, 14 January 2021)
(Swedish, November 2020)
(Swedish, 25 August 2020)
(Swedish, 5 August 2020)
(Swedish, 24 May 2020)
The initiating crime the whole plot revolves around is so utterly sickening that I wanted to stop reading and all the misfortune in the book bothers me - yet Natt och Dag writes so extremely well, entertaining, and with such historical colour that I find myself (despite myself) keeping turning page after page.
Not at all for the faint of hearted but so damn good.
(Swedish, 18 March 2020)
(Swedish, 16 March 2020)
(Swedish, 13 March 2020)
(Swedish, 12 March 2020)
(Swedish, 10 March 2020)
(Swedish, 4 March 2020)
(Swedish, 21 February 2020)
(Swedish, 19 February 2020)
(Swedish, 17 February 2020)
(Swedish, 13 February 2020)
(Swedish, 11 February 2020)
(Swedish, 10 February 2020)
(Swedish, 4 February 2020)
(Swedish, 3 February 2020)
(Swedish, 21 Januari 2020)
(Swedish, 20 January 2020)
(Swedish, 16 January 2020)
(Swedish, 16 January 2020)
(Swedish, 15 January 2020)
(Swedish, 10 January 2020)
(Swedish, 23 December 2019)
(Swedish, 22 December 2019)
(Swedish, 16 December 2019)
(Swedish, 12 December 2019)
(Swedish, 10 December 2019)
(Swedish, 4 December 2019)
(Swedish, 25 November 2019)
(Swedish, 27 October 2019)
(Swedish, 14 October 2019)
(Swedish, 9 October 2019)
(Swedish, 10 September 2019)
(Swedish, 20 August 2019)
(English, 8 August 2019)
(Swedish, 20 June 2019)
(Swedish, 30 May 2019)
(Swedish, 29 May 2019)
(Swedish, 28 May 2019)
(Swedish, 12 May 2019)
(Swedish, 11 April 2019)
(Swedish, 26 March 2019)
(Swedish, 14 January 2019)
(Swedish, 8 December 2018)
(Swedish, 17 September 2018)
(Swedish, 23 August 2018)
(Swedish, 22 August 2018)
(Swedish, 29 July 2018)
(German, 28 July 2018)
(Swedish, 3 July 2018)
(Swedish, May 2018)
(Swedish, 5 May 2018)
(Swedish, 29 Apir 2018)
(Swedish, 25 April 2018)
(Swedish, 22 April 2018)
Hans Rosling left the world way too soon. Since he had made it his life's mission to not only spread facts but to help people understand the facts and - that way - adjust their outlook on the world. He again and again showed that we in the Western world is stuck in an idea of the world as it was 30 years ago, since that is what we learned in school and it is the view of the world we're invested in - despite it being false.
Given the contemporary trends with Trump, alternative facts and an post-factual era, Rosling's death in cancer is just the more sad. Who will pick up his fallen mantle and become the new knight of the factual camp?
Anyways, this memoir book that he has had help from Fanny Hägerstam to write (she also finished the book alone after Rosling passed away) is both a self-biography and an account for how a Swedish medical student came to learn how the world really is, realise that the rest of the Western world had a quite dim and outdated view of the World, and make it hist life's quest to try to educate his fellow Westerners on the facts.
(Swedish, 18 April 2018)
My daughter has proven a lot more resistant to "real", text only books than my son was in the same age (or even younger). So far, "The Secret Garden" is by far the most qualified piece of literature I've read to her - and how did I pull that feat off? Simple, it's the illustrated edition with pictures drawn by the renown Australian artist Robert Ingpen (just like the edition of "The Treasure Island" I read to my son back in 2014). I hope this title will serve as a key to more qualified books with fewer illustrations.
I don't think I ever read or had this novel read to me in the past - but I have a vague memory of seeing a movie rendition of it as a kid. Anyways, I'm surprised over how engaged my daughter got in the fate of Mary and Colin, despite them being double her age! I was also amazed over her interest in the drawings of flowers at the start of each chapter (and sometimes sprinkled within chapters as well).
As so many other classics, it's a pretty timeless piece of literature - even if the view of the Indian subcontinent and the Indians can be debated and the time with very poor and very well provided for is quite far in the past, although very historical.
Scrutinised with modern eyes, I wonder if Mary and Colin really would have enjoyed the positive development they do in the book at all if it was for real or, if they did, for the reasons it's put down to in the novel?
(German, 15 April 2018)
As I should work on my German, I like to both read classics and contemporary novels. This is an example of the latter and it was quite the interesting read. If I should sum it up in just one word, it would be worrisome (if not disturbing). Yes, worrisome. On the one hand, it's a typical 21st century everyday relational dram including a family and their friends and colleagues - like we've read so many times before. However, on the other, Zeh has put a rather ingenious idea at the centre of the whole plot. I really would like to describe it, but I'm afraid that would be quite the spoiler. Zeh didn't reveal the full picture with all its ramifications until chapter six or so and the ride up to that point was quite fascinating, so I would like to not spoil it for you. That said, it such a sick, twisted, and worrisome core idea to the plot that I cannot but think that it's a real thing that Zeh somehow stumbled on and chosen to share with the world through a fictitious novel rather than going to the press. Strong stuff, in either case.
The book takes place just a few years from now, in a hyper-contemporary version of our world, where Trump is president and a recently established German party called BBB has won the power in Germany and replaced Angela Merkel as German Bundeskansler. BBB has way to much in common with the actual German party AfD for it be a coincidence. Overall, Zeh has observed the trends around us and driven them to extremes in the backdrop of the novel. Like that Brexit has been followed by movements for Frexit, Spexit and - really - Swexit. In front of this backdrop, different characters have different opinions on whether its a good or bad development but the main character Brita is surprisingly neutral, at least until the explosive end of the book.
I still cannot make my mind up about this novel. It was definitely a reading experience but it was basically driven by the underlying worry over whether the core idea for the plot is just a sick figure of Zeh's imagination or if it might be real - just kept as tight under lid in the real world as in that of the book. Crazy stuff.
(English, 25 March 2018)
A rather thin volume on impromptu street hypnosis. I read it because Thimon von Berlepsch recommended it in his "Der Magier ins uns" and because I'm fascinated with self-hypnosis, but unfortunately, Jacquin's book has quite another focus.
(Swedish, 15 March 2018)
(Swedish, 6 March 2018)
(English, 2 February 2018)
(Swedish, 31 January 2018)
It's sad that a book like this is at all needed, but with the world as it is, it's good that it has been written. At first, one can wonder about how certain ladies have been selected, then one might marvel at the great variety of ladies - modern day presidents and an ancient Japanese Empress, modern day activist and no less than two ancient female pirates, etc. Finally, the sheer number of them do make for the message to get accross - despite every woman only getting one spread each, where the right page is a portrait with a citate and the left page is a very condense biography in the form of a fairy tale (one upon a time...). Cool stuff.
I naturally read this one to my five-years-old daughter and it was astonishing how much she got into it. Not only did she herself like to browse through it, she remembered surprisingly much of it for a long afterwards (I'm writing this mini-review in April...) and she was every evening very eager for us to continue reading it. I've of course pre-ordered the sequel for her. ;-)
(German, 14 January 2018)
(Swedish, 5 December 2017)
(Swedish, 28 November 2017)
(Swedish, 22 November 2017)
(Swedish, 16 November 2017)
(Swedish, 13 November 2017)
(Swedish, 7 November 2017)
(English, 27 October 2017)
(Swedish, 17 September 2017)
(Swedish, 14 July 2017)
(Swedish, 22 May 2017)
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This is actually a new translation from 2013, prompted by the recent movie adoption. However, how come that no other of Card's numerous novels from his many different series have been translated to either Swedish or German?
(English, 12 October 2016)
OK, the two pieces of obvious criticism first:
To elaborate a little - it had been nicer if this had been an actual, bonafide novel by Rowling. As it is, she's only one of three creators of this manuscript. Also, you only get a bare minimum of environment, to reflect the limited possibilities of a theatre stage. Thus, the whole book is very dialogue focused. And that it was saves it, cause the dialogues do work.
Spoiler alert: the play/book relies heavily on characters established throughout the seven novels of the original series and the children they've got in the gap between when the seventh novel ended and this play starts. Since there are very few new characters introduced, the ones that are stand out like sour thumbs and naturally attract the familiar readers suspicion. Thus, when the villain is revealed, it doesn't really come as a surprise...
That's my criticisms - other than that, I had quite an enjoyable time reading it. On the one hand, it was a emotional reunion with a lot of the main characters where I got to learn what they had been up to in the meantime. On the other, I got to know a new generation of wizards and witches and their personal ups and downs. This, of course, was the true treat of the book.
Nice, original stuff.
(Swedish, 11 October 2016)
Although we read other books when commuting to and from my oldest school due to the sheer weight and size of the collection tome of all seven Narnia novels, he wants us to push on with Narnia suite, one after another. Thus, we've read this one. Just like "The Magician's Nephew", this one was written later but put earlier into the narration, to expand and explain the Narnian world further.
In "The Horse and His Boy", the main characters are no children from our Earth that travel to Narnia, but children native to the Narnian world, though it takes place before "The Lion, the Witch, and the Wardrobe" ends and the quartet of Earth kids does make their appearances as supportive characters.
All in all a rather focused and thrilling tale of suspense.
(Swedish, 6 October 2016)
My youngest and me continues to go through the very special fantasy light world of Baker's version of Stockholm in the second half of the Twentieth century.
(English, 4 October 2016)
I am a bit ambivalent towards this title. It's really an encyclopedia on how to train, eat, and live to maximise fitness, health, and enjoyment. However, it is squarely targeted at endurance athletes - mainly triathletes and Ironman racers - and, to be honest, it is at times a bit too extreme.
It is most comparable with Ferriss' "The Four Hour Body" but I had more readily use for more of Ferriss' tips than of Greenfield's. Furthermore, given the length and complexity of Greenfield's book, I've kind of lost track of the useful tips and will probably have to go back to a second read-through, with highlighter and notepad ready, to really extract the buried gems.
I tip my hat to Greenfield's wast experience but the knowledge in his books isn't as accessible as in Ferriss' or, for that matter, McGuff's and Little's excellent "Body by Science".
The best thing with "Beyond Training" is that it gives you perspective and does challenge your beliefs, which is a fundamental requirement to learn and evolve. However, I - personally - have a hard time putting my finger on what useful I really learnt from Greenfield, although I really like his unified view on life and how exercise, work, free-time, and health have to be in balance for you to thrive.
(English, 23 September 2016)
Meng argues that up to the last century, meditation was some serious business that only a few monks and yogis had the time to invest in - well, dedicate their lives to - and that most meditation training material still echoes those times in that they, deliberate or not, depict meditation as something hard and time-consuming. With this book, Meng want to change that. While he does admit that to reap the most benefits, one should log some 10 000 hours of meditation (anyone remembers Gladwell's "Outliers"?) but that you can get immediate benefit from just one mindful breath. (I just did a few, hard not to pause and do that.) I.e., Meng goes to show that there are a whole spectrum of benefits, reaching from the small to the unbelievable. For instance, by doing one mindful deep breath, you get a short respite from dwelling on the past or worrying about the future and are, for the duration of the breath, in the now, and afterwards, if you go right back to dwelling/worrying, you might be a tad less stressed about it.
Anyways, Chade-Meng Tan was actually hired early on as an software engineer on the then start-up Google. That is, as you might now, a bit unusual company and, true to form, Meng actually got the job title of "Jolly Good Fellow (which nobody can deny)". He then went on to create a mindfulness-based emotional intelligence course that became the most popular course within Google. His first book was based on his teaching notes from that course and this book was the next logical step for him.
It's a great book. Meng uses lots of humour and his background as an engineer to write in a way that other contemporary Western nerds can readily understand. He basically outlines the lazy persons path to mindfulness/meditation. That's where the joy come in. According to Meng, joy is one of the easiest "cheats" to get a steady meditation routine going and much easier to stick to than, for instance, asceticism, that is commonly used by yogis.
He also are quick to make references to scientific studies whenever they either support the claims of meditators or can shed some light on the biological mechanism in play in meditation.
In the end, of course, reading a book doesn't help much if one doesn't do the exercises or adopt the suggested changes. While I enjoyed the book a lot, I cannot say that I've really jumped on the program. Not seriously so, anyway, but I've started to take a mindful deep breath now and then, and have yet a reason for feeling glad and grateful whenever I notice the colours in the light of a low standing sun, not to mention really enjoying the first ten second of stepping into the shower. Micro-steps, but every journey starts with a single step, regardless of how big or small.
I should really go back to Puddicombe's "Get Some Headspace" for comparison.
(Swedish, 15 September 2016)
This is a really thin book - on pair with the children books I never add to this list, eventhough I've read them to my kids. Yet, it is an intense and gripping book. As it has both distinct form and content, let's take a closer look on both, respectively.
The form: The whole book is nothing more (or less!) than a heroic crown of sonnets, also known as a sonnet redoublé. What's that you say? I hope you know what a sonnet is? Think Shakespeare - a 14 line rhymed poem where the lines are rhymed with each other in bound ways. Olsson uses the following form: ABAB CDCD EFE FEF, there has been many other sonnet meters throughout history.
However, in a crown of sonnets, the final line of the preceding sonnet should be the first line of the next one, with the last one ending with the same line as the first begins. Finally, in an heroic crown, there are a full 14 sonnet crown of sonnets with a fifteenth sonnets consisting of all the first lines of all the 15 sonnets in the regular crown, in the same order.
Easy? Not at all, and it seems to be rather few heroic crowns written - but I do appreciate the challenge of it and suspect that no small part of Olsson's motivation for writing "Den mörka stigen" was to not only rise to the challenge but to do well on it.
Regular sonnets are in themselves hard to forge, but they do read well when done right. Reading an heroic crown of sonnets was quite interesting. Although I liked it and am quite a bit awed by Olsson's feat, I must confess that I didn't like that the last line of the previous sonnet is repeated as the first one of the next. If I ever would write a heroic crown (one can dream, can one not?), I would probably relax that requirement and only let the fifteenth sonnet be made up of the first line of the preceding fourteen. I wonder if there is a name for that form of crown?
The content: The theme of Olsson's heroic crown of sonnets is the ancient Greek tale of Orpheus and Eurydice. Basically, the poem captures Orpheus' mind-chatter on the way back from Hades, the realm of the dead, to the land of the living - his hope being tormented by doubts on whether Eurydice really is following him (you know, the god Hades had granted his wish to have his dead Eurydice return to the living if he could make it the whole way back without ever looking behind him, to check whether or not she really is following in his tracks).
This poses an immediate problem. What if you never heard about Orpheus and Eurydice and have not clue of the plot in that legend? How will Olsson's poem affect you then?
As I remember at least the important elements of the legend, I used that knowledge to interpret and place Orpheus' worrying thoughts in a context - but what would one make of them if one doesn't have that context to place them in? I don't know - but what I do know is that, aside of reading Olsson's poem as an extension to the Greek myth, I was also able to relate to Orpheus woes based on my own life experiences. This did give the poem an extra edge and also vouches for the possibility of it being enjoyable for anyone not familiar with the tale of Orpheus and Eurydice.
I mean, after all, aren't love, hope, and doubt universal human emotions shared by virtually all of mankind?
All in all, an impressive technical feat that, despite how short it is - a mere 15 x 14 = 210 lines of 10 to 11 syllables, is able to evoke a surprising amount of emotions. Cool read, I'm envious of Olsson's mastery.
(Swedish, 11 September 2016)
This is the foremost Narnia book - the one that started it all and that is the by far best known of all seven (the prequel "The Magician's Nephew" that takes place almost a life-time before "The Lion, the Witch and the Wardrobe" was the sixth book Lewis produced in the series but in the one-in-all tome we are reading them from, they are presented in the order they take place and that the author wanted them to be read in).
It's a simple but classical story of good and evil and the battle between the two. It's also a nice example of fantasy and travelling between worlds, suitable for young, curious minds. My seven-year-old loved it and I, as an adult, find that it still holds up well but I do question why Santa Clause was included. That's sort of infringement. Lewis' Narnia don't need to borrow anything from other legends - it can stand firmly on its own feet. ;-)
One of the great classics for kids - quite the canonical thing to read to your kid.
(Swedish, 22 August 2016)
We finally started on the complete Chronicles of Narnia, my oldest and I. Given the weight and dimension of this seven-novels-in-one collection volume, we won't be reading this on the train to and from school but solely in bed at night. The Swedish edition is grandiose with the original illustrations by Pauline Baynes. However, they could have spent extra effort with the proof-reading... There are little, silly mistakes sprinkled through-out the text that makes for a sloppy impression - especially when you read out aloud.
Anyways, I haven't read "The Magician's Nephew" since I was a kid and then I remember discovering it pretty late, way after "The Lion, the Witch, and the Wardrobe" but now we are, of course, reading them in the order intended by the author (even if he didn't write them in that order), and thus we kicked-off with "The Magician's Nephew".
I didn't remember how endearing the story is (and it probably was lost on the young me anyway) but even-though the story came about as an afterthought to complete and further develop the country Narnia of the already written books, it works pretty well independently and does give food for thought (if one only could get one's hands on one yellow and one green ring!).
Given that it was written just about sixty years ago, it feels surprisingly little dated, which - of course - is the hallmark of a classic. Also, given that it - in our world - takes place in late Nineteenth century, some of the more dated details can be written of as historical correctness.
My son did like it but somehow I expect him to like "The Lion, the Witch, and the Wardrobe" even more.
(German, 16 August 2016)
He has done it again, written a marvellous novel. "F" has more in common with the collection of short - but interwoven - stories in "Ruhm" than with "Die Vermessung der Welt" but all three titles are great reads in their own way. Just like in the short stories in "Ruhm", "F" interweaves the stories in unexpected and to the main persons unknown ways. However, unlike Kehlman's the earlier two, there are more supernatural, mystic elements that Kehlmann seasons the narration with but never explains.
At its core, this is a novel about three brothers of the same father and how different their personalities and lives turn out. Quite unexpectedly, I actually found myself have most sympathies with Eric, despite his life being the farthest from mine of the three (although he it the only one of them with a family of his own) and his life also being the least appealing to me.
I won't give any more spoilers away, but I will tell you this: do try to keep track of everything you read as certain supporting acts does reoccur now and then, adding depth to the story if do notice that they reappear.
(Swedish, 1 July 2016)
Yes, I confess. I, too, was curious about this title due to the very public divorce between the author and her husband - and the equally public knowledge that he shacked up with another TV celebrity. And, yes, Haag does paint quite a good and convincing story about how it feels to go from finding something slightly odd, to get more and more sure, to be left, to find out the depth of the husbands lies, to suffer some sort of depression and/or nervous breakdown and somehow yet surviving. However, she does it in quite few pages. The topic could probably have been extended a lot, but I hope that writing it met the needs of its author.
However, to my surprise, I actually found the framing story of getting a break from the suffocating reality by travelling out in the nothingness of the Swedish mountains to be a hostess of a remote cabin on a hiking trail to be much more intriguing. I longed for more of the mysticism and over-natural elements around the cold mountain sea everyone warns her to visit, as well as of the nature of wilderness up north.
All in all a quite unexpected composition with unusual elements but it does become something more than just one of the combating parties own subjective statement - despite being on the thin side and too quickly finished.
(Swedish, 6 August 2014)
Finally, me and my oldest both got around to starting on - and finishing - the second part of "Röde Orm", where Orm starts his family and how he travels east, all the way past Kiev in modern Ukraine,
It can be argued that might be too much blood and gore for a seven-years-old, but on the other hand, the archaic written language will work wonders for his Swedish. Also, judging from his questions and remarks to the story, he liked it just fine.
Having been written in the forties, this novel still feels more timeless than dated, perhaps because of Bengtsson having research the Viking age carefully before writing his fabulous yet pretty convincing story.
(Swedish, 31 May 2016)
Great to see a young, female, Swedish researcher write a piece of popular science to present her own research and the latest and greatest from her field to the general public.
The volume's biggest strength and worst weakness is that it is so thin. That makes it both an excellent survey of the field of neuroscience with emphasis on social interactions and a just too short appetiser that doesn't go deep enough into the details to prevent you from hunger for more.
OK, but could be better.
(Swedish, 24 May 2016)
I read about this novel in our morning paper, in conjunction to the papers series of articles on specially gifted children that the conventional and normative school system tend to overlook or ignore (särbegåvade barn). As Kastevik had written a book intended for young kids, I thought it would be an excellent title for me and my oldest to explore together.
It turned out to be a pretty simple but likeable story, more about friendship and loss than about special giftedness and being understimulated, misunderstood, and frustrated in school. Both me and my son liked it and it warmed my heart to her him utter negative comments about the main character's teacher that unfortunately only viewed Noel as a problem and thus failed him, his education, and her job miserably.
(English, 15 May 2016)
Have you ever seen Amy Cuddy's Ted Talk? If not, Google it and watch it - it is basically the condensed sum-up of this book. Then, if you want the full picture and the gory details, jump into this volume.
The body-mind connection is nothing new. Yet, few if any has looked at it from the angle Cuddy has, drawn the conclusions, and started to prescribe body poses to influence the mind to perform better and get better quality of life. (Please take a moment and re-read the last sentence again. A possible mean to take a little control, anyone?)
Cuddy might be best known for the tip to stand in a power pose (like Wonderwoman or Superman) for two minutes before an important meeting or performance. This actually decreases stress hormones and ramps up growth hormones, making you more present and less caught up in your own head. It also makes you more confident.
However, over and over again throughout the book, she gets back to the fact that since it rather is the body and not the mind that controls our mind and mood, we should continuously remember to check in on our body and rearrange it from low-power to high-power poses, suitable for the situation we're in (sometimes it's better to assume a neutral rather than a Gorilla Silverback Alfa-male pose to avoid trouble!), in order to, over time, de-train any bad habit of low-power poses and teach the body to stick to more constructive poses.
In the book, she surveys the relevant research frontier to account both for what led her onto these findings and why it actually works.
I am surprised to stumble on two popular science books in a row (Mischel's "The Marshmallow Test" being the other) that has been so prescriptive in addition to being informative, intriguing, and entertaining. I do hope I will find more of these gems.
(Swedish, 12 May 2016)
I've known about this through a Kickstarter campaign crowd-funded book written to promote programming skills (or really a algorithmic way of thinking) for young children, so when I saw that it had gotten translated to Swedish, I - of course - got a copy to test on my seven-years-old. And, well, he liked it better than me and was able to do exercises reasonably well. I, unfortunately, had expected much more, but I guess that you cannot include everything in a introductory text targeted at new-beginner children.
All in all, it seems to work as intended and I did appreciate all the insider jokes and references she has sprinkled the narration with.
(Swedish, 5 May 2016)
I think it was in an episode of the German popular-science (and more) tv-series "Galileo" on the channel Pro Sieben that was about finding Star Wars stuff in our own society here on Earth that some chap used hypnosis to do some Jedi-like mind-tricks. After seeing that, my son had all kinds of questions around hypnosis so I whipped out this one, we read it at bedtime and discussed what we learned to try to answer all his questions.
Reading it out aloud, I realised that this really isn't a book one should just read through - even if it, of course, works well for that, too - but to really reap some benefits, one should find time to really work with it: do the exercises Praesto suggests and use the methods he recommends. However, when would one find time for that?
(Swedish, 1 May 2016)
There, now my youngest is into chapter books as well and got treated this little known gem of simple-on-the-outside, refined-at-its-heart novel for children.
(English, 31 March 2016)
You probably heard about the Marshmallow Test, haven't you? Kindergarten kids that are sat down in front of a marshmallow and offered two marshmallows if they can refrain from eating the one until the researcher comes back? (In reality, they had a range of different treats to choose from in order to really match the taste of the subjects and it was actually some new paper article that dubbed it "The Marshmallow Test" many years after the first test was conducted.)
What you might not know is that the same research group has been regularly following up on all the kids that have taken the test over the years to see if there is some correlation between how they handled the challenge of the Marshmallow Test and how their lives turn out.
It turns out that there is a strong correlation - but, mind you, a correlation isn't a causation. If your kid is easily able to resist the temptation of the one Marshmallow and wait to get two, chances are good that he or she will be able to use the same executive function in all situations in life, but there are no guarantees that he or she will do good. They can get thrown by hardship of addiction or whatnot anyway. The same way, if he or she does really badly on the test, it doesn't really tell you anything about the rest of their life. A good result has a correlation with successful lives but a bad result doesn't really tell you anything. Perhaps your kid just was really hungry? Even if he or she lacked executive function enough to resist the temptation of the one marshmallow, there isn't anything that says that he or she cannot develop good executive function while in school and well before his or her adult life plays out.
Also, too much self-control isn't good either. Sometimes you need to live a little and bite into that marshmallow. (Think about the fable of the ant that kept working to amass food for the winter and the grasshopper that just indulged life with no thought of tomorrow.)
However, generally, more executive function is better than less as it gives you the choice to use it if appropriate or not use it if not appropriate.
Unlike other great popular-science books, like Pääbo's "The Neanderthal Man" or Tegmark's "Our Mathematical Universe", Mischel's book isn't just intriguing and entertaining. He also includes pure prescriptive sections on how to use these research results yourself - for instance to quite smoking, snack less or put away enough money for retirement. (He also writes on how day-care centres and schools should nurture the kids executive function to make them better equipped to tackle life.)
(After finishing this book the first time around, I actually started a second round where I went into study mode and use a highlighting pen to mark out the gist and important points throughout the book - that's and important reason why there are more books appearing on this page that I've read aloud for my kids at bedtime than I've read myself...)
(Swedish, 20 March 2016)
What can I say? Yes, I confess to having made my son a fan of Tolkien. After all, this work is the grand-dad of all epic fantasy and this part still packs a lot of action-filled suspense that fits a young boy well. However, this one we read on the train to and from school as it was a tad too exiting to read at bedtime.
(German, 29 February 2016)
This is something as unique as the self-published memoirs of the cousin of my wife's grandmother. There are numerous narrations of the hardships ordinary people suffered during the Second World War, but reading the tale of someone that close - often referring to other relatives of my wife, like her grandmother - makes more real and relevant. Interesting stuff.
Also, for us amateur genealogists, it did offer some valuable facts we didn't already know that we can add to my wife's side of the family tree.
(English, 10 February 2016)
You simply got to love it. Apparently, Munroe - best known for the web-comic xkcd (xkcd.com) - has a blog where he gives scientific answers to crazy questions. This books includes the "best-of" that blog. For example, "What would happen if you tried to hit a baseball pitched at 90 percent the speed of light?", "Is it possible to build a jetpack using downward-firing machine guns?", or "How long could a nuclear submarine last in orbit?" (you get the drift) - but also more philosophical questions like "What if everyone actually had only one soul mate, a random person somewhere in the world?".
Using science to calculate how these scenarios would play out is interesting but what makes it a success is, of course, Munroe's humour that the uses to make his replies a treat to read. (Like when he continuously fiddles with a fictitious hairdryer to make it output more and more insane levels of power, just to make the scenarios of having it in a sealed, one cubic meter large box more interesting.
Might only be entertaining to science nerds, but for them it's pure fun.
(Swedish, 9 February 2016)
Clearly, the dam has burst - now my daughter seems to have really embraced chapter books and left the picture books behind (although, I'm sure we will alternate between the types for quite a while).
This is the only one of the Pettson and Findus books that is a chapter-novel (even if richly illustrated) - all the other titles are picture books, of the big-format kind with most folds consisting of one big drawing, overflowing with details, and just one smaller patch of text on each page (our whole family simply loves all the Pettson and Findus books - Nordqvist is quite the genius). Thus, it is good it made in in here, to represent the rest of Nordqvist's authorship.
In the book, Findus learns about Santa Clause and very much wants Santa to make an appearance on Christmas Eve, even though Findus is a cat and not a human child. Pettson, fearing that Santa won't care for a mere cat, sets out to secretly build a mechanical Santa to fulfil Findus wish. However, important parts go mysteriously missing and other needed things suddenly appear in strange situations...
(Swedish, 26 January 2016)
I can no longer remember when I switched from singing to my youngest at bedtime and begin to read to her instead - it must have been quite a while ago. Yet, this is the first chapter book to actually make it onto this list. Some of the "textier" picture books perhaps should have been included, but you have to draw the lines somewhere. Besides, the modus operandi with the picture books - from the wordless to the text-rich - is that you have to read them over and over and over again, often the same title every night at bedtimes for weeks on end, and that would make this list be quite boring, wouldn't it?
Anyways, I did try one of Tove Jansson's "Moomin" novels a while back, but my daughter never got into it so we never finished it. However, this time around, when we tried her brother's collection volume of Lindgren's three "Emil" novels, she eagerly urged me to read on and kept choosing this book over her other, past favourites.
I must confess that it was quite good for me to brush up on my "Emil"-knowledge as I haven't read (or heard) the novels or watched the television version since I was little (and then I hid behind the couch when Emil's father yelled at him). After all, a lot of this is (or at least was) common knowledge throughout a large part of the Swedish people.
As always with Lindgren, she's squarely on the children's side and here she really defends Emil's character as he never plays his tricks on others intentionally but most often sets out with a good intention only to see the results not match his expectation.
Lindgren has also taken the chance to re-create a lot of her beloved childhood Småland (the south-Swedish landscape where she grew up) in the books, which can double as light dramatised history text-books.
(Swedish, 26 January 2016)
I've said it before and I'll say it again - this is not great literature - but so what! For a while, I repeatedly almost missed getting off the bus to work because this page-turner suck me so deep in (lucky for me, I get of the bus at the end-station, otherwise I would have been repeatedly late to the office).
Naturally, this third and final part of the trilogy has had the way paved by the preceding parts that have introduced the characters and plot for the third part to drive home. However, like many other great mystery stories, this, too, turns out to shake everything up and out as we learn that what we thought was true was far from it and that the game-rule was completely different, etc.
All in all a great example of Swedish cross-over literature well worth reading.
(Swedish, 21 January 2016)
I have a confession to make. So far, I've read Tolkien's "The Hobbit" for my son at bedtime no less than four (4!) times over the past years. We begun with the old Swedish translation and then continued with the new. However, for some strange reason, it never got onto this page and I've never got around to fixing that even though I've had a bad conscious about it...
In any case, since he started his pre-school year in the school building he will probably stay in until he starts fourth grade, it was high time to go from "The Hobbit" to "The Lord of the Rings" (although my son refers to the whole series as the Hobbit).
As I've previously only read the novel in the old Swedish translation - and in English, of course - I now took the opportunity to read the new translation to my son. So far, it seems like he has done a good job. Yet, I bounce more at names he only has changed a little compared with the old translation (like "Smörblom" instead of "Smörblomma" for Butterbur) than with names he has changed completely (like "Riftedal" instead of "Vattnadal" for Rivendell). Also, I have a suspicion that the new translator has worked a bit too hard to find archaic Swedish words to match the archaic English words Tolkien used, sometime making the newer Swedish translation harder to understand than the old... Oh well, one should always read books in original language when one can.
Just like with "The Hobbit" when I read it the first time to my son a few years back, I have been slightly worried that this novel might be a bit too early for him. Especially since I remember that I had nightmares about the drums in the deep of Moria when my father read it to me, when I was a kid. However, my son didn't get any nightmares at all and is following the narration very closely, sometimes offering more or less accurate theories on what will happen (that I must fight to accept with a straight face and not give anything prematurely away).
As always, great book and great to get to share it with a new generation.
(English, 15 January 2016)
This was interesting - another great novel lent to me by my sister (she really has a good nose for finding good books). It's kind of hard to pin this novel down. It is fantasy, but it is set in our contemporary world in a very contemporary way, in the sense that it is dirty, with "normal" broken people with "normal" weaknesses and coping strategies. I.e., it shares more atmosphere with contemporary realistic literature than with the general field of fantasy (even if the Swedish "Circle"-trilogy about modern witches comes close).
It's also, a bit like Funke's "Ink"-trilogy, a piece of meta-literature as another novel plays an integral part of this novel.
All in all, Grossman get high marks for both originality (despite the unavoidable parallels to other books) and "what-if":ness (i.e., what if magic as he describes it did exists? Do I or do I not wish it would exist?).
Kind of brilliant idea to have magicians work hard, just like in Harry Potter, to conceal the magic from the rest of us non-magic Earth inhabitants but only making the non-content people that struggles with their lives have aptitude for magic. Powerful stuff...
(Swedish, 2 December 2015)
My son is, naturally, enjoying anything that have to do with space and dreaming about a career as either cosmonaut or cosmologist. However, I had a blast, too, because the adventure story about George and his friends is sprinkled with essays by today's foremost scientists about space and advanced, modern physics written with eight years olds as the target group - which of course make them the best and most understandable summaries of the frontier of space-related science I ever seen! (I mean, Tegmark's "Our Mathematical Universe" was great, too, but far from as easy to grasp. ;-) )
This is the concluding part of the "George"-trilogy Lucy Hawking has written together with her father, the famous Stephen Hawking. A great book mixing suspense with science (with a spoonful of sugar, the medicine goes down...).
(Swedish, 27 November 2015)
This is a fantastic book! Bojs really at length explains the latest developments in genetics and how they practically has helped to shed light on our genealogy way past the oldest church books and other records of actual ancestry.
Not surprisingly, it touches a lot on the same topics as Pääbo's "The Neanderthal Man" but also makes trips into classical archaeology, the history of the dog from the original wolf to today's plethora of dogs in all shapes and sized, and a companion piece of research which you could view as the genetics of metal: how isotope studies of archaeological metal objects have been able to show how the ore was mined in one place (like Cyprus), forged into weapons or objects of art in another (like Spain or the British Isles) and finally rediscovered in their final resting place (like central Europe), showing that globalisation is nothing new - the early mankind traded stuff from one end of the then known world to the other, too, and not just goods but genes as well.
Another titbit that made an impression on me was that thousands of years ago, on the west coast of today's Sweden, people lived a really good and easy life as the sea provided them with plenty of food the year around, to the extent that people lived to their eighties and had good teeth all their lives! Thus, life wasn't always harder throughout history than it is now.
It's also interesting to see how Bojs generally plays the role of the impartial reporter of the conclusions of the researchers (or, should I say conveyor of the big picture behind the specialised and focuses scientific findings?) but now and then actually takes a stand and airs her personal opinion - always making it clear that there isn't any scientific consensus on the matter, but sharing her own feelings on the topic. To me, that only makes the book overall more readable.
If you are at all curious on your past, read this book.
(Swedish, 18 November 2015)
The second installment of the Hawking's excellent pedagocial trilogy of space related suspense. My oldest really enjoyed it and it did feed his interest of space quite handsomely.
(English, 29 October 2015)
Simple fantasy target on the young - not at all as grand as her Hunger Games trilogy for older adolescents - but with a nice atmosphere nevertheless and a nice spin on the classical quest theme.
(English, 20 October 2015)
It's really cool to see a sel-published paperback that actually seems to be selling rather well. Of course, it could have been better typeset but Zot does know his stuff - that is to say, the book is about his own experiences with what he has tried out on himself. Still, it is a pretty nice survey of the topic of ketonic dieting and how Zot got into that and how the practically maintains such a lifestyle.
(English, 13 October 2015)
The last instalment of Roth's excellent cross-over literature trilogy of a dystopic future. In this part, we learn that not all is what it seems to be - i.e., a nice Chinese box twist.
(Swedish, 25 September 2015)
As usual, I'm pushing the envelope on what I read to my oldest at bedtime and just as with Harry Potter, I got it wrong this time, too. Simone doesn't start school in "Dårfinkar och dönickar", she moves and get transferred to a new school... Luckily, my son did like it (especially the creative invectives Simone and Isak throws at each other).
A modern classic by Stark - read it.
(Swedish, 9 September 2015)
The first instalment of the Hawking's excellent pedagogical trilogy of space related suspense. My oldest really enjoyed it and it did feed his interest of space quite handsomely.
(German, 8 September 2015)
I must confess that I am a bit jealous of Enders. I mean, she's just a kid but already working on her PhD in Medicine and winning prised for her incredibly pedagogical book that educates the general public on just how important our gut biology really is to our general health - both physically and psychologically!
It has been generally known that the genome of gut bacteria of the average persons is larger than the human genome and that we live in a sort of symbiosis with our gut bacteria - but I have never seen such an in-depth and complete walk-through of all the currently known touchpoints between our health, fitness, mood, weight, etc, etc, and our gut. Enders argues that our gut is one of our three most important organs together with the heart and the brain.
However, not only does she share the frontier of the contemporary cutting-edge biological research on the matter - she does it with such a wonderful sense of humour that it is no wonder that she's winning prizes all over the place.
So, there is two important reasons why you should read this book:
(English, 18 August 2015)
One of my newest friends lend me this one as a reward for leading her onto the Beautiful Creatures-series. A very endearing novel - sort of. It's a simple story at the surface and is clearly aimed at older kids. However, the overall plot is brilliantly portioned out by key-hole glimpses here and there, so you get a Chinese-boxes sort of thing where the novel repeatedly grows as you learn more (think every season of "Lost"). This is beautifully done and combines well with the rather simple language and composition of the book otherwise.
As a amateur genealogist, I - at the same time - both marvel at the fantastic family facts that are unravelled as the story develops (imagine if I could dig something like this up about my ancestors!) and despair over the fact that it is only we reading the book that learn these facts - the main characters themselves unfortunately never get to know what we do about what came before them.
Cool little gem of a novel.
(Swedish, 12 Augusti 2015)
This is the first of Schwartzkopf's novels about John Cross and his adventures as a "bush-pilot" in Alaska. "Ishavspiloten", that I inherited from my father when I was a kid and read a lot of times, is the second novel in the series, and it is a thrilling, held-together story. In contrast, "Alaskapiloten" is a collection of anecdotes, claimed to be genuine and true stories from Alaska, that Schwartzkopf has re-enacted in the book with his own set of characters. Thus, "Ishavspiloten" is by far the better book of the two, but "Alskapiloten" at least make you chuckle now and then.
(Swedish, 2 August 2015)
How did I not hear about this book sooner? It was published last year and yet I had missed it completely until I got wind of the Kickstarter campaign to crowd-fund the English translation of the book! Only goes to show how Internet brings the world together, to the point that one is more aware of what happens on the other side on the globe than in one's own country...
This is probably the first coffee-table book that I've had a real interest to buy and also would be proud to leave out on the coffee-table.
"Generation 64" is about all of us that were lucky enough to own Commodore 64 home computers in the Eighties - whether we were just gamers or whether we actually learnt to program it ourselves. Wilhelmsson has tracked down and interviewed gamers, hackers, crackers, demo-programmers/sceners, graphicians, journalists, researchers and others - all with a common background or interest in the C64.
For me, personally, it was quite the trip down memory lane as I remembered a lot of my time with my C64 - and with my friends of that time that also had C64 and that I swapped games with. We might never have progress beyond pure gamers status, although we had some ambitions at forming a group and joining the scene (does anyone remember "The Heavy Västerbotten Crackers"? No? I am not surprised), but reading all these interviews made it all come back and also put the finger on something I never had thought about: how the C64 put its mark on many of the very persons that latter would be among the most influential when Sweden become a modern IT-nation.
Fact is that Commodore succeeded in making the C64 a smashing hit by a combination of the early computers capabilities - especially with its graphics and revolutionary sound chip - and ruthless price-wars that put much of the competition out of business. This put a C64 in many homes and proved to the makers of office computers at the time that sounds and graphics were useful and did have their place in a general purpose computer. However, the decisive edge came through the creativity of the young C64 users. As they were less controlled by Commodore than, say, the NES players by Nintendo, it became a sport to use the bug and design-flaws in the C64 to push it passed its intended limitation. Anyone who programmed an impressing demo on the C64, filling it with stunts that shouldn't have been possible learnt tons that could not - neither before nor after - be learnt in any formal education or school. Such hardware near programming skills are, of course, extremely useful in later IT careers.
Wilhelmsson argues that the C64 was the catalyst that made the leap from the early home-computers that few found any real use for to the home-computers of the nineties and beyond (smart-phones and tablets, anyone?) that no-one can live without. Yet, the best thing with the book is that it awaken the memories and rekindles the camaraderie of the C64-owning school pupils that today are middle-ages family fathers, like myself.
Come to think of it, my C64 was the key to me enrolling in a Software Engineering programme at the university and my current career as a systems administrator.
This book might not have the greatest general appeal, but for anyone that owned a C64 in the Eighties, its simply wonderful reading.
(Norwegian, 24 July 2015)
Are Knausgård's "Min kamp"-series authentic or not? Does it matter?
Clearly, you get the impression that he really has battled with his demons to try to remember as much of his life as possible and pour everything that will fit into the books. However, human memory is both fallible and malleable. Has he interview people that he met during different stages of his life to compare their memories of the same events with his to extract some objective facts that may or may not align with his own memories?
The reason I am contemplating the matter of authenticity is that, after part 3 and 4 mostly focused on Knausgård's early childhood and adolescence, part 5 covers his early adulthood and especially toward the end, the intensity really escalates as he accounts for the his most controversial actions so far. He has revealed both good and bad deeds in all parts but, as far as I can remember (it's actually been two years since I read the fourth part), none of the earlier bad choices comes close to the ones in this volume.
Previously, I've more or less assumed that it all has been authentic because it is a realistic life full of convincing details he shares with us. On the surface, this fifth part is very much the same. However, because of some of the less flattering deeds he reveals, a part of me cannot help wondering if he has been totally honest with us or if he has tweaked it just a bit, adjusted the shading just a fraction, in order to look the decisive amount better? I mean, he is only human and the temptation must be there, right?
But, in the end, I realised that I don't care. The bottom line is that it doesn't matter for me whether Knausgård is 100% honest or authentic in this grand apparent auto-biography. Sure, total authenticity would be cool, but in the end, whether it is totally real, only near authentic or totally fictitious don't change my reactions to the text. The way I appreciate is essay-like observations of his surroundings, the way I identify myself with him when his experiences and life-events matches mine, the way I put myself in his place when his experiences and life-events differs from mine - they are all the same regardless of whether his story is real or made-up. Thus, I can ponder whether he has made a full disclosure or not but I still appreciate the whole series (so far) for what an unique piece of literature they are, taking a overall perfectly normal Scandinavian life and making an epic account of it, the good and the bad.
Simply a great reading experience for me. However, I am just six years younger than Knausgård and have lived my whole life in the neighbouring Sweden to his native Norway, so the number of touch-points where my life relates to his are, naturally, numerous. I wonder how an elderly Japanese woman would like Knausgård's series in comparison? ;-)
Anyways, in this, the fifth and next to last part of his monumental auto-biography, he covers his student years and early years as an author. He may have attended less of his lectures than I did mine and I might have partaken more in the student-life than he did, but of course much of both our university years are universal enough to make me relive parts of mine when reading about his. Powerful stuff!
Two passages of the book actually brought tears to my eyes (despite reading on the commuter train to or from work): when he met his first wife Tonje and his emotional roller-coaster at the time of his father's funeral.
Knausgård is a phenomenon and I do encourage you to give him a try.
(English, 8 Jult 2015)
Cross-over literature when it is at its best - fast-faced in a thought-through world with an interesting plot.
Basically, "Insurgent" continues where "Divergent" left of - the both of them could equally well just been one thick volume. The world and plot broadens and deepens, though, as Tris learns more of the secrets of the five conflicting factions and the history of the post-apocalyptic Chicago they live in.
Not much else to say, efficiently good stuff without any extra fanciness.
(Swedish, 1 July 2015)
So why on earth did I locate and order this title from a second-hand bookshop? Because the subject of the title story (the title of the book translates to "Captain Silverbrand and other stories") seems to be my granny's father's uncle and thus the story is kind of a looking-glass to have a glimpse of him and his life during the 1830:ies. Although, to be fair - except for some signs on his and his families living conditions, the story doesn't amount to much more than one anecdote on how he turn the table on some prankster officer colleagues and a lot about his beloved horse Jafet. Still kind of cool, though. ;-)
Although Eva Arbman is listed as author and it is her stories the book contains, I think the true author is her daughter Rosa as it seems to be she that has compiled her mother's scattered notes and also added a chapter with her own portrait of the mother. In there, Eva's great generosity to the poor is evident and that she sometimes got criticised for well-meaning but futile help. This is interesting as basically the same debate right now rages in Swedish media with regards to the European beggar migrants that use the free movement within the Union to come her an beg.
Eva's stories can be divided into portraits of friends of her family - like the one about my relative - and anecdotes about other interesting people around her in Jämtland. In one very gripping chapter, she's collected surprisingly many examples of children with strong religious conviction that dies very young (a just too common fate at that time). This chapter is both beautiful and depressing at the same time...
Basically a trifle but makes for an interesting report from Nineteenth century Jämtland and a glimpse of a relative to me from that time.
(Swedish, 30 June 2015)
Lies, lies, and nothing but lies! I must confess that I knew very little of this project when I started reading, but I had the idea that they actually had been riding around Västerbottens county collecting old fairy-tales just like the brothers Grimm did in Germany in the Nineteenth century. However, I quickly realised that that was not the case. They've probably only arranged the photos of themselves and their horses and all the stories they've claim to have collected are probably written by themselves. (One give-away was that while they rode their horses, their Mexican Sherpa carried their backpacks and tent on foot...)
After all, the authors are half of the members of a popular group of comedians in Sweden and this whole book is just that, an example of entertaining, humorous fiction - sometimes even a bit mean as some of the villages and town they pass are depicted rather disadvantageous in the "collected" story from the same.
Funny, entertaining, and interesting as it takes place in my home country where I grew up, but still - it could have been so much more if it actually had been real!
(Swedish, 27 June 2015)
My six-years-old most evenings begged me to read just a little longer whenever I decided that we had reached a good point to stop so that he could sleep (I consider ten pages a minimum, but more often than not, you cannot stop exactly after the tenth page as you really shouldn't break in media res).
This is Harry Potter and Rowling's story still holds. I still don't like Dobby but somehow he didn't irritate me as much this time as the first time around (before I started on this journal - long ago now).
The very best thing with reading HP to my son as bedtime story is when he interrupts me (or, well, despite him interrupting me) to offer his current theory on this or that in the story. Then I have the delicate task of respond to him without giving anything away as I do (mostly) remember what will go down.
Good stuff, but I think we'll hold of for a while before continuing with the third part.
(English, 26 June 2015)
When Bach originally wrote "Jonathan Livingston Seagull", he decided not to include the fourth part when sending the manuscript to the publisher and it is pretty easy to understand why as the three first parts are almost entirely told through the eyes of Jonathan and Fletcher while the fourth part instead is told by a incorporeal narrator and, on top of that, where the first three parts are optimistic at their core, the fourth part is much more bleaker.
In any case, the fourth part was stashed away for some forty years until the Bachs come across it again and, upon re-reading it, realised that in its description on how the seagull community managed the inheritance of Jonathan after he left them in the end of part three, there actually was quite a lot of parallels to humankind in the Twenty-first century, warranting the publishing of a complete edition of the book including the "rediscovered" fourth part.
"Jonathan Livingston Seagull" will always be a great masterpiece, but the fourth part does add dimension and maturity to the book. A good novel everyone should read.
(German, 25 June 2015)
By know, you should now the template Schorlau uses for his novels: find and research something non-democratic, illegal that has been hidden from the public and spin a tale around it in a way that you as a reader cannot now where fact ends and fiction begins. The drawback of this is that all his novels becomes rather alike, the advantage is that you get quite the stomach-aching "what-if?" feeling that makes them page-turners.
In "Das München-Komplott", Schorlau possibly has come across his most worrisome plot so far, where governmental intelligence services have arranged acts of terrorism and pinned them to either left- or right-wing extremists to reach political goals and control the public.
Strong stuff, but this time Dengler sorted it our himself without needing to be saved by Olga! ;-)
(English, 11 June 2015)
As regular visitors to the collection of mini-reviews know, I have quite an ambivalent relation to Garcia's and Stohl's South Carolina magical adventures. On the one hand, I adore the sweet puppy love between Lena and Ethan, find it entertaining to follow how Ridley's and Link's relation (or non-relation) develops (or unravels) and do appreciate the originality and freshness of Garcia's and Stohl's Casterworld, Otherworld, Far Keep, and whatnot. On the other hand, I find something lacking that I cannot really put my finger on.
Anyways, I found the fourth novel in the series really good - on pair with the first one, in some aspects even better. I think it has to do with the new game-plan Ethan faces in this book and how he has to navigate the challenges on his own to an higher degree than in the previous novels.
Yesterday, I even tried to watch the movie adaption of the first novel - but I had to turn it off... They had changed just too much without obvious reasons. Pity that they don't more often do canonical movie versions instead of the through-and-through commercial "let's-change-this-and-this-since-it-might-attract-a-broader-audience" versions, where "based on the novel XYZ" should be read "loosely inspired by the novel XYZ".
Though "Beautiful Redemption" gets some extra points for bringing tears to my eyes not once but twice (emotional "Kodak" moments between Ethan and first his mother, and later with Lena).
(English, 6 June 2015)
Funny how Tegmark and Pääbo, as well as their books, have so much in common. Both scientists are raised in Sweden but both have one non-Swedish parent (Pääbo's mother is Estonian and Tegmark's father is American). Both begun their education in Sweden and then moved onwards to a series of foreign universities and institutions (Tegmark is currently at MIT and Pääbo is the director of the Department of Genetics at the Max Planck Institute for Evolutionary Anthropology in Leipzig). Both were granted a lot of freedom from their publisher on what to write in their books. Both books has the focus on their respective core research, but both includes a tid-bit on their personal life here and there as well, making the popular-science books double as light auto-biographies of the authors. Also, both has the gift of being able to present hard-core, cutting-edge science in a way that a layperson can understand and appreciate.
Tegmark begins with a compressed history of physics, from the Greeks up to today, mainly to illustrate how old ideas make room for new ideas and how sometimes revolutionary different ideas need a lot of time to be accepted and made mainstream by the majority embracing it. His motivation for doing this is revealed when he present his current theories and admits to them being believed in by just a small minority of the physics community.
Regrettably, it would be pointless for me to try to sum up his work here, because I would need just too many words to try to do it justice. Let's just say that Tegmark works on proving that we live in a world or reality where there are at least four levels of multiverses (our visible universe is a universe, a multiverse is multiple universes):
I think it is pretty obvious that you need to read the book in order to make sense of these levels, but Tegmark's ultimate thesis is that our Level IV universe is a complex mathematical structure. What's really fun is when he feels that he has accounted reasonably for all the current indicia there are that he is right and instead starts to explore the consequences and ramification if it really is so.
For example, he believes we are alone in our universe. Most people, including me, would say that given the enormous size of our visible universe and the astronomical number of stars in it, the Law of Large Numbers dictate that there will be an abundance of planets circling suitably sizes stars and it is unlikely that just our planet of the ones suitable for life has had intelligent lifeforms develop on it. Crunching the numbers, Tegmark reaches the conclusion that intelligent life is so rare that it is extremely unlikely that it happens twice within such a relatively small space as our visible universe. Hence, he believe we are alone. Also, only a tiny fraction of all parallel universes of all four levels are inhabitable - most are unstable and totally barren from even the possibility of life! We can really count ourselves lucky to be where we are, right? Wrong, says Tegmark, since a universe really needs to be rather fine-tuned to support life, this is exactly the universe we can expect to find ourselves in, so the only luck is that we are, not where we are. ;-)
This book regularly made my head spin and unlike Pääbo's "Neanderthal Man" where even the most advanced and complicated scientific methods was pretty straight-forward to explain, the concepts Tegmark introduces sometimes has the basic requirement of one needing to step out of our everyday, Newtonian physic world and enter some weird micro or macro cosmos to make sense of. However, let me reassure you, you don't need to get it all to be both entertained and have your world shook up a little. ;-)
(English, 14 May 2015)
I really liked Caldwell's earlier novel "The Rule of Four", that he wrote together with Dustin Thomason, but although "The Fifth Gospel" shares many of the same traits, it regrettably doesn't work as well for me. I think it simply has to do with "The Rule of Four" being set in a college and being as much a biography on the main character and his friends as a suspense story. It simply has a lot broader appeal than "The Fifth Gospel", which is set squarely in the Vatican. It actually was quite interesting to be guided around the Vatican and fed all sort of facts about both the city, its inhabitants, and - of course - Catholicism (both Western and Eastern) as well as the Ortodox Catholic church. Not that I am a practising Protestant and Sweden is among the most secularised countries in the world, but I am raised in a country full of Lutheran traditions, so it is interesting to get a peek at the Vatican from the outside, so to speak.
The plot is also fascinating with a lot of "what if" moments. It also, more than once, made me think of Tau Malachi's "Living Gnosis" as there are some parallels there with the canonical gospels and the other gospels.
Good craftsmanship, fascinating plot, well executed - but still a bit narrow in its appeal.
(English, 28 April 2015)
Just like Boyd's "It's Complicated", this popular-sicence title was so much more than I expected! Pääbo's book is a real treat. Let me elaborate on why:
I cannot but recommend it and suspect that the audience it might entertain is a lot wider that one would think at first glance.
(Swedish, 20 April 2015)
As my son starts school in grade zero (the Swedish preparatory year before first grade) this autumn, I though that the first Harry Potter novel would be a nice bedtime read, as Harry starts school as well in it. However, what I had forgotten since I read it myself back in 1999 was that Harry already had gone a few years in a normal school before he gets the summon to start first grade at Hogwarts School for Witchcraft and Wizardry. Thus, the age difference between my son and young Harry was bigger than I had intended, but he liked it very much anyway and often begged me to start on yet another chapter after we'd finished the evening's chapter (or chapters, if they were short).
It was interesting to read the Swedish translation and see that the translator had chosen to keep all the English names and only Swedified "muggles" into "mugglare". However, why keep the English name of "The Daily Prophet"? It is, after all, a book for kids and young adults, that might not yet know enough English to be able to decipher the name of that daily paper.
Anyways, despite all the English names, my son kept up very well, which was evident when he blurted out different theories on why something happened or what would happen next. Although not all his theories was plausible ones, they did prove a good comprehension of the story.
Another thing I had forgotten since reading the novel the first time is how much that takes place and how much is established already in the first book of the series. I remember the first pocket to be quite thin, but it evidently contained quite a lot anyway.
All in all, an endearing example of cross-over literature geared more to kids than young adults.
(German, 20 April 2015)
To be perfectly honest, I find Funke's illustrated children books a lot better composed than her Tinten-trilogy (Ink-trilogy in English). They aren't bad but both endearing, thrilling, and thought-provoking. I find her idea about readers that can read things in and out of books both brilliant and able to bear her whole trilogy. It's just that she hasn't been able to strike the right balance between the events in the books and the length of them.
However, many of the characters are pretty memorable and I liked the Tinten-world (Ink-world) a lot, although the single thing I like the most is the meta-quality of a trilogy of novels where references to other well-know books and authors places a huge part (although more so in the first than in the last volume).
In this, the third volume, Funke ties up the loose threads in a nice, unpredictable climax (or crisis) - even if it all predictably ends well.
All in all a great idea that could have been brilliantly carried out instead of just pleasantly...
(Swedish, 24 March 2015)
Another of my father childhood novels that I've used as bedtime story for my oldest, a couple of chapters a night. According to to the note - in my grandmother's handwriting - on the inside of the cover, my father got this book at Christmas 1957. I read it myself when I was a kid but it is quite interesting to re-read again as a grown-up. Apparently, Ingvar wrote some thirty books for kids and youths between 1947 and 1997(!). Five or six of them was about the Texan gun-slinger Bill Brandon. I wonder if Ingvar ever travelled USA to research his Wild West novels about Bill Brandon or if they are pure fantasies crafted in distant Sweden? It's quite a simple story but pretty convincingly carried out and it does possess a few nicely exiting parts.
However, all in all a pretty dated trifle of an adventure novel.
(English, 20 March 2015)
Wow - this book turned out to be so much more than I had expected. boyd (that for some reason writes her name without the first letter capitalised) has written a book about teens and social media - and since my children are growing up in this time and age with Internet everywhere and I make my living working for a Web 2.0 company, I naturally was curious about the book when I read about it in our morning paper and ordered a copy. However, I could never foresee just how thoroughly she had researched the topic or just from how many angles she's dissected the topic.
Simply put, I liked the book immensely because it constantly opened my eyes and made me see things in perspectives I hadn't considered before - and somehow boyd succeeded in making me feel smart because learning all these new things! Very alluring. ;-)
To give you an idea of the scope: by interviewing teens allover USA, from all classes, ethnicities, and religions, boyd has accounted for the social lives of networked teens in chapters on Identity, Privacy, Addiction, Danger, Bullying, Inequality, and Literacy. In all of them, she build compelling cases for teens' motivations and actions to be more complicated than they seem - and that parents/adult and especially media constantly get them wrong or underestimates/over-simplifies them.
Personally, I discovered that - despite being around computers since around 1982 and being on the Internet since 1993 (and working with the web in some form in every employment I've had) - I am surprisingly conservative when it comes to social media. Yet, I suspect that I might be more liberal when it comes to my own kids - for better or for worse.
As so often with American authors, the main drawback is the very American focus. While the Internet is global, culture is not, and European countries generally differs more with the US than with each other - especially with regards to sex, violence, and child rearing. Thus, some of the moral panics around teens and the Internet are simply more blown up in the US than in Europe. This makes the book a tad bit less applicable in Sweden - even if boyd tries hard to deflate the moral panics. (On the other hand, you can also read it as a guide to America and enjoy it as such - and appreciate what differences and similarities there are between our societies on each side of the Atlantic.)
The main lesson to remember in this book is that the overwhelming majority of teenagers use social media to keep in touch with their friends - people they already know - not to reach out to strangers. However, although many teenagers are acutely aware of the dangers their parents see in the Internet, that they intend their messages for their circle of friends can sometimes make them blind to the messages being publicly accessible - or not comprehending that someone else than their friends would go to the trouble to read their messages. I.e., there are room for loving parents to educate a little. On the other hand, I was fascinated by the strategies teenagers almost instinctively develop to obscure without making their content private by talking in contextual code so only the already initiated can understand. You see why the book is called "it's complicated"? ;-)
Warmly recommended.
(German, 6 March 2015)
Kehlmann is the celebrated author of the excellent and original "Die Vermessung der Welt". In comparison to that novel, this collection of nine short story is much more trivial. However, all nine stories are intricately connected to each other - or rather, since each story has a main character of its own, the persons in them all have ties to the characters in the other stores, and tie into each others lives in some way.
Sometimes simple and subtle, sometimes grand and absurd, you have to admire the craftsmanship behind this collection. In retrospect, I liked the first one - about the man who got somebody else's number with his new mobile phone subscription - and the one about the author that went on a PR-trip in stead of a friend the most.
(English, 5 March 2015)
Apparently, they've coined the term crossover literature for this type of novels that appeal to adults as much as they do to children or, to put it in another way, isn't unnecessary patronisingly dumbed down for kids nor extravagantly complicated for masochistic adults. I.e., they are page-turners with broad appeal, like Harry Potter, the Hunger Games, the Twilight Sage, etc.
Roth's "Divergent" fits right up this alley with its post-apocalyptic Chicago that parallels Collins' post-apocalyptic USA in quite a few ways: the formation of new civilisations with built in tensions, gifted female main characters that has to overcome great personal challenges, etc.
It was a very nice read, with a thought-through, plausible world (even if I must peg Hunger Games as the even more thrilling one, I hold Divergent's society as being the more plausible one of the two.
Will borrow the sequel from my sister when I get the opportunity.
(Swedish, 27 February 2015)
With my ill daughter sleeping beside me (she kept waking when I tried to leave the room), I grabbed this book to not fall asleep myself and read it all in one go, before my daughter woke up. It took less than two hours to read, which was quite surprising given its format and weight - but it turned out that it had quite a modern, artsy layout with tons of photos and other illustrations (it is actually the "Illustrated Edition"). It was also written in light, easy-to-follow Swedish. This luxury hardcover edition makes for a great gift - and I actually got it as a Christmas present from my sister and her boyfriend.
Anyways, in the book, the physician and author Bea Uusma confesses and shares her obsession with S. A. Andrée's Arctic balloon expedition of 1897 with her readers. And "obsession" is actually a quite fitting word for it, since she's spent a lot of time, money, and effort on researching and trace the unfortunate expedition for a long time. Apart of being an account of her research, the book also presents her own conclusions regarding the fate of the expedition, complete with her evidence. I wont spoil anything, but she has, very fairly, listed about all theories - both popular and obscure - that's been circulated about what killed the participants since their bodies were found in 1930 and she goes through them all, discussing their strength and weaknesses and overall plausibility. Her own favourite isn't the only plausible she identifies - but it is the one she feels most of the evidence points at. It is also an underdog theory that has got surprisingly little support before Bea brought it back on the table!
It is really neatly done. It could have been as boring as a clinically kept journal of amateur research but as she weaves in parts of her own life and historically indisputable elements of the expedition participants private lives before they took off on the attempt to reach the North Pole in a hydrogen balloon and also composes her narration quite like a detective story - the end effect is a beautifully illustrated and layouted page-turner.
Good work, Bea!
(English, 13 February 2015)
Another series of successful cross-over literature. The "Beautiful" novels are feel-good contemporary fantasy in an original American South-states setting. I enjoy to read them and am curious to see where each volume will take the story, but somehow, I have trouble to produce multi-paragraph reviews of them. Sure, that is partially due to not wanting to spoil anything, but it is also due to them not stirring me enough.
To me, the main strengths are A) the Southern setting (and drawl), B) the endearing love-relationship between Ethan and Lena, and C) the quite likable collections of Casters, Succubuses, and other magical creatures.
(Swedish, 9 February 2015)
This might be the single novel I personally have read the most times. There were a few years in my early teens - or even before that - when I, for some reason, read this book quite regularly. So, yes, I am quite fond of it. No surprise that I asked if my oldest would like it as bedtime book. Needless to say, he agreed. ;-)
Having worked as a pilot himself (among other professions), Schwartzkopf makes the airplane and flying stuff very credible. Couple that with a fascinating plot featuring an unknown ice-sea island with an isolated populations of lost Russians, hearty humour, ice-bears, and more and you have quite the boy-book classic.
It might be my bias that is talking, but I want to argue that this is quite an accomplished piece of fiction, in all its apparent simplicity!
(English, 26 January 2014)
Thank God for all IT-billionaires that have the time and money to spend on elaborate bleeding-edge experiments using themselves as Guinea-pigs. Apparently, Silicon Valley is the centre of the "Bio-hack" movement, where one-size fits all, cookie-cutter solutions are frowned upon and everyone is out to find the unique prescription that is customised for one's individual genome.
Asprey has focused on dispelling the hard-to-kill myths about the food we eat and preaching little know facts like, for instance, how negatively traces of mold toxins in what we eat can affect us. Fascinating stuff! Even if you have to take it with a pinch of salt and, as always, need to use vigilant source criticism/information evaluation, it does give you a lot of new ideas and perspectives. (Even if you hear an obviously false statement, the logical motivation for someone to state it might trigger associations for you that lead you to new, personal ideas, insights, and/or break-throughs.)
So, in other words, even if _I_ personally find Asprey quite convincing, I still don't take his every word as the truth, nor do I say that you should. What I will encourage you, however, is to read him with an open mind, to get new ideas and to see the world through new eyes.
Asprey is perhaps best known as the inventor of "Bulletproof Coffee" - i.e., preferably mold-toxin free coffee mixed with butter and coconut oil, to make for a breakfast that jogs your mind and body and keeps you going - fuelling your body - while keeping your hunger at bay - allegedly without ending your night fast, thereby triggering the bodies own cleaning processes, muscle growth, fat burning, and whatnot. Does it sound extreme? (I thought so.) Does it sound too far out to even be tried? (I didn't think so but actually tried it. It does hold the hunger at bay, oddly enough, but at this time I have not yet any verdict about the other claims.)
Asprey's Bulletproof diet is interesting in that it isn't black and white and that he acknowledges that different individuals react differently to different food-stuffs, due to our different genetics. He encourages everyone to become an active Bio-hacker and experiment to find what works best for yourself. He also views his diet as a spectrum, where you still are on the diet even if you always pick the very worst things to stuff yourself with (you are at the far end, but you are still on the diet). This perspective makes it easier to, over time, make better and better choices - and to overcome set-backs.
The focus of the book is on the diet, with page upon page of walkthroughs of different groups of foods from the most bulletproof to the most toxic. However, he also includes sections on how to improve your sleep and more.
For anyone with a sense of curiosity or anybody who likes the books of Timothy Ferriss, this is a book for you,
(English, 15 January 2015)
Tim Ferriss' "Four hour" books led to McGuff's and Little's "Body by Science" and McGuff's blog later led me to this gem.
Baye originally created Project Kratos (named after the Greek god of strength) as a complete high-intensity body-weight program for his own body-weight training station. However, it was then generalised to work with little or no equipment (by substituting exercises). The edition I've got is his second phase, where he has released it to get feedback from people using it, with the goal to publish an ultimate edition, fine tuned by the feedback and incorporating selected users' experiences.
Anyway, what makes "Project: Kratos" unique? It contains detailed progression schemes for all of the common body-weight exercises, allowing for a wide-range of fitness levels. Basically, this program is of use both for the out-of-wind couch-potato and the fit and active athlete. (Although, as usual, what you get out of it depends on how much effort you invest in it.) Unlike other body-weight training manuals and much like "Body by Science", "Project: Kratos" prescribes slow, high-intensity movements focusing on quality of muscle loading, not quantity of repetitions. The result is a higher degree of muscle fatigue but a lot less risk of injury as you move slow and deliberate rather than rushed and bouncing. Thus, it makes for a time-efficient, low-budget, low-risk, highly mobile strength-training program.
I cannot but help thinking that this book would be valuable to have if one ever is locked up for a longer stretch of time into a small cell. ;-)
(Swedish, 13 January 2015)
Yes, I readily admit to this being quite a risky choice of bedtime literature for my not yet six years old, but it worked out marvellously. We've received reports from the day-care centre that he has been talking about light and particles and whatnot. ;-) He has really listened with an interest and has even been able to answer some of the end-of-chapter questions (I was very proud of him when he correctly could explain why it is better to crawl than to walk on thin ice). Hopefully, some of these insights will stick in his memory.
Anyways, this is the story of the young male assistant to the elderly that among his clients have the old lady that is studying physics and loves to talk about it, and through her stories the young assistant starts to see physics in play everywhere around him in his everyday life.
All in all a quite endearing book with a quite ambitious agenda. It is just sad how badly this first edition was proof-read. I remember that is was bad enough reading it oneself, but reading it out loud makes you stumble on even more grammatical and spelling errors!
(Norwegian, 9 January 2015)
This novel is divided into three parts. I liked the first part a lot, as it had a nerve and a fresh feeling with the advanced threesome and insights into Norwegian governmental New Public Management. The second, where the narrating I in the novel comes forward, I didn't care for at all. She was unfortunately too weird for me and the contrast to the first part was simply too big. The third part was somewhere in between, but not as good as the first part.
If we concentrate on the first part, it is really interesting how fascinating it is. Although I am sceptical to whether this ever will be considered a classic as the New Public Management stuff probably will make the book feel dated in a few years, at the moment, it does add to the novel's credibility. And the erotic and border-transcending threesome - well, it could have felt constructed, but as it is, the persons actually feel natural enough to make the whole situation both extreme but yet plausible and somewhat possible to relate to.
And, as always, it is personally rewarding for me, as a Swede, to read a novel in Norwegian.
(Swedish, 15 December 2014)
I gave this book to my wife as a joke, but it is actually quite an interesting read. There are a lot of indisputably good arguments for why it is a good thing to become a lesbian - regardless of how old the presumptive female is. On the other hand, the authors do paint a rather black and generalised image of all men. I am a man and while I do give them right in some of their criticisms of the male species, at the same time, I don't recognise myself in the general picture they try to put all men in. In some of it, yes, but far from all of it.
In any case, it is a good read for anyone, regardless of whether one is for or against same-gender relationships. You are bound to learn something new - especially if you are homophobic dinosaur. I was rather surprised over how much I appreciated the chapter on why you should wish your daughter was a lesbian! I simply hadn't been able to foresee all their arguments. On the other hand, this book will hardly affect the way I raise either of my kids at all.
An eye-opener, perhaps even more so for men than for women, despite the obviously intended gender of readers.
(German, 12 December 2014)
Schorlau really has his distinct art of writing detective stories. This one is inspired by the Afghanistan war and is possibly the most creepy of his novels so far. Novel super-weapons and Western governmental cover-ups is not a good combination for the safety of you and me...
Good book, Dengler relied less on his good fortune in this one, but on the other hand, he relied a lot more on his talented girlfriend Olga. This is not the only Dengler-novel where it is rather Olga than Dengler that cracks the case and saves the day.
Time to go hunting for the fifth Dengler novel.
(English, 5 December 2014)
Gladwell is always Gladwell. He takes an aspect of reality, finds a lot of relating stories, and weaves them together into an illuminating book - or perhaps he is rather able to find the common aspect to a set of stories from the ocean of tales he has encountered throughout his life as a journalist.
In this book, the theme is the little versus the giants, the underdog versus the superior, the misfits versus the conventional, etc, and Gladwell's argues the case that these common categories rather are due to a fault in our perception. The seemingly weak are not only stronger than we think - Glaswell lists example after example on cases where the apparent weakness is exactly the factor that in reality has empowered the seemingly weak to actually be able to be victorious. It might be dyslectics that has compensated for their handicap by excelling in other areas or survivors of terror bombing that through their survival lose their fear and thus makes terror bombing futile.
Perhaps Gladwell's most useful lesson in this book is that of the inverted U-curve - i.e., a curve that shows that sometime the law of diminishing returns give way to a situation where extra effort actually makes for determinable results (one of his examples is the size of school classes - reducing huge classes yields better results for the pupils but only up to a point, if you reduce the classes further after that point, the pupils do worse again).
As always, Gladwell not only argues his case well, but as he accounts for the background to his enlightening stories, he does so very well and entertainingly. I cannot but recommend all Gladwell's books to anyone the least curious of the human reality we all share.
(German, 1 December 2014)
It is not hard to see why Schorlau has become so popular in Germany (or so my German friends tell me). Since he always spins his plots around a lot of real facts (sometimes anonymifying or even appropriating them), you often get a "what if?"-feeling that is really excellent. Also, Schorlau's detective novels are pretty political as he often weaves his tales around some bad guy that is either corrupted by power or money or both.
In this novel, Dengler's third case, the political angle is far-reaching privatisation and the risks of prioritising profit before ethics. I don't want to make more of a spoiler - it is a crime/suspense story after all - but the title of the novel is somewhat indicative of the theme.
Cool with another productive German crime author aside of Nele Neuhaus to enjoy.
(Swedish, 1 December 2014)
Dahlén is an eccentric (long hair, black nails) professor of economy at the Stockholm School of Economics. I've previously seen him on TV as an expert on what makes modern people behave the way they do. It was with high expectations I approach this book by him - and, boy, did he deliver!
"Nextopia" is a book about satisfaction, happiness, and business in the Twenty-first century. Dahlén argues that we aren't searching for Utopia anymore, but instead are living in Nextopia where our expectations are driving us and both our perceived happiness and actual satisfaction forward. Since everything that is actually released on the market can be instantly copied, companies greatest asset isn't a well-filled store-room, it is instead their next, not-yet released product. People actually appreciates products they cannot yet buy more than things they can buy in a store or already have. Remember Steve Jobs and Apple's yearly press conferences where they revealed what their next big thing would be? Those were totally symptomatic, according to Dahlén.
It would probably be quite interesting to take a course given by professor Dahlén or partake in his research. However, I will have to settle with reading his books. I really enjoyed this one - an excellent example of popular science with quite a few parallels to Kahneman's "Thinking, Fast and Slow".
Perhaps they key point I am taking with me from this book is that we are evolutionary programmed to seek happiness through development but, as a consequence, are basically content with our lives. Since pessimists die younger, the evolution over time have been, is, and will be working on making humanity overall happier and more content. (Kind of reassuring, don't you think?)
(German, 24 November 2014)
In this, Dengler's second case, Schorlau isn't as contemporary as he was in the first Dengler-book (and as he is reputed to be) but instead makes the plot revolve around an event during the second World War. Still, it's a quite nice Crime/Suspense story and we get to know both Dengler and the people around him better.
So far, a nice series. Will sink my teeth into the third novel soon.
(English, 14 November 2014)
Interestingly enough, apparently, Wier once wrote a pretty mathematical book presenting his Trance Model. He seems to have got a lot of criticism from less mathematical people that it was too hard to read due to the heavy math. Thus, in this book, the only mathematics included are contained into a short footnote - and it is pretty basic math as well. ;-)
"The Way of Trance" goes through a variety of common trances - meditation, hetero- and self-hypnosis, television, magick, addiction, etc - and applies his Trance Model on each. This makes for quite interesting reading. The map is not the territory, but by using the same model to explain such a variety of common trance phenomenas, you get new insights into the complexity of the human psyche.
However, Weir's reasoning isn't simple to follow and his Trance Model is quite complicated (I would have liked a deeper explanation of it). Thus, even if it is interesting and thought-provoking, it kind of raises more questions than it answers. Possibly, an experienced meditator or even an addict of some sort would be able to appreciate it more than me.
Perhaps I should simply read it again, but I really would liked Wier to go deeper in most if not all sections as it felt like he presumed his readers to be closer to his knowledge level than I am.
(German, 4 November 2014)
Heh, a German Crime/Suspense thriller with a Private Investigator, not a Police, as main character - there's something you don't see every day (although George Dengler happens to have quit his former job as a Police in order to start his new career as a private-eye). Schorlau even jokes about it by letting a neighbour to Dengler explain why Germans don't care for novels and movies about Private Investigators.
All together, it is a rather well-crafted book. However, its primary strength is undeniably the core plot, with its political dimension, that lends itself well to people's thirst for conspiracy theories. On the whole, the plot seemed creepily plausible to me, with those nice "What if?" vibes. Then, in Schorlau's afterword, I learnt just how much facts, true event and actual persons he has woven into his novel (that I, as a non-German, of course had no clue about). No wonder that he has become popular in Germany (we were given the first few Dengler books by friends in Germany) - he has simply built his fiction around one of the conspiracy theories on the very real murder of Detlev Rohwedder in 1991.
As this is the book about Dengler's first case, Schorlau naturally introduces both Dengler's background ("formative life-events") and support characters I suspect will be reoccurring in the other installations in the series (there are at least six books about Dengler). He also leaves a few loose threads that I wouldn't be surprised if they are spun further in the sequel.
If I should mention something less good about it, it's Schorlau's dramaturgical method of building up to the climax by becoming more and more terse and making the scenes shorter and shorter. Carefully done, it - of course - works like a charm, but I actually found the end a bit lacking just because it felt a bit rushed to me. Compared to the beginning and the middle part of the novel, the end felt too thin - even-though Dengler cracks the case and all. In my opinion, Schorlau could have dwelled on the last part of the book a lot more without sacrificing neither suspense nor build-up. Then again, taste is a subjective matter, naturally. It is still a very good book and nice read.
(Swedish, 17 October 2014)
How lucky my daughter is to have been born on this Earth in the twenty-first century! Schlingmann, that got known to the wide public as the ideologist that transformed Sweden's foremost conservative party into "the new Labour party", and Nordström. the economy professor that co-authored the great "Funky Business", here collaborates on a book on the current global trends they sense and predicts.
The title "Urban Express" pays homage to that since the beginning of the Twentyfirst century, more people live in cities than in the country side - and in the big cities throughout the earth, the young women educate themselves more than men and are already beginning to earn more than men. How's that for gender equality?
Less reassuring is that where once an university education was a guarantee for a successful career, it is now a requirement but not enough to land you a good job. Schlingmann and Nordström argues that you need to compliment it with what they call "wild knowledge" - knowledge that cannot easily be encoded (and this neither copied nor easily learnt).
"Urban Express" is both an reassuring book in the sense that the trends they identifies and predicts are overall positive ones. At the same time, it is a bit unnerving in the sense that our society will continue to put higher and higher demands on the individual. The book it very fast-paced which makes it highly entertaining but also mind-boggling (innovism instead of capitalism? Didn't capitalism just "win" when only North Korea refuses to introduce any capitalism?).
If you, like me, are curious of our contemporary society and where we are going next, you are probably going to enjoy this book.
(English, 13 October 2014)
Forester is best know of his marathon series on Horatio Hornblower and Hornblower's career from midshipman to Admiral during the Napolean Wars. In "The Ship", he instead writes about a convoy bound for Malta during the Second World War (yes, I bought it in the book-store in the Malta airport on my way home from my latest work-trip to Malta).
Unfortunately, Forester's Hornblower novels are generally better than this one (at least as I remember the ones I've read). Although the plot is thrilling: a few British cruisers and destroyers - guarding the convoy carrying supplies vital to the survival of Malta as Allied stronghold in the Mediterranean theatre of war - that has to take on virtually the whole Italian fleet, the novel bogs down in the tiresome neverending pro-British portraits of every person encountered throughout the one cruiser the story revolves around. Some moderation had been good. As it now stands, you are kind of only reminded of that it is the victors that write history. But, yeah, in theory, each character portrait of each seaman and office would have given the story depth - but too much of a good thing make things go haywire. Especially all flashbacks to their lives in Britain before the war are getting in the way of the core story.
Anyways, one good thing with the novel is its thorough account for how a British cruiser is constructed and how its crew are organised. What surprised me is how often all the complex machinery needs to be manually handled - sometimes in rather complex and arcane ways. I assume that much of those tasks are computerised today.
How I hope that I never have to perform any such task - mindful or mindless - on a cruise engaged in a naval battle and constantly risking instant death to any of its inhabitants...
(English, 10 October 2014)
This is another book I was introduced to by Doug McGuff's blog (one of the authors of the the excellent "Body by Science") but Bass is actually not a completely new acquaintance of mine. As I have had my bouts of exercise throughout the years, I have naturally done a lot of searching on the Internet and naturally already come across articles there by Bass. This book, however, is sometime different. It is basically a personal survey of the fields strength, exercise, and health by the now 75-years old Bass where he presents cutting-edge science paired with his own endeavours throughout the years.
Just like McGuff and Little in "Body by Science", Bass stresses the importance of strength and skeletal muscle for health, one's brain, ageing, etc, but where McGuff and Little scoffs at aerobics as not worth the trouble, Bass paints a more moderate picture (I got curious of his prescription of sub-max intervals on rowing machines and ski ergometers where you should pace yourself so only the last interval will be of maximum intensity and just barely possible to complete.)
The book is basically a nice smorgosboard of training modalities and health and dieting tips to cherry-pick from, with Bass acting as your friendly guide. It is well worth a read, but I still like McGuff's and Little's in "Body by Science" more.
(German, 1 October 2014)
I think it happened again. I liked the second book in a series better than the first - probably because of the already established familiarity with the characters and fictional world. It is also less repetitive and better paced. As less of the plot takes place in our world and more in the particular book-world of the fictional book "Tintenherz" that is central to the whole trilogy, the story also takes on a graver tone as that world is a grimmer place than ours.
Strengths: The meta-qualities of the main-characters love of books and frequent references to other real books, the core idea of being able to read things in and out of books, the lovingly grim Tintenworld.
Weaknesses: The very large set of characters where not all get the attention they deserve, a nagging feeling that Funke could have polished the whole story one notch more (but here the impression from the first book lingers and unjustly affects this, the second one).
All in all, good enough that I look forward to the third part.
(Swedish, 3 September 2014)
Aaah, what a pure pleasure. "Jonathan Livingston Seagull" may be short, but it so ingeniously well composed, to work on so many levels. You can read it as a novel about seagulls, as a book about flying, as a self-realisation manual, as a textbook on transcendence, etc. It's no wonder that it has been loved by generations of readers since being published in the seventies.
This Swedish copy, which I bought solely to read to my son at bedtime, is called "Måsen" ("The Seagull") but is as far as I can tell aptly translated. Not surprisingly, my son also enjoyed it and asked me a lot of questions that proved to me that he didn't only get the outer story, but at least some of the deeper levels as well.
(Swedish, 1 September 2014)
My father got this book as a Christmas gift in 1956, when he was eleven years old. The author, Ahlstedt, is otherwise best known as one of the two authors behind the pseudonym Sivar Ahlrud that wrote a whole bunch of boy-books about "Tvillingdeckarna" ("the Twin Detectives"). Here, he has been commissioned with writing "The Boy's Christmas Book 1956", and true to his habit, it is a detective story about the self-proclaimed Private-Eye Kjell Nilsson, a twelve years old boy and how he solves his first great case with some help from his friend Caesar and Caesar's younger sister Ingela.
Even if it is a "boy-book", it isn't that simple. The plot is quite intricate and is actually not that predictable. However, that Kjell even get a chance to solve the mystery in the first place depends just too much on co-incidence to be really convincing.
To my surprise, despite being written almost 60 years ago, it felt surprisingly little dated - with one great exception: it is ripe of the gender-inequality of the fifties, which reduces Ingela to a mere assistance. Had it been written today, she would naturally have assumed a much more active and involved role.
All in all a trifle, but my son enjoyed it.
(English, 25 August 2014)
What a disappointment! I was, in the blog of Dough McGuff (co-author of "Body by Science), led to believe that Darden included some in-depth insights on cold thermogenesis in "The Body Fat Breakthrough" but it turns out he don't. The only cold-treatment he includes is the usual application of a ice-pack to ones neck and cold baths and showers (it seems a cold plunge after a strength training session goes a long way with preventing soreness the following days).
Despite a lot of parallels between "The Body Fat Breakthrough" and "Body by Science", the latter is to me so much better than the former. Primarily because where McGuff and Little argues their case by giving an indepth scientific description of the biological processes involved, sharing their insights with the reader, Darden instead is trying hard to sell his ten core advice he calls "Fat Bombs" by organising his book much like a sales-prospect (complete with an impressive number of before and after photos of the subjects who took parts in the trials of his program). Granted, Darden's book is much more easy to read tha McGuff's and Little's, but I like the tone a lot better in "Body by Science". I guess that McGuff's and Little's book are more descriptive and reasoning where Darden's is more prescriptive. Both books probably have their audiences.
Anyways, even if I was put off by the form of "The Body Fat Breakthrough" and the lack of the insights in why cold thermogenesis works that I had thought was included, there is much of interest in it as well. What I found most interesting were the concept of Negative-accentuated exercise (which McGuff and Little only touched upon but Darden goes into to a higher degree) and super-hydration (that makes you burn calories both to heat the ingested cold water and compensate for the heat loss through urination). One interesting point was the concept of post-dinner half-an-hours walks, but no parents of toddlers are really able to enjoy any such...
If you are overweight, looking for a way to loose weight fast, and have time and dedication to dive into a around-the-clock program, "The Body Fat Breakthrough" might be something for you. For me, it was mostly a dud, although I did appreciate the 30/30/30 protocol of Negative-accentuated exercise - i.e., start with one negative (eccentric) movement so slow that it lasts 30 seconds, the reverse and make an equally slow positive (concentric) movement followed by a last 30 second negative (eccentric) movement. If you have chosen your weight right, you should just barely be able to finish the last negative in a controlled fashion before you reach muscular failure and has then reached a 90 second Time Under Load of two-thirds negative and one-third positive effort. This should jog your involved muscles to overcompensate and grow stronger if you give them enough time to recover.
Too much of a sales-pamphlet, too little of a reasoning text-book.
(English, 21 August 2014)
Feelgood fantasy, despite all the hardships and horrors. (I'm sorry, I am not that inspired right now.)
(Swedish, 13 August 2014)
Niklas Ekdal was for quite some time political editor for Dagens Nyheter, Sweden's largest daily morning paper. As such, I read quite a few opinions written by his pen over the years. Now I've read his first fictional novel (he had already then published some non-fictional books) and I must say that the jump from political commentator to author of a thriller is quite an interesting leap.
Let's begin by listing the main weaknesses I spontaneously attribute the novel:
However, luckily, the novel does possess some nice strengths as well:
All in all, it might be a bit lightweight as thriller but, on the other hand, it is a nice tale of contemporary Sweden with all the movements that are going on over and under the surface. Let's hope that Ekdal continues to pump out thrillers that only gets better and better as he continues to develop his skills at writing them.
(English, 31 July 2014)
By reading this title, I discovered that it is preceded not only by "Freakonomics" - which I have read - but also by their "Superfreakonomics", which I seem to have missed completely. This must, of course, be addressed at a later date.
Anyways, unlike "Freakonomics" (and allegedly "Superfreakonomics") that were descriptive in that they only contained stories of this and that case were a bit of statistics and creative thinking provided a novel and better fitting explanation than conventional wisdom at the time for something in our contemporary society, "Think Like a Freak" is prescriptive in that it has the ambition to train us in thinking more freely and be more aware of the common fallacies of human thinking (compare with Kahneman and his "Thinking, Fast and Slow" that Levitt and Dubner also refers to).
However, their teaching aspiration aside, the merit of this title is, like the preceding ones, all examples they use to illustrate their advice. Like how Kobi on his first try smashed the old hot dog eating contest record of 25 1/8 hot dogs with bun in 12 minutes by eating no less than 50 in the same time. How he did it? He realised that the competition at the time still ate the hot dogs the ordinary way, just quicker. By deconstruction and experimentation Kobi arrived at his new record by first swallowing the sausages and then dunk the buns in water, compress them in his hands and digest the bread-and-water mash. I.e., he surpassed the competition by thinking like a freak. ;-)
As Levitt's and Dubner's books always seem to be very entertaining and enlightening, I better get my hands on "Superfreakonomics" as well.
(Swedish, 28 July 2014)
Lindgren is best known for her fairy-tales, but this isn't a fairy tale but actually a Crime/Suspense story for older kids. This particular copy was given to my father as a Christmas gift when he was seven years old. I read it to my son at bedtime, and it kept his interest peaked.
At its core, the central plot is pretty simple but refined enough to work, and still works 60 years after the novel was first published. You certainly don't need any overworked plot when you instead focus on the main characters and their ambition to get the most out of their summer holidays.
Of course, small town life in Sweden in the Fifties are quite unlike our contemporary society, but - again - kids are still kids and so little time is spent on other things than their pastimes that surprisingly little differences are obvious. For example, many of the main characters' mothers must be non-working house-wives, but that is never apparent in the novel - possibly because it was as natural then as it is uncommon today.
All in all a sweet and not that trivial detective story for children of all ages (except the youngest ones - after all, there are a murder taking place in it).
(Swedish, 26 July 2014)
One should really read more of Dahl - he has done so much more than just "Charlie and the Chocolate Factory". This little novel - which I believe was made into a movie the other year - is quite interesting in the fact that virtually all humans are depicted as filthy and evil while the animals, on the other hand, are noble creatures fighting for the survival of their families against the very same humans (well, perhaps with the exception of the drunken rat).
I have to admit that I do wonder what the morale of the story is (if there is one). The animals - well, the fox at least - is providing for his family by stealing. On the other hand, that is the nature of the fox. Perhaps it's really a warning about becoming as bad as the farmers? Anyway, it is an entertaining story and my son enjoyed it immensely.
(Swedish, 23 July 2014)
Whoha, who would have thought that Dahl was such an environmentalist already back in the Sixties? The morale of this short novel is obviously how wrong it is to hunt animal just as a pastime but the way that the hunters get what they deserve is quite original, to say the least.
Short, but highly entertaining, both for me as reader and my son as audience.
(Swedish, 22 July 2014)
This is a collection of four short fairy-tales by the late fairy-tale queen Lindgren that all four start with the same sentence: "För länge sen, i fattigdomens dagar ..." ("A long time ago, in the days of poverty ...") and all is about poor kids that in their own ways tackle their misfortunes (not all of them with a happy ending).
Being a writer of mainly fairy-tales, Lindgren was often looked down on as not a serious author. However, even in these short stories, there are clearly a lot of thought involved and they are ripe of Lindgren's trademark endearing atmosphere.
My son eagerly awaited his one story a night as long as the four of them lasted.
(Swedish, 22 July 2014)
I have already for quite a while read Heberlein's articles in Dagens Nyheter (our daily morning paper) with great interest as she writes about contemporary topics in a, at the same time, accessible and thought-provoking way (a lot more accessible than, for instance, Lena Andersson that has a knack for writing "over my head").
Heberlein often writes about hard ethical topics like good versus evil, suicide, and happiness versus sorrow - and after reading this quite auto-biographical book, I can much better understand why she tackles these hard topics and appreciate Heberlein's articles on a whole other level (not the least because of them fortunately still regularly appearing).
Heberlein is diagnosed with bipolar II disorder and, not surprisingly, it has shaped her life quite heavily. That she evenso is so functional and even successful is in itself one of the more important lessons of the book. Psychic diseases are more common than we think and they are hard to spot by a spectator just because that you are neither necessarily nor obviously crippled or hospitalised by them - although from the sufferers perspective, they can, of course, be totally crippling anyway.
Heberlein made an unsuccessful attempt to end her life in her youth and this book is her way to go public with her lifelong struggle to keep her demons at bay and keep on living - if nothing else to not abandon her children. The title of it, "Jag vill inte dö, jag vill bara in leva" translates to "I don't want to die, I just don't want to live". She has crafted the book so dramatically that I actually felt quite a relief when, during the days I was reading it, she had a recent article on divorce published in our daily news paper (phew, she's still around!).
Aside from being a gripping and revealing personal account of a non-well-known disease, it was at the same time very informative, particularly of the bipolar II disorder, but also about psychic diseases in general. This is probably the most important aspect of the book, that it also strives to teach the general public more and rise their understanding of sufferers of psychic disease.
For me, personally, it was an eye-opener in that some things shouldn't be brushed aside but acknowledged as potential or quite real disease - i.e., there is nothing mild about a mild depression. Also, it was tough to read about how her friends and family sometimes have failed to support her through her roughest times as I came to realise that I, too, have been in the same situation where I really ought to have been more supportive and persevering despite my own insecurities, petty problems, and exhaustion. (If you happen to read this - you know who you are - I'm sorry and think you, too, should read this book if you haven't already).
If I should sum this book up in one word, it would be "revealing" because Heberlein on her own account shares with us so much from her life that she didn't have to do to get her core message across - but as she gives such a full disclosure, she makes the book just more credible.
If I should sum this book up in two words, it would be "revealing" and "important".
(Swedish, 20 July 2014)
This novel one the prestigious Swedish "August"-prize in 2013 and has generated quite a lot of press about its inherent originality. The title, "Egenmäktig förfarande" is a legal term that - I guess - corresponds to "taken without owner's consent (TWOC)" in English, but is a bit more flexible than that, so perhaps "used without owner's consent" or just "used without consent" would be a more fitting translation. (We will have to wait and see if it will get published in English anytime soon.)
This is a novel about love - how to persons happen to meet, mutual interest, one-sided infatuation, and a dragged out struggle to alternatively engage and disengage. The perspective is quite original and creative in that the main character - the woman - is intellectually very clear over what she is doing and why and yet she is a slave to the whims of her feelings. The novel is also refreshingly original in that the language and dialogues between the persons involved are on such am educated level (at times, I could barely understand the references - Andersson also regularly writes opinions in our daily news-paper, Dagens Nyheter, and although she often writes about interesting topics, I just too often have to give up on them as she is deconstructing the subject at hand on a just too abstract level of philosophy for me to have a chance to follow her train of thought (in her defence, she recently wrote an opinion on the phenomena of Roma beggars that was very good, thought-provoking and eye-opening)).
It is far from a feel-good novel, but I would guess that most people can identify themselves with the main character, at least in parts of the novel.
It is not the most accessible novel but because of that, it can also be more rewarding that your average romance novel, although probably in other ways and on another level than your common story or that you may be used to. In its best passages, it is very clear-sighted (almost clinically so) about love in our day and age, in its worst, its dialogues possesses a too abstract quality.
If you haven't picked up on it yet, I have a bit of mixed feelings about this one, in part probably due to having had too high expectations due to its hype.
(Swedish, 17 July 2014)
This is basically a survey on today's cutting edge research on the human genome with regards to weight-loss (and weight-gain). However, Bojs and Bratt - both being experienced science-journalists - have luckily had the ambition to paint a more complete picture. Thus, they include some history on how the human genome was mapped and where that effort is evolving today, a comparison between the classical low-fat diet, the popular low-carbs, high-fat diet(s), and the traditional Mediterranean cuisine with regards to weight-loss, the miracle medicine of physical exercise, and more (like the Icelanders' unique position as a dream population among the gene-hunters and hereditary researchers, being not only an isolated island people but also one with documented ancestries sometimes back to Viking times).
All in all a very entertaining book, especially with the important background bits and side-tracks. Although I (and probably you, too) have heard most of it before, it is nice to have it all collected in one place, both for convenience and to get the big picture (i.e., if all isolated facts from various books, articles, and academic papers are close-ups of the leaves of a tree, this book is about the complete three itself - even if viewed from a distance).
My biggest shock came in the bibliography where they only listed a selection (a selection!) of the sources (what gems might they have left out?!?). Clearly, I have grown just too accustomed to scientific literature...
(Danish, 16 July 2014)
Who-ho, another novel by Høeg! And a good one as well, better than "Elefantpassernes børn", more on par with "Den stille pige" and "Frøken Smillas fornemmelse for sne".
Once again, Høeg's main character is a woman and this time a talented physicist that have the uncanny skill of being able to induce honesty in people and as her husband happen to have a similar effect on people, they can combine them to enlarge the effect even further. Of course, with such uncommon gifts, they have the responsibility to use them only for good and not misuse them. Well, how do you think they fare with that? ;-)
It is a very typical thriller by Høeg. Although partially sprung from the world of science and with a lot of academicians among the characters, it still contains his trademark scepticism to science - but I cannot remember him ever writing a book with such a bleak outlook on the future (or politicians, for that matter).
As always, I jump at the chance to read him in his original Danish but this time I struggled with it a lot more often than in the past. Perhaps I am just out of practise, or perhaps - given Susans background as a physicist - the language just got too complicated for me to follow in Danish. Still, it was a treat to read another, typical wild ride à la Høeg.
It is also fascinating to look at Denmark through his eyes. In his novels, the peaceful neighbouring country to my Sweden takes on wild and exotic qualities I have a hard time believing Denmark really possesses in reality. I should really spend some time there sometime to find out. ;-)
(English, 13 June 2014)
This was weird. My boss' boss claims Blanchard and his concept of a "One Minute Manager" to be the inspiration to what he tries to implement in his own rôle as a manager (he have been at it for years, first with his own direct subordinates but last year it really begun trickling down to my level for real - or a compromise thereof, made to fit with the general company policies). However, even if this clearly is a book with Blanchard as co-author and obviously on the topic of the "One Minute Manager", I have a hard time believing it to be the very same book that turn my boss' boss life as a manager around. Why? Because it is so thin, a mere 111 pages, and many of these pages are only filled with text partially, as the succeeding section always begins on a new page. I have to check with him if he wasn't rather referring to a thicker, more in-depth volume on the same topic.
What's this book then? It is a fictitious tale about a young man that goes around the world, interviewing managers, looking for the ideal managerial principles. The he comes to the company of the One Minute Manager, where he is welcomed in a way he never experienced before and meets a lot of people - including the One Minute Manager himself - who all teach him something valuable of the principles. In the end, he is taken in as a manager in the very same company, to himself become a One Minute Manager and he only leaves that particular office to found his own branch of the company.
It is all very simple, with One Minute Goals, One Minute Praising, and One Minute Reprimands but, as we've implemented our own version of the One Minute Goals where I'm working, I can vouch for it being rather effective if done right. In any case, Blanchard and Johnson paints a pretty attractive picture, where, basically, mutual trust on all levels frees up a lot of time for real work rather than sacrificing it on maintaining control based on mistrust. For example, a time-reporting system and the tasks of reporting and screening the reports could be simply got rid of if instead of distrusting the employees you trust them to actually complete their tasks and go looking for more tasks if they have time to spare.
(German, 4 June 2014)
For me, Funke is more known as author of picture books for children, you know, ages three to six or so. For instance, checkout her "Ein Ritter ohne Namen" (A knight without a name, called "Princess Knight" in English) and "Käpten Knitterbart und seine Bande" (called "Pirate Girl" in English) - both with young, resourceful girls as main character that don't exactly yield to the traditional but outdated male-female role distribution. However, apparently she's written quite a lot of "real" novels as well. Perhaps more targeted at older kids and young adults than grown-ups, but - hey - remember Harry Potter? Or "The Hunger Games"?
This novel, "Tintenherz" ("Inkblood" in English), is the first of her "Tinten" ("Ink") trilogy and the first thing that stands out when reading it is its inherent meta qualities. Not in the strict self-referential sense - i.e., the novel isn't about itself (although it does share its name with a fictional novel that is central to the plot) - but more generally so as it basically is a novel about the love of enjoying books. For instance, Meggie - the main character - is brought up to love books by a book-enjoying father that restores books as a living, and her great-aunt is a collector of rare books. They also, just like any experienced readers, frequently make references to a lot of well-known classic when talking to each other and Funke precedes every chapter with a well-chosen quote from the same classics or others (the novel is equipped with a handy bibliography to both the references and quotes in the end). Thus, she really "stood on the shoulders of giants" that came before her when she wrote the novel, but the core plot is quite viable on its own. It's quite original and likable, too, with a certain "what if"-flair.
If I should try to balance my praise with some criticism, I have to admit that the novel was a bit repetitive in that they got caught by the bad guys over and over again. Perhaps it would have been better to skip one or two iterations and elaborate on the remaining instead.
In any case, I am looking forward to read the second part of the trilogy.
(Oh, and as my star sign is the Capricorn, I cannot but wonder why Funke named the chief bad guy Capricorn. I kind of felt a tad bit offended about that! ;-) )
What a surprise! I had no idea I was so close to 600 books on this page - it was only after I had filled in the last handful of reviews I saw that the number was exactly 600. This means that "Tintenherz" happened to become the sixhundered. Quite a worthy one, I would say. It also means that even without the bed-time reading to my son, I did better with my reading during this bout of parental leave than the one for my son in 2010 when I didn't read any book at all. ;-)
(Swedish, 24 April 2014)
This is, as you know, one of the great classics and I really enjoyed reading it to my son at bedtime, introducing him to the adventurous tale as well.
The edition is the one richly illustrated by Robert Ingpen and it looks and feels quite luxurious. Too bad that the Swedish translation unfortunately contain a few - not many, but a few - weird choices of words and some cases of missing punctuations. Such errors are, of course, pretty minor but they stand out a bit extra in such a otherwise elaborate edition. I hope they will be corrected in the next printing.
As I hadn't read "Treasure Island" since I was in school, I was quite curious to see if it still worked - if it still could capture my grown-up fascination like it did my young self. It did. Stevenson really did craft together quite the pirate novel and it doesn't feel dated. Instead, my adult me appreciated how convincing all the little details felt and wondered about what research (if any) Stevenson did when writing it, for instance about seamanship, and how he conducted it (field trips? interviews?).
It is easy to identify with young Jim Hawkins through all the events that formed his unlikely adventure and it is probably just that that forms the basis for the novel always being re-printed into new editions. Although the most interesting and most complex character must be the one-legged Long-John Silver. As I read the novel to my son, no other character posed a bigger challenge than Silver's numerous change of hearts and different moods. I hope I did alright at letting each of them show in the voice I had picked for him.
Oh, and, yes, my son liked it, too.
(Swedish, 11 March 2014)
Judging by the note on the inside of the cover of my copy of this novel, my father got it as a Christmas present 1958, when he was thirteen years old. I remember reading it a few times when I was a kid, mainly due to the suspense of the adventures Derrick experiences (and perhaps mostly due to the scary part with the snowmen in Tibet). Anyways, now I tried reading it to my son at bed-time and it worked very well. It didn't cause any nightmares as far as I can tell, but did give rise to quite a few follow-up questions on things he didn't grasp immediately. At the same time, it was a nice re-union for me.
Of course, the grown-up me does take notice of the flaws of the Swedish translation and the dated Swedish of the fifties in a way my adolescent me never did - but reading it in English to my son is not yet any option.
All in all, it is a somewhat unrealistic adventure tale, taking place in the nineteen-twenties or possibly -thirties, starting out on a ship in the South China Sea and going via the Chinese mainland, Mongolia, and Tibet in the direction of Samarcand. It is clearly meant to be an adventure book for boys but, apparently, it contains many elements that O'Brien later reused in his Aubrey-Maturin series (of which "Master and Commander" was made into a movie with Russel Crowe in the lead role). Makes me curious to read other works by O'Brian - and especially the Aubrey-Maturin series.
Good thing that I get to read to my son at bed-time, otherwise I wouldn't have time for much reading at all - just like last time I was on parental leave - as I normally do most of my reading while commuting to and from work.
(Swedish, 26 February 2005)
Who-ho! My five-year old is into math-books! Although most of the concepts - even in this book that is targeted on (older) kids - clearly must go over his head, he listens with curiosity and eagerness and, hey, some things must stick, don't they? I mean, just by passively listen to me reading a book that playfully introduces a lot of hardcore mathematics, seeds must be sown that will bear fruit later during his school years, don't they?
For a fuller mini-review, see my original mini-review from July 2005.
(Swedish, 2 January 2014)
This is another classic that I believe I read the last time while at the university (if I recall correct, I took turns reading a chapter from "Röde Orm" (the English translation is called "The Long Ships") and a chapter from the computer communication text-book I studied for an exam). This time around, however, I read it aloud to my son at bed-time. This, of course produced a dilemma - should I read it faithful to the archaic language Bengtsson used in it or should I modernise it to benefit both my son's understanding and language development? I choose to modernise it and quickly become rather adept at doing it on the fly, without thinking.
Finished in the early 1940:ies, it has been accused of glorifying violence and plundering. However, I would still argue that Bengtsson's view of the Vikings is more correct than the general public's popular view of them (think horned helmets...). Yet, I do wonder how much research Bengtsson did and how much is "literary freedom". In any case, at its core, it is a tale about a young man (Orm), how he is snapped away from home and experiences his first long travels (bringing him from his home in today's Southern Sweden but then a part of Viking-time Denmark, via France to Spain and back via Ireland and the UK).
Bengtsson incorporates a lot of his rather terse and seemingly restrained humor in the tale, making a treat to read (I think I confused my son a few time by losing it and laughing out loud, messing up my narration in the process).
We will have to wait and see when my son picks the second part, where Orm travels eastward, as our next bedtime book.
(English, 26 December 2013)
To be blunt, we've heard it all before. Yet, the setting in the Southern states of USA - where the civil war still is actively remembered with proud re-enactments despite the southern rebels being on the losing end - is refreshing and original enough to stir an interest in me. The other pillar my liking rests on is the quite endearing love story between Ethan (normal, or nearly normal) and Lena (coming-of-age magician).
Great novel to kill time with.
(English, 18 December 2013)
Short, funny, witty novel with a solid, underlying message. The old Owl's lesson in thinking to his son, the Little Owl, are not lost on the human readers of the book - and perhaps especially not so on the sub-consciences of the same human readers. I.e., don't worry too much about understanding each and everything. Just lean back and enjoy the ride.
Gilbert is really gifted with words, especially those loaded with ambiguity. He constantly plants a smile on one's lips with his never-ending clever word-plays (I do wonder how many I never spotted at all!). Too bad the novel is so short. Then again, it is just as long it needs to be to convey the seven lessons daddy Owl passes on to his son on how to think (and, in the big picture, by thinking well, how to over time become wise an owl).
A trifle, but a ingenious clever and entertaining trifle.
(English, 18 December 2013)
I don't really know about this one. It like never really takes off for me. Yes, it is original in that it is a Zombie novel told from the perspective of a Zombie (in practise the Zombies). However, something is disharmonic and irks me. Perhaps it can even be the places where Marion choose to sidestep the common Zombie canon introduce his own elements.
I wish I like the novel more than I do, because the concept has merits. Yet, I remain an ungrateful reader, I'm afraid.
(English, 13 December 2013)
For an auto-biography by someone that cannot even remember the month during which the bulk of the events took place, this is a real page-turner.
At the age of 24, Cahalan was struck by an auto-immune encephalitis that made her own body attack her brain and she accelerated through a number of different phases of personality altering symptoms from manic-depressive signs while still at work to catatonia at her worst in the hospital.
By systematically and pain-staking interviewing family members, doctors, nurses, and others that came in contact with her during her sickness, and combining all relevant notes, journals, and medical records she could find, Cahalan has recreated what happen to her and been able to write a whole novel about it that both is a (reconstructed) eye-witness account of what happened to her, but also a piece of popular science, explaining from a biological perspective what went on within her brain and why the different symptoms arose.
Also, the book is aimed at bringing awareness about this type of auto-immune diseases (at the time of publishing, seven of them had been identified) that probably always have existed but only the latest 10 years have been correctly diagnosed and treated - if the patients have been lucky. The majority still gets wrongly diagnosed as psychotic and end up first in a psychiatric ward and then the grave instead. In this sense, this book is a really important one. However, it must also be said that these types of auto-immune encephalitis still, luckily, are very rare - but that doesn't change the fact that awareness, primarily among doctors but also among relatives, can be the difference between life and death for the unlucky ones that do get struck.
Even though more and more people get correctly diagnosed and is successfully treated, the science community still knows very little about auto-immune encephalitis. Despite that, Cahalan's effort to convey what the researchers do know in her book makes it a good companion read to, for instance, Rosenblum's "See What I am Saying" and Frank's "Den femte revolution", although it naturally has most in common with Bolte Taylor's "My Stroke of Insight" where the author, a brain-researcher herself, auto-biographically shares her stroke with the readers. However, given that Cahalan is a writing journalist at the New York Post, it is not wonder that "Brain on Fire" is both a so much more easy read and so easily attracts the curiosity of the reader, making one effortlessly read on.
As a father, I could perhaps best appreciate the emotions Cahalan's mom and dad went through, especially before she was correctly diagnosed and they more or less just were forced to passively watch their daughter dissolve before their eyes. Scary stuff.
(Swedish, 9 December 2013)
See the first book below.
(Swedish, 28 November 2013)
See the first book below.
(Swedish, 22 November 2013)
I read Murakami's "A Wild Sheep Chase" back in 2000 and wasn't impressed at all - on the contrary, I had trouble focusing on it when reading it. Since then, I've stayed clear of Murakami, until now, when my sister recommended the "1Q84" trilogy and lent it to me.
So how was it? Much better than "A Wild Sheep Chase". "1Q84" is - of course - also ripe with bizarre and supernatural elements (or should I perhaps rather call them out-of-this-world elements? If you ask Aomame, 1Q84 isn't 1984 after all) but has a clear plot and a progressive narrative one can cling to. I mean, it is at the same time a quite conventional thriller and something out of the Twilight zone, but the composition works and combines snugly into a page turner.
I like the dive back to 1984 (of course, a flirtation with George Orwell's novel) and I especially like to experience Japan through the eyes of the characters. I kind of like the confusion Murakami introduces through the "little people" that is referred to in English. I like the unexpected references to global culture, with a odd emphasis on Russian authors. I also think there is a lot of subtle hint to further relationship between many of the supporting characters in the novel that I didn't really get - I like the smell of that.
However, some of the sex scenes felt rather slapped on and didn't really blend naturally into the narration (I sound so prude, but this really struck me as odd - and you know that I am no prude, just browse through the novels on this page).
All in all a refreshing read that goes outside of convention and keeps the attention of the reader by alternating between the expected and the unexpected in an artful way. It is also, indirectly, a sort of what-if novel, albeit more remote than most such books.
(English, 5 November 2013)
Given that both "Body by Science" and this companion Question and Answer Book seems to both be published in 2009, they must both have been the fruit of McGuff's and Little's work as personal trainers and gym owners over the years (oh, and McGuff's great expertise on the human body due to his other profession as a physician in Emergency Medicine, of course).
This is basically a lot of questions to the authors and their answers. All answers go along the lines of "Body of Science" but, taken together, deepens the message of the preceding book and elaborates on it.
I can imagine that it could be interesting to read independently but its major strength comes as a companion to the "Body of Science" textbook. What I really enjoyed was that although most answers rehashed things already covered in "Body of Science", some answers did it in a really condensed way so that those select answers becomes excellent summaries of whole chapters in "Body of Science".
(English, 25 October 2013)
Anastasia's obsession with Hardy's "Tess of the D'Ubervilles" in the "Fifty Shades of Grey" trilogy made me curious, so I got a copy to read. I must admit that I expected something similar to Jane Austen's novels. However, on that account I unfortunately got disappointed - primarily on two accounts:
One, where Austen's language flows in a beautiful vintage way that is pure joy to read, Hardy's language is sometimes (especially in the beginning of his novel) just wrought too complicated, with euphemism-like substitution phrases instead of more direct descriptions. Some of these were simply too hard for me to decrypt - either because of them being old, to complicated, or because English isn't my native tongue (though remember that I read Austen without any problem - and her novels even predates Hardy's with about eighty years). This Penguin edition of "Tess of the D'Ubervilles" included an essay on Hardy and his novel in the end and there I learnt about all the subtleties the novel contains. Some of these I got a new appreciation for by reading that essay - but I still found Hardy's language sometimes to over-wrought, to the point that it got in the way of the story.
Two, where Austen's novels - despite the hardships and challenges the main characters have to endure - at their core are cosy stories with happy endings, "Tess of the D'Ubervilles" is a bleak and depressing tale of misguided pride and immoral pettiness. Both Austen and Hardy have social agendas with their novels, but Austen hides - or embeds - her critique of the gender inequality of the time better than Hardy. The latter more or less systematically grinds Tess into the ground with it, and while reading about it, I couldn't help but feeling acutely that I am very coloured by the current gender equality debate and land-winnings in contemporary Sweden and that I cannot but read Hardy's novel with the same in mind. Also, on the same note, I cannot help but wonder how the novel might have turned out if it had been written by a woman instead of a man. Would it have been more alike Austen's novels then?
Beautiful in parts but I had expected more overall (not the least because of Anastasia's great fondness of it in the "Fifty Shades of Grey" trilogy).
(English, 7 October 2013)
Remember when I read Barnard's "Band of Eagles" and I were annoyed over it being fiction and not fact? Well, last time flying home from Malta, I did no mistakes and really got this auto-biographical book from the Malta section of the Luqa Airport bookstore. However, was it so much better? Na, not really. I mean, someone once wrote that war is 1 percent pure terror and 99 percent boredom and this title was able to convey those 99 percent from time to time.
However, it was quite interesting to share Gibbs' frustration with how the war was going and how - from his perspective - the air over the Mediterranean was more or less lost due to other scenes of war being higher prioritised.
Also, the was a very striking contrast between the comparatively slow Bristol Beufort torpedo bombers of "Torpedo Leader on Malta" with the more agile Hawker Hurricanes and Spitfires of "Band of Eagles". It was really insane how they kept on going out on maximum distance raids and repeatedly losing half or more of the participating Beuforts each time. How on earth did they be able to follow orders and go out on suicide mission after suicide mission? Totally incomprehensible... I find that Gibbs does quite a nice job of conveying that madness, without really meaning to. If you take his words for it, it was just something you had to do - and what do we now? Perhaps being in the midst of it made it natural to constantly stick one's neck out. Nevertheless, from my sheltered peacetime reality, it's just totally insane behaviour.
Strengths: insights in the politics and priorities of the Mediterranean theatre of war and the game of Chess that the Axes and Allies fought there, as well as the honest account of the everyday reality of a Torpedo Bomber squad, first in Egypt, then on Malta.
Weaknesses: well, it's just a rather dry narration of basically Gibbs' diary. I must confess that the fiction of "Band of Eagles" spiced things up a little in comparison. Oh well, one can never really have it all. ;-)
(English, 20 September 2013)
This was, hands down, a totally excellent read. Ferriss was quite right when he recommended it in his "The 4-Hour Body". "Body by Science" is an brilliant textbook on the human body and how it, on the one hand, packs on fat, and on the other, loses fat. I've never seen so to the point, no-nonsense description of complex biological processes in the body presented in such a clear and lucid way, without being simplified. For instance, the sections on the good and bad roles of insulin and cholesterol, respectively, are alone worth the price of the book.
I also found the chapter on epi-genetics very interesting to read. There, the authors argues that even if we are dealt a certain hand of genetic cards and our genome per se is static, we can alter its functioning by turning certain genes on and off through the increasingly popular research-field of epi-genetics - or rather through diet and environment, which is what epi-genetics really is about, along with the startling find that epi-genetics is hereditary, too.
At it core, despite all supporting parts, this book advocates brief, infrequent strength training session of high intensity to the point of muscle failure as the only exercise that is needed for fat loss, improved health, and - indirectly - increased life quality. As little as 12 minutes effective training time once a week - and even less frequent once one has progressed so that one week of recovery between sessions isn't enough anymore - is the authors' simple recipe.
All in all, they argue a very compelling case and, furthermore, even if they are wrong, it cannot hurt to sacrifice a quarter of an hour of one's time once a week to prove them wrong (or perhaps right?). Every step of the way, they refer to scientific studies as well - and as they have a chapter on how to spot bad research, they had better to stick to good scientific support lest they open themselves up wide to ridicule.
Another interesting thing they point out is that the human body seams to react the best to alternated times of plentifulness and starvation - perhaps because that was the grim reality for most people of every generation throughout history until about the last century. Thus, our bodies are far from equipped to handle the abundance of food in our Western society - and especially not the abundance of refined sugar, which is extra bad given that we rarely or never empty or muscles of glycogen so there is nothing for the body to do but to convert the sugars to fat and store it as an energy-reserve in preparation for the next famine that will never come. (The same process makes us less insulin sensitive, so the body have to keep making more of it, thereby inhibiting fat mobilisation - i.e., preventing the use of fat from our stores.) Speaking of the frequent starvation of old times, evidently there are some indications that water and keeping oneself well-hydrated can trick the body in thinking that there are no starvation even if you are on a diet with a calorie deficiency, since drought and the resulting dehydration so often preceded famine in historical times. Thus, treat yourself to a glass of water. ;-)
If I should find a fault with the book, it would be that it is so biased to High-Intensity strength training that it rather harshly declares any other exercise modality as worthless. Or at least comes very, very near to do it. Except for a fleeting passage on the psychological benefits of running, they quite frankly explains why cardiovascular (steady-state) training A) burns less calories than we are led to believe, B) constitutes a health risk because of the aggregated wear and tear over time, C) actually - by virtue of our complex, biological internal processes - can prevent the fat-loss it is meant to promote, and D) gives very little bang for the bucks compare to the extremely time-efficient style of exercise they promote (about 12 minutes a week). This message, that they repeat in different forms throughout the book may - of course - be true, but it will without any doubt upset and turn away a lot of readers.
Although it - kind of - makes out all the exercise I've done previously in my life to be nothing by a mistake, I like this book and what it stands for anyway. I've even browsed through it a second time, student-style, high-lighting the portions of the text I deemed more important the rest.
I actually aim to put the promise contained in this book to the test, using myself as a Guinea-pig.
(German, 16 September 2013)
This was the most repulsive crime novel by Neuhaus so far, because of the choice of the type of crime contained in it and the victims of the same crime.
I find it better than the last one, mainly due to Bodenstein getting his act together again, but also because Neuhaus uses threads from many of the previous novels in the series to weave a fuller fabric of the fictional world of the Frankfurt with surroundings Kirchhof and Bodenstein work in.
However, as a Swede, I have to point out that the few lines in Swedish Neuhaus includes right at the end are of an abysmal quality. It is worse than Google Translate, because had she use that, the spelling would be better. Even if her books still haven't been translated to Swedish, her publisher must already have connections with Swedish translators - and how hard can it be to find an actual Swede over the Internet to ask to proof-read? Still, those few lines are clearly only meant as some atmospheric seasoning - not even meant to be understood by her primary German readers, so it is - of course - not important that they are correct. It's just irksome to me as a Swede. ;-)
(English, 18 August 2013)
I recently read Ferriss' "The 4-Hour Work Week" and found it great because of the fresh perspective it offered and creative ideas, even if I fail to see any immediate personal usage of all the recipes he offers in it. "The 4-Hour Work Week" is about how to increase quality of life by work less while still upholding the same income - or increase it - and how to have the most interesting experiences for less money. Ferriss' passive income from his book-sales fits well into the way of life his first book advocates and the bottom line is that it is all the free time Ferriss got by living as he described in the first book that made it possible for him to test all the more or less crazy stuff of which he collected was actually worked for him in this, his second book.
Basically, he has sampled his way through a gigantic buffet of dieting method, exercise modalities, medical treatments, and supplements/drugs to get both his dream body and better athletic skills. Then, he has generously summarised what worked for him (and for a number of his online followers) in "The 4-Hour Body" for the benefit of his reader (that, by buying his books, help enable him to have the free time to do the research needed to write more books - evidently, there is already a third out, "The 4-Hour Chef").
However, without merits, the books wouldn't become bestsellers and with "The 4-Hour Body", I could immediately see a lot of personal usage of the tips and tricks in it. I plan to cherry-pick a menu of my own from it and launch an at-least a few months long program to see how I might end up re-composing my body in the process.
Actually, while reading it, I mentioned it to a colleague that very promptly got and read his own copy, launched his own program and now keeps me updated on his clear progress. Powerful stuff!
Ferriss has kept the book very practical with relatively little theory and most of the science in it, he has collected in separate "Geek's Advantage" boxes. Of course, since I personally thrive on the science, I would have appreciated more "GA" boxes, but I can always turn to Ferriss' source references. Typical to his personal style, he writes with a lot of wit and humour and always selflessly shares his successes as well as his failures with his readers (the failures often are very educational).
The main thing I'm taking with me from this book is Ferriss' repeated usage of the principle of Minimum Effective Dose. I.e., the smallest dose that will affect the desired outcome - regardless of it is a dose of diet, exercise, or a drug/supplement. This is really a key point - to not do more than required to reach ones goal, which, naturally, makes it easier to actually stick with a program.
Another, related Principe that Ferriss puts in practice repeatedly throughout the book is to consider the "bang for the buck" and often go for a less time consuming and/or less painful and/or less impractical and/or less complicated choice as long as the simpler one yields 60 - 80 % of the result of the harder one. Once again, this make adherence easier.
Ferriss and his books are crazy, but they are crazy in a good, helpful way. "The 4-Hour Body" might be a 500++ over-sized volume, but it is enjoyable to read from cover to cover even if Ferriss intended one to rather cherry-pick the chapters that seem to be of interest to one rather than to read it all. I recommend you give it a try. Your are bound to at least find something that suits you, even if just shake your head at all the rest!
(English, 2 August 2013)
Reynolds is a columnist with the New York Times and I believe that this book is a compilation of a bunch of her columns. It is basically a survey of the current cutting edge research into physical exercise and its benefit on health, fitness, and mental capacity.
Unlike Frank, that travelled the world to meet the neuroscientists and based "Den femte revolutionen" on the interviews, Reynolds only relate to scientific reports she read about. Frank also goes a lot deeper into the research than Reynolds does. This is the main weakness - sometimes you suspect that Reynolds only included this or that study because of their novelty findings but fail to account for where it fits into a broader scheme. Compare with Talbot's "The Holographic Universe", where Talbot among sound studies also included more suspicious ones. Yet, taken all together, he was very convincing anyway and it is the same with Reynolds. Even if she boasts some findings without qualifying them fully to what aspect they focus while perhaps ignoring the rest, the end result cannot be argued with: it is more beneficial to exercise than not do it, it is proven beyond doubt that the body of someone that exercise (even moderately) is in certain aspects younger than a sedentary person of the same chronological age, and that not only the body but the brain and one's mental functions improves by physical exercise as well.
Reynolds also confronts common truths like the importance of stretching as part of the warm-up before training (it seems the static stretches we all learnt in school actually decreases our performance), that expensive, high-teach shoes are imperative to run in (they actually seem to be worse than cheap, basic shoes at protecting you worse from injuries) and the importance of staying hydrated during exercise (you perform equally well without constant gulping but don't run the risk of over-hydrating).
All in all an easy read that offers some gems of new wisdom here and there but, at the same time, could have gone deeper into the subject now and then.
(Norwegian, 28 July 2013)
My impression remains, that the voice of the over-weighing more adult Knausgård in the two first parts of "Min kamp" ("My Struggle") conveys more of the breathtaking perceptions that draws you so deeply into his narration, that the overall more youthful voice of the third and fourth volumes.
In this, the fourth of six (although will there perhaps be a seventh in ten years or so?), the frame of the narration is Knausgård's year as a teacher substitute in Northern Norway (not far from Tromsø, past the Northern tip of Sweden, north of the Polar Circle, in the land of the Midnight Sun - and the sunless winters). He went there directly after senior secondary school, when he was only 18 years old. Thus not only did he not have any pedagogical education but he was only a few years older than the kids he taught. Apparently, this is not uncommon in Northern Norway, as there is an eternal shortage of teachers there since, much like in Sweden, people with academic educations tend to gravitate to the larger cities in the south.
Of course, true to his style, Knausgård makes time-jumps here and there, sometimes to the future, but more often backwards to his last year in school in Kristiansand, to soccer camps in Denmark and Switzerland with his team, and holidays with his family.
These teenage years of Knausgård's can be summed up with binge drinking, contemporary music, hunger for sex, and literary ambition. Save the goal to be a writer, the other elements are pretty universal and thus makes it easy for others to relate to (although Knausgård drank more than most and by reviewing albums for a news paper had a larger vinyl collection than other teenagers).
Although I debuted with both alcohol and sex a lot later than Knausgård, I can very well relate to his hunger for intimacy and sex and can appreciate how hard it must have been to keep the professional distance as a teacher from his just a few years younger female pupils.
As always, it is the universality of it all that gives Knausgård's auto-biography such an appeal. All in all, his life isn't that special - on the contrary, it is easy to relate to as we all more or less often have experienced the same things as he has. Pair that with his acute perception and revealing style of writing, and you got a clue to what makes his novels such page turners.
Apparently, Knausgård's debut novel, "Ute av verden" ("Out of this World") from 1998 is to a large extent based on his year as a substitute teacher, to the extent that he worried about how his former pupils, colleagues, and other acquaintances from the village would think of him after reading the book. I should read that and compare it with "Min kamp, Fjerde bok".
For me, Knausgård is the perfect travel companion. This, the fourth volume, I read the better part of on flights to and from London - and on Gatwick airport, before the flight home. There is nothing better to pass time than to be able to immerse yourself in a great book, don't you think?
(Danish, 22 July 2013)
This yet another of these contemporary books of popular science where someone - either a researcher or a journalist - surveys the current front-line of a certain field of research. In this case, the journalist Frank travels the world to interview the leading thinkers in the field of Neuroscience (i.e., brain research). As such, it is both related to other research surveying books like Kahneman's "Thinking, Fast and Slow" on how we think and Rosenblum's "See What I am Saying" on the perception of our five senses, as well as Taylor's "My Stroke of Insight" (actually, all of these heavily involve the brain in some aspect).
Frank looks at the state of the art Neuroscience from the point of view of Religion (does it stem from a "bug" or a "feature" within the human brain?), Morale (in it's core, is the human brain morally good, bad or neutral?), Happiness (using Neuroscience to trace and promote human happiness), Influence (modern marketing targeting our brain unconsciously), Lying (can a brain scan really reveal a lie before we even decided to tell a lie?), and Law (should brain scanning replace the classical but unreliable Polygraph lie-detector? Should Insurance Companies be allowed to brain-scan us before offering us insurance? Should we use brain-scanning to screen people for certain types of work? School teachers? Politicians?).
Taken apart, every chapter offer their own insights and raises their own questions. However, taken together, Frank argues that we are on the brink of a revolution where Neuroscience will become a ubiquitous element permeating our societies - reforming our schools to optimise the learning process for the young brains of school children, making marketing campaigns (be them commercial or political) more efficient, hopefully learning the human race how to enjoy more happiness but also potentially offer a tool for the courts of law to reveal what we really are thinking and convict us for it...
Frank visits influential Neuroscientists, philosophers, layers, and marketers that all have insights to offer when it come to contemporary brain research. Although virtually all of them are based within USA and Canada (although not all of them are of North-American origin) and the talks out of necessity becomes rather centred on the American society, Frank herself constantly makes comparisons with Denmark, something I as a fellow Scandinavian appreciate.
As always, I get a kick out of reading in Danish although I, of course, don't get all of the words. Yet, it was only one that occurred so often and was so central for the context that I actually had to look it up: "adfærd". It turned out to be the Danish word for behaviour, so "adfærdsøkonomi" thus refers to Behavioural Economics. In nine out of ten cases, I can trace a Danish word to a Swedish one of the same origin - even if the uses over time has diverged between the countries, and deduce the meaning of it, but in the case of "adfærd", I simply drew a blank. ;-)
A really interesting book that shows that hard science ultimately will have long-reaching ramifications far from the academic laboratories, with potential to change our societies as we know them. It is also available in English under the title "Mindfield" and translated to Swedish, in case you don't want to try to read it in Danish.
(German, 10 July 2013)
Poznanski is pegged as writing thrillers for the adolescent - however, with main characters in their late teens and early twenties, couldn't it be argued that she really writes for adults? Or at least young adults? Her novel "Erebos" delighted me not the least because of it concerning - and partly taking place within - an online computer game. "Saeculum" instead has the theme of re-enacting Medieval times through live role-playing, something I have no personal experience with. Yet, it was easy anyway to be drawn into the thriller and feeling the urge to turn pages to know what will happen next.
Poznanski has a knack for writing suspense filled stories although, all in all, I consider "Erebos" to be a bit more trustworthy than "Saeculum". It was a few times I just wanted to shake the participants of the live convention and shout at them to take their heads out of their arses and act instead of being just too stupid and passive.
Nevertheless, "Saeculum" is a good read that I personally didn't find as predictable as my wife that claims to have figured out the mystery well in advance. ;-)
(English, 19 June 2013)
Oh boy, what an interesting read! Let me begin by pointing out that although not all of what Ferriss does makes sense to me - in fact, much of it is totally extreme and/or outrageous - his motivations for doing them is basically sound.
Let me elaborate: Ferriss uses what he call Life Design to acquire the life of what he calls the New Rich. To that end, he's automated and delegated his work and tried to get as much passive incomes (book sales, anyone?) as possible. On top of that, he tries to work one month and then take two months off as a mini-retirement. All the time he doesn't work, he strives to pack full of meaningful activities with emphasis on learning new stuff on one hand and living like a millionaire on the other (although the latter on a budget - he shows that, for instance, travelling the world doesn't have to cost that much and might even be cheaper than staying home if you can get rid of all your normal bills for rent, electricity, water, etc).
Outrageous, isn't it? Totally extreme and definitely not for everyone? Where did he get the crazy idea to pursue this in the first place?
Ah, but it is here it becomes interesting, because our knee-jerk reactions to his life are tightly coupled to his motivations for pursuing it - and here lies, to me, the real value of the book. At its heart, Ferris questions the common truth that we should sacrifice blood, sweat, and tears on working full-hours or more (putting our personal life and family second) for the better part of our lives, then viewing a distant retirement as well-earned reward.
It is pretty easy to sympathise with his sentiment that we should put ourselves before our jobs and that the idea of sprinkling one's life with mini-retirements instead of collecting it all at the end when one is old has merits.
When Ferriss accounts for his motivations, he stumbles onto the concept of loss-aversion in a way that fits perfectly with Kahneman's research on the same in "Thinking, Fast and Slow", making "The 4-Hour Work Week" a nice companion read to "Thinking, Fast and Slow" (or vice versa).
So, Ferriss, at the core, is right - although how he goes about to act out his motivations is, of course, subjective to him. Nevertheless, the book is a Smorgasbord of ideas on how to make you not have to rely on your everyday job to sustain you life - or, for that matter, get approval to work remotely, first from home, then from all over the world (with or without your boss' knowledge).
This Expanded and Updated edition is great because it includes letters from readers and others that have put the ideas in action, so we, for example, get practical advice on how to travel with toddlers from a mother that travelled the world for a year with a toddler in tow, or the family with three boys that opted to sail around the world, home-schooling the boys during the time (apparently, the confines of a sail-boat and nothing to see but the ocean makes school books and other books really coveted).
Ferriss includes tips on everything from getting a Personal Assistance in India (also known as a Virtual Assistance, despite them being humans), how to start a company (sadly only applicable to USA), and how to find cheap airline tickets. I had a laugh when reading the part on how to overcome resistance to work remote as my current employer actually encourage it - so in that aspect, I am already ahead. ;-)
I recommend you all to read this book - not primarily to follow Ferriss suit in all his endeavours (though congratulations if you do) but because how he healthily questions the life-style we too often take for granted in the Western hemisphere and offers both perspective and choices. Or, to go a bit Ferriss-like extreme, he offers freedom. ;-)
(English, 6 June 2013)
Forgive me, James, for having doubted the third part. The cliff-hanger ending of the second part did make me worry for the third part but it never turned out so bad that I was afraid of. Even if Hyde was a element of threat throughout most of this novel, it never took over. Instead, Christian's and Anastasia's continuously deepening and redefined relationship stayed in focus and even if one can discuss the credibility of each turn of it, at least to me, it has actually become quite endearing. Who would have thought that at the outset of the first part? ;-)
Also, to revisit all of the hyped controversy I wrote about in the review of the first part. Having finished the whole trilogy, I can now vouch for much of the critics never having read all three novels before airing their criticisms as Anastasia does establish herself as the stronger and more mature of the two as their relationship develops, despite Christian's money and business power (and "sexpertise"). Yes, one can argue that Ana never should have accepted some of the shit Christian threw her way but A) we don't live in an ideal world and neither should our literature and B) it would have been quite a short and boring story if she had ended it before it really begun.
Please accept that this is James' subjective and fictional tale of what might transpire when innocence meets the unrealistically rich and powerful that thinks himself deprived and heartless due to childhood emotional baggage.
All in all, better than I thought it would be, but the sex scenes feels less and less motivated by the story for every part of the trilogy - going from driving the story in the beginning to almost feel in the way in the end, when the twist and turns of Christian's and Ana's relationship have momentum enough to drive the novels without the need for unusual sex to spice it up.
(Swedish, 20 May 2013)
This book got advertised as a guide book to the Medieval Stockholm - something I interpreted as guiding one along still visible traces of the really old Stockholm today. Unfortunately, there were less of that than I had hoped (and of what there were, most is indoors and not readily publicly accessible anyway). However, the book still is a guide book to the Medieval Stockholm - the Stockholm that once were and little traces of remains today.
Did you know that Medieval times in Sweden and the Nordic countries is considered to start later than on the continent and last longer? (In Italy, they had entered the Renaissance in the fifteenth century while Sweden stayed Medieval until the end of the sixteenth century...)
In practise, Regner's book is a compilation of current research, complete with sections on further reading for those who wants to dwell deeper on any of the chapter topics. Interesting at times but mostly harmless.
(English, 16 April 2013)
Here we have the by now well-know effect of the sequel being more easily accessed and often likable because the scene has already been set and all the main characters and their relations have been presented in the previous novel. I simply want to read on to know of the continued story unfolds.
To James credit, she gives some explanations and motivations to Christian Grey's, shall we say, idiosyncrasies - explanations and motivations that actually are pretty credible. Still, on the whole, the trilogy has so far a bit too much in common with the template produced, cheap novels targeted for female readers where a young and innocent heroin meet some dangerous and/or rich man and complications arise (hmm, actually, the "Fifty Shades" matches the template exactly but is of better quality than the speed produced usual examples of the genre).
Now, when Christian and Anastasia's relationship has deepened and been further defined, the sex part - both vanilla and rougher - feels more slapped on than in the first novel. I.e., controversial or not, they felt more motivated by the story in the first part than in this one. Here, they already have got a air of routine despite Christian's creativity.
I got rather disappointed of the end... There the novel, to me, lowered itself to a run-of-the-mill thriller which doesn't exactly bode well for the third and final part of the trilogy.
(English, 3 May 2013)
Ehum, what to write, what to write... On the plus side, Farber does tie up all the loose strings he introduce both in this volume and in the first part. Also, the underlying idea and theme (invocation of a modern, memetic being) is an interesting one that does appeal to me. Thirdly, it does - at times - offer a bit of what-if thoughts.
However, the package could have been much more elaborately crafted and all the cheap thrills (mostly of an sexual nature) had better been fine-tuned to attract a broader audience. Oh, and perhaps the enlightening learnings of main character Joe's could have been made easier to follow?
The bottom line is, nevertheless, that Farber does a decent job of transmitting the memetic being Atem that he created himself, through the means of these two parts of conceptual fiction, as well as through his "Brain Magick".
Other than that, revisit my review of the first part. What I wrote there holds for this part as well.
(English, 26 April 2013)
So, I've read it. As often is the case when something is hyped, the Media doesn't quite get it right. For instance, it has been stated that this is a piece of Twilight fan-fiction. Yeah, right - just because it takes place in Seattle, not far from Forks, and that the beginning have quite a few parallels to the first Twilight novel, you cannot slap the label of fan-fiction on it. If you ask me, it at least need to heavily borrow from the fictitious world of the original to be a piece of fan-fiction. I mean, doesn't most fan-fiction involve the characters from the original?
It is fascinating, though, how a mildly controversial/taboo topic like sexual Dominance/submission play and semi-explicit descriptions of sexual acts can stress people in taking so fundamental stances over the quality of the novel (or lack thereof) and defend them so violently... (Also, Ana is far from a natural submissive and Grey, in her interest, keeps skipping all the rules, making him a rather un-strict Dominant but how many has taken that in account?)
To me, it was a quite normal contemporary novel of decent literary quality. Granted, the language will not land it any Nobel Prize but it was neither grammatically lousy nor cheap. James has done a good job in writing the novel she always dreamt of writing and I enjoyed reading it even if I didn't consider it as much of a page-turner as, for instance, Poznanski's "Erebos".
Also, I know that as a man, I cannot fathom the element of female degradation in the novel. But still - I have a hard time finding any nevertheless. Yes, Grey often treats Ana "bad" and his corporal punishments aren't worse than his refusal to make proper love to her instead of more animalistic "fucking". And, yes, Ana is too inexperienced to know what it is she's getting into or even to have an idea of what it is she will try out - but the bottom line is that Grey warned her a lot and was open with his intentions, and she consented to try. And if you object that in an ideal world ... - well, we don't live in an ideal world and neither should our literature.
All in all, this is a variation of the old "Beauty and the Beast" fairy-tale - although, at least in this first part, the Beauty fails at reform the Beast and bring-back the prince (although, considering that there are two more parts in the trilogy, a lot can happen yet).
What I liked best were all the references to different kinds of culture. For instance, have I listened to Thomas Tallis' "Spem In Alium" and am contemplating reading Thomas Hardy's "Tess of the d'Urbervilles" since reading this novel. (Boy, check what the Latin title of Tallis' beautiful motet translates to - how utterly ironic!)
I liked the sweet puppy-love beginning as well, before the true nature of the plot unravelled itself and the more unfortunate cliches amassed. I mean, for example, why does Grey need to be a multi-billionaire? Of course, it would have been even more of a cliche if he had the need to play the part of a submissive outside of his office where he is busy controlling his company everyday - but, as it turns out, he has sub-experiences from before his career took off, so he has a bit more depth than just your average sexually corrupt rich guy.
There isn't really grounds for all the hype - it is just a quite decent but pretty conventional contemporary "love-story-with-obstacles"-type of novel that happens to spice up things with a non-strict Dom/sub theme.
(English, 23 April 2013)
If Farber's "Brain Magick" is solely on the practise of his modern magic rituals with only some possible theoretic foundation included, "The Great Purple Hoo-Ha" is a fictitious tale on what the practise can involve and lead to - taken to the extreme.
Although heavily exaggerated - perhaps to the same end that a biology text-book includes blown-up photographs of cells? - it is a kind of entertaining tale of how the modern entity Atem have the power to change one so that others perceive one in new and fascinating ways (one of the characters in the book is perceived as more disgusting than he really is, the main character Joe as a lot more pleasant than he is. When he verbally abuses others, they just cheer and thanks him, because in their mind, he has just complimented them.
However, the novel is also an orgy in sexual innuendos and rather blatant innuendos, too. While our reproduction drive was listed in "Brain Magick" as one of the core motivations to why we developed into humans and developed human culture, in this book, it get a bit too much. It comes across as a rather cheap effect to attract readers.
Overall, despite being a nice companion to "Brain Magick", the weakness of "The Great Purple Hoo-Ha" is that is so obviously has been written with one sole purpose in mind and too quickly at that. With a little more time, effort, and maturity, it could have been so much more. As it now stands, it is a mere trifle - useful as an inspiring companion to Farber's other books but struggles as a standalone piece.
(German, 16 April 2013)
I think you have to classify this as a thriller for the youth. However, that - of course - doesn't make it unsuitable for adult readers, just like Rowling's Harry Potter novels really is enjoyable for all ages.
Although Poznanski is an Austrian writer, writing in German, "Erebos" actually takes place in London - mostly in a school where a certain computer game covertly makes it round by invitations only. And what a game! It is, of course, surpassing anything that there is in the real world: excellent graphics, revolutionary controls, a eerie way to use music and sound effects to draw players deeper into the game, the non-player characters even coming of as mind-readers at times due to their accuracy in dealing with the human players - even when not connected to the Internet. I pondered what biofeedback equipment you would need to achieve this and speculated of whether a simple web-cam would suffice - but the players would be bound to notice if their web-cams lit up. However, in the end the book does offer an explanation but I am not going to spoil it for you. Oh, and although written in 2010, with references to both World of Warcraft and Google, the main character still only enabled Internet when he needed to go online. Isn't that quite modem-ish? Isn't we nowadays more or less online as soon as we turn on our computers? Or have I just grown accustomed to a technical standard that school kids in London generally doesn't have access to?
Although aimed at the youth, it is a well crafted story that keeps itself pretty plausible and that doesn't fall in some of the more common cliche-traps of thrillers. Of course, the whole "cool-but-sinister" MMORPG setting was immensely appealing to me - I would love to play the game if it was stripped from its more evil influence - but the intertwined theme of family, friendship and love was very entertaining as well and balanced the novel very well.
All in all an enjoyable page-turner I will be sure to offer my kids when they're old enough.
(Swedish, ? April 2013)
Granström strikes again! The sequel to his "Svavelvinter" is even more held together than the first novel - perhaps because in this volume, most - but far from all - the characters are already established from the first book and are now just continuing on their courses and get their portraits deepened. Of course, Granström introduces a rowdy bunch of new characters all over the islands of his fantasy world in this volume, but the main theme is the same - the events leading up to the fifth conflux.
None of the characters are purely good and none are purely evil. Rather, they are scattered on a continuum between the extremes. However, the evilest of them, the main bad guy Shagul, is strangely fascinating in his complexity (he has a few clones of himself, too, making him even more complex)
Granström also is keen on constantly surprising his readers. All the individual threads of the story constantly keep taking unexpected turns and - of course - often crosses each other or runs jointly for a while. You cannot really expect to be able to keep them all in your head. Rather, just relax, lean back and enjoy the ride and don't fret if you cannot recall the exact particular of a less frequent character when it appears again.
"Slaktare små" keeps the story started in "Svavelvinter" going so well that you are pretty much bound to read the third part, whenever it is going to be published.
(English, 17 March 2013)
If Gilligan turned out to be something of a disappointment, Farber's "Brain Magick" turned out to be a very pleasant surprise. It is actually very good:
To dwell a little more on Farber's use of NLP: from Bandler's books, I got the idea that the Swish pattern are used to disarm trauma and phobias by anchor them in the mind to more positive images by repeated, fast switching between bad and good (swish!). However, Farber's use of the same effortlessly made me realise that it is much more general than that. Farber doesn't use it to neutralise the bad - he instead ingeniously use it to increase and intensify already positive experiences, to ramp up the Whoohoo! (Once again, why is most NLP books aimed at how other helpers can help the needful - why not like Farber utilise the methods for more general and cooler goals?)
So, what about the magic, then? Farber has kept it to meta-magic, to keep it free from any standard school of magic (like the Qabala or Gnostic traditions) but it is still ripe with Gods and Goddesses. He rather elegantly motivates that by tracing our religions back to the early humans generalising and breaking out certain aspects they needed for survival and worshipping them in the theory that by appealing to the aspects in focus, they would get more of the same (strength, fortitude, fertility). Over the centuries, these aspects solidified into all the Pantheons and religions we know now and are familiar with from history.
I don't think it is possible to find a book on the topic of real magic that doesn't contains some mumbo-jumbo (books on stage magic is, of course, another matter) but this one would probably be rewarding to take the time to experiment with. I'm not saying that it will necessarily work, but I do deem it likely that it would be entertaining to try the exercises out for size. In any case, it is a interesting book to read.
(Swedish, 9 March 2013)
This interesting piece of Swedish fantasy makes me remember Bertil Mårtensson's "Maktens vägar" trilogy ("Roads of Power"). It's probably high time to re-read them as I must have read them while in school sometime during the Eighties.
Anyways, this is about Granström and his "Svavelvinter" ("Sulphur Winter") that begun, back in 1987, as a campaign module to the Swedish role-playing game "Drakar och Demoner" ("Dragons and Demons") that, in turn, was heavily influenced by the Dungeons & Dragons role-playing game. Later Granström returned to his fictitious world and wrote a thick fantasy novel about it, published 2004.
And what a novel - a swarm of characters and concurrent but converging plot-lines spiced with racy language. Just the language is worth a few lines. Like so many other fantasy authors, he makes up his own words to use in his fantasy world in place of the common-world word we use for the same - but unlike most of his peers, he has his characters be a lot more down to earth and simple, chatting about shit, sex, and violence (good and evil ones alike). Consider yourself warned. ;-)
However, Granström is also in the habit of making his Swedish appear more archaic by inventing words and alter others into more antique-sounding variants. Many are new to me and I don't consider them to fit in the clearly made up words that belong to the languages of his fantasy world. I believe they are just crafted to add more atmosphere to the narration, and for that they work, even if you bounce on them the first times you encounter each of them (bounce in a different way than the fantasy words that comes with the territory).
All in all, standard fantasy with above average complex, inter-tangled plot-lines and very original language.
(English, 16 February 2013)
I had listen too much on the sales-pitch for this one and had high expectations that weren't really met.
Gilligan boldly states this to be about the third generation of hypnosis, where the conscious mind doesn't need to be bypasses but is invited to work in conjunction with the sub-conscious to achieve the goals. This sounds good in theory, but to an amateur like me that like to read about these things, the practises in the book are impossible to tell apart from books on second generation hypnosis (this might, of course, be due to the border not being so clear cut and many hypnotists having ventured into the third generation without realising it).
The book is well-written and convincing but a bit boring to read. I found the references to Joseph Campbell theory of life as a journey of consciousness most interesting (perhaps I would be better of with a book by Campbell) and overall is Gilligan's parts where he puts the methods in perspective the best. However, I unfortunately lose sight of his goals in the chapters on practise. Also, most require one or more partners to participate in - or even a therapist in the know to act as a catalyst, so once again not really a book for the self-practitioner.
Probably best read as a survey of where Ericksonian hypnosis paired with NLP are right now.
(Swedish, 15 February 2013)
As my son now is very much into chapter books at bedtime (illustrations doesn't seem to be so important anymore, even if the chapter books so far all have been at least sparsely illustrated), I've begun hunting for nice novels to read to him.
As "Det susar i säven" ("The Wind in the Willows") currently happens to be out of print in Swedish, I found this used edition from 1946 online. Really nice and unabridged! My mother clearly never read us siblings an unabridged version - on the contrary, it seems that the copy we had only contain the passage were they take to the road in the Gypsy waggon.
Both me an my son had a really good time reading this gem and that is so squarely set in England didn't seem to bother him at all. Instead, he's learnt more about a number of animals.
What struck me, when viewing the book from a modern perspective, is how few women it is in it and the strange fact that the quartet of main characters all are bachelors of which two even live together. It would be interesting to read some essay on that subject, by some researcher in the know that can account for that particularity from both a historic and a genus perspective. (However, do note that the story has qualities and merits well above and beyond any ill-adviced attempt to reduce it to genus theory only.)
Two more amusing observations is how far Grahame has taken the anthropomorphism in the novel - I mean, the animals all dress and adheres to, for me, almost extreme British manors (Toad of Toad Hall most of all) - and how invisible the servants are. I mean, they do shine through at Toad Hall but at certain passages, I clearly got the notion that even the Rat with Mole as his guest had some staff in his river-brink house (though I cannot remember exactly where and am too lazy to leaf through the novel to try to find it).
All these observations might be - more or less - attributed to the books being a child of the very early Twentieth century, with all the customs and common opinions of the time, as well of the position in society of Grahame self, naturally.
The mark of a classic is that it transcends all the contemporary colour to go on living long after the world has revolved onwards and, to me, this is a childhood classic that, at its core, really is a tale of friendship and helping one's friends out. The looking-glass into early Twentieth century England is just a fascinating bonus!
(Swedish, 6 February 2013)
Apparently, Gluchovkij has licensed out his world to other authors after writing Metro 2033 and 2034 himself and one taking place in the Saint Petersburg Metro is allegedly pretty good.
However, in "Metro 2034", Gluchovskij self manages his world and although he writes a suspense story at least as thrilling as the one in the first novel, it unfortunately lacks the other pillars the predecessor rested on: the expose of our contemporary world's religious and political movements as how they been conserved and cultivated by the survivors in the Moscow Metro and how the main character Artiom in the old one constantly interprets artifacts from before the catastrophe as being about events in the Metro from after the survivors were trapped there.
The sequel is a much more simpler story, more focused on being an adventure in the Metro - although with the suspense of impending doom hanging over our heroes, some of which returns from the predecessor and other that are completely new.
Gluchovskij also very wisely extends his post-apocalyptic world with excellent hooks to base future novels on. I do hope he once again finds inspiration rivalling what he poured into the first novel!
If you liked "Metro 2033", you will want to read "Metro 2034", too, although I personally don't consider it as good as its predecessor.
(English, 26 January 2013)
Wow!
This is an totally excellent piece of popular science. Kahneman has the rare skill of being able to write about really complicated stuff in a way that makes not only easy to follow but entertaining as well. In the process, he weaves himself into the story - as the research of the topic over the years naturally has been the central part of his own existence.
So what is it about? It's a piece of social science that is related to Wilson's "Strangers to ourselves" and "Redirect" but also to economics, game theory, psychology, and a ton of other areas.
With a book by such a gifted author, let me cite his own summary of the same:
I began this book by introducing two fictitious characters, spent some time discussing two species, and ended with two selves. The two characters were the intuitive System 1, which does the fast thinking, and the effortful and slower System 2, which does the slow thinking, monitors System 1, and maintains control as best it can with its limited resources. The two species were the fictitious Econs, who live in the land of theory, and the Humans, who act in the real world. The two selves are the experiencing self, which does the living, and the remembering self, which keeps the score and makes the choices.
This is, naturally, an uttermost condense summary as Kahneman spends lots of chapters on each pairs with anecdotes on how he and his various colleagues came to formulate their theories in the first place, how they went about to verify them, and how they have refined them over the years. The true strength of the book lies in Kahneman's endless examples of how these three pairs more often than not are able to allow us to operate our world with ease but also where they fall short and will trick us into making errors. Kahneman also educate us on the warning signs and how to, at least sometimes, be able to avoid falling into the traps of our own mind.
For me, it is really fascinating to how Kahneman's work ties in with a lot of other areas, but - then again - it is all a question of perception and since he focuses on how me make sense of the world around us, it naturally have ramifications on quite a range of what we do in and of our world.
One should probably re-read this gem regularly - every few years, or so. What I've picked up on most actively is our general tendency to be more risk aversive with regards to possible gains and more risk seeking with regards to possible losses (we settle for a sure lesser gain instead of gamble on a higher gain with a small chance of losing all while, at the same time, we are willing to risk everything on a small chance of keeping what we have instead of accepting a sure lesser loss).
This is a book I can recommend to everyone. For example, I gave a copy in Sweden to my father as a Christmas present.
(Swedish, 12 December 2012)
This is a very to the point book: these are all the different kinds of pain you can encounter when you give birth (mainly physical, but also emotional), and these are the means to cope with them (positive re-framing as well as medication and things in between like changing positions, TENS gadgets, massage, etc).
This is, of course, an interesting read - but perhaps more for women in fertile age than for male readers. On the other hand, it is usable for partners of pregnant women to prepare them for how to best support their women during the birth labour.
This book also bear witness to the sad fact that the traditional midwife, who helped the human race give birth to new generations for thousands of years, so easily got swept aside by the modern and up to very recently male dominated medical doctors who forced women to start giving birth on their backs in bed (while it is less painful to do it standing or squatting - and then gravity assists some, too).
A more fun fact is that, apparently, Nitrous Oxide (laughing gas) was the first anaesthetic/analgesic used by the same male doctors for child-bearing and it was used and endorsed by no other than Queen Victoria herself!
Good book about a very narrow topic that probably only will be read by parents preparing for an imminent birth of a child.
(English, 20 November 2012)
Endearing enjoyment pure... This is such a great idea that it would easily have shone through even a really sloppy execution and Morgenstern has done a pretty good job at writing it up. I did find the jumps forward and backwards in time hard to keep track of, but once I quit trying to keep track and just settled for noting the year of a chapter to work out if much or little had come before the events in it, it didn't bother me anymore. Instead, other aspects come forward - like the undeniable fact that this nocturnal travelling circus during the very end of the Nineteenth century and the first years of the Twentieth, augmented by magic, paints a picture of a world one very much would like to experience first hand - to crawl right into the book, if possible.
One obvious comparison would be Clarke's "Jonathan Strange & Mr Norrell" although it takes place during the Napoleonic War a hundred years earlier than "The Night Circus" and the magic is of a darker, wilder, more violent kind. However, both are historical novels steadily rooted in the historical epoch during which they take place with the key exception that the time has been spiced up with magic.
Another, less clear association would be the genre of steampunk, in the sense that it is offering an alternate history, only with "The Night Circus" substituting magic for the steam-powered retro-futuristic inventions.
Morgenstern has really written a totally endearing novel. It's a love story. It's a story of adventure and suspense for a family audience. It uses a circus anyone with a pulse would love to visit as a focal point. It includes many lovable and interesting characters. It really uses words in a refined way to engage all one's senses in the narration, especially one's inner eye and inner nose (aaah, the smell of caramel!).
This novel will make an excellent Christmas present. Too bad it was my book-loving sister that lent it to me - otherwise it would have been the perfect gift for her!
I think we can await more great novels by Morgenstern in the future.
(English, 4 November 2012)
This was a hard read, not in the sense that it was dry and hard to understand, quite the contrary, but because it touches on so many subjects and often makes quite huge leaps of thought.
Falconar tries to show how the ideas of Korzybski's "Science and Sanity" is supported by a lot of Eastern philosophy and give a practical recipe for how one can activate one's creative intelligence. However, for me, rather than be enlightening, it only acted as an appetiser, making me want to read "Science and Sanity" myself - despite it being reported as a really challenging read.
Also, I think that Falconar's familiarity with India and Indian culture might make his description of Indian esoteric traditions a bit cloudy, as he might assume that other shares his knowledge about the subject. Needless to say, I don't...
Once finished, this is a book that you immediately wonder if you should just read again, to see if you got more of it the other time around.
(Swedish, 20 October 2012)
I liked "Eld" ("Fire") a lot more than "Cirkeln" ("The Circle"). Probably due to the preceding book having taken care of all the introduction so that one could dive into this part and already be familiar with pretty much all main and side characters. Also, I immensely liked how the authors really strives to make the main characters grew their personalities and develop as human beings. Yes, I might have scorned it a little in the beginning, but their honest effort won me over in the end.
I know that I felt that "Cirkeln" was pretty much only a variant of a well-known theme, but I must say that I find that "Eld" is having a better defined voice of its own and is better at pissing in its own unique territory among the heaps of comparable novels.
Another more likable aspect of "Eld" was that a lot of the annoying cliché challenges the unsympathetic outsiders present our protagonists springs from an evil plot of the malicious demons - and not just from common xenophobia of "ordinary" people as in "Cirkeln".
Also, the bottom line is that this is a thrilling page turner due to our heroins overcoming their opposition against all odds.
When is the third part due? ;-)
(English, 10 October 2012)
This short book is actually an excellent practical introduction to meditation and mindfulness. Puddicombe argues that both ultimately are the same and that we would benefit immensely from as little as 10 minutes of meditation a day and trying to incorporate mindfulness in as much of our actions during the rest of the day as possible - in his practical take, one could even walk mindfulnessly while carrying on a conversation with a friend or colleague!
Apparently, Puddicobme have spent a lot of time in monasteries dedicated to meditation all over the world and in this book distilled the essence of all his experiences in a very practical and accessible way geared toward the Western audience (i.e., virtually all of the usual Eastern mysticism has been washed away). He also very generously illustrates every key point with anecdotes of his time in this or that monastery - and often he describes the right way by sharing with us the mistakes he made himself before he got the same lesson.
(Norwegian, 27 September 2012)
So did the third part of Knausgård's "Min kamp" ("My Struggle") come to an end. In most aspects naturally very similar to the first two but in one way quite dissimilar. Where the first part mostly revolved around Knausgård's complex relationship with his father, the death of the father, and dealing with that, and where the second mostly focused on the years in Sweden during which he got his three kids, the third part mostly describes the formative years of his childhood and schooling.
In itself, this is interesting, because he is, what?, six years older than me and thus his schoolyards and free time during the Seventies and Eighties have a lot in common with mine (for instance, Yellow Fox and Hubba-Bubba). Yet, because of him growing up in Norway and me in Sweden, there are all of these small but exotic differences to take in account. Norway isn't Nigeria where everything would be obviously different. Norway is just like Sweden, except in the little, unexpected details where the two neighbours simply go different ways. Surprisingly exciting and refreshing.
However, a good way into the book, I felt that I was missing something. A while later, I figured out that Knausgård simply hadn't included as many of the mini-essays that had been snuck into the earlier parts - the passages where Knausgård's brilliant language and eye for the bare threads in the underlying weave of our existence comes to life and makes for almost haunting reading. Needless to say, that element missing left a longing in me. Why was this?
While marvelling of how much of his childhood he remembered in such vivid detail (or fabricated, or freely filled in the blanks, but it is much more rewarding to consider the whole series dead honest), I remembered having read somewhere - either in an earlier part or a newspaper interview - about how it had been quite a process for Knausgård to really revisit his youth and, over time, remember more and more. How one reclaimed memory led to new associations and new memories, over and over again (and how a lot of the memories were quite emotional to revive).
Clearly, Knausgård have had to really bring his young self back to bring all the memories of his childhood back. Then it struck me that in the third part, he is rather accounting for his childhood through the eyes of his childhood self than filtered through an adult mind. Really, this is far from your average memoirs (picture an stuck-up old geezer that rambles on in a unbearable voice: "-It was then in Kindergarten I choose the path that would lead me to such marvellous victories as the biggest bank merger of our times..."). In fact, it isn't even your average biography. Kanusgård has really gone into him self, brought the boy who lives his childhood back and let that boy more or less ghost write for him. Subtle, but impressive!
Sadly, this fact shrouds Knausgård's language and perception a bit and therefor makes the third part a bit duller than the previous parts. However, on the other hand, he has gone a long way to show us how his language and keen perception were developed.
I wonder how the fourth part will be? (I have already purchased it, although I will read a few other books before treating myself to it.)
(English, 10 September 2012)
Another excellent read! Although it probably should be most like Dutton's "Flipnosis" and some of Fexeus' books, I actually connect it more with Wilson's "Redirect". It is as much a textbook on how human cognition works as an excellent self-defence course against all forms of ingenious marketing and pure con-artists. (Probably, the converse is also true, it is a course in how to influence people both benevolent and malevolent - remember a hammer is just a tool, it is up to you whether you use it to drive in a nail in a plank or to bash someone's head in.)
Cialdini presents his own and others research in a clear and humorous way - and, in this revised edition, with readers' own experiences relevant to the different chapters.
Evidently, Cialidini's book has been used both in classes in Psychology and in Marketing but it works really well for the general public as well.
I especially like how he suggest one should get out of clever (phone-)sales snares by telling the sales-person exactly what schemes they are using. Regardless of whether they know the theory behind the schemes themselves or if they don't have a clue what you are talking about, they will make a run for it without closing a deal with you.
(English, 24 August 2012)
This made a good companion to Talbot's "The Holographic Universe", as Wolf, too, draws from the holographic theory but it wasn't as well-written and accessible as Talbot's book. Wolf is a physicist that has got a deep interest in shamanism and has travelled the world, visiting shamans and shamankas and publishing theories on the subject.
In this book, he tells the tale of his experiences with the Peruvian Ayahuasqueros and their "dream wine", the Ayahuasca, that enables them to visit parallel worlds. Wolf also interleaves accounts of him visiting shamans of other schools, like the North-American Indians and the Celtic Druids of the British isles (he also refers to the occult works of Swedish eighteenth century scientist Emanuel Swedenborg!).
Although Wolf's experiences are intriguing and his theories interesting, his book is narrated in a too roundabout fashion for me to like it as much as Talbot's more straight-forward account. Also, although the draws on physics in his attempts to de-mystify and explain shamanism, I find that his leaps of thought are a bit too big and too wild for my taste.
Yet I cannot but wish for the shamans to be real and being able to visit parallel worlds and heal on a more profound level than the one we usually lives our lives in. (Like Brennan does in "Hands of Light", Wolf accounts for our souls choosing to be reborn and choosing what hardships should befall their new incarnation in order for the soul to continue to learn and evolve to some ultimate Nirvana.)
Actually, the individual stories of all the different people Wolf meets all over the world is to me more interesting than Wolf's own story - even if it was, on the whole, quite compelling. It just didn't gain anything but rather lost from being read with Talbot's "The Holographic Universe" fresh in mind.
(English, 10 August 2012)
Probably the perfect book to read after Singh's and Ernst's "Trick or Treatment". Their book really hammered in the current scientific method of determining the level of effectiveness of medical treatment. Thus, when starting on Talbot's endless compilation of studies on the paranormal and unexplainable, my inner dialogue kept sceptic, thinking "I would like to see that study myself", "how did they design the experiment?", "what was the control group?", "sound like influenced by wishful thinking", etc. However, Talbot kept going and the sheer number of studies he referred to started to sway me on two grounds: 1) could really such a vast body of research all be flawed, and 2) what an elegant and promising picture of an unifying theory he paints!
In short, the proposed theory or model of a holographic universe (i.e., an universe where every particle of it also contains the whole, just like the pieces of a holographic picture still depicts the same motive as the original after it is cut up) which could explain virtually every paranormal phenomena that modern science tend to shrug off as non-existing.
Let me take a moment here and really stress that the holographic idea or theory still just is a proposal. It hasn't been proved yet (not to my knowledge at least - after all, the book is twenty years old). It might be totally wrong or it might be proven right in the future - like Shrödinger's cat, it kind of exists in both states right now.
When reading it, Kuhn's paradigm shifts came to my mind. You now, the majority thought the Earth was flat until the number of anomalies to the flat model grow so large that it reached critical mass and the inevitable occurred - the model of a spherical Earth was generally accepted. This is something that professional researchers sometimes are a lot more aware of than your average man on the street, that our best and most thoroughly proved scientific models still are just that, models, that are constantly being re-evaluated and refined but might ultimately be replaced. (Newtonian physics giving way to quantum physics paving the way for, what, string theory?).
Anyways, the holographic models have followers in many camps, like physics (David Bohm) and neurophysiology (Karl Pribram) and Talbot collects evidences from a lot of other fields of phenomena that possibly could be explained by a holographic universe. And he does it well. Being a journalist, he has the knack for making his chapters on esoteric science accessible to me as a layman reader. (In the few areas I actually have some knowledge, like physics, I have only been able to identify a few over-simplifications or sloppy phrasings.)
This turned out to be a very entertaining read, both for me and my father. It can be written off as defending superstition but I rather would call it a "what if?" book. You should read it to make up your own mind.
(Swedish, 30 Juli 2012)
This is something as odd as a children's bedtime story based on Neuro-Linguistic Programming, psychology, and light hypnosis. Sounds like a mouthful, right? Well, in practise, it is less dramatic. It is simply a bedtime story about a sleepless young rabbit and his quest to get to sleep. However, the narration is sprinkled with clever word devices like "the wise owl said -relax your legs, [name of child]. Charlie Rabbit and you relax your legs, now", "... Charlie Rabbit told yourself" (not himself!), "feeling more and more tired", etc.
Basically, it is a story design to relax and make the audience sleepy. Because of all the "sleight of mouth", it isn't the most easiest book to read aloud, but after a few times, you get the hang of it.
What surprised me the most is that my son doesn't find the simple story boring and want to rather hear another book at bedtime - instead, he often falls asleep well before the book has ended! (And long before the suggestions that he will fall asleep more quickly and sleep better every night from now on.)
I bought it as a curious novelty but it has actually worked surprisingly well. Try it out, if nothing else for a laugh.
(English, 28 July 2012)
Singh and Ernst have pretty much written the ultimate popular-scientific account of contemporary alternative medicine. They begin with a chapter on how to scientifically evaluate the effects - or non-effects - of any treatment, regardless of orthodox or alternative. This chapter has many similarities with Wilson's account of the difficulties in soundly evaluating social psychology as he writes about, for instance, in "Redirect". However, Singh and Ernst go further when they successfully argues the need for randomised, placebo-controlled, double-blind clinical trial to really gauge the efficiency and merits of an arbitrary treatment for a condition. Like Wilson, the need for randomisation when populating the groups of the trial is to make the trial statistically independent of un-evenly distributed or unknown factors. The placebo-control dictates that you threat all groups seemingly the same - even when only one group get the true treatment being tested and the others a inefficient placebo or an older, conventional drug for the same condition. This is to make sure that the positive effect is due to the treatment and not because of a placebo effect. Finally, the double-blindness reflects that the patient in the groups should be blind to whether they are treated with the real thing, a placebo or another medicine for the same condition - but also the care-givers should be unaware of they are handing out the real thing or not, so that they won't be able to unconsciously affect the patients by subtly different behaviour depending on their of expectations.
They further deepens the lessons of the first chapter by taking the four largest alternative medicine disciplines: Acupuncture, Homoeopathy, Chiropractic Therapy, and Herbal Medicine - rounding off the book with a final chapter on their thoughts regarding the value of placebo. They argue that any treatment that just works by the placebo effect is fraud because orthodox medical treatments also benefit from the mechanism behind the placebo effect - namely the patients own expectation. Only, when the active substance in the treatment really is effective, it is per definition no placebo anymore, and the positive expectations of the patient only increases the effect of the treatment (compare with injecting a patient in a coma with a medicine against skin-rash and giving a shot to a conscious patient you simultaneously are telling about the high potency and success rate of the drug).
Also, in the appendix, they briefly cover the result of the existing research for another 35 alternative forms of medicine.
It is a interesting, easy read although it is a bit wordy at times. Aside painting a good picture on why scientific rigour is crucial when evaluating treatments, it also gives a brief history of how modern medicine developed (basically, up to only 200 years ago, medical doctors did more harm than good by, for instance, blood-letting their patients and treating them with mercury...).
With regards to the form of alternative medicine they include in the book, it can only be described as a slaughter or massacre. However, even if the majority has been proven to be ineffective - the jury is still out on a few more as none or too few studies of enough quality exists. Still, they do identify a minority as working - but only a small minority.
(Swedish, 19 July 2012)
This was a pleasant surprise! It was so much more than the claustrophobic thriller one could expect. Who would have thought that it would rest one leg on existential questions and contain a post-catastrophic inventory of most major political and some religious movements? It was also nice to compare the world of "Metro 2033", where the known survivors of World War 3 are confined to Moscow's underground, with the world of Collins' "The Hunger Games", where the known survivors huddles in the rest of North-America after mankind last war toppled the climate and the oceans rose. Of course, the claustrophobic feeling in "The Hunger Games" is of a whole other type than the straight-forward of the train tunnels of "Metro 2033". Yet, there are surprisingly many parallels. However, an huge difference is that in Hunger Games' Panem, most knowledge of the previous world seems to have faded away while in "Metro 2033", a substantial fraction of the inhabitants have lived long enough to remember life on Earth's surface before the war. Thus, our contemporary world is a constant ghost companion to the main character Artiom, despite him having no recollection of a life outside of the Metro himself.
Another obvious parallel is the almost compulsory quest of Fantasy novels. Although Artiom stays within a subset of Moscow's Metro, it takes him weeks of wrong-turns and detours to make it just a few stations away - which in our world, where the trains still run, would take less than an hour. It is these wrong-turns and detours that qualifies his travels as a classic quest.
Astonishing good read (I cannot wait to read the sequel). I especially like how Artiom constantly interprets different remaining artworks at the different stations - statues, murals, painted scenes on the ceilings - as depicting happenings in the Metro after the catastrophe rather than the Nineteenth or Twentieth century events they really are memories of.
(English, 9 July 2012)
This is really a compilation volume of two earlier thin volumes, "Mr Tompkins in Wonderland" from 1940 and "Mr Tompkins explores the atom" from 1944, somewhat updated and complemented with a couple of chapters based on the developments within the field of Quantum Physics in the time between 1944 and 1965, when "Mr Tompkins in Paperback" was first published.
I must confess that, despite the occasional book touching on the subject of Quantum Physics, I haven't really touched the field since senior secondary school (as a Computer Science student, the only Physics course I took at the University was strictly on classical Mechanics) and naturally my memory of my old text-books is a bit shaky, but when reading "Mr Tompkins in Paperback", I get the distinct impression that Gamow makes a much better job of explaining the mind-blowing concepts than my physics teachers ever did.
As an example, at its core, we have Einstein's theory of relativity, which Gamow - among other ways - makes understandable by first pointing out that if you're eating a meal on a train, it's only natural that we eat the main course and dessert in different places along the train line, i.e.: Two events happening at different times at the same point of one system of references will be separated by a definite space interval from the point of view of another system. Then he shows that the theory of relativity is totally symmetrical to this well know fact and can be obtain by just exchanging the terms for time and space: Two events happening at different places at the same point in time in one system of references will be separated by a definite time interval from the point of view of another system.
Every other chapter in the book are lectures by a fictional professor during which Mr Tompkins keeps falling asleep. The remaining chapters are the dreams Mr Tompkins dreams, that takes place in worlds where, for instance, the speed of light is just 30 km/h (so the shortening of a man on an bicycle due to relativity is totally visible to the plain eye) or Planck's constant really large so that billiard balls made of "Quantum Ivory" (from elephants from the Quantum Jungle), are visibly all over the pool table at once. I.e., by choosing the right values of certain physical constant, Gamow creates worlds ideal to making different hard-to-grasp consequences of Quantum Physics spring to life. It makes me remember when we, in school, tried to apply Heisenberg's uncertainty principle to a car, to see what the probability of it missing a garage door completely was. However, since we didn't fiddle with any of the constants, we only got a shudder on the car on a totally unmeasurable scale, if my memory serves me correctly. I guess that with a large enough value of Planck's constant, one's car would more often than not end up in one's neighbour's garage (if not in all potential garages at the same time! ;-)).
All in all, although the society of Mr Tompkins naturally is a bit dated, one is struck by how far modern physics had come back then and how little huge discoveries has been made in the fifty years since the book was published. Or is it just the case that the discoveries haven't been made publicly known in the same way, or haven't been made it yet? At least we know of a lot more elementary particles now, that has been practically verified by ingenious experiments.
An easily accessible introduction to the theory of relativity and Quantum Physics. Recommended.
(English, 29 June 2012)
Surprisingly, if you look at the catalogue of the Connections Publishing house, this title stands out, at least to me, as one of the few more serious ones. Good thing that Connections decided to make a re-print of the original from 1995. Also, it is totally obvious to me that the original edition cannot have been even half as pretty as the one by Connections. The book is beautifully layouted, illustrated, and printed in white and purple. I.e., the format is excellent.
So, what about the contents, then? Well, it is one of the better introductions to self-hypnosis I've read, rivalling Praesto's "Hypnositörens hemligheter" in clarity and readability. I also appreciate that the induction tracks on the companion CD aims to install suggestions on one's own ability to facilitate a decent trance on one's own. However, the format of the audio tracks of the CD isn't as nicely modernised as the format of the book itself. It is clearly just a CD version of the originally cassette tapes distributed with the original book, whit just the voice of Powell to go with you. Compared to modern induction tracks by, for example, Hypnotica, Bandler, or Praesto for that matter, the lone voice in mono comes up a bit short to the others mix of music and voices in stereo, sometimes with one voice talking to you in one ear while another addresses you in the other (head-phones essential).
All in all, one of the more easily accessible introductory text-books on self-hypnosis I've read and - more importantly - one that prescribes perhaps the most manageable route to learning self-hypnosis I've ever seen.
(English, 21 June 2012)
Regrettably, this volume is a bit too uneven and tries to touch upon a bit too much for its own good.
However, two strengths of it is McColl's dry sense of humour and his frequent examples from Zen Buddhism. Makes me curious to learn more about Zen.
The best use I can think of for this book is to read it with pen and paper close by, jotting down each of the concepts he covers that you take any interest in at all, and then use the list you've compiled to search for other titles that focuses better on one - ore a few - of the items on the list.
(English, 11 June 2012)
Havens' intriguing book can be summed up with that they two keys to experiencing Cosmic Consciousness are to immerse oneself with light and to lose one's sense of self.
Of course, that summary are pretty unintelligible - hence the room for Havens to write a whole book about it. He traces what he calls "Cosmic Consciousness" as a key element in pretty much any religious experience, regardless of what it is called (Nirvana, Gnosis, finding God, etc), He argues that it is possible to reach it oneself, by meditation or self-hypnosis, literary visualising oneself as entering and let oneself be thoroughly washed through-and-through by intense white light, at the same time as one let go of one's ego and thus can connect to the Cosmic (collective) consciousness - a powerful, even overwhelming experience that literary can change your life.
Well, on the plus side, he makes a compelling case that such an experience really is reachable without becoming a Tibetan Monk and practise meditation for forty years. On the minus side, it still takes a lot of effort and personal exploration, so such an experience is still not trivial to reach. And - of course - would it be as powerful as Havens describes if it was?
(English, 5 June 2012)
Oh dear Lord, spoiler alert: Panem, the name of the country in which the Hunger Games novels take place, is named from the latin device from ancient Rome: "panem et circenses", "bread and games". However, unlike ancient Rome, were the Emperors used bread and games to keep the population placid, the Capitol of Panem rather starves the populations of the districts and use the Hunger Games to remind them that rebellion is futile. Spoiler alert two: this strategy doesn't work out so well in "Mockingjay", the third and last novel in the trilogy.
Unfortunately, a bit like the fourth Harry Potter novel loses momentum because of Harry's problems dealing with his teenage angers, "Mockingjay" loses pace because Katniss finally is a bit overwhelmed by all hardships and actually loses her drive and focus. Well, we knew all along that she was only human but still it is jarring to see one's composed heroin reduces to a lost girl full of doubts.
Despite the fact that the ending of the novel has to be categorised as happy, the trilogy really ends rather dark and grimly. It really drives home that in war there are no victors, only losers with different amount of physical and psychological scarring.
Although I appreciated the trilogy a lot and I am glad I've read it, too many of the characters I liked was killed off and I kind of long for the relative innocence of the first book. Yet, I must take my hat off for Collins just because she has written her very own story, that happen to be violent, dark, and dystopic. Compared to the more common suger-sweet happy endings, "Mockingjay" stands out as more genuine because of its originality. Because is was harder to digest, it makes a more lasting impression that lighter reads. I only hope that Collins' stands her ground and doesn't allow the movie-makers to slap on a happier end to the movie adoption.
(English, 30 May 2012)
The action continues in the second novel, as Katniss and Peeta discovers that they are far from out of the woods just because they succeeded at surviving their Hunger Game against all odds. Here I must offer a parallel to the TV series "Lost". Just like in "Lost", Collins has somewhat of reversed Chinese boxes going in her Hunger Games trilogy. Instead of tricking one box open and finding a smaller inside, whenever the main characters solve a riddle in "Lost" or Collin's novels, they reveal a larger, enveloping riddle. I.e., throughout the series, you repeatedly get your horizons widened, your perspectives broadened. Quite the mark of an accomplished author.
Not surprisingly, as the key challenges and characters all have been established from the first novel, "Catching Fire" is an even greater page-turner as you don't have to think as much but rather just press on to see what will happen. And, oh, does it happen a lot...
I like how Collins' has thought the post-apocalyptic world of Panem through and how she sublimely depicts is by how Katniss relates to what she sees and learns. Yet, since the Capitol obviously has got such superior technology at its disposal, why don't we hear anything about explorations all over the globe? As paranoid as the Capitol is, shouldn't they keep an eye out for surviving Europeans or Australians coming to conquer them? Or are there no survivors anywhere on Earth outside the North-American Panem?
(English, 27 May 2012)
Another hyped novel they couldn't make a movie out of fast enough - but is there any merits to the hype? Oh yes it is. What I like best about Collins authorship is the restrain she exercises. She doesn't let Katniss wallow page up and page down on some fleeting emotion. Instead, she marches the narration on in short, action packed sentences. Often, it is just midway through the next sentence I fully appreciate the magnitude of what the last really meant, often hitting me like a ton of bricks. As always, I am mostly reading while commuting and more than once I had to pause my reading and think of something else to hold my tears back (yes, I am a bit sentimental). Because Katniss has her share of bad luck and has to go through some pretty serious hardships (and I am sure that most people who read news-papers or watches movie trailers on TV already knows the basic plot of The Hunger Games - not that that will move me to reveal it here, not much anyway).
So the economical prose is one leg the novel stands on. The other is the sheer originality of the gruesome story. It's no news that mankind is a cruel species but Collins basically combines elements of Ancient Rome with science-fiction, creating a dystopic post-apocalypse future America were the society is based on the ruins of our current USA (interestingly enough, the rest of the world is never mentioned - were there really only survivors in North America?). Here Collins shares some traits with Gibson's cyberpunk future. Another obvious parallel is Card's "Ender's Game" with resourceful young protagonists fighting to overcome the odds (although Katniss is almost twice the age of Ender, if my memory suits me correct).
In my opinion, "The Hunger Games" succeeds well in being both action-packed as well as action-driven yet contain an impressing psychological depth, and that in a rather sublime fashion, as feelings isn't unnecessary dwelt upon but rather efficiently reflected reflected in the narration by the ripples they send through the main characters.
Favourite character: Haymitch, despite his bitterness, alcoholism, and self-destructiveness.
(Norwegian, 14 May 2012)
He really is a phenomena, this Knausgård. One aspect of the intriguing qualities of his "Min Kamp" ("My Struggle") series is that he now and then gives valuable peeks into what events and what thoughts that formed him into the author he is, and onto the path of totally open personal realism. Of course, I am in no position to determine whether he has edited the reality he describes in the books, but I get the distinct feeling that he never compromises the truth because of his own, inner moral compass. This, of course, cannot be easy for his family and friends that, naturally, occurs quite frequently in his narration about his life - especially since he isn't just re-telling his sunny memories.
In fact, his accounts of the domestic quarrels he has with his partner is another of the components that keep me glued to the book. One one hand, it is very universal - about every family can recognise themselves and relate. On the other hand, in some of the quarrels, I side with Karl Ove, relating to his arguments and his feelings. In others, I instead can better relate to where Linda is coming from, can share her feelings, and see Karl Ove through her eyes. Of course, their quarrels make for a lens I can view my and my wife's quarrels through and learn a thing or two on where we talked passed each other and where we don't see eye to eye.
If the first part of the series focused on his father and how he coped with the father's death, the second focuses on the birth of his kids and how he adjusts to the rôle of become not only a father himself but a modern one, too, that take parental leave, changes diapers, and in every way nurses his kids. Not surprisingly, as I got my first kid a few years ago, I can relate a lot more to Knausgård's experiences as a family builder than I could to his experiences with a harsh father, that turns into an alcoholic and later drinks himself to death. Yet both parts have been page-turners for me, because of all the elements of everyday events anyone can relate to, because of all Kanusgård's forays into the fascinating realm of art and literature (in this aspect, his books are really educating!), because of his Norwegian eyes he uses to look at Sweden while living in Stockholm and Malmö, that make me learn new things about Norway and appreciate new things about Sweden, and not the least because of the philosophical mini-essays he injects here and there into the narration in his unique way.
Oh, and don't even get me started on how fun it is to read Knausgård in Norwegian - although, apparently, Knausgård himself avoids reading books in Swedish if he can get hold of a Norwegian translation. However, I wonder if that goes for Swedish authors, too? I mean, I wouldn't read, say, a Russian author in Norwegian. There I would prefer my native language, but I do appreciate reading Knausgård in his original language. Perhaps he might like to read Swedish authors in their original language, too?
All in all a deceivingly simple narration with rather everyday content but so brilliantly crafted that the simple sublimely transforms into something great.
(English, 24 April 2012)
Hypnotica has invested a lot in his image as an iconoclast, a rebel against social conventions, a real free spirit. He is probably best known for his hypnotic self-improvement products (the Sphinx of the Imagination CD is really good as a guided meditation) and running a successful strip-club.
However, this title turned out to be a auto-biography were Hypnotica tried hard to track the influences that made him into the man he is. What comes across when reading it is that he is a lot more level and filled of common sense than one would think from the outset (even than he himself would have you believe). You could say that he had the luck of seeing through the web of traditional conventions and choosing to step outside and not playing the same game as most of us. Thus, he come to enjoy a larger personal freedom than most.
On the other hand, to even begin to contemplate him in this kind of light, you have to get passed all his sexual encounters throughout his life. He has literary slept with thousands of women and this tend to eats its way into the centre of the auto-biography, threatening to drown out the rest. However, it is relevant, as he has evolved as a lover throughout his life. He has always had a respect for women even if - like for most teenagers - the hunger for sex sometimes got the better of him. But as middle aged, he has really developed a refined outlook on women that is hard to combine with his amorous life-style and occupation as a manager of a strip-club. Yet, if you think about it, it might very well come in handy to be a real friend of women if you want to operate a successful strip-club and bed a lot of women, right? Would a real misogynist do equally well? Of course, it could be argues that a true friend of women would abhor strip-clubs, but as earlier mentioned, Hypnotica has decided to drop common social conventions.
In his thinking, he comes across a a very normal and decent guy but in his conclusions and actions, he comes across as freaky and sex-crazed. If you find this paradox intriguing, his book is for you.
I really like the dedication he wrote in the book: "This book is dedicated to those who understand that without the crashing waves, the sand would never rest smoothly along the shoreline." Although it can be discussed how crashing Hypnotica really is as a wave, there is truth to that statement and although I have little interest in imitating his amorous life-style, I do admire and want to learn more about his spiritual journey and work as a mind scientist.
Not merely provoking but though-provoking as well.
(German, 17 April 2012)
So, could Swann pull it off, repeating the success of her debut sheep detective story? Well, in the beginning, I didn't feel that the sequel, when Rebecca took the herd on a journey to Europe as stated in her father's will, really matched the originality and atmosphere of the first title, "Glennkill" ("Three Bags Full"), were the sheep solves the murder of their shepherd. However, then the suspense sank its teeth into me, and I just had to keep turning page to see the story to its end. Is there really a Garou - a Werewolf - haunting the woods around the French castle in the woods?
It is a bit hard to make a fair comparison when it was a while since I read Swann's first book. There is a risk that I have magnified the greatness of the first in my memory, thus making the sequel suffer. However, I would say that the strength of the original book is the very well-found and carefully crafted perspective of the sheep, especially down-playing sight and up-playing smell. This way, every common element of an detective story become new and refreshing. Of course, it helped that the underlying plot was both complex and basically plausible.
This volume, the sequel, isn't as strong in this sense. Yes, of course Swann tells this tales through the noses and references of the sheep, but it isn't novel anymore and thus she would have had to be twice as careful to make it equally good. Instead, the strength of "Garou" is the suspense, mixing in a bit of horror in the detective story (of course, this has the drawback of maxing the plot a tad more unrealistic...).
True to the original, Swann has succeeded in writing another page-turner. However, I still consider the original the best of the two.
(English, 3 April 2012)
What a depressing read... Don't get me wrong - it is good. As a reference on web-browser and web-server security, it is bordering on fantastic. However, the overall picture it paints is rather bleak. There are just too many different standards, too many specifications open to too many interpretations, too many partially overlapping protocols, too many browsers, etc, and in all interjoining seams, there seems to linger more or less exploitable holes...
As I am currently working as a infrastructure technician for a company making its living on basically a Web 2.0 site, I had a professional interest in this book. However, it turned out that it is a more important read for web-developers and/or architects of web-sites (from load-balancers over application to back-end databases). Thus, a lot of it didn't directly apply to me but nevertheless gave me food for thought and a better overall understanding. In the end, I only opened one ticket in our issue-tracking system to have one theoretical exploit in the more infrastructure-near parts of our system fixed. Still, this ticket alone proved that the book was well worth reading.
Zalewski has worked with web security for years and evidently kept organised notes on all exploits and theoretical weaknesses he has come across, because it seems to have been quite effortless for him to pour it out in this well-organised book which actually is quite readable, too (it helps that Zalewski has a quite dry humour that often shine through - almost gallows humour).
If you make your livelihood from a web-site, this is next to a compulsory read. You might not benefit from all of it, but you are bound to find at least some parts directly applicable to you.
(English, 9 March 2012)
This is the direct sequel to Black's first book "Tithe". Her second, "Valiant", is more independent, even if it touches on the events in "Tithe" and some of the characters of "Valiant" appears in "Ironside", too. (I.e., it is a trilogy where the first and third installations in tighter coupled with each other than with the middle one.)
Basically, it ties up the loose end kept hanging from "Tithe". All in all a pretty cosy modern fairy-tale/modern tale of Faerie. What I find most appealing is the notion that the faerie has been here all along, in the cracks of our modern, Western society, but kept out of sight of us by a balance of rules and laws, so far most often enforced but sometimes not...
I kind of hope that Black set out on more bold literary adventures as there first three titles after all is more of novels for young adults than totally accomplished books.
(English, 5 March 2012)
So well written, so dense with information and yet just not as entertaining and easy to read and to digest as his later "Redirect". Clearly, it is the same professor that has written both, but equally obvious, his skill at writing for the general public has improved over time.
Don't get me wrong - this wasn't a bad read. It's just that "Redirect" was so much better. Especially in the sense that "Redirect", on pretty much every subject, also came with practical advice on how to use the scientific findings practically. "Strangers to Ourselves" is a very thorough survey on the scientific basis for what Wilson calls our "adaptive unconscious", what its function is, what it does for us, and how it - directly and indirectly - affects our every day life. However - he rarely gives us tips on how to live with it. Perhaps it is obvious to everyone but me, but I often felt that I was one breath from getting it all - like I got most but kept missing the last piece of the puzzle.
The best part of his massive 360 degrees review of the "adaptive unconscious" is how it touches on so many other (social) psychology and other scientific theories and how Wilson's sketches them out on the map and how they all relate to each other - from classic Freudian theory to behaviourism and Wilson's own cutting edge social psychology. (And at least this part is giving for me that didn't even take psychology in senior secondary school - I, of course, choose philosophy instead.)
I won't go into details about the "adaptive unconscious" but will mention the perhaps scariest thing about it: you can consciously believe that you, say, don't have any racial bias and actively strive to be fair and act in a un-racial way. However, you "adaptive unconscious" can, at the very same time, unknown to you, make your autopilot act as a racist, in ways a person often exposed to racism easily picks up on. Luckily, Wilson here refers to studies that indicate that a "do good, be good" approach over time can align the behaviour of the "adaptive unconscious" with your conscious behaviour.
All in all a very informative book on how to know oneself better, with lots of cutting edge science on how most of us really ticks and examples on how we can be fooled by our own unconscious.
(English, 20 February 2012)
Interestingly enough, Black immediately addresses my critique of her first novel - that the characters were such outcast - by making the main person of this, her second book quite a normal sixteen years old girl, with a pretty normal life - until it is turned on its head and she runs away to try to deal with it and stumbles on faerie and trolls hiding in the great city of New York.
All in all, I liked "Valiant" a lot more than "Tithe", which in a way is pretty odd as they have more in common than they differ and on some occasions touches upon each other. It's just that the ingredients and disposition of this one agreed better with me than the first one. (I wonder how her third novel in the same series will do?)
Strong points: a likable, more probable heroine and fantasy discovered in our midst - out of site to mortal eyes and allergic to all our iron, but there beside and around us anyway.
Weak points: the popular contemporary view of chic modern rebellious teenage destructive life-style can get tiresome, but it is down-played and more in its right place in this title.
(English, 15 February 2012)
Interesting read - it proved to me much more, much less, and much different to what I had expected:
This is an important book but I would like to think that it is more important for many other parts of the world than Sweden (at the same time, I have to confess that we have our own set of gender equality problems and we have far from extincted violence against women - but at least women are pretty liberated and have almost the same opportunities as men here).
Possibly, it is more important for men to read than women - even if both genders can benefit in different ways (eye-opener for men, guide to take back their own sexuality for women).
If possible, you should rather attend a live performance of the monologues than just read them, but reading them is better than not knowing them at all.
(English, 14 February 2012)
Another contemporary fantasy author, Black's trade mark is "modern faerie tales" - i.e., she tells of faeries in our modern society and of the few (un-)lucky humans that can (or is allowed) to see the faerie.
It is nothing wrong with the suspense in Black's story. I felt a strong urge to turn each page an read on, to see what would happen next. On another level, I don't really get why the human characters must be social outcasts. I guess it is so that we can identify with them, as we all, now-and-then, feel as we don't belong (why else would be turn to escapism in the form of fantasy?). Still, it is a bit tiresome with less than average people (or possibly my view of what is average doesn't match reality).
All in all rather endearing as it augments our physical reality by adding (revealing!) the faeries and magic in it. I can't help myself, but ponder the "what if:s" the book awakens.
(English, 9 February 2012)
I have really been lucky with my non-fiction picks lately with high-lights like Berns' "Iconoclast", Rosenblum's "See What I'm Saying", and, of course, Bateson's terrific "Mind and Nature" were all truly well-written books on interesting topics. Wilson's "Redirect" is right up there beside them.
The social psychologist Wilson has written a book that resides on three pillars: 1) the importance of testing (verifying) methods (theories) experimentally - and the importance of designing these experiments scientifically to rule out any inadvertent bias or trends in the population, 2) the plethora of wide-spread, well-meaning programs that haven't been tested before deployment and when they later are tested often proves to either not work or be doing more harm than good, and 3) the method of "story editing", a comparatively simple method of re-framing peoples self-images that have surprisingly large beneficial effects when used right.
Wilson begins by stressing the importance of rigorous testing and how to implement a scientifically sound test (of which the most important things is to randomly assign subjects to the test-groups or the control group). I might not have studied social psychology, but as once a student of Computer Science and Engineering, scientific experiments are no news to me, so this part was a bit boring for me (although I appreciated Wilson's numerous examples of flawed test yielding false results).
Wilson then visits a lot of fields, like preventing teenage pregnancies, limiting teenage drug, alcohol, and tobacco abuse, closing the achievement gap, and more. The most interesting chapter to me was the one on how to become a better parent. More on that below.
For each field, he present a survey of widely spread popular programs that wasn't vetted before started and explains why they don't work. Then he describes the few, less well-known efforts that do work and looks at why they work (surprise, surprise - many of these were tested before they were put to use!).
Wilson uses a lot of diplomacy and objectivity when touching on politically infected questions like how to prevent teenage pregnancies. Here, the US political arena with the Republicans rooting for abstinence training (proved non-working) and the Democrats for Sexual Education - including contraception orientations (proved working), really gets quite exotic for a Swede like me, raised on the (from where I am standing) more sound northern-European values.
If we revisit the part on parenting, Wilson sums it up as 1) avoid an overly controlling parenting style, 2) label your kids' behaviour appropriately, and 3) foster secure attachment models. Point one can be further explained with the minimal sufficiency principle - that is, both threats and rewards should be chosen to be just sufficient to work because then the kids tend to do as we want them to and think they do it because they are good people, which will make it more likely they'll do it next time, too. If the threat/reward is too strong, they'll only do what we want them to because of the threat/reward, which will make it less probably that they'll do good the next time. The problem with the minimal sufficiency principle is, of course, that if your threat/reward come up short of sufficient, it won't have any affect at all.
To label your kids' behaviour appropriately makes me think of the writings of Jesper Juul, but I think Juul was more focused on giving the kids a rich language to communicate their feelings with in a precise fashion. Wilson's aim is to chose labels in a way that gives and reinforces a healthy self-image in the kids. Not always an easy thing to do. For example, don't tell your kids that they will do well on the exam because they are so brilliant students - because if they flunk it, the natural conclusion is that they aren't brilliant at all but poor students. Not what you wanted when you tried to encourage them, right? Instead, tell them that they'll do good on the exam because the have studied so hard. Now if they happen to flunk it, the natural conclusion is that they didn't study hard enough and that they need to make more effort for the next exam. Bingo!
I could on for ages, writing about this book, but I think it will be more efficient if you just read it yourself, don't you?
(English, 2 February 2012)
Leaving Malta, I picked up a new book on the airport. As I found a book on the Great Turkish Siege of Malta 1565 last time, I thought I'd go for the more recent siege during World War II (apparently, some British clerk calculated it as the longest siege in the history of the British empire) and settled for this one by Bernard. Alas, when I started reading it on the plane, it said already in the first pages that it was a work of fiction... I was aiming for a historical book, but ended up with somewhat of a Biggles-novel for grown-ups!
Perhaps the slight disappointment in the beginning coloured my liking of the novel as a whole, but I'm afraid that it is somewhat of a trifle, despite trying hard to describe the madness of modern warfare and how it affects the individuals caught up in the maelstrom of death, terror, explosives, and stress. Also, the side-track taking place in Britain and France feels rather misplaced and superfluous.
On the positive side, the author has done a lot of research and I believe that the stream of events follow actual history, even if all characters are fictitious.
In the end, what I liked the most was how close one came to the Hawker Hurricanes and - when the going got tough and the defence of Malta got prioritised - Supermarine Spitfires. Although, during the first chapters, Barnard burdened his narration with too much technical details, making them get in the way of the story. Either I got used to it or he eased back a bit, because it didn't disturb me for the reminder of the novel.
Despite a horrifying setting and honest interpretation of how human souls copes with the horrors of modern warfare, the result falls a bit on the light side.
(Norwegian, 26 January 2012)
Early on, I had decided not to read Knausgård's novels. Then, after the sixth and last part was published and reviews of the whole series appeared, I got swayed and bought the first part in Norwegian (of course!). And oh la la, can Knausgård write! There are some solids grounds for all the hype!
It's really against all odds. Knausgård is no Gandhi, Clinton, or Napoleon. His just a totally common Norwegian that had the common misfortune of having a not in all aspects great father that later turn into an alcoholic. Yet, when Knausgård tells the story of his very commonplace life, he does it in such a captivating way that you are drawn into the story, and mechanically turn page after page once your eyes scanned all the lines in them.
Combine this with Knausgård's knack for observing some passing detail, dwell on it and elaborate on its ramifications and place in the greater whole, and you have a contemporary classic. Although, I have some doubt of how well it will fare in a hundred years or more - at least the first part is pretty heavily anchored in the 1980:s. This, of course, only make it better in my eyes as I am not that many years younger than Knausgård and thus have my own, vivid memories of how it was to grow up in the neighbouring country to Knausgård's Norway. All the little unexpected differences between Sweden and Norway only spices the narration up for me. Also, when he includes the more recent years he lived in Stockholm and I can relate to the streets he walked to get between their apartment and his writer's studio, it makes for a great novel-reader connection.
It was a treat to read such a thick novel in Norwegian. Although it was a while since I last read a book in Danish, I have a feeling that Norwegian is a tad easier for me to read. Yet, it also become clear that Danish and Swedish is more closely related than Norwegian and Swedish (despite the latter sounding more alike and thus Swedes and Norwegians having easier to understand each other). This relation was most evident in the fact that it seems more words in Danish has a common origin with a Swedish word, even if their usage had glided apart over the years. In comparison, Norwegian seem to have more words with a similar common origin with German and English - this despite the fact that medieval Swedish was heavily influenced by low-German and Swedes today generally having more DNA in common with the inhabitants of northern Germany than with Danes and Norwegians.
Anyways, most unknown Norwegian words I got the meaning of from the context, at least the ones Knausgård often used (like "vesle", small, that he really used a lot). Some more infrequent, I probably should have looked up. Now I cannot remember them.
Want to experience great literature in the most unlikely of places and topics? Give Knausgård's "Min kamp" ("My Struggle") a chance.
(English, 13 January 2012)
What a disturbing book on a bleak subject. Hirigoyen has dived deep into the dark dungeons of mobbing an psychological warfare, focusing on psychic terror within families and in workplaces. It is a terrifying investigation into the mechanisms and pathologies of the ones who mercilessly feed on undoing others - and how the victims is rendered powerless in order to prevent them from fighting back.
The worst of it all is that Hirigoyen present no solution to it, no tips on how to fight back. Instead, she repeatedly states that fleeing often is the most viable option.
The little hope she conveys is that legislation and general awareness slowly is catching on, at least in some countries. Regrettably, often it is the victims that gets all the blame from society while the perpetrators skillfully make themselves look like the victims in the eyes of the legal courts, colleagues, and relatives.
Knowledge is power, and that is basically the only reason to read this book. If you know something about the subject, perhaps one can avoid being a mobber oneself, better avoid becoming a victim of physic terror, or being able to identify and intervene when someone close to you is targeted (but do it carefully since a pathological mobber might easily take out his or her revenge on you).
A really unpleasant book on a really unpleasant topic, but perhaps like good medicine often tasting like shit, the information - however unpleasant - might be good for you in the long run.
(German, 5 January 2012)
This is the third book by Havener but although it is pretty much like the others in style, I cannot help but get the impression that the third book only is a collection of the left-over material from his first two books. Mainly, this is because the flow through the book isn't that natural - it feels rather jumpy and illogical at places.
On the other hand, he kind of complements his two first books with this one, making the three of them a more complete work on our mind - how do strengthen it, guard it against unwanted influences but also how to influence others.
Still, his by far best book is the second, "Denken Sie nicht an einen blauen Elefanten", written together with doktor Michael Spitzbart, because of Spitzbart brilliant summary on how our typical Western life-style often leads to our most common pathologies.
(English, 27 December 2011)
Hey! This turned also out to be a great companion to Rosenblum's "See What I'm Saying" since Berns identifies the three key areas of what makes an iconoclast to be perception, fear response, and social intelligence - and, not surprisingly, the parts on perception and "See What I'm Saying" has quite a lot in common even if they tackle the field from different angels.
"Iconoclast" literary means "a smasher of Icons" and means someone who thinks differently, goes against the stream, and turn the tides. Many great inventors, artists, or successful entrepreneurs are iconoclasts. Berns looks at the biological (genetic) factors that affects whether one turns out to be an iconoclast or if one are statistically more average - and he does it so well! He both succeeds in summarising the advanced scientific theories of the day in a readily comprehensible way and constantly uses well-known persons as example, to illustrate the narration (Steve Jobs, Albert Einstein, Jonas Salk, etc). I.e., Berns has succeeded in writing a popular-scientific page-turner on such an exotic subject as the biology of geniuses.
Not only does he identify where the true iconoclasts differs from the more common mortals, he also tells us how to become more iconoclastic if we want to and have the perseverance for it. (I.e., all iconoclasts isn't born such, many are (self-)made into one.)
What also is very interesting is all cases were Berns shows that recent research has proved older, sometimes well-known findings as wrong. This is a great aspect of books like this one or Rosenblum's "See What I'm Saying", that they survey the very cutting edge of science and packages the findings in an for the average person easy-accessible way. Huge thanks!
I am wondering a bit over the appendix over the iconoclast's pharmacopoeia. Why is it made into an appendix? Was it the author or the publisher that didn't want it as an integrated part of the book? Might it even be a compromise between integrating it or leaving it out altogether to have it as an appendix? Anyway, it is a quick account for how drugs, both legal and illegal, might make or break an iconoclast. Basically, in the cases were a drug really can help, they should best be avoided anyway because they come with severe unwanted side-effects. Still, I think the appendix rather belongs in the book since it makes it more complete.
Very educating and entertaining - warmly recommended.
(Swedish, 22 December 2011)
For months, I've been trying to borrow my sister's copy of this hyped novel. However, she had already lent it to a friend whom hasn't returned it yet. Thus, on my way abroad, I bought the book on Arlanda airport and proceeded to read it on both my flights and the three hour wait at the Frankfurt airport in between. That left me with only the last chapters that I finished off the day after. Great as a travelling companion.
What is "Cirkeln" ("The Circle") then? It is a hyped Swedish novel surfing on the wave of magic and the supernatural in the wake of Rowling's Harry Potter, targeted at teenagers or young adults.
To be honest, it isn't that original and like so many contemporary novels, it is rather movie-like in it's disposition (don't know whether this is because modern authors are influences by all the movies of the day or if they deliberately have had a movie adoption in mind while writing). Yet, it is rather well crafted and keeps the readers attention throughout the whole of it.
I won't spoil anything important, but the outline of the plot is that a number of very different teenage girls that only have in common that they go to the same school all of a sudden are brought together by their awakening witch-powers and an external threat.
Given how the novel ended, it would surprise me greatly if one or more sequels aren't in the making. ;-)
A bit average, yet read-worthy.
(English, )
When I first read the title, I immediately thought about the huge Swedish housing projects of the Fifties and Sixties, where the so called "Million Program" suburbs to Sweden's larger cities was built. And, sure enough, Social Engineering is used in this context in English too: "Social engineering is a discipline in political science that refers to efforts to influence popular attitudes and social behaviours on a large scale, whether by governments or private groups." However, in this book, Social Engineering is more about person-to-person communication and influence.
Although used in parenting, sales, by doctors, etc, Hadnagy's focus is on how it is one the one hand maliciously used by con-men, scammers, and crackers, and on the other by security guys to do penetration tests and educate companies in order to make them less vulnerable to the malicious kind.
Since Hadnagy illustrates the text with real case studies, it is not only entertaining but often even thrilling to read. He tells about a lot of James Bond-stuff going on to use Social Engineering to gain access to companies digital networks - i.e., no firewalls, anti-virus programs, or other technical counter measures can help if the bad guys can trick an employee to open the door for them, most often without the victim even realising it.
Although Hadnagy over and over again stresses the importance of gathering solid information on the target and to train each technique until it becomes a second nature, and really rehearse every attach vector before launching, the most interesting parts are, of course, his descriptions of key aspects of the juicer techniques like elicitation, pretexting, and persuasion. I especially like the chapter on psychological principles used within social engineering.
If one had the time and the drive to learn all of the techniques Hadnagy identifies, one would get a lot of benefits from them without becoming a professional penetration tester or a bad guy. Since all of these tools can be used with either good or bad intent, you could use them to just become a better communicator and help you family, friends, and co-workers with them.
In the end, the true merits of the book lies in educating you on the risks of attacks by evil social engineers. By just reading it, you might not be able to see through the carefully prepared pretext used by an attacker, but you might be better equipped not to make potentially exploitable exceptions from office policies when under social pressure to do so. (Like not plug in the USB-stick and open the pdf to help the cute, crying blonde in distress even if her story is totally believable - after all, she might be out to rob your company dry, putting you out of a job.)
(English, 1 December 2011)
Although this claims to be a book on how to use Neuro-Linguistic Programming to raise you children and make theirs as well as your own life happier, I have to say that there are less NLP and more common sense in it (or possibly the NLP and common sense happens to coincide for most of the recipes in the book).
It is really a huge collections of scripts on how to catch yourself from using the same (probably inherited) none-working ways to deal with your kids whenever they act up - and instead try something else, something new, something fresh. The book, of course, suggest recipes for typical domestic disagreements between parents and children.
Even if it is written as a reference book where you can look-up a typical situation after you have had an unsuccessful one and check how you should have dealt with it (or how you might have tried to deal with it better), if you read between the lines, it really all boils down to help you see your own habits and break free from them and help you see the big picture - i.e., the situation at hand from both your, the child's/children's, as well as a neutral bystander's/"fly on the wall's" perspective. Naturally, then it is easier to understand and pinpoint misunderstandings and find constructive compromises.
The first thing I tried from the book was to try not to nag when my son seems to ignore what I am saying and instead take a few minutes to join him in his activity - so that I can discover that he often is so absorbed by it that he literary cannot hear me and that I, by joining in, can get his attention and suggest that he takes a pause from his activity to do whatever I originally wanted him to do. I cannot say I always remember to do this, but when I do, it not only often have worked, it has been pleasant times for the both of us.
To me, this is less of a book to refer to as a manual when one have had a failure and want to succeed better next time a similar situation occurs, and more of a book to read to jog your mind and extend your toolbox so that you have more options to choose from when situations arise.
Alas, no book in the world can make you always evaluate every situation from every perspective and never fall into old habits. At times, you will be deep in your own head and act on autopilot. This book can only offer a chance to be that slightly less, if it agrees with you.
One funny thing about it, being written by a British author, was that I sometimes stumbled on her English. Most often, it was the fact that she wrote about "eating" tea and not drinking it. I guess it is because tea-time in Britain means scones or something similar and not just tea, but it still made we flinch every time she used it.
(Swedish, 25 November 2011)
With the Higgs particle maybe been found all over the news - CERN is down to the probability 1 in a 1000 that what they see is just random noise and won't officially say they've found the Higgs particle until they're down to 1 in a 1 000 000 - it as a great surprise to stumble on the best and most concise summary of the motivation for the whole LHC project I have ever seen (pages 211 to 215). And I have even been a small cog in the data-grid co-project necessary to process all the data that the particle accelerator at CERN produces! What makes it even cooler is that Davies finished writing this book in 1992, long before the Large Hadron Collider was built.
What's good about this book, besides the above? It raises big, tough, unanswerable questions about the nature of our universe at especially what might be beyond it. It touches not only on hard-core physics and math, but on philosophy and computer science, too. It is well written, entertaining and educating in the sense that it is pretty accessible even for people without university studies in the field at hand.
On the other hand, while for instance the theories of the ancient Greek philosophers he refers to are timeless and set in history, the very physics he is conveying to us is in constant development and even the underlying mathematics aren't totally constant either. This unfortunately makes you question throughout the book how much of the stuff he presents as the latest and most ultimate findings already have been deprecated in favour of even more recent and mind-blowing research during the twenty years since the book was published.
Also, since he is cramming so many huge ideas into one small book, I sometimes lost my bearings and felt a bit confused.
I think it would be good to compare this book with the currently latest by the author himself or by Stephen Hawking, just to make a sanity check regarding where the physics frontier is right now. However, it still is a good read if you aren't afraid of unanswerable questions and chapters on trying to decide between uncheckable theories based on their individual merits.
(Swedish, 5 November 2011)
It is going better than expected to read qualified literature to my soon-to-be three-years-old at bedtime. Not only does he have a great time, I am also eager to read on, to see what will come next.
As with most, if not all, of Jansson's novels, there is a very special, Fenno-Scandian atmosphere present, that adds an extra dimension to her stories. In "Trollvinter", this atmosphere is in places (especially the beginning) reinforced by lack of interference - since most of the usual characters are sleeping their winter sleep, the all seeing narrator voice can spend some time, describing the environments uninterrupted. This both builds atmosphere and suspense. Without giving away too much, this winter, for unknown reasons, Mumintrollet (the Moomintroll) and lilla My (Little My) wakes up from the usual November-to-April winter sleep and get to experience this for them totally mysterious season of winter ("it has grown snow out of the ground!").
In the stead of the members of the family that keeps on sleeping, they meet a lot of new acquaintances - some that just will pass by and others that will stay around for other books, as usual.
I still hold "Farlig midsommar" to be Jansson's best Moomin novel, but "Trollwinter" isn't far behind, due to its intense atmosphere and wintry imagery.
(Swedish, 1 November 2011)
Oh my god.
"Lilla stjärna" easily outshines all of Lindqvist's earlier horror novels, both in literary quality and in creepiness. Especially in a very important key sense. While all of the others involved zombies or vampires or whatever the bad guy in "Människohamn" really was, "Lilla stjärna" doesn't contain anything supernatural. Nothing, nada, zilch. Sure, Theres has an uncanny ability to sing that borders on the supernatural, but however improbable, someone human could possess it. No, the real creepiness of this novel is that it - or something similar - could happen. It really could happen any day, anywhere - even in your neighbourhood...
Looking at the grand picture, Theres and Teresa aren't that unlike the Oslo-bomber/Utøya-shooter Anders Behring Breivik or the September-Eleven Pilot terrorists. Bot on another level, they are totally different. Because they are just kids and girls too. This novel is creepy for anyone but if you are a parent of an adolescent child, I wager that it is extra terrifying, because how do you protect your child for what happened to Teresa? (In Theres'es case it's easier. I'll take it you'll never-ever will do what her anonymous real parent(s) did to her...)
Lindqvist already was the shooting star of the Swedish horror scene. With this title, he has fortified his stronghold as the unthreatened Arch-writer of Swedish horror. It is quite nice to see that his novels so quickly gets translated and published abroad, too. It's just a bit irksome to think about what international readers will think about Sweden after reading them. I mean Mankell's Wallander novels have caused streams of German tourists visiting Ystad and in the wake of Stieg Larsson's Millenium trilogy, tourists are taking guided tours around Lisbeth Salander's and Mikael Blomkvist's neighbourhoods on Södermalm in Stockholm. However, will Lindqvist's international readers rather run screaming away from Sweden or will they be curious enough to come, too? (I would recommend the Stockholm archipelago of "Människohamn" as the most see-worthy of all his settings so far.)
"Lilla stjärna": does it contain unnecessary violence, blood, and gore? Sure. Is it totally unbelievable? Well, eh, no, not enough... Is it terrifying on multiple levels? Yes, I'm afraid it is. Not cannot-sleep-without-leaving-the-light-on terrifying but rather this is immediately disgusting to read (you know you want it) but, come to think of it, gaaah!, where are our society going?
Quality contemporary horror. You have been warned.
(Swedish, 29 October 2011)
This is actually a compilation of a number of shorter stories, of which the one about the invisible child is the most well known. In a way, Jansson has written fables with pretty obvious morals. For instance, one of them is clearly a variant of the classical "Peter and the wolf" story (you know, from where the expression "cry wolf" comes). On the other hand, all of Jansson's Moomin novels are of this kind - it is just much more obvious in the short story format. Thus, Sniff gets to confront his greediness in one story, the invisible (subdued) child gets to be heard and seen (respected) again, and so on. However, my favourite story has to be the one were the whole normally winter-sleeping Moomin family gets woken up just before Christmas and very naïvely interprets what this mysterious impending event Christmas is (apparently threatening and demanding) and how it affects people (apparently with stress and anxiety). ;-)
In this format, we lose some of Jansson's typical language and atmosphere, but enough remains to make it a worth-while read anyway.
(English, 25 October 2011)
This is a mere trifle but as a pendant to the epic Twilight Saga, it - of course - needs to be read. I have to confess that I got quite nostalgic when reminded of the events of the last Twilight novel, "Breaking Dawn", even in this roundabout fashion, through the eyes of the one of Victoria's army that survives the fight with the Cullen cove and the Quileute wolfs.
Food for thought, what might have happened to Freaky Fred? The one of Victoria's army that completely avoided the fight?
(Swedish, 20 October 2011)
The married couple Alexandra Coelho Ahndoril and Alexander Ahndoril have done it again, written a successful contemporary police thriller. However, "Paganinikontraktet" doesn't reach the same greatness as "Hypnotisören", even though it gets a bonus by the readers already being familiar with the main characters of the police force and greeting them as old friend.
Actually, they build up the story and the suspense quite well. It is mainly the pretty hastily ending and the lacking of depth in the portrait of the main evil guy that makes me give this novel a harsher review than their first novel.
To put it in other words: this is very contemporary and will be greatly successful both within Sweden and in translation to other languages, but I doubt that it will survive as a long time classic.
However, I like Joona and have high hopes for future titles in the series. These novels would be ideal for long flights with boring stops at odd airports, as they are page-turners. They just aren't timeless classics.
(English, 17 October 2011)
What a precious little gem. It started out endearing. Then I got a bit put-off as I found the middle years quite improbable - I would have liked it a bit better if Dex had been less successful and Em's life a bit less drab. When they found each other anew, I found it endearing again. Then the brick wall hit me square in the face and I found the end deeply touching, making me re-evaluate what came before and seeing it in a much more favourable light.
All in all a great read. Sure, it could have been better polished in places and, as goes for most books, could in an ideal world have been better adjusted for my personal taste, but in the end it gave me a great reading experience. You could say that the first three quarters was sneakily but elaborately setting the stage for the brilliance of the end. I was not only deeply touched but the day I read the end, I was actually a bit shaken. That is just how great novels should be - they should connect with you, stir something up within you, make some fibres of your core resonate.
The originality of the format wasn't bad either. The one day of the title is actually about the same date over twenty years. I.e., the story unfolds by key-hole increments each year. Needless to say, Nicholls have to be rather clever to convey the full story through these annual glimpses, but he does pull it off.
It started out as OK but totally won me over in the end. Read it.
(Swedish, 7 October 2011)
I was going to wait until Fexeus' book came out as a pocket, but when Fredrik Praesto recommended it, I went out and bought the hardcover any way.
This is the tome where Fexeus dots his i:s and crosses his t:s. His two first books were only the beginning where he performed his reconnaissance before the big assault in the forth book (the unfortunate third book was just that, a detour to satisfy all questions from people just wanting to get laid).
"Konsten att få mentala superkrafter" is a self-help manual for people who hate self-help manuals. Really, it is a smorgasbord of surveys of the latest research findings in fields like creativity, happiness, relations, counter bad habits, get a better memory and more. Fexeus has surveyed the state of the art research to find the methods that really works. While at it, he also exposes and deflates a lot of popular methods that simply don't work (he also explains why they don't work as well as what their appeal is and why people get duped by them).
Fexeus writes well with a lot of humour. Yet I was struck by how often he uses contemporary references to lighten his narration - references that are easily got right now but probably not in ten years. I.e., it annoyed me that he put so much effort into a book that would in just a few years feel dated. Why don't aim for a timeless classic? Then, in the afterwords, Fexeus actually addresses my worry. As he sees it, much of today's state of the art research will be replaced by new, unexpected findings in the years to come and thus, before the references to contemporary culture get dated, Fexeus expects much of the core information to get outdated or invalidated. Then he might get around to write a new, updated book.
The book is at the same time very entertaining and educating. However, to really benefit, you - of course - have to do the exercises. In that sense, the book is rather demanding. Even if most exercises are small and quick ones (these I paused a few minutes in mid-reading to do), the really rewarding ones are naturally a lot tougher and more time- and effort-consuming to do (these I didn't take time to do). Hence, although you will gain a better general understanding of a lot of subject by readings the book, you won't get any mental superpowers without investing the necessary time and effort in the associated exercises. (So, if you would end up exposed to some rouge virus and have to spend months in quarantine, be sure to bring this book!)
One really neat trick in the book is that the page numbering doesn't count up but down. I.e., the book starts at page 561 and ends at page 0. Thus, you always throughout the whole book know exactly how many pages are left to read. Not so in conventionally page-numbered books! What an excellent illustration on the importance of thinking outside the box - get new perspective on life!
Really, this thick tome should be seen as the practical companion to his two first, more theoretical books "Konsten att läsa tankar" ("The Ard of Reading Minds") and "När du gör som jag vill" ("When You Do What I Want You to"). Together, these three make a really ambitious tour into the human psyche.
Well worth reading. Well worth actually taking the time to do all exercises. Too bad time appears just too precious for that investment...
(English, 20 September 2011)
Metaphor: a literary figure of speech used to represent a less tangible thing or some intangible quality or idea. For example, Shakespeare's Romeo's line "Juliet is the sun."
This title had surprisingly much in common with Rosenblum's "See What I'm Saying" although the latter is about all our senses and Geary's book is focusing totally on metaphor. Of course, both books is ultimately interested in how me make out the world around us - Rosenblum on how we sense it and Geary on how we make sense of it. Geary argues that metaphor (i.e., advanced or more or less abstract analogy) is the tool of choice for our minds to learn and relate to the world around us. He takes us on a grand journey around metaphor in learning, advertising, economics, art, body, science, innovation and even therapy. Quite fascinating - for instance, when stocks are rising agent metaphors (Dow Jones fought its way upward) are generally used while dropping stocks evokes object metaphors (NASDAQ dropped of a cliff). Quite revealing of human investment psychology that according to the common metaphors, stock exchanges fight their way upwards as living entities while they crash down as dead things under influence of external forces...
Geary shows that metaphors truly are all around us and that all kinds of language, form the earliest hand signs to today's modern grammars, probably developed from metaphors. A new metaphor is easy to spot as it makes us see something in a new, refreshing light ("Laughter is the mind sneezing"). An old familiar metaphor easily becomes a cliché ("We are in over our heads"). But eventually, the metaphor moves pass cliché to become a word or expression so commonly used that we've forgotten that it ever was a metaphor ("I see what you mean").
Another aspect I found really interesting was the use of metaphor in a form of therapy called clean language - where the cleanness is about carefully use neutral language and repeating the client's metaphors back to her, in order to keep the client re-experience her own metaphors, thereby revealing more and more about them and ultimately leading to the client self reaching a breakthrough and gaining new healing perspectives on whatever problem she's suffering from. Powerful stuff! Of course, carefully selected metaphors are used in advertisement and politics to manipulate us all the time. Thus, a working knowledge of metaphors and the ability to spot and analyse them is only good for you.
This is a fascinating and well-written book but the theme itself is so abstract that it makes the narration suffer a bit. It annoys me that I often forgot early parts of a chapter before I reached the end of the same, something I think was due to the sheer abstractness of it all. Yet, a metaphor can be quite concrete.
Also, one has to mention all close relatives to metaphor - such as the synechdote (part of something is used to refer to the whole thing), allegory (an extended metaphor wherein a story illustrates an important attribute of the subject), and parable (an extended metaphor narrated as an anecdote illustrating and teaching a moral lesson).
A very educating and interesting book but, in the end, I still liked Rosenblum's "See what I'm saying" better due to it being the more concrete of the two.
(English, 9 September 2011)
Yet another quality title from the Pragmatic Bookshelf. Lester has written a very practical, up to date, and to the point guide on how to make yourself hirable, where to find the job of your dreams, how to land an interview, how to succeed at the interview, and - once you have your ideal job - how to keep yourself hirable and see to it that you can hit the road running hunting for the next job, should the current employer suddenly go belly up.
To me, that currently am enjoying my so far best job ever, the most giving parts was the ones on how to create a stellar résumé and how to keep yourself hirable, as an insurance should you unexpectedly lose your current job. I already consider my résumé to be top notch and well maintained, but Lester - coming from the legal environment of the USA - gave me some interesting perspective of what to keep out of your résumé. For instance, why disclose your age - either directly or by listing the years you went to school? Weirdly enough, after reading this book, I am considering trimming my résumé down, weeding out certain information!
It is not only with regards to discrimination laws Lester's book is heavily US-specific. However, it is obvious that Lester has had beta-readers from all over the world, because he makes an excellent job of always stating that so and so is how it works in USA and that it very well may be different in other countries. Also, most of the material covered is universal enough to work in most parts of the world. Actually, occasionally, I found it quite fascinating to gain such a keyhole perspective on the IT-field work place situation on the other side of the Atlantic. What I found most alien is that you can quit or be fired on the same day, without the mutual notice times you are bound to in Sweden, for example. There are two lessons to be learnt here: 1) the work environment is harsher in the USA, and 2) you can easily get lulled into a false security in Sweden, losing your competitive edge.
This book is targeted at computer professionals wanting to hone their job hunting skills but has a lot to offer to both to students of computer science, making their first appearance on the job market, and job-hunters from other lines of work.
I especially want to mention all the great real-life examples Lester has used to illuminate dos and don'ts throughout all chapters of the book.
(Swedish, 7 September 2011)
"Farlig midsommar" is to date the best of the Moomin novels I have read. Interestingly, just like "Kometen kommer", it contains a natural disaster but were the comet of "Kometen kommer" brought a gloomy feeling of imminent doom, the volcano eruption and subsequent flooding (some sort of Tsunami? The volcanic mountain having split and dropped half the mountain in the ocean?) only results in a feeling of release and adventure.
As usually, Jansson drops some of the characters of the previous novels and adds some new ones line the depressed and paranoid Misabel (Misan) and the earnest and eager Whomper (Homsan) who, with their key personality traits, greatly affects the Moomin family's exodus from the Moomin valley during the flood. (This is how Jansson work, she uses a Comedia Del'Arte-like character gallery with very out-chiseled personalities to drive the story in the direction she wants.)
The best part of the book is when the extended Moomin family evacuates from the roof of the soon to be submerged Moomin house onto a theatre building that luckily floats by in the right moment. Being totally naïve to the concept of a theatre, it is hilarious to read about all their creative interpretations of all unusual things in the building - things that an grown-up reader directly associates with a theatre. Then, when they get educated and decides to stage a play of their own - epic! (I'm currently grinning from the memory of it.)
Anyways, the often satirical theatre parts of course were written with grown-up readers in mind but I can attest that the novel was heard with great interest by the two-and-a-half years old I read it to.
(German, 2 September 2011)
Mittermeier is a well-known German comedian that I have seen numerous times on German television. In this book, he has written an auto-biographic account of when he and his wife got their first kid, from the time they were still without kids over the pregnancy and birth to when their daughter was a few years old.
For me, with a toddler at home, I can recognise myself in surprisingly much of what he writes, even-though we are from different countries. His book clearly shows that there are a lot of general truths about bringing kids into the world - at least within (North) Western Europe. Most if not all noteworthy achievements and great developments of Mittermeier's daughter was pretty much the same for my son.
Also, it strikes me that Mittermeier and his wife seems pretty decent people, much on the same wave-length as myself. I think (or the book gives me the impression) that we would get a long great with lots of common views and experiences (either he is the genuine article or he has succeeded very well in getting the tone just right in this book).
His profession as comedian comes across rather thick, without getting in the way of the focus on his daughter. However, you pretty quickly establish that he has a general pattern for the chapters - introductory stand-up comedy-like discussion of some subject, central narration of some aspect of his daughter's development, and then a punch-line based on the introductory subject. After a while, this pattern got a bit predictable - but, hey, he is a professional stage comedian...
(English, 26 August 2011)
Who could have know that our five senses are so interesting - and so intertwined!
Basically, Rosenblum - who has his own perceptual psychology lab, has written a book on the latest research on each of our five senses as well as the latest theories and findings on the inherent multi-sensory nature of the human brain. That we experience taste from smells has been known for a long time but, apparently, it is only in the last ten years that researchers all over the world had proved that our human brain doesn't discriminate the sources of information but uses virtually all senses to augment what is seen/heard/felt/smelt/tasted - and this totally without us being conscious of it.
Rosenblum has found people with exceptional skills to illustrate all major aspects, like the blind guys that uses echolocation just like bats to lead mountain-bike tours for other blind! He then goes through a lot of research to conclude with how much of these exceptional skills we all unconsciously use in our everyday life. Yes, you and me both use echolocation to support our eyesight - however, unlike bats, we don't make high pitch sounds ourselves but rather use the surrounding ambiance to, for instance, pick out where we are relative to the walls of a room.
So, a book on state-of-the-art research by a researcher - that cannot be easily read, can it? But it is! Rosenblum has clearly written it with the general public as his intended audience and, also, he writes very well. I especially liked his elegant and unobtrusive way of surveying the different pieces of research he referred to. Generally, he just stated a finding in a sentence or two, without bogging the narration down with either the name of the responsible researchers nor a full bibliographic reference. Instead, if you do want to know more, you go to the notes section and look-up the page number where Rosenblum mentioned the experiment. There, the citations are kept, preceded by the beginning of the matching sentence. This is probably the key factor in keeping the book really easy to read.
I liked this book immensely. The people with exceptional skills are fascination, like the fly-fisher that from experience can determine the sort of trout and even age and gender of the fish from how it pulls on the fishing line, but the latest findings on how able we all unconsciously are, are even more fascinating (like the fly-fisher, we are able to determine a great deal about an object by poking it with a stick - i.e., by using an intermediate object as antenna).
Another intriguing part is all the unbelievable experiments that the different researchers have come up with (Tongue Display Units, transient brain lesions, rubber hand illusion, etc). Many of them seems totally strange and insane until you stop and think about it. Yes, they would be sprung from a trippy brain if they were the first in a series of experiments. However, if you picture them as the latest or ultimate in a long series of experiments, even the most far-fetched are probably nothing more than an addition or twist to the preceding one, and so on, back to a quite harmless initial attempt.
The most fascinating part is, however, the concluding chapter that combines all sensory skills in an unified theory on the multi-sensory brain, complete with ramifications that makes for a rather controversial theory on how human languages once were formed!
Mark my words, not only for science nerds.
(English, 12 August 2011)
This title is totally different than Bateson's subsequent book "Mind and Nature". In the latter, Bateson clearly states that it was "Steps to an Ecology of Mind" that created the base that made "Mind and Nature" even possible but after having read "Steps...", I understand that it wasn't the writing of "Steps..." that facilitated "Mind and Nature" but Bateson's total career up to then, as "Steps..." isn't anything else than a collection of most of Bateson's previous works (well, most academic papers at least - naturally lengthier works wouldn't fit) with some sparse comments added before the book got printed.
Even if "Mind and Nature" at times was challenging to follow, it at least was written with the aim of being readable and convey Bateson's grand ideas on science. Being a collection of shorter works from the Thirties the the Seventies, "Steps..." is naturally pointing in all sorts of directions and with each paper written with a different intended audience in mind. Thus, "Steps..." is a lot more demanding on the reader - but surprisingly rewarding nonetheless.
You see, you soon catches on to Bateson and can see how the seemingly random changes of field of study through his career still contains a red thread and that he, in each new field, is able to build on the knowledge gained in the previous one, leading up to the unifying theory presented in "Mind and Nature".
The book is divided into seven parts where, for example, the second contains papers with insightful theories based on comparisons of our Western society with the Iatmul tribe on New Guinea and the Balinese (oddly enough, in many aspects, the primitive Iatmul are more alike us in the Occident than the Balinese!).
The second part also contains a ghastly paper on morale and national character written in 1942 that tries to analyse German, English and American national traits - both to explain the war (German parenting!) and to recommend the most efficient propaganda to keep the Allied morale high. As Bateson is born in Britain but already then worked in the US, he offers some really interesting insights in the difference between English and American character - and why Americans wrongfully consider the English arrogant and why the English wrongfully consider the Americans boastful. The rest is just a terrifying time-machine into the World War II mindset... Evidently, even objective scientists was affected by the times. I am impressed that Bateson didn't exclude that paper - but as he want to show how he has learnt and developed throughout his career, it is kind of fitting to include it.
The third part covers the years he worked with Schizophrenics. It gave some interesting in-depth coverage of the illness and also offered a really convincing theory along the lines of it being the behaviour of the parents that ultimately leaves the child no choice but to develop Schizophrenia as defence. On the other hand, I have heard nothing of this theory from any other source so either it never caught on or it has been disproved in the meantime. Interesting nevertheless. This part also includes a paper with a theory on Alcoholism that, aside from Bateson's Cybernetic theory on the subject, also contained the most in-depth behind the scene account of how Alcoholics Anonymous works. Very revealing! They deliberately go for a pseudo-religious approach to support their members who really have hit rock bottom.
The fourth part included, among other things, a fascinating consideration of the problems whales, dolphins, and other mammals face with regards to communication and languages. When Bateson wrote about the unverifiable possibility of whale languages, my thoughts, of course, directly went to Clarke's "Dolphin Island".
In the papers of part five, Bateson closes in on the thoughts he later would work out in "Mind and Nature". However, he doesn't end there - in part six, he comes out as a environmental alarmist. Although written in the seventies, many bits of these papers feels eerily current, with our global warming and related climate changes. However, it is clear that Bateson was really pessimistic about the human race and the earth back then and as we've made it to 2011 without any of his bleaker forecasts coming true, I think we can safely say that although he was extremely insightful in matters of epistemology his fears on how threatening humankind's collective mindlessness is to our earth luckily was a bit exaggerated. However, they shouldn't be shrugged off - even if the worst didn't happen, his argumentation for the need of a more enlightened humanity is still valid.
I had hoped to, by now, have written a neat high-level summary of Bateson's intention with the book but, alas, I find that I have only listed a handful of details from it. Thus, I turn to Bateson's own daughter whom, in her new foreword to the year 2000 edition, offers the following excellent categorisation on what emerging pattern is visible in the collection of Bateson's life-long works in "Steps of the Ecology of Mind":
The process with which Gregory was concerned were essentially process of knowing: perception, communication, coding and translation. Ergo epistemology. But basic to this epistemology was the differentiation of logical levels, including the relationship between the knower and the known, knowledge looping back as knowledge of an expanded self. Ergo a recursive epistemology. Ideally, the relationship between the patterns of the biological world and our understanding of it would be one of congruence, of fit, a broader and more pervasive similarity than the ability to predict in experimental contexts that depend upon simplification and selective attention. It strikes me as being useful to refer to Gregory's ecology of mind as a epistemological ecology to contrast it with the largely materialistic ecology of academic departments. It seems essential to underline that recursiveness is a necessary feature of such an epistemology (and perhaps of every epistemology, since every effort to know about knowing involves the cat trying to swallow its own tail).
See? You either love this stuff like me or run screaming from it. Your loss if you are of the latter kind. ;-)
(English, 21 July 2011)
The best thing with this book is that it constantly gives you moments of clarity, moments were Bateson makes you see and understand more than usual. To me, this is a breath-taking feeling. Sadly, after a short while, I cannot remember any of these wonderful insights but since Bateson wants to make a point regarding how living species think, I cannot but hope that some of his genius sticks in the back of my head.
In a sense, this book is totally unnecessary, pointless, and superfluous. However, to me, it is totally wonderful, literary mind-blowing, and quite a treat to read. I have a "Walk on Water" Neoprene protective pocket book sleeve in black with the word "Bible" printed in gold on the front. This is by far the most worthy book ever to have fitted in it (ironically, my pocket edition of the latest Swedish Bible translation is too thick to fit in the same book sleeve).
Although written by a scientist (a very well-educated biologist - I'm constantly surprised of all Bateson's insightful references to other fields than his own, the then very young field of computer science not the least) this book is science in the Antique Greek form. I.e., it is not practical, applied, or even proved. It is pure thought-work. Bateson makes an account of how far he has come, wrestling some huge questions he has pondered in some form for over fifty years.
If I try to sum the book up in one sense, I could say that Bateson argues that both the process of creative cognition (thinking) and evolution are dual stochastic systems (made up of two separate systems each with a random component and a selective process - in the case of evolution, the one stochastic system is the ever-ongoing reshuffling of the parents genes in the new off-spring and the other is the survival-of-the-fittest by the ever-ongoing changes in the habitat of the same).
Although the book is quite filled with difficult words, it isn't that hard to read (granted, I've had to re-read a paragraph here and there but more often because I've been distracted rather than that the paragraph has been too cryptic). Actually, the glossary is, in a way, harder to read. For example, the explanation for the word "prochronism" ends with the epic sentence "Prochronism is to ontogeny as homology is to phylogeny" (of course, to make sense of that, I had to look-up all the other three terms in the glossary as well).
Now, how can a so utterly theoretical book about, I guess, epistemology (how we know, think, and decide and the limits of knowing, thinking, and deciding) be so interesting and entertaining? Well, in this case, the way there is more giving than the destination. It is Bateson's careful analysis and the parallels and analogies with virtually everything that are so gratifying to read. He really transmits the feeling of everything's connectedness. Also, he is very educating in the details, even if his complete picture is harder to make out. Especially, let's say that he is right - creative though is analogue to evolution. So what? How can we benefit from that? Here he don't have any answer to give us. Instead, he ends the book with an even larger question: what is the relation of consciousness to beauty (ugliness) and the sacred? Bateson states that he had to write this book before he could tackle that question, although I am unsure if he ever got around the write that book, too.
(Swedish, 14 July 2004)
Closing in on two and a half, it can be readily argued that my son is too young to be read none-picture books too. However, it worked over expectation to read "Trollkarlens hatt" (The Magicians Hat) to him as a bedtime story (of course, most chapters lasted at least two bedtimes). In the end, I'm just keeping up the good work as initiated by my parents. I wasn't even four when they the first time used Selma Lagerlöf's "Nils Holgersson underbara resa genom Sverige" to the same end. It helped me along to a nice vocabulary that came in very handy in school. ;-)
Unlike "Kometen kommer", that is a rework from the Sixties of the original "Kometjakten" from the Forties, Jansson never rewrote "Trollkarlens hatt" from 1948. That the language doesn't feel at all dated is a good marker of Jansson's magical, almost poetical prose. The small differences that exists between Jansson's Fennoscandian East-Swedish as used by the Swedish minority in Finland and the Swedish of Sweden only feels very at home in the Moomin valley.
Unlike "Kometen kommer", that after all had a bit of doomsday feeling under the comet closing in, "Trollkarlens hatt" is a much more sunny and comical narration of what transpired during the spring and summer when the Magician's hat was found. The previously presented inhabitants of the Moomin valley get further defined (think Comedia Del'Arte) and the set are completed with some newcomers - all with their of distinct intricacies.
Simple, but very refined. For examples, the two ending lines: "Nu stiger den svala hösten in i Mumindalen. För annars kan det ju inte bli vår igen." ("Now the frisk fall steps into the Moomin Valley. Because otherwise the spring couldn't come again." My translation.)
(Swedish, 4 July 2011)
What's good about it? It is in Swedish (always easier to read one's native tongue), at the same time it rehashes almost everything from other sources I've already read, it's also an excellent survey of the whole fields of (self-)hypnosis, and it has got an marvellous collection of to the point induction methods that one is urged to gain proficiency in (at least in the ones one feels works the best) before making any endeavours into the area of actual change-work.
Also, Praesto seasons the narration with his own experiences - often offering honest accounts of mistakes he made and learnt from, so that we can learn from them, too. Indirectly, we learn some Neuro-Linguistic Programming from him as well.
Then, what's not so good about it? Well, it is a bit on the thin side and offers little new for me. However, I would recommend it as an excellent entry point for any Swede that is curious about self-hypnosis.
(Also, to briefly separate content from form, I really love the high-quality paper the book is printed on!)
(Swedish, 1 July 2011)
This is really a transcript of five, or so, open lectures with questions and answer sections, held at the annual Science Day at the Faculty of Medicine at Umeå university (my old Alma Mater).
The theme for the day was "Food as Medicine" and although it was cutting edge medicine the researchers talked about, they kept it at a level understandable for a layperson. Really interesting stuff!
The lasting impression I had was one of "we've learnt really much about the human body an how it processes the food we eat and drink but what we really learnt is how little we still know...".
For instance, during the eighties, there was an outbreak of gluten intolerance among Swedish children on an epidemic scale. The research showed it to be linked to the contemporary trend to breast feed less and use more gruel (Sweden is probably world leading in toddler gruel consumption). The gruels and breast milk replacements of that time contained a dose of flour and hence gluten and it hit the kids at a sensible time, triggering the allergy. However, the breast milk replacements and the gruels have since then become more like real human breast milk and breast feeding has picked up again and the frequency of gluten intolerance has dropped - but not to the low level before the outbreak. Instead, it has parked on a slightly higher level and no-one can yet explained that difference. I.e., the quest continues.
I also want to add that, according to that lecture, it looks like the best way to protect kids from allergies might be to expose them to allergens around the age of four to six months WHILE STILL BREAST FEEDING THEM. (I.e., keep breast-feeding them as their main source of sustenance but let them experience tasting portions of ordinary food stuff - but no salt or spices.)
Other lectures in the book included trends in what the people in Västerbotten (the Swedish landscape I'm from) have been eating from the 1920:ies up to today, combined with what they've worked with (compare working as a lumberjack in wintertime to sitting in front of a computer) and their patterns of diseases, the ever-ongoing debate regarding the best diet (interesting comparison on long term effects of low fat, low carbohydrate high fat, and Mediterranean diets), a very interesting piece on how the general public misinterprets the intake recommendations printed on the boxes and bags of our foodstuff, and a lot more.
I really love pieces of popularised science like this, that still comes directly from the scientists themselves, without being filtered by the medias.
(Swedish, 29 June 2011)
I learnt really little new and the form of a long, long list of facts and tips in a larger section of women and shorter for men doesn't really invite to use it for reference but is more suited for reading through the whole thing. Still, it is an excellent survey of the field of human orgasms, combining theory and anatomy with programs to awaking the orgasm within you and tutorials on how to touch yourself or your partner in order to induce an orgasm (boy, did this paragraph come out dry...).
This is a book one really should take notes when reading, because once you've finished it, you cannot for you life remember the parts at which you said to yourself "I should remember this".
The most interesting section - but also the least believable - was the one on male multiple orgasms. Despite the book, I don't think I am going to experience any of those anytime soon...
(German, 28 June 2011)
Phew, Neuhaus is only human after all. I didn't like this, the fifth case for Bodenstein and Kirchoff, as much as their previous cases (especially the very good third one), mostly because Neuhaus this time has made a dangerously view on the climate a ground for the plot. It doesn't matter whether it is her own view or if it just is a tool she used to build a juicy story on top off - I am afraid that she will indirectly fool the masses (worrying about people referring bluntly to "having read that ..." leaving out or forgetting completely that the source it was a fictional detective story, not Nature Journal). In short, this time around, I personally found one of her bearing choices a bit questionable, which by necessity coloured my opinion of the novel.
Other than that, it is a typical work by Neuhaus - a myriad of more or less important characters, a plot with many dimensions, and policemen and women with human faults and traits.
Excellent criminal story and a page turner at that but far from Nobel prize material.
(English, 13 June 2011)
This what somewhat of a disappointment. Brennan recommended it in her "Hands of Light" but after having read it, I think she over-valued it a bit. Yes, it is rather written from a Occidental than an Oriental perspective, but it still isn't as clear and lucid as "Hands of Light" but contains some mystic, even if it of the Western rather than the Eastern kind.
As with most of the books of this esoteric type, given the time and effort to really do the exercises, it would probably be more giving. However, I've lately read a lot of other similar books with a lot more inviting exercises than in this one (once again, "Hands of Light" is a good example).
I like Schwarz core opinion that more people should learn about Chakras and esoteric energy work in order to better use and take care of their bodies and thus live better and healthier lives but this isn't the best book to learn it from.
Schwarz comes across as a really interesting man who lived an interesting life and it might be the case that I would like any of his other books better. However, I will probably not read one any time soon.
(German, 5 June 2011)
She really keeps them coming - here is another excellent detective story from Neuhaus about Bodenstein and Kirchoff. As she always has an small army of main and supporting characters in her novels, Neuhaus has here virtually made a whole village part of the plot.
What better way to practise one's German than by an easy-to-read page-turner?
(English, 30 May 2011)
This is basically a whole book on how sexual fantasies can be of use in therapy since Maltz is a successful therapist (Boss is a journalist). In a roundabout fashion, this is a way to stress the fact that no fantasy is totally bad and that all women, not just the ones in need of therapy, should embrace their sexual fantasies without worry.
In this rather clinical setting, the fantasies doesn't get that exciting as they are rather dissected than freely told. Still, it is interesting to get some insight in the width of female sexual fantasy and, of course, nice to see it used in an unexpected way in therapy.
However, even as far from all of Maltz's clients are victims of (sexual) abuse, enough are two make for a depressing read on how they need to accept their fantasies on order to finally seal the scars from the abuse.
In the end, Friday's "My Secret Garden" is a better read.
(English, 19 May 2011)
At the airport on Malta, on my way home, worried that the Gladwell book wouldn't last all the way to Stockholm (it didn't), I picked up this title as a backup. It seemed rather fitting as a souvenir from Malta.
Bradford served time on Malta during the Second World War, took a liking to the island, and return to it with his sailing boat after the war. It was during this time he researched and wrote his own book on the Great Turkish Siege of Malta 1565.
I must confess that my most vivid source on the Siege of Malta before reading this book was a story featuring the first and second Phantoms in the Swedish edition of the Phantom cartoon during the Eighties. Not surprisingly, Bradford's book enabled me to spot errors in even my faint memories of the cartoon story (mostly with regards to the marine vessels the relief force arrived in).
Although mostly summarising, Bradford makes an excellent presentation of the event leading up to the Turkish invasion (the Ottoman empire expansion, the Maltese Order having lost it previous stronghold of Rhodes, etc) and the horrible siege itself.
It is worth mentioning that Bradford very fairly defends the Turks from historic accusations of cruelty by pointing out their strategic reasons for the same. He also describes a lot of equally cruel deeds committed by the Christians against the Turks. Bradford simply succeeds in reviewing the events of the siege with pretty objective eyes. The people of the sixteenth century simply lived by other codes than we do today. Yet, I am struck by how modern their way of reasoning were (in the cases that diaries and eye-witness testimonies had survived to modern times). Why do we tend to make the mistake of thinking that all generations preceding our grandparents had simple minds just because they had to make do with simpler means than all the technology we drench our lives with today?
All in all, the core of the book is really simple: the Turks needed to capture Malta because of its strategic important location in the Mediterranean. The Turks needed it to be able to launch further invasions to Sicily and the Italian mainland. The Maltese Order, following their Crusader heritage, were sworn to defend Christianity against the Muslims, and thus needed to hold Malta because of the same strategic importance. However, Bradford succeeds in making the book engaging by focusing on the people involved on both sides - from the commanders down to the foot soldiers and even the Maltese inhabitants of the island.
A gripping but bloody piece of history.
(English, 13 May 2011)
Gladwell is the famous author of such insightful book as "The Tipping Point" and "Blink". He is also a journalist with regular pieces in The New Yorker. This volume is a collection of his best writings previously published in that newspaper. It spans a lot of subjects, from Ketchup to dog whisperers (which the title refers to), from the Enron crash to hair dye, etc. True to his form, he always focuses on the people behind the stories and especially what makes them cognitively unique (i.e., what insights and stroke of genius - or, like in the Enron case, failure or misconception - these people had that ultimately made the story worth writing).
Being so diverse, it is really hard to sum it up better. It is really readable, as all Gladwell's books. I especially found the pieces on the birth control pill - why it was designed to follow a 28 eight day cycle and what number of menstruations during a life time that is really normal - and how to find the best school teachers - why isn't their pedagogical skills measured - the most entertaining, because they made me consider aspects I hadn't thought of before.
A lot more diverse than his other books but thought-provoking and entertaining nevertheless.
(German, 11 May 2011)
In this, the third police thriller starring Oliver Bodenstein and Pia Kirchhoff, Neuhaus has come up with a really dark and sinister plot. It is her most extreme one so far, yet it isn't totally implausible. It could have happened, however unlikely, and that contributes to the greatness of the novel. It's a real page-turner, at least for me.
Like in her previous novels, Neuhaus brings a smaller army of people into the story, which makes it necessary for the reader to concentrate in order to be able to keep track of them all. Although her characters perhaps isn't the most carefully chiseled in literature, their sheer multitude makes the novel come to life anyway.
To this date, this is my favourite Neuhaus thriller and it makes me eager to read her fourth and fifth ones, too.
(English, 6 May 2011)
I had intended for my five hundredth book reviewed on this page to be a novel of fiction but as I didn't keep closer track of the actual number of the books I've read lately, it ended up to be this one, a text-book on spiritual healing. However, it was so interesting that I think it is worthy to be the five hundredth one after all.
Let me begin by accounting for a couple of associations I made while reading. First of all, lets compare Brennan's book with Emoto's "Messages from Water and the Universe". Both are about spiritual energies which cannot be proven to really exist by traditional western science (at least not yet). But were Emoto makes the ill-advised mistake of trying to give his ideas a veil of authenticity by pretending to use pseudo-science to prove them, Brennan - with her schooling and background in western science - never bothers to try to prove the unprovable. Instead, she puts her scientifically trained mind to use in presenting her model in a clear way. She is fully aware of that her notion of how her healing work is just a model and that her results might be due to aspects of reality that her model - although seemingly fitting - fails to acknowledge. Where Emoto's feeble attempts to use pseudo-science to prove his ideas only makes them less believable to me, Brennan's matter-of-factly description without trying to prove anything only makes her more believable. Which brings me to my next association - the difference between Tolkien's carefully matured fantasy world and the less convincing worlds of other successful fantasy writers. Tolkien had fiddled with his fantasy world for close to a lifetime before actually writing the Lord of the Ring. No wonder that his narration rather matter-of-factedly makes his world come through as genuine. Other authors dream up their fantasy world during only a few years, while working on a particular book. Of course these worlds will lack the same depth as Tolkien's. Brennan's book on healing might not be as good as the works by Tolkien, but compared to Emoto's book, Brennan's system simply has more depth.
Although Brennan's book is about healing, I liked the following citation (free from memory as I couldn't find it by quickly browsing through the huge book): "the goal is enlightenment, the by-product is healing". Brennan's model is about the human aura - our really auras as she really describes seven layers of auras with different functions and purposes, hints at an eighth and a ninth layer, and keeps the door open for even more that she or her colleagues haven't been able to make out yet. According to her, it is really a learning process that takes time and requires lots of practice. She includes introductory exercises for anyone interested in learning how to see their own (first layer) aura and the goal of enlightenment mentioned above is thus, to her, the process of making one's senses gradually more sensitive in order to be able to make out more an more of the spiritual side of reality.
(It is not debated within Western science that our brain makes an excellent job of sorting out just the impressions from our senses that we need to navigate our realities without becoming overwhelmed. For example, at a crowded party, you are easily able to drown out all other voices than the ones of the people you are currently talking to - until someone suddenly speaks your name from the other side of the room. It thus cannot be ruled out that there might be things like auras for us to sense if we deem it worth while. By the way, it reminds me of that cruel experiment with kittens put in boxes with either just vertical or horizontal lines while still blind after birth. As their eyes-sight is activated, depending on the kind of lines in their box, they apparently weren't able to see the other kind when let out of the boxes...)
Anyway, Brennan has written a textbook on spiritual healing, intended to be used in courses on the same topic. As such, it was pretty dry in places but, overall, it was really interesting to read. For instance, I really liked her vision of spiritual healers and Western science medicine doctors working side-by-side on their patient, collaborating - not competing - and complementing each others unique perspective.
I also liked her theories on why our souls is put in mortal bodies on this earth to learn and progress and how, when working on higher level auras, the healer often only becomes a channel for spiritual guides. However, how come spiritual guides always seems to be describes as good? Is there no mischievous spiritual beings beyond our world?
Come to think of it, the most entertaining and intriguing pieces of this book isn't the ones about healing but all other details that Brennan includes in order to present the healing in its right setting.
(German, 11 April 2011)
With Neuhaus' second novel (release in the same year as the first one - busy lady), she establish the duo Kirchhoff/Bodenstein as the basis of a series of crime/suspense novels.
In this one, it is a environment activist that has died a violent death and through his stubborn fight against a new local highway, he has made a lot of enemies so there is no shortage of suspects for the police to sort through.
This novel held a special appeal to me because it contained some computer savvy youngsters who's enterprise Neuhaus got pretty right - all reasonably plausible, nothing embarrassing wrong.
All in all a pretty average police novel, but still a page-turner and Neuhaus does a decent job at revealing more about Kirchhoff and Bodenstein in order for us readers to get to know them better.
(German, 5 April 2011)
Objectively speaking, this is a pretty conventional crime/suspense novel - think Mankell's Wallander or P.D. James' Dalgliesh. Since Neuhaus' two main characters are a woman (Pia Kirchhoff) and a man (her boss, Oliver von Bodenstein) and the man is of noble origins, one cannot but think of Elizabeth George's Inspector Lynley. In other words, you've seen (read) it before.
On the plus side, German crime/suspense novels are new to me, so I find the German flavour rather refreshing. Neuhaus also has a knack for huge set of characters and knows how to throw out this and that red herring for her readers to be led on by. Perhaps, she doesn't carve out any deeper person portraits or explore any psychological depths, but at least she keeps the suspense up and makes it hard to put down the book (one just have to see how it all ends).
Well crafted but average detective story about a quite recently established local murder-solving police team led by Oliver von Bodenstein and his newest employee Pia Kirchhoff that returns to police work after over ten years as a house wife.
In this, Neuhaus debut, the team has to untangle the death of a stunningly beautiful woman with what turns out to be a very questionable life-style and wicked relations.
(English, 28 March 2011)
Now this was interesting. The concept of working with the human energy field to treat pretty much any condition is appealing. However, the crux is the usual - you must believe in order to set things in motion and if you have had any decent schooling, you are probably, like me, pretty sceptical of things like Bruce's Energy Work that science cannot confirm or deny yet (there seems to be pretty solid scientific indication that there is a volatile human energy field but it is a lot harder to prove the effects of Energy Work, or, when the effects are solid, prove their real cause).
Anyways, the concept of Energy Work is nothing new if you generalise the idea to cover the ancient Chinese Qi - still in use in Qi Gong and Taiji - or different Yoga disciplines. However, Bruce book is very Western in the sense that it is to the point and very descriptive. He also describes (prescribes!) progressive exercises that goes from simple physical movements to purely in-mind energy work that should generate the same or very similar kinetic feelings at the actual basic physical touches (i.e., you begin by brushing the fingers of one hand with the other's, you progress to experiencing the same fingers being brushed by an imagined ball of energy and if you've done it right, you will actually feel it brush you fingers).
From there, it progresses to identifying energy blocks and different conditions and use imagined energy tools to dissolve them (how about a imaginative energy work blowtorch to torch a tumour from within?).
OK, the book actually deserves better than being ridiculed by me. I had intended this mini-review to be more serious as I actually like the message. However, on a different level, the inadvertently incorporated ridicule is a very good illustration on the fundamental problem of how to benefit from any appealing concept if it requires one to dare to jump of the pillar of hard science...
I wish I would take myself the time to actually experiment with Bruce's exercises. Who knows? They might work.
(English, 21 March 2011)
I was recommended this book (or some other of Emoto's books) by a enthusiastic fellow student in a Taiji class a while back. However, it wasn't until recently I stumbled over it in the bibliography of Wiseman's "Your Psychic Child" and realised that it actually was Emoto that fellow student referred to. It come highly praised but, frankly, it is totally lost on me. Why? Because Emoto makes the poor choice of using the language of hard science to convey a message that isn't supported by hard science at all. Even worse, Emoto claims to prove all kinds of wild theories just by doing some pseudo-scientific experiment. I'm sorry Emoto - it just doesn't work that way. You wold be better off telling the world of your ideas without the pseudo-scientific mumbo-jumbo. It might very well fool some but it totally alienates others, like me.
To be more specific: Emoto's research can be summed up as exposing water to different words with positive (for example love or gratitude) or negative (for example hate) meanings, then freezing it, cutting up the ice crystals, photograph them, and correlate the aesthetics of the resulting ice-crystal image with the emotion the water was exposed to. Emoto claims that love and gratitude create the most beautiful and well-formed crystals while negative emotions causes malformed and broken crystals.
Now my first question that needlessly to say isn't addressed at all by Emoto in the book: how is the water sample isolated from the intention of the experiments until it is frozen? I.e., how do they handle the modern science problem of the measurement interfering with what's being measured?
Let me elaborate on that. Twice in the book, Emoto describes polluted lakes producing malformed ice-crystals. Then huge crowds gather by the lakes to pray and send positive emotions to the lake, after which frozen samples suddenly produces beautiful crystals.
If the water molecules of the water in the lake reacts to the thoughts of the people gathered, what prevents the water samples from reacting on how the experiments expects them to turn out?
Furthermore, Emote describes a water sample on his desk in Japan being the focal point of coordinated prayers from Israel. Great - evidently, it works over huge distances. Then how should the samples be isolated from the expectations of the experimenters? Clearly, it won't help to ask someone random to collect and freeze the sample as it evidently can be affected by the experimenters expectations over a distance.
However, the above logical lapse isn't the most appalling about Emoto's reasoning. Nope, that would be how he describes a similar pseudo-scientific experiment and then immediately use it to make claims to have proved all kinds of crazy theories.
Clearly, a man that hasn't got the basic idea of formulating a hypothesis, then invent an experiment that proves or disproves the hypothesis, shouldn't try to give his ideas false credibility by shrouding them in a veil of pseudo-science.
Dear Mr. Emoto, your ideas has merits of their own. They have appeal in their inherent beauty. Please don't undermine them by presenting them in this fundamentally flawed way.
(P.S. Emoto means that the simple act of putting the words love and gratitude on stickers on your water bottle will make the water more healthy and beneficial for you to drink. That is so easy to do that it cannot hurt to try, can it?)
(Swedish, 17 March 2011)
Another interesting title from Juul, the world-famous Danish children/family psychologist. He always has a lot of ideas worth pondering, even if it isn't so easy to practise he's advice all the times. For instance, he uses an example of seeing one's teenage son mid-day on the city square with a beer in the hand and his advice is to wait until you both are at home and then just tell him that you don't approve but that you are too upset to discuss it right away without it resulting in a quarrel. This way, Juul argues, both parties have time to think things through before ventilating the issue again. According to Juul, this is the best way of getting one's message across to the teenager without it getting stuck on pride or other affectionate feelings.
In this volume, the most interesting topic he visits is the one about patterns of modern child rearing and particularly what's good and what's not about it. Also, where will the future take us? As a dad, this is essential reading for me and I hope enough will stick to the back of my head in order for me to be a good father.
(Swedish, 11 March 2011)
What a disappointment. Given Fexeus' earlier books, I expected another equally good survey into the realms of influence/manipulation and how we humans are genetically programmed to behave. No such luck. Apparently, a lot of the feedback Fexeus has received on the first books was of the type "how can I use this to get laid". So he wrote this book to answer that question. However, unlike the earlier, theory-driven books, this one is totally practical with only some indirect theories. Bummer...
Actually, the book is no more or less than 168 practical tips on how to act, dress, flirt, mingle, talk, touch, etc in order to get laid (or at least nurse a fling with the object of your desire).
Not what I expected but at least I could smile at the tips I somehow naturally have learnt and others were interesting as I saw their potential use within my own already established relationship.
Rumours has it that Fexeus' fourth book will come out this year. I hope that will be more in line with his earlier ones and less like this not so interesting title.
(English, 10 March 2011)
The map is not the territory. This is supported by serious/classical/scientific research fields, such as general semantics. I.e., each of us filters most of the impressions from our senses in order to fit them into our particular model of the world (or reality-tunnel with Robert Anton Wilson's choice of word). An effect of this is that different maps can have different strengths and weaknesses. Representing one example of a model of the world, I like the one Wiseman presents in "Your Psychic Child" a lot. It is simply a compelling and nice model, that claims that all people have psychic abilities but that children and especially the now emerging generations are more open and have more innate abilities than the general grown-up. Wiseman also prescribes a private and personal connection with the divine that circumvents classical religion (yet I cannot say that I have noticed more spiritually advanced kids here in Sweden, although Sweden is more secularised than the US). Another compelling aspects is the ease with which she treats trance - no big deal, no mysticism - just close your eyes and take a few deep breaths to enter a light trance, then let your intent open your psychic abilities. Very cool. Very inviting. Get your energies sorted and you can achieve anything. This is really probably the best quality of the whole book - the ease of it all.
However, much of the book is really just common sense, if you see past the psychic stuff. Of course you should teach your kid to avoid or deal with persons, things, and activities that are energy-draining to them. Of course we should find private time for ourselves and ensure that our children can have it, too. Of course we should avoid toxins and pollutants. In this way, Wiseman's model of the world overlaps most peoples' pretty well. It is when you start theorising about the parts where her model differs to most peoples' it starts to get interesting. Clairsentience, clairaudience, clairvoyance - what if they all are less of supernatural abilities and more of extra-sensitivity to the associated sense? Could it possibly be the case that some of us instead of filtering the overload on our senses out interpret them as feelings, sounds/voices, or visible impressions? Of course, it gets a lot trickier with mediumship, when you get messages from the already dead...
Anyways, in my opinion, a lot of the advice on how to support your spiritually advanced kid applies to your normal kid, too. In this sense, this is a book for every parent. Perhaps you can dig out some gold nugget from it? Of course, if you are curious of the supernatural and psychic abilities, the book will be a lot more readable to you.
The book is also interesting from a rather unexpected aspect: it acts as a looking glass to the contemporary American society. Since Sweden view more Hollywood movies and American TV-series than Swedish ones and since we wear a lot of American apparel, etc, one would think that the differences between our societies would be small. Yet they aren't. Especially when it comes to family life and child rearing, it feels like there is some fundamental cultural difference that is hard to put one's finger on. It's like Swedes and Americans have different core beliefs regarding what children are and how to threat them. (But even if our motivations differ, we might come to the same conclusions - i.e., don't do drugs).
I liked the book. Wiseman's language often might be a bit too colloquial for my taste, but she has probably chosen that style with her intended audience in mind. It had a lot to offer as a basic guide into spirituality for adults, too, not only being a handbook for parents that want to support and nurture any psychic ability their offspring might possess. I liked the message that there are divine creatures looking out for us and trying to contacts us despite most of us being closed. That part gives a nice "what if?"-feeling. I will probably lend it to other parents I spend time with.
(English, 4 March 2011)
In the second volume, Grinder and Bandler basically generalises their meta-model on language patterns from volume one to work on all modes of communication (such as tonality, body language, etc). Where the first book was overall pretty convincing, the second offers some really surprising claims - often accompanied by the authors' observation that the same claims have taken the longest time for the people they've trained to believe and learn. Here a lot of the stuff their later books on Neuro-Linguistic Programming focuses on is presented for the first time but anchored within a theoretical framework that make them a lot more acceptable to me.
The parts I consider the best in this volume are the ones on incongruity (for example when body language and tonality don't match the words you are saying) and what the authors call "fuzzy functions" where input or output from one sense gets represented in another (a really simple example would be when you see (visual) someone sneer and represent it by feeling (kinesthetic) bad - it quickly becomes more complex than that).
This volume was interesting on another level than the first volume. At the same time that it made bolder claims, it wasn't as easy to follow as the first one. However, I think both should really be considered as companions and one should probably read them both in order to get the most of what the authors are saying.
(English, )
What a nice surprise. This was the book that started the all of the Neuro-Linguistic Programming movement. Yet, it isn't really NLP at all since Bandler and Grinder back then only were documenting their research on what all different disciplines of therapy have in common.
In the book, they have distilled the language patterns of (successful) therapist in such a structured way that they can be formalized and even learned. They call their model the meta model, since it only focuses on the structure of the verbal communication between client and therapist and is totally content independent.
Although they have based their research on the field of transformational grammar, which is rather complex, the book is pretty easy to follow (although I must confess that I had use of my university courses in compiler techniques and theory of computation).
To me, the book has two strengths: 1) all the examples of impoverished maps of the world that causes people grief and the corresponding examples on how therapists enrich the same maps to give the clients more choices and thus enable them to leave the grief behind and become more harmonious. It doesn't take a genius to start pondering what restricted model of the world oneself uses and how to expand them (compare with Robert Anton Wilson's reality-tunnels), and 2) all the concrete tips on how therapist should train themselves to be able to spot the grammatical give-aways of the therapeutic non-well formed communications that the therapists should help their clients with. Regardless of whether you are a people-helper or not, it might be beneficial to become more sensitive to how people say things and what that might mean.
An interesting piece of research on language patterns that was very entertaining to read. Although the intended audience is therapists, it is pretty interesting for curious non-therapists, too.
(German, 16 February 2011)
Compared to "Irrungen, Wirrungen", this is quite a different novel. I found the main characters of "Irrungen, Wirrungen" a lot easier to relate to and identify with and that novel was curious of the new political movements in another way than "Frau Jenny Treibel" that is more critical of both the old and the new ways (at least the backsides of them both).
Both novels are excellent time machines to the Berlin of the late nineteenth century but this novel focuses more on the society of the new middle class - the industrialists and the academics.
What always surprises me with this kind of novels, regardless of whether they are written by Austen, Strindberg, or Fontane, is how modern they feel. I must be harboring some rather silly prejudices that equates old with simple and primitive but, of course, just because the people of that time didn't have computers or electric toothbrushes doesn't mean that they didn't have refined minds.
Although read-worthy, I recommend "Irrungen, Wirrungen" before "Jenny Treibel".
(German, 27 January 2011)
The plot can be summed up that a officer of noble heritage meets and has a love affair for a while with a poor girl of the people. He then decides to end it and follow his family's wish that he should marry his cousin basically for her wealth's sake. However, he never forgets his first love and neither does she. A simple plot we've seen often before? Yes, but I can assure you that Fontane has crafted the novel well. As all now historical novels, it acts as a time machine - this one to the Berlin of the late nineteenth century. The German in it is naturally a bit dated, but luckily I could read most of it without problems.
Not only is Fontane contemporary with August Strindberg, both wrote novels that reflected the democratic and socialistic movements of their time. This is very evident in the way that Baron Botho is interested and intrigued by class equality but yet when put to the test takes the easy route of doing what his family and society expects and is faced with life-long regret and doubt.
To me, as a Swede and naturally more familiar with Strindberg and the particular brand of the Swedes view of ourselves, our society, and our heritage, it is rather interesting to read this piece of German late nineteenth century fiction. Even as Sweden and Germany is neighboring countries with only a stretch of the Baltic Sea in between them, Germany is still more continental and caught up in European affairs more than Sweden. Thus, it was enlightening to read Fontane's fictional description of Berlin after the Franco-Prussian war with new democratic ideas making their way into society.
However, the one clause I will remember the most is "eines absolut kakerlakigen Schweden mit Kaninchenaugen": i.e., "an absolutely cockroachy Swede with rabbit eyes"... What did Fontane have against Swedes?!? ;-)
(English, 19 January 2011)
Who-ha, how to describe this book then? It is a handbook for group sessions in mind-expanding exercises conducted in trance. There are exercises in tuning your senses to become more sensitive of the world. Other exercises creates a group mind and explores the possibilities of that. Yet others are about astral travelling, spiritual guides, and the like.
All looks pretty interesting but the main drawback is that it is intended to be used by a group of five to eleven people, preferably with at least one person who already taken part in such a group. Also, the exercise should be limited to once a week and the book contains a lot of exercises (about 15 for each of the books four parts). I.e., to really try the book on for size, you would need a lot of like-minded that can attend weekly sessions for about a year.
Net verdict: looks interesting but impossible to evaluate by yourself.
(English, 30 December 2010)
Well, as a biography on Wilson, this book is rather thin. The actual biography section isn't even the largest in the book. Instead, there are a lot of appendices on different aspects of Wilson's authorship. Still, if you enjoy Wilson's books and novels, chances are that you will find Wagner's book on Wilson worth to read as Wagner mimics the characteristic style of Wilson throughout it.
What I found most interesting was Wagner's account on the influence of T.S. Elliot, Ezra Pound, and - primarily - James Joyce on Wilson and Wilson's life-long fascination with the same. Thus, indirectly, the book contains some insights in the works of these famous author's and poets, too. (I tried to read Joyce's "Ulysses" in fifth grade or so and even as it was in Swedish translation, I had to give up pretty quickly. Perhaps the time and my ability is more ripe now?)
Another important part of Wagner's book is his list of Wilson's books and novels with short summaries of the topics and his personal comments on each. This is a good guide when looking for another book by Wilson to read.
An unconventional biography on an unconventional author - actually pretty suiting. Also, it's quite interesting to read a biography that contains an introduction by - and interview with - the subject of the same. ;-)
(German, 23 December 2010)
Given Havener's profession as stage magician and mind-reader and his earlier book, "Ich weiss, was du denkst", I had expected more of the same - insights in psychology and how to read people. However, to my surprise, this volume was something else! This is actually somewhat of a manual for your brain, were Havener writes insightful about what makes us tick and Spitzbart gives the medical background, supported by the latest scientific findings.
I have marked two sections on pages 73 - 77 and 126 - 128, both by Spitzbart. The first is an excellent summary on depression and burnout; why it happens and how to avoid it, the second is the best sum-up I have ever read on how to keep your brain fit which, in fact, can be read as a general advice on general lifestyle from the brain's perspective (for example, you should regularly exercise your body in order to keep the muscles running on fat rather than on sugar, because if you don't, there will be less sugar for your brain and thus slower thought and less happy moods - I bet you never looked at physical activity that way before?).
An excellent, entertaining, easy to read, and humorous book on life with your brain in focus. Warmly recommended.
(Swedish, 11 December 2010)
Isn't it nice when an author grows and develops his authorship further for every novel he writes? Lindqvist already showed with "Låt den rätte komma in" and "Hanteringen av odöda" that he could take a traditional horror concept - vampires and zombies - and make something new and original of them. With "Människohamn", he has progressed to something completely his own - i.e., no previously known concept - and has also deepened the framework of the novel to something I associate to puzzle detective stories, the presentation of a lot of characters and then, little by little, more and more of the background of the characters' current relationships (and thus true motives of their actions).
"Människohamn" also have the pleasant quality of being set in the Stockholm Archipelago - a beautiful area with genuine history but normally through-and-through romanticized and tourist-ridden but in this novel refreshingly used as the backdrop to a ghastly horror tale.
Personally I, of course, also liked that the main character is at my current age and that I thus could relate to and share the memories of his and his childhood gang's.
Lindqvist's three first novels really sets the expectations for his fourth rather high. ;-)
(English, 3 December 2010)
OK, I found the Subversion book in the same series rather low-level, so what possessed me to buy this title on Git? Well, even if it is low-level, it is a decent introduction and since I use Subversion at work but Git privately, I felt I could use a easy-to-read introductory primer to the use of Git, to see if I should adjust my ways and orient myself in what possibilities I have yet to make use of.
Really, a decent guide for the curious, perhaps best for the new-beginner but probably can offer at least some new insight even to seasoned computer professionals. I, for one, haven't regretted buying it.
And, yes, I still prefer Git to Subversion after reading it.
(English, 29 November 2010)
This is something as interesting as a piece of popular science on the subject of women's sexual fantasies. It proved to be a quite fascinating read as it turned out that the subject has aspects I couldn't have dreamed of even in my most perceptive moments.
First of all, I must state that it feels a bit dated in the sense that is rather typical of (but not exclusive to) white women in the UK and US in the seventies. Thus, fantasies of black men is probably a bit more prominent than in the global population of women and there is sadly a lot of fantasies sprung out of being home-bound house-wives to sexually ignorant and rough-handed men. I for one hope that the majority of educated, more liberated women in these times of gender equality (at least in Sweden) have the luxury of leaving that sad motive for fantasies behind.
That said, there is no forbidden or faulty fantasies. In women's "secret garden" is everything permitted but mind that all partners might not be able to handle hearing their woman's fantasies (and some women find that a potent fantasy might lose some of its magic by being revealed to someone else). Of course, some of the perhaps best fantasies could very well be directly unpleasant to experience for real.
Friday sorts the fantasies she collected by mail and/or interview from over 400 women into 16 categories - I am sure you can guess a lot of them - but she readily agrees that some isn't so easily categorized and that these 16 categories are subjective to herself. Friday draws some conclusions from the collected material, but she does it very carefully and, as far as possible, let the fantasies speak for themselves.
Surprisingly enough, the fantasy that made the largest impression on me by being so totally unexpected, was the woman who spiced up every sexual intercourse she had by fantasize that she was on the phone with her mother during the act! "-What are those noises, where are you, are someone with you?" The most endearing with that fantasy was that even though the fantasy mother asked about the background noises, she never asked about the screams her daughter made when coming!
The above example was perhaps a bit unusual, but it is a good example of that women don't just fantasize during masturbation or when their partners lacks the skills to satisfy them - far from it - many (perhaps) most women fantasize to spice up and gold-line any intimate relation, even when they are totally satisfied by their partner. As a man, you have to realize that this is totally OK and that you aren't threatened by this and shouldn't feel threatened or jealous. The bottom line is that if it turns on your girl more, chances are that she in turn will turn you on more.
What's more problematic is that, even today, so many women are ashamed of their fantasies and tries hard to suppress them, hurting themselves in the process. This is why even after more than thirty years this book should be read by women of all ages everywhere. All might not like reading it but most will probably feel liberated by it. So, please spread the word.
Another interesting fact that become apparent to me by reading this book was that women in general check out and in their mind undress strange men they meet even more than men admires strange females they meet. One women even confesses to having stared so openly on the crotch of a man she met in the street that the man stopped, turned to her, tweaked one of her nipples, and then walked on.
An important book, undoubtedly so more for female readers than male ones but - luckily - men can learn a thing or two too and perhaps become more perceptive to their female partners.
(English, 17 November 2010)
How interesting to compare this book to Malachi's "Living Gnosis" and books on NLP and self-hypnosis. Also, since it is heavy on symbols and symbolism, it gives a new perspective to Brown's "The Lost Symbol".
Just like "Living Gnosis", this book offers a framework for introspection and utilizing one's subconscious to improve oneself and one's life. However, Farrell's pathworking isn't tied to any religion unlike Malachi's Christian Gnosis and the subconscious and self-hypnosis qualities of the pathworking is a lot more clear than the more diffuse corresponding ones in Gnosis.
Basically, Farell presents active as well as passive pathworkings - most based either loosely on Celtic legends or Egyptian mythology - where the well-known elements from the legends make-up the framework within which you will be able to communicate with your subconscious through the symbols in the framework. In this sense, the pathworking resembles dream interpretation a lot.
There is one snag though. Pathworking is intended to be performed with one guiding leader and one or more partakers. For passive pathworkings, it it possible to record a guidance that you then can listen to while in trance - this is clearly very much alike a hypnotic induction CD - but for best results, you need a guide and thus cannot efficiently pathwork yourself.
(Swedish, 2 November 2010)
Lindqvist is Sweden's newest rising star in the field of horror writing. His first novel was the acclaimed "Låt den rätte komma in" ("Let the Right One In") that not only has been made into a Swedish movie but an American as well (the Yankees not being so huge on subtitles). This is Lindqvist's second novel and in my opinion, it is at least as good as the first one.
Lindqvist's main strength is his originality. He can dream up a new scenario, think it through, and carry it out to its end. In "Låt den rätta komma in", he gave his own twist to the concept of vampires. In "Hanteringen av odöda", he spins his story around a novel concept of undeads. However, was I really appreciated after finishing the book and contemplating it a little is that although the story is totally his own, very original, and filled of unsettling atmosphere, in the end, he doesn't contradict the canonical theory of Zombies. Even of the cause of the Zombies are totally new and even if they throughout the whole of the novel behaves rather peacefully and enigmatic, with a few sentences here and there, and with a sinister turn of events, Lindqvist's undeads conforms to the popular view of Zombies - not in the Haitian way but the way of countless Zombie movies. I really liked the sublimity of this, that I only realized it after finishing the novel.
Besides both conforming to popular Zombie lore and, at the same time, standing out as totally original, he kind of makes the same with what we call our reality. Despite writing a horror novel of an event that I do hope will never come true, with clearly supernatural elements, it doesn't really contradict our reality. In a way, it could all happen - however unlikely. In a way, Lindqvist's novel is a interpretation or theory of reality - life and death - that cannot neither be proved correct nor disproved. Who knows? He might be right and this both scares and attracts me.
Read it, I warmly recommend it. However, prepare for some downright nauseating passages. Not directly scary, not violent but disgustingly nauseating. Yuck!
(Swedish, 28 October 2010)
It only took 10 years to collect all three of Baker's novels about Millan since they are all out-of-print. That no new printing is made says something about the demand for them. Yet, they aren't bad. Sure, the novels are rather simplistic and this title is really just a collection of separate episodes that could have been better integrated. However, the novels are good-hearted with lots of warmth. They are simply memorable.
It was my parents that loaned the series at the library and read them to me and my siblings when we were kids. Thus, I have a soft spot for them. Call me a softy, but I was surprised myself that I was so moved by Millan's teddybear's role in the story that I got misty eyes (but I had to blink the tears away because I really cannot be seen crying over a children's book on the commuter train to work!).
Anyway, this is the second title in the trilogy and the main story is about the trip Millan and granny go on as a part of granny's birthday present to Millan ("Millans födelsedagsresa" translates to "Millan's Birthday-trip"). Granny isn't Millan's real grandmother but she helped Millan through some rough times and agreed to act as a grandmother for her. But she is not ordinary grandmother. Not by far. Disguised as a simple tale for children, this is really a fairy-tale of the late sixties and early seventies - a piece of what's popularly called fantasy. Granny has real powers and seems to have some profound responsibilities in the world too.
The bottom line is that I liked these novels as a kid and thus have spent a little effort on collecting them all to read for my own children in the future.
(English, 27 October 2010)
OK, I had expected more than this from the Pragmatic Bookshelf. Like all their books, it is well written, friendly, and humorous but despite its length, it is not much more than a glorified Unix man-page. Sure, I learned a lot more about Subversion than I had previously picked up just by using its basic functions at work, but I had expected more of a reference guide than a introductory guide (then again, Mason seems to soon have a new book on Subversion out, "Pragmatic Guide to Subversion" that by the sales-pitch seems to offer more details).
Really good if you are new to Version Control and programming. Just too basic if you are a seasoned professional in the field.
(English, 21 October 2010)
Gnosticism is an esoteric family of religions where the emphasis lies on a personal experience of God (Gnosis) rather than the general dogma of our more common religions. Christian Gnosticism, which this book is about, thus interprets the Bible in a somewhat different way than the Catholic or Lutheran churches. It also uses gospels not included in the common bible, like the Gospel of St. Thomas. It is really interesting to read the book as an introduction to this alternative and less known interpretation of Christianity and also refreshing to hear about a religion where creativity, individualism, and reflection are encouraged as the base of the faith rather than conformity and subduction. Quite interesting stuff for anyone curious that like to hear new perspective on things.
The book also contains a basic guide into practicing Christian Gnosticism. Surprisingly enough, if you peel away "the Living Jeshua" and the other either specific Christian or general religious stuff, you end up with an essence of self-hypnosis and positive mind-set. Actually, you can draw parallels to Eason's self-hypnosis recipes for wealth and success, for example, or Hill's "Think and Grow Rich".
I also made a more odd association to Wilson's "Sex, Drugs, and Magic" in which he writes about how some use psychedelic drugs to achieve higher awareness and how these drugs can induce panic and psychosis in inexperienced users but how guidance from an experienced user can help avoid that. What if the religious ornaments of gnosticism really is a formalized way of the same sort of guidance to cope with higher awareness induced by self-hypnosis and interpret phenomenas that otherwise would scare one shit-less as angelic beings?
As you can see above, I kind of read the book in quite an analytic mind-set. ;-)
(Danish, 7 October 2007)
I just love to read Høeg in his native language, partly because I like the atmosphere in Høeg's novels, partly because I like the challenge in reading Danish.
"Elefantpassernes børn" is Høeg's recently published new novel, another one in the vein of "Smilla's Sense of Snow" and "Den stille pige" - i.e., marvelous stories with some traits of a crime-suspense novel. Judging by the newspaper reviews of "Elefantpassernes børn", it has received a warmer welcome than "Den stille pige", Høeg's last novel before this one. However, if my memory serves me right, to me, "Den stille pige" is the better novel of the two. I found "Den stille pige" simply more thrilling and better crafted than "Elefantpassernes børn", which is very entertaining but still a bit more harmless and humorous than "Den stille pige". Don't get me wrong - all Høeg's novels contains totally over-worldly and improbable elements, but in "Elefantpassernes børn", they are served in a more tongue-in-cheek way compared to the more solemn, even noir setting of "Den stille pige". (I really should re-read both "Den stille pige" and "Smilla's Sense of Snow" again.)
"Elefantpassernes børn" is about a very unusual family, living on a very unusual Danish island (at the same time, the island is the very quintessence of Denmark), and caught up in very unusual events. It is a typical Høeg novel, yet on a lighter and more joking air than his earlier works. I challenge you to read it without smiling or laughing even once. ;-)
The Danish was interesting as usual. I, of course, didn't get everything but I only had to look up one thing, because it appeared so often and puzzled me so much: "tørret ising". It apperently means "dried dab" - some sort of dried fish.
(English, 23 September 2010)
This book is a tough one to review. On the one hand, it is a typical Wilson book: well-written, humorous, entertaining, educating, and mind-jogging. On the other hand, it really challenged my views on narcotics in a disturbing way.
Although he wrote the first version of the book in the seventies, this is the revised edition from 2000, so it is heavily updated and doesn't feel dated. On the contrary, in these times of a Californian vote over legalizing of Cannabis and talk on drug-legalization in many South American countries, it is more interesting to read than ever.
Although Wilson as a through-and-through Libertarian is pro-drugs, he tries hard to stay objective in the book (without hiding his opinions, that is). Furthermore, the book isn't about legalizing drugs - it is at its core a encyclopedia of pretty much all major drugs (narcotic effects and side-effects) and their impact on having sex (for instance, Cannabis is claimed to make sex better while Heroin is reported to make you totally impotent and uninterested of sex). However, since Wilson is Wilson, he wouldn't be able to keep to this core topic if his life depended on it and here's where the magic in the title comes in in form of the mind-altering drugs claims to induce higher awareness.
Needless to say, in this book, you learn things that goes totally against what you learned in school during the anti-drug campaigns and it is really disturbing to get the facts you've been drilled in and bought into (if not even invested in) challenged in such a convincing and, at the same time entertaining way.
To give you a few spoilers:
Because of Wilson's typical style of writing, the book is overflowing with entertaining facts like these - of which some in this book are rather controversial, to say the least.
I can recommend this book on the grounds of its entertaining and educating qualities. However, on the matter of the subject, I am more at loss. I haven't made up my mind on what to believe after reading it but I think I have ended up in a mind-set where I want to have more opinions and research on the matter presented before me.
All I do know is that the one time I have experienced a narcotic (in the fifth grade when I underwent surgery on a hernia and got a morphine shot as a preparations for the anesthetic during the operation) I had such a wonderful time that I really should stay away from drugs as I doubt I could handle them well. (The same way, I should stay away from World of Warcraft and other MMPORGs, because I would probably get an addiction problem with them, too.)
(English, 3 September 2010)
This is two books in one. The first part is a technology driven thriller, the second a references guide to the different gadgets, exploits, and elements of hacker culture and lore used in the first part. The fiction part is probably only readable for people in the computer business - not necessary hackers but at least with a notion of computer security. This part was to common thriller best-sellers as many TV-movie productions are compared to the silver screen block-busters at the cinema. However, paired with the reference part, it actually offers something new and interesting.
However, I were surprised how little new things I learned. Sure, on the offensive side, I learned of some new tools like the metasploit framework, but on the defensive side, I already knew most of the good practices listed in the book. Some things fascinated me though, like the retention time on emails in the mail servers some companies in USA adheres to. Not to prevent theft of emails in case of a security breach but to limit the extent of knowledge they would have to give to the court in case of a subpoena. Overall, I mostly appreciated the hacker interviews were each gave their opinion on what curriculum a IT security professional should have.
Weaknesses: a rather lame fiction bit, probably only readable by people already familiar with the lingo and tools. Surprisingly little new information of value for someone within the computer business.
Strengths: overall a great introductory survey of what to consider when securing ones private or corporate computer network. Probably a great book to have management read to make them better equipped to budget for security measures.
(English, 25 August 2010)
The best parts of this book is the fore- and afterwords, where Weschcke share his visions with us and puts the methods within in relation to the big picture of life. The rest is alas a way too quick and sketchy survey of different uses of self-hypnosis to achieve different self-empowerment goals - i.e., ways to grow as a human being.
It is rather grand to have Weschcke and Slate talk about spiritual guides, telepathy, and such but they never really goes deep enough to make me believe in it. It makes me a bit curious of Slate's research though. How thorough is that? Would his papers be more convincing for me?
One good thing was that the book, in a rather off-hand way, gave me a fuller picture of a lot of occult things, like Kabbalah and Tantra. The former isn't just magic quadrants of numbers and the latter is a complete system of yoga, not just pair meditation in different sex positions. Another good thing was the glossary which can server as a condensed lexicon on the occult.
The best I could say about this book is that it can serve as an appetizer. The worse that it only tickles your curiosity without ever satisfying it.
(English, 13 August 2010)
This book is about split-second persuasion, something the author have researched for a long time. Basically, the book is an accessible presentation of his findings (accessible in the sense that it is readable by common people and not just psychologists and social scientists). In fact, it is very readable as Dutton has a great sense of humour and isn't afraid to use it (at times, I winced at his lamer jokes, but often I burst out laughing).
Dutton methodically goes through the relevant areas of what he calls "flipnosis" - the art of split-second persuasion. He also spend a lot of time on the persons most likely to be masters of flipnosis, namely psychopaths. He stresses the fact that eventhough murderers, rapists, suicide-bombers and the like more often than not are psychopaths, most psychopaths are more functional ones, like CEOs, vice presidents, brain surgeons, bomb-disposal experts, etc. Dutton gives examples of flipnosis from most of these types of psychopaths. However, there is an over-representation of con-men among his examples, since con artists naturally depends on persuasion for their trade.
The book is well written and funny to read. However, to me, Dutton never really ties the sack together. I mean, I kind of loses the overall picture of flipnosis among all the relevant areas that the research touches. It's like I have read this book loaded with facts and ended up non the wiser. How ironic that a book on persuasion fails to persuade.
(Swedish, 4 August 2010)
This piece of crime and suspense has been on the Swedish best-seller lists for some time now, and it fits the criteria for a best-seller equally well as it fits the general criteria for contemporary Swedish crime and suspense literature. I.e., harsh and brutal crimes that happen to common people and get investigated by common police men and women, all with common feelings and doubts (for instance, think Mankell, think Nesser, think Sjöwall-Wahlöö). However, Kepler (which is the pseudonym for the married couple Alexandra Coelho Ahndoril and Alexander Ahndoril), deploys less criticism of our society than, for example, Mankell and Guillou, although - here and there - a quick sentence condemns something particular, like the last reform of the Swedish psychiatric care.
Even though "Hypnositören" clearly is a crime and suspense novel, the brutality of some of the bad guys reminds me more of Lindqvist's "Låt den rätte komma in". Come to think of it, the violence of the vampire and undead aside, there is more to that comparison - but I cannot get into that without spoiling to much.
Anyways, always nice with yet another addition to the Swedish collection of crime authors. I am sure this will be another export success, translated to a number of languages.
A well composed nail-biter, hard to put down but even though it stands out in its genre, it falls a bit short of being a piece of great literature in general.
(English, 28 July 2010)
Well, what can I say? Parental leave offers a lot of joys but not that of reading. Even before going on paternal leave, I mostly read while commuting to and from work, so - naturally - when not commuting, not much get read beside the daily morning paper. For those regular visitors to this page that hasn't given up, welcome back. ;-)
To sum it up in one sentence: fascinating ideas fitted (hidden) in a hideous package.
The fascinating ideas contains secret societies, Atlantis, Goddess worship, politics, political critique, and advanced theories on the subject of freedom. This mix are very entertaining even as it gets pretty far out at times (perhaps these are the most entertaining).
However, the composition of the book (books, the volume contains the three books of the original trilogy) is awful. Often, the scenes and narrators switch in mid-sentence, giving you a sense of free fall before you can get your bearings on the story again. The narrator itself sometimes jumps between characters in a very confusing manner. Additionally, the plot is rather complex, to say the least, and the sex and drugs sprinkled throughout it is not always that motivated.
The worst thing is that the authors is well aware of this and even, as I interpret it, apologizes for it: there is a certain passage were a literature reviewer for a magazine - after just browsing the book itself - butchers it totally along the same lines as my paragraph above. If this isn't a confession and an apology from the authors, what is? So why didn't they take the extra time to shape the story up? Why did they want to keep it in this haphazard form, barring the book for ever from large parts of society. (Is that is? They deliberately wanted to keep it "underground", cherished by everyone at odd ends with main-stream society? Isn't that a pretty modest goal? By the way, via the secret societies with the Illuminati in the foreground, the book nurtures a certain degree of paranoia, so I should probably quit second-guessing the real goal of the authors...)
Once I got into the disorienting form of the trilogy, I started to enjoy the story, mostly because of the steady stream of ideas and concepts presented (some old, some new, and some just plain weird). However, I am totally convinced that this could have been refined into something much more well-written and convincing than the de facto scatter-brained and survey-like text at hand.
Try to read it if you are curious but don't get disappointed if you find that the weirdness outweighs the discussion of entertaining ideas and theories.
Eh, I actually intended to be more positive about the trilogy than the above review appears to be. What I really found entertaining was the whole notion of the Illuminati as an ancient secret society that always infiltrates every government and keeps the general public subdued through the same governments. What I really found fascinating was the concepts of magic and awareness that the main characters came to know (they, so to say, got illuminated...). It was these things that kept me going through the story.
(English, 24 April 2010)
I really thought I had already reviewed this one, but it turns out that I never did before going on parental leave. Oh well, the review is going to suffer for it...
Chopra has written a book about his own theories that marry together his modern medical education with his research into the wisdom of the ancient Indian Ayurveda (Sanskrit for "science of life") and Ayurvedic medicine. All though Chopra never really can prove his theories in the way our Western science tradition has come to demand, he argues his case convincingly that our minds has a latent ability to control our bodies to a high degree, even down to the cellular level. He argues that cases of spontaneous remissions of lethal Cancer tumors could be explained by the patient somehow reaching a positive outlook on life, deep enough to make the tumor disappear. The inverse of this is, of course, that negativism in the mind can manifest itself as disease in the body. (Stress related conditions, anyone?)
The strength of the book is the positivism it breathes and hope it instills. The weakness is that much of it, if you stop and think about it, is common knowledge. For instance, if you have a cold - it usually feels worse if you hid in your bed feeling sorry for yourself, while it feels a lot better if you, regardless of your running nose, occupy yourself with something you like. Chopra's theories based on this and the actions he describes may very well work, but perhaps the real issue is how we can change our modern life-styles to become more health inducing.
Chopra's book is unfortunately not the answer but it can very well be your ticket for the trip. I.e., read it as a key to the set of questions we should ponder well before we catch any really nasty disease.
(English, 3 April 2019)
First a quick negative observation: Hodder is a rather sloppy publisher. They have unfortunately never heard of hyphenation. Thus, many lines are sparse with huge ugly whitespaces, which makes the reading less nice. Please try to find a copy of this book from another, more thorough publisher.
As for the contents of the book, I find it truly great on two primary accounts: 1) the brain-scientist describing her stroke from the inside, and 2) the connection she makes between her right-brain experience with a trouble-free state of bliss.
In all her bad luck, suffering a severe stroke that cause massive damage to her left brain-half, Bolte Taylor still counts herself lucky to have had the chance as a brain-scientist to study a self-experienced stroke from the inside and believes that her work with her own recovery will be of immense value in the treatment of other, less knowledgeable stroke victims. Although she was more or less able to live on her own two years after the stroke, she states that it took eight years to recover all of her abilities that was crippled by the stroke. (She deliberately made sure not to recover some negative personal traits that before the stroke was heavily coupled with otherwise neutral brain-functions.)
Her book at the same times serves as an auto-biography of a stroke victim, a easy-to-follow popular-science article on the state of brain science and care of brain disorder patients, and a guide to her beliefs in the function of the left-right brain division and how we all could benefit from using our right brain halves more.
Her stroke of insight is that her left-brain crippling stroke was a crude and incapacitating way to reach the right-brain dominated state of "nirvana" that meditation, Taijiquan, Yoga, and other methods strives to achieve. To me, it was also quite fascinating to note that her own findings ties in very well with what you find in Bandler's books on NLP. For example, where Bolte Taylor speaks of the left-brain as the chatterbox that, on the one hand, defines one's ego and one's borders as a single individual, and, on the other, often serves as the critical nagger that can lead to bad self-confidence or depression, Bandler more directly instructs one to interrupt one's negative inner dialog with a forceful "shut the f*ck up!".
Overall, it is very interesting to discover parallel, inter-connecting, or complementary theories in Bolte Taylor's book, the NLP teachings, self-hypnosis text-books, and books on Taijiquan and Qigong. After reading Bolte Taylor, it seems pretty clear that most of these methods really strives to move the consciousness from primary the left-brain to primary the right. Bolte Taylor found a really quick way - unfortunately with severe side-effects.
Deeply recommended. As well as being the gripping story of a stroke victim and her way back to full recovery, it also offers a western scientific explanation to the benefits of much of the eastern traditions.
(English, 11 March 2010)
OK, I have finally found a book on self-hypnosis that I consider to be on the right level. I.e., it is instructive without being bogged down in either too much theory or too much detail. Most self-hypnosis books offers a simple induction and then goes on to present the advanced applications and leaves the reader to figure out the steps in between. Eason instead outlines suitable progressions. This alone makes the book worth its price.
I must admit that Eason, at times, get a bit wordy and that he sometimes is a bit too obvious in his attempts to introduce nested loops in the text. (I believe that they would be more efficient if they better camouflaged.) Yet, Eason so clearly is very passionate of what he writes and even with its weaknesses, it is still the book on self-hypnosis with the highest potential to actually guide one into successful usage I have found so far. (Of course, in one way, I have already failed as I pressed on and read the book through against Eason's instructions to pause and performing the suggested exercises at the right time. However, I still believe that the book will be helpful when I revisit it with the intention to really use it.)
(English, 7 March 2010)
This is the third of Gladwell's books I have read and this one is at least as brilliant as the other two. I have a bit of a bad conscience for not properly reviewing the first two but they tend to overwhelm you a bit and you want to think them through and find time to give the full review they deserve - so it never happens. Hence, "Blink" and "The Tipping Point" are still un-reviewed all will probably remain so until I re-read them.
What about "Outliers" then? You can sum it up with that Gladwell redefines - or rather updates - the way we think about success. He thoroughly and convincingly argues that success isn't an innate talent you are born with but the result of being at the right place in the right time and willing to put in the hours required to reach excellence. Cut-offs are very important too. It is an eye-opener when he show statistics from ice-hockey and soccer that shows that, if the cut-off is the turn of the year, players born in the three first months will be over-represented. After all, at the age of sieving out the talents, they were the oldest and thus on average the largest and most developed with the most logged our in their sport. Go figure. The same thing, however, can be applied to our school system. Who did the best in your first school class - the ones born in the beginning of the year or the ones born in the end of the year?
I actually associated to "Blue Ocean Strategy" when Gladwell visited the case studies of Bill Joy, Bill Gates, and others. They each got their Blue Ocean by - by chance - have had the good fortune of having accumulated 10 000 hours of experience on something new before it got mainstream and thus profitable. Take Bill Gates. The parents of the pupils in the good private school he attended actually decided to chip in to buy the school a computer - back in the days when all computers in the world numbered in the hundreds. Thus, Gates already was a computer programmer veteran before he dropped out of college to start Microsoft - he virtually had no competition. Talk about a blue ocean.
The book becomes really interesting when Gladwell starts looking at the importance of culture when looking at success. Can Asians' proficiency in mathematics be traced back to the hard labour in the rice paddies and the Asian languages' comparatively shorter words for the basic numbers than our Occidental ones? Another frightening sections is the one that correlates national airlines crash frequency with the countries' "Power Distance Index". Simply put, in cultures were the power distance is high, the first officer doesn't dare to bluntly point out the captain's error and the plane crashes before the captain has got the first officer's hints... Terrifying...
However, the red line I find most important is how the information in this book might make you a better parent if you keep it in the back of your head when raising your kids. In one section, it is shown that it is the three month summer holidays we use in the Western world that actually differentiates wealthy and poor kids in our schools. That is, under the school year, they more or less learn at the same pace but while the wealthier kids keep on learning during the summers, the poor kids actually loses knowledge over the summer holiday. Oops...
You don't have to buy everything Gladwell writes but you can still appreciate how well and though-provoking he writes. I can warmly recommend all of his books. They can only make you smarter and entertain you in the process.
(English, 23 February 2010)
The bulk of this book is written between 1948 and 1954, when the first edition came out. The second edition, with an additional third part and some revision to the rest came out in 1959. This, of course, make it possible to look through the peep-hole to the post-war USA of the time. Hysteria was still an everyday diagnosis - not totally buried as today. Apparently, it was common to carry guns on the street even in larger cities. Yet, many women seems to be employed and at least in this sense, it feels fresher than the horrid book by Capiro and Berger.
Even as the book is based on dull papers on clinical tests on volunteers and just a few actual case studies with real patients in the end, it is still quite fascinating to read. Who could have imagined that they performed so advanced tests on time distortion in the forties? They found that they by conditioning their test subject could decrease the clock time to mere seconds and still have their subjects successfully fill hours of experienced time in those seconds. A significant part of the book describes the efforts to really make sure that the subjects only tells what they experienced during the actual test and that they aren't filling it out afterwards.
One can sum their findings up that time distortion works well with what you already know but less well with unknown activities, like math. They successfully used it as a mean to enhance repetition time for musicians. I.e., in addition to their normal rehearsal, they also performed their music in experiences time during very short clock time intervals with a notable carry-over to their real performance.
Interesting stuff but a bit of a dry read.
(Swedish, 8 February 2010)
This novel has a special meaning to me and my sister, because of us sharing our last name with one of the characters and the estate, named after her family, where much of the story takes place.
I haven't read/heard this novel since I was a kid so it is quite interesting to read it with a grown-up set of eyes. Clearly, as a kid, I only cared for the suspense and the mystery. As a grown-up, I can appreciate the observations regarding gender equality in the 18th century and the late 20th century that Gripe lets the main characters observe and discuss.
The book enables you to time-travel in two senses - primarily because of the puzzle that is laid by the modern characters to get to know the lives and thoughts of the historical characters (one even an apprentice to Carl von Linné), but secondary because it takes place in the seventies - when a cassette recorder was bleeding edge technology, long before everyone had computers and mobile phones.
This is rather fascinating. The glimpses we see of the 18th century are, sort of, timeless, because of the number of years between them and us. However, the milieus of the main storyline simply feel dated, because of the thirty odd years between then and now. I wonder if, at some future date - when it has aged enough - the whole novel will feel timeless? Maybe it already does to the kids of today that haven't got any memories of their own from that time...
Gripe has written a very tight and thrilling story that interweaves the much opposed love-story of a pair in the 18th century with the curiosity of three modern time teenagers in the same village (well, two teenagers and a 12-years-old). At the same time, the story is enriched by ancient Egyptian souvenirs and some amount of supernatural mystery.
Overall, the story is very well composed and balanced between suspense and reflections on the difference in social and gender equality over the ages. This might very well be Gripe's overall best novel.
(English, 3 February 2010)
This was by far the most detailed and most complete textbook on how to facilitate hypnosis I have yet read. However, like so many other books on the subject, it is solely targeted at teaching therapist how to use hetero-hypnosis to help their clients. The contents are harder to put to use for self-hypnosis.
The book is an edited transcript of a seminar and it walks the seminar participants and the readers through a complete hypnosis session in logical steps. The authors have also tried to use hypnotic language and structure in the book itself, which makes the reading hard at places and hilarious in other.
An interesting read.
(English, 26 January 2010)
The Pomodoro technique is a method for becoming more efficient based on the use of pen, paper, and a kitchen timer. Basically, you try to complete as many focused 25-minutes "Pomodoros" every day, with five minutes breaks in between each and longer breaks after every fourth. During one Pomodoro, you should focus on one and only one task (that might or might not take multiple Pomodoros to complete).
The technique is originated by an Italian guy that used a kitchen timer shaped as a tomato - hence the name (Pomodoro is Italian for tomato). Nöteberg is a Swedish practitioner that has written and illustrated this illustrated guide to the technique. The illustrations is very simply made but actually work very well.
The technique is very simple and easy to sum up. Most of the book is about how to adapt it to different situations, workplaces, and projects. The main challenge seems to be how to handle interruptions without having to void every Pomodoro one starts.
Due to it simple underlying idea, it is well worth trying out, although I have some doubts about whether I would be able to use (adapt) it successfully in my work. Actually, I think it would be easier to use it to manage one's household chores.
(German, 19 January 2010)
von Hirschhausen is a German doctor that left medicine to pursue a career as stand-up comedian. This book is basically a number of stand-up comedy monologues on paper. Lots of jokes, but still based on an acute sense for observations on the absurdities of our modern life and the things we fill our lives with.
Light reading but not without afterthought.
(English, 10 January 2010)
Gaiman must have one of the absolutely largest hearts of all authors in human history. This story is simply endearing. Gaiman is truly a modern master of telling histories. He is a guru on legends from every culture on Earth and he knows how to draw from this extensive source to weave sagas for the modern man of the Occident. I mean - wow!
Yes, this is fantasy. Yes, this is occultism and mystery. Yet, you have a hard time reading "The Graveyard Book" without wishing that more of it really existed. You kind of feel sorry that life on Earth (to a high probability) doesn't come with ghosts, life after death and supernatural beings.
This is the kind of book you read with a grin on your face, have a hard time putting down, and finish with a huge sigh. What a brilliant and endearing idea to let a graveyard offer protection to a orphaned toddler and raise him into adulthood.
Warmly recommended.
(Swedish, 6 January 2010)
This is the third part after "Skuggan över stenbänken" and "... och de vita skuggorna i skogen". This is more tightly coupled with the second part, with the first part a bit apart (and better for it, in my opinion). However, if the second part was less believable than the first, certain elements in the third is downright too good to be true. (I am especially thinking of a link that is a bit too much - too convenient.)
You cannot read the second without reading the third - but you can very well read the first part and leave the sequels alone. If you ask me, the first part is a masterpiece of simple elegance and atmosphere. The later installments are more common Gripe-mystery but, unfortunately, for every measure of suspense they gain, they lose some credibility and overall elegance. Still very decent reading, though.
(Swedish, 23 December 2009)
Interesting - the simple and atmosphere-rich story of "Skuggan över stenbänken" develops into something more complex and of an other, darker type of atmosphere in the sequel, "... och de vita skuggorna i skogen". I must confess that I liked the first part better although this part is a lot more thrilling. However, were the first was filled of brilliant everyday adventure, the second is more of a trademark Gripe mystery (compare with "Agnes Cecilia" or "Tordyveln flyger i skymningen").
Anyways, it is still Berta that narrates the story and it is still Carolin that spices Berta's life up. However, they now leave Berta's home and go to the castle Rosengåva with its strange and somewhat tragic inhabitants.
Great authorship but less probable as the first part.
(English, 22 December 2009)
Brown has done it again - written a best-selling thriller. Remember how I previously have liked his novels starring Robert Langdon ("Angels and Demons", "The Da Vinci Code") better than the other two, more USA-oriented novels ("Digital Fortress", "Deception Point")? The interesting thing is that although this novel takes part almost solely in Washington D.C. (and doubles as a tourist guide to the sights of the city), it is still more of a Langdon novel in quality. It is also less obviously written after Brown's trademark template - clearly a good sign!
I really liked the underlying idea of "The Lost Symbol" and has - of course - googled Noetic Science after having read the novel. It seems that Brown, not surprisingly, has bent and advanced the field after his own wishes but the real state of Noetic Science still looks promising (even if one needs to maintain a healthy measure of skepticism).
Perhaps this novel isn't exactly as fast-paced and thrilling as the previous ones but, in a way, it is more mature and solid than his early ones.
It was a great companion on two flights and a four hour stop-over at the Cologne-Bonn airport. ;-)
(Swedish, 17 December 2009)
What a gripping tale! So simple but so intensive - and subtle, too. It incorporates that wonderful subtlety that, for instance, is a important element of Rowling's success with Harry Potter. I, of course, allude to the author's way of giving away just enough for you to guess at what is coming but not be totally convinced that you are right. (Actually, the last chapter got rather thrilling because to the very end, it was uncertain whether it would be revealed if my main guess was right or wrong in the novel).
This is the first part of four and it begins in 1911. Since my late grandmother was born 1910, the story of Berta and her siblings gives me a idea of how my granny's childhood might have looked like - even if she is 13 years younger than Berta. Of course, it also serves as a looking-glass into the society of the early twentieth century.
It is Berta that is narrating the story that focuses on how their household, the different people in it, and their respective relations are affected by the arrival of Carolin, the new maid. As Berta is a reflective young lady, she pretty keenly describes a lot of psychological changes of the involved parties - both joyous and grievous, pleasant and irritated.
Gripe succeeds well in making the characters spring to life and her story weaves at the same time a both simple and complex story that easily keeps one's interest up. Recommended.
(Swedish, 9 December 2009)
The second of Fexeus' books is solely about influence - to an equal amount on how to influence others and how to detect when you are yourself being influenced by someone. Actually, it is really more about the latter, to educate us to navigate through a world of commercials, public elections, various campaigns, advertisements, etc. We are constantly being influenced. Fexeus opinion is that we should be as aware as possible of the different means of influence, in order to stay in control as much as possible. The flip side of knowing more of the techniques of influence naturally is that you might become better at it yourself. Eat or be eaten. You are either the hunter or the hunted.
If you ask me, Fexeus' ambition is great! He writes very entertainingly even if the language is sometimes a bit unpolished. His quest to educate us is immaculate. The people who accuses him of writing a manual on manipulation is the same people that won't let kids play in a playground since they might hurt themselves or get dirty. You cannot shelter someone from life. It is better to inform them. In the end, it is their responsibility - not the author's - what they use the information for.
Anyways, try reading this book and then make your weekly grocery shopping at your local department store. Makes it a totally new experience, doesn't it?
(English, 5 Nov 2002)
This is the second novel I have completely re-read since I started this journal. You can read my original mini-review here.
Naturally, I had to cleanse myself of Grahame-Smith's abomination "Pride and Prejudice and Zombies" by quickly re-reading Austen's original. It doesn't matter that I already read it, that I've seen a few movie adoptions of it, and that I just read the unfortunate Monster-version of it. I still shed a few tears when Darcy and Elizabeth finally confesses their love for each other - despite sitting at a commuter train at the time.
Austen's English is a treat to read and the novel is a historical document on the society of the upper-class Englishmen of that time. There is even some of Austen's hidden critique on the gender inequality of the times - like in the entitlement of the Longburn estate to a male cousin rather than any of the five Bennet daughters.
As a true classic, it continues to endear generation upon generation all the time. Read it!
(English, 26 November 2009)
What do you do if you have author-ambitions but not imagination or confidence enough to conceive a story? You commit a murder of lust of someone else's novel...
Grahame-Smith has taken Austen's classic "Pride and Prejudice" and first removed a lot of its atmosphere ("wallpaper") by deleting lesser characters and side-plots - effectively dumbing the novel down. Then he has replaced some and only some of the deleted material with his own Zombie stuff.
Can I say anything good about the novel? Well:
Though the positive traits don't outweigh the negative ones:
OK, it is a fresh idea but I really would like this to be a contained incident - not as the beginning of a forest fire, spreading with the wind over the face of the Earth.
Cause of a few cheap grins and reminiscence of the original classic but leaving a bitter aftertaste... You have been warned - read it if you are curious, avoid it if you can.
(English, 19 November 2009)
This title was recommended to me by my Taiji-teacher Mark. It is a wonderful textbook on Qigong, clearly written for a Occident public. I.e., the Eastern mysticism is toned down and the claims are supported by hard Western science (there is even an appendix on the challenges of comparing Western and Chinese research). In this sense, this is an excellent survey of research on the benefits of Qigong. I more than once got the urge to get my hands on different books and papers Cohen referred to. However, my chief interest was the Qigong itself, to compare it with Taiji and other means of exercise and health preservation.
Not only does Cohen tackle the subject most thoroughly, he also writes remarkably well. I have seldom read a textbook that is so easy and entertaining to read while still being very serious. It helps that Cohen possesses a rather dry and witty humour. ;-)
The book is pedagogically composed with background/history of Qigong, health claim of it, scientific support for the claims, an orientation on what to think of when practicing and tutorials on how to practise both tranquil and active Qigong. It is concluded with chapters on other aspects of Qigong life-style, like reduce stress and proper diet. Although I don't really appreciate hot beverages like coffee and tea (though Glühwein is OK), I really liked the chapter on tea with recommendations on good sorts of tea and on the proper procedure of brewing and drinking the tea. I also found the contrast between the tea-chapter and the following chapter on Qigong sex (the Art of Clouds and Rain!) very amusing (although I suddenly felt very exposed as I, as usually, was reading while on the commuter train to work).
As theory, this book is a true gem. Even if you aren't interested in practicing Qigong, the book can nevertheless be both entertaining and giving food for thought. However, as a practical handbook, you need a big portion of patience and perseverance. If you have the time, I believe that the book is detailed enough to follow. However, I think one need to go through it and compile notes and then sort the notes under each subject to really get "action cards" on how to properly perform the different meditations and forms.
Great read - but to really benefit from it, you need to start practise what it teaches, too.
(English, 5 November 2009)
What, you say, another Bandler book? Yup, and I cannot say that I notices LaValle at all - it was pretty much Bandler's voice trough and through, in some example of a down-played seminar (still a transcribed seminar but very close to a text-book narration).
The focus of this title is on selling stuff. It is targeted at sales-persons of all kinds (goods). On the surface, this makes it less interesting for me as a non-sales-person. However, in an job-interview, for instance, you are supposed to sell yourself. Furthermore, compared to his other books, the fresh and somewhat different perspective on the Neuro-Linguistic Programming can actually make the material easier to understand (this and one of his other books triangulates the material).
Like all of Bandler's books, it is filled by his trademark humour. I.e., all of his anecdotes makes it a treat to read. By and by, you, for example, learn to use the word "by" a lot - since the subconscious of your English-speaking public not only interpret it as "by" but at the same time as "buy", which - if you remember - was the focus of this boo>: to persuade the customer/clients to buy whatever you are selling.
Of course, a book like this, on the tactics of sales, is a good read for me as a consumer, too. Kind of good to perhaps be able to spot some of the tactics sales-persons and commercials expose us to.
Not one of his best but nevertheless valuable since its focus complements that of his other books.
(Danish, 30 October 2009)
I've done it again - read another auto-biography in Danish, the second one by one a Danish elite soldier.
To me, reading Danish is very entertaining and I am totally convinced that it makes me (or any Swede) smarter, too. It is something very special to come across a word or a sentence that, on first look, doesn't make sense at all but, after one has de-focused ones eyes a bit, suddenly pops out as a creative spelling of a similar/older/unusual Swedish word/phrase. Sometimes, you don't get the word until you divide it at the right place - then you have two words that independently are easier to get. Then, of course, you have the words that no longer means the same as their Swedish siblings ("rolig", for instance) and the minority of words that I cannot match to any Swedish relative ("netop", "ilt"). Those, you have to learn from the context (unless you make the extra effort to look them up), but are they just frequent enough, are they often pretty easy to learn. I have said it before and I say it again - despite having had German in school and been using German since 2001, and despite usually having great troubles understanding spoken Danish - it is still generally easier to read a Danish book than a German. All are Germanic languages but Swedish and Danish are just so much closer related. Weird, but fascinating.
The reason I got this particular title was because all fuss in the media. The Danish Defense tried to get the book stopped because they meant it would be a security risk for the Danish units in Iraq and Afghanistan. A Danish news-paper quickly published the whole book as an inlay, so naturally, the book wasn't stopped since it was already out there. Having read it, I cannot say that I find anything for the Danish Defense to get hung up on. Rathsack has changed names of fellow soldiers and officers, operations, and I believe even some geographical places. Regarding equipment and tactics, he doesn't disclose anything that isn't already out there in other books and movies (think Tom Clancy). In the end, the lawsuit by the Danish Defense only serves to give the book more publicity.
It is interesting to read and gives a peek at the hardships, boredom, and short bursts of excitement/fright in the life of an elite soldier. Not only is Rathsack involved in ordinary special operations, the Danish hunters are also used as body-guards for the Danish ambassador in Iraq. However, the most interesting aspects of the book are probably the involvement of little Denmark in the coalitions in Iraq and Afghanistan.
No fantastic piece of literature but a fine example of contemporary history in a very entertaining language.
(English, 23 October 2009)
Here we have another American self-hypnosis book from the sixties. Is it as heavily influenced of the times of writing as Capiro's and Berger's "Helping Yourself With Self-Hypnosis"? Luckily no. Sure, there are some housewives among the case-studies but they are treated as human beings and their roles not exaggerated. The one area where the book feels a bit date is in the view of homosexuality. Even if the author is tolerant, there is an underlying current of homosexuality being an illness.
To look at the self-hypnosis parts, the book doesn't include a variety of inductions methods to choose from but the one method it does recommend is the far most elaborate I have come across so far, with, among other things, conditioning of symbols to automate the transition into trance.
However, the true strength of the book lies in the included progressions of trance phenomena to practise and build up one's confidence with before going deeper. The progressions might be a bit statically chosen but still look very promising.
The book then moves on to the usual case studies of which some are more and some less entertaining than the others. However, after the last case study, the books ends rather abruptly. Couldn't Sparks have taken five minutes to write some sort of conclusion or afterword?
(English, 7 October 2009)
What a sweet reunion. It was years since I read the Shadow series of sequels to "Ender's Game" (the other series of sequels being the Speaker of the Dead series). Now, it was a great re-union to meet all of the characters again. Some I remembered vividly. Others I had actually managed to forget. Perhaps I should have done what my sister often does and re-read the whole series before each new part.
Anyways, "Ender's Game" is a remarkable novel. "Ender's Shadow", that is a parallel story to "Ender's Game", seen from Been's instead of Ender's perspective. Both are better than their many sequels but it is, nevertheless, good to be able to follow what happens with Been, Petra, and the other members of Ender's Jeesh on an Earth that has resumed international conflicts since the alien invasion, that united Earth against the external threat, has been thwarted.
Card continues to explore the possibilities of what Earth's actual history might lead to, after the catalyst of an alien invasion has been fought off. How does the old super-powers, USA and Soviet/Russia positions themselves? What about China, India, and the league of Islam nations? And tied up in the midst of national ambitions floats the children from Battle School. However, they are far from helpless.
All in all, the complete series is more recommendable than the later parts like this one.
(English, 1 October 2009)
This book was mentioned in a recent issue of Men's Health and I happened to come across an used copy. Perhaps not what I usually read, but it was surprisingly interesting. It consists of four logical parts: 1) The introduction that accounts for the similarities, differences, and common misconceptions regarding the fields of Biology, Ethno-biology, and Socio-biology. (Perper is a biologist, so guess which variant he defends.) 2) The field observation findings, especially female proceptivity and men's conscious unawareness of the same. 3) The conclusion, touching on religion and whatnot. 4) The appendix, accounting for the choice of observational method.
Of these parts, I found the first, third and fourth interesting. I must confess that my popular belief of Biology was coloured of both what Perper calls Ethno-biology (so to say, superstitious beliefs regarding biology) and Socio-biology (how sociologists may view biology), but I am schooled enough to recognize his view of true Biology as scientifically sound. The conclusion in part three was thought provoking, if a bit hard to follow. I mean, he argues well, but it is hard for me as a layperson to verify whether his conclusions are sound or not when he tries to establish a relation between biology and the traditions our societies are based on (religion, customs, etc). The fourth part, the appendix, is interesting because he looks on the field work from a few different methodologies to identify the strength and weaknesses of each, in order to defend their choice of method.
However, the most fascinating part is the second one, were he presents his findings. To sum up really short, contrary to common beliefs, it is the females that really controls human mating dances with what Perper calls proceptivity. It is a play of advances and retreats, escalations and rebuts going through the stages of approach, talk, turning to face each other, touch, and finally body synchronization. What Perper found through field observation is that it is the females that remains in control through these stages and, furthermore, that they generally are aware and can talk of their single actions (even if they don't see the overall picture). Males, on the other hand, unconsciously respond to female proceptivity - if they are attracted by the female - but they are consciously totally unaware of the process and could generally not describe it verbally if their life depended on it. Hence the male belief in the magic of pick-up lines and such, used as rituals to get the girl but in reality totally powerless, unless the female at hand is attracted to the male using them.
This is really fascinating stuff - especially since it goes against the common knowledge of the aggressive male as initiator of the mating dance. According to Perper, most often, when the male notices the female, she has seen him first and maneuvered to have him discover her.
Not the easiest read - after all, it is a science report - but given that the subject is of interest to most of mankind, it is a very rewarding book after all. It kind of triggers an urge to learn more about Biology and Sociology in order to be able to better verify or disprove Perper's findings.
(English, 15 September 2009)
You cannot but compare this novel with "The Story of O" as both are tales of male domination and female submission. However, I must say that, on the whole, "Nine and a Half Weeks" is a lot more realistic. You get a feeling that it actually could have happened. In "The Story of O", you had this brotherhood of full-time male sadists. In "Nine and a Half Weeks", you have this man that gradually takes over the woman's life and both cares for her - reading to her, feeding, bathing, and dressing her - and uses (abuses) her. Since the abuse turns more and more advanced over time, you are left unsure whether he planned it the whole time and just were looking for a suitable victim or if it just happen, that the two happened to bring the dominance/submission out in each other.
It is rather well written and must have been rather controversial when it was first published in the late seventies. Today, it isn't really that shocking any more. These days, we are kind of used to a lot of kinkier sexual practices in books and especially in movies and TV series.
An interesting read.
(German, 10 September 2009)
This is very much a parallel to Henrik Fexeus "Konsten att läsa tankar". Havener is a stage magician and mentalist and in this novel, he shares with the reader both the background of his career and many of the basic method he uses to surprise and impress his public. Some material is the same as in Fexeus' book. Other parts is more of what you can find in Bandler's production. The best parts is, of course, the ones I haven't seen anywhere else before.
Basically, Havener stresses the ability to observe as much as possible to be able correlate multiple observations and from them draw conclusions about things you should know - to be able to give the impression that you can read thoughts.
However, what interested me the most were his references to a few motivational training methods.
The German in this book was surprisingly easy to follow, considering the subject!
(English, 30 August 2009)
This was another gem from Bandler. This one has a focus on time distortion phenomena and is a mixture of his earlier seminar transcripts and his later text books. Although this, too, is a transcript of a seminar, it is edited with the readers in mind and he actually on several occasions gives one set of instructions to the seminar audience and another to "you in literature land".
What struck me while reading this book is how information dense it is. It would really be worthwhile to read it again or to have it handy to just browse in, when one have some time to spare. Of course, to really benefit, one should take notes while reading it and then review the notes a few times. Probably, one could use the time distortion techniques described in the book to get enough time to closely study the same. Hmmmm. ;-)
(English, )
OK, this was just plainly a too thin book. It is more of a survey than an in-depth description on self-hypnosis. Just too bad, because it isn't bad, it is giving you a peak on broader subjects, teasing your appetite.
The best parts is actually the ones not on hypnosis but on meditation and biofeedback. Tebbets shows how they all are more or less related and/or variants of each other.
Probably a good introduction to the field but rather thin if you already have some knowledge on the matter.
(English, 18 August 2009)
This was a disappointment. After one (1) very brief self-hypnosis induction that is stressed that one will need to learn, they go through application after application were the authors themselves have successfully taught self-hypnosis to their clients to solve their different problems. No application was especially intriguing and they naturally made no allowance for anyone that their preferred induction method might not be suitable for. A rather tedious and pointless book.
Actually, about the one thing that fascinated - and both scared me and gave me hope - was the book's total rootedness in the middle-class world USA in the sixties. Boy, have we come a long way since then! Their sections on what husbands and wives should tell themselves during hypnosis to make their marriage better are hilarious. Totally unequal. The husband is only supposed to provide financial security for his wife and the wife is supposed to allow for the husbands sexual needs. You could probably use this book as historical material in a gender equality class.
It is interesting to compare this book with Blythe's "Self-Hypnosis". Of course, the 13 years and Atlantic Ocean between them might explain some of the difference but even then the fact remains that Blythe is much more above society, much more timeless in his narration than Capiro and Berger that squarely is stuck in the sixties.
Avoid as a self-hypnosis book. Read it for a time-travelling experience to the sixties.
(English, 12 August 2009)
This was a pleasant surprise. Although it mirrors a different society, it feels astonishing fresh and up to date. I really like Blythe's tone. He gets a bit tedious at times when he at length repeats the warning not to use self-hypnosis to treat symptoms of psychological problems, but just bad habits (habitual problems). However, the real strength of the book is the multiple methods of self-hypnosis that he presents and then revisits through later parts of the book. It is simply a case of good old British professionalism and thoroughness.
Blythe's concluding section on the future of the field and on biofeedback was really interesting. Alas, his prediction on how far the developments would have got and how widespread the application would have got by today is proved by hindsight to be rather optimistic.
An excellent introductory textbook.
(English, 7 August 2009)
This volume concludes Canavan's Black Magician Trilogy. Not surprisingly, it is thicker than the earlier ones but I would gladly have seen it split into two books (which would mess up the trilogy), because the big climax could have been covered more in depth. Now it was rushed through pretty quickly.
However, Canavan has done a thorough job. She has clearly have had an outline of the plot for the whole trilogy ready before even completing the first part.
At one point in the novel, after two of the characters miraculously survived an event, I begun to suspect that Canavan had troubles killing her darlings. A few chapters later, I could see that my suspicion was ungrounded as the corpses begun to pile up...
Good fantasy - not epic, but good.
(English, July 22 2009)
Wow! This was easily the best book authored or co-authored by Bandler that I have read to date. Although it still addresses therapists helping others, it also includes much more on the subject of working with oneself. Unlike his "Get the Life You Want", that was a bit on the thin side theorywise, I find "Richard Bandler's Guide to Trance-formation" to be very well balanced regarding practise and theory. Of course, it is full of Bandler's humour, too.
I perceive this book as a survey of Bandler's research, updated as how he regards it today, but selected with the newcomer in mind. It is no easy stuff, not by a long shot, but if one would really do the exercises Bandler includes and practise a lot, I deem it possible to put the contents to good use for oneself. To help others, you probably need a lot more training.
(English, 15 July 2009)
I have known about the infamous "Story of O" a long time (at least since the mid-nineties). However, this was the first time I read it. I must say that it was much more than I thought. It must have been quite scandalous when it first was published. Today, despite the severe whippings and anal tearing, it is more harmless - not the least because of the, with modern measures, quite careful and endearing language. I mean, how often today do you hear about a man entering a woman's womb with his member? Or refer to a blow-job as a embrace? (Of course, I have read an English translation, but I hope it is true to the French original.)
No, the sex scenes are pretty harmless with today's pornographic abundance. I have a lot harder to cope with the whippings and floggings. This it pain for pain's sake with the intent to mark O physically (welts gone black, fine scars criss-crossing O's skin, even hot-iron branding...). I find all this torture revolting. Yet, it is fascinating to see how O - even though she fears the session and screams and cries throughout them - consents to the whippings beforehand and is both proud and grateful for them afterwards. Here the novel reaches unexpected psychological depths. Somewhere in the novel, I started thinking about the Stockholm Syndrome, the one where hostages identifies themselves with their captors, becomes emotionally attached to them and express loyalty to them. I think it fits O. That René shares her with others, she interprets as proof of his love. She so much enjoys the feeling of having endured each torture session afterwards that she is grateful to her tormentors for receiving them and readily consents to the next one in advance. She actually bases her self-worth on how others (mis-)uses her, making her so proud of it that she doesn't even keep her situation secret to outsiders towards the end of the novel. She also starts to love Sir Stephen, not despite but because of his harsher demands. Weird, but hardly totally fictional stuff.
The novel ends pretty abruptly. The final is an elaborate scene were O is objectified in extreme, but yet it feels somewhat like an anti-climax, as so much was built up and then just left hanging.
I believe that "Story of O" offers some insights in the psychology of dominance. At the same time, it's quite typical that all the submissive are females while almost all dominant are male. A fine example of Gender Equality...
(English, 10 Jul 2009)
In this, the second installation of The Black Magician Trilogy, the parallels to Harry Potter get more pronounced. Yet, Canavan's story is original. The similarities are more of co-incidences. For example, the traits Regin shares with Draco Malfoy are eternal elements of evil spoiled brats' total conviction that the dirty deeds they they do are justified.
In another aspect, Canavan is truly original. I cannot recall ever have read a Fantasy novel containing homosexuality as one of the supporting threads to the story.
I must mention Canavan's habit of giving Fantasy names to ordinary things, like tea and coffee, and most common insects and domestic animals. It's an at the same time both endearing and effective way of making Sonea's world more real to her readers.
All in all a pretty simple story, yet with lots of merits and quite hard to put down.
(The particular copy I lent from my sister happened to be damaged. Although no physical pages were missing, about 15 pages in the middle were missing! I.e., from one page to another, the page number jumped in mid-sentence. Extremely annoying!)
(English, 2 July 2009)
I've read a lot of Strauss' later books (both the other ghost-written ones and the "The Game" that is his own) but I must say that I am impressed by the quality of his first one. Clearly, as an author/ghost-writer, Strauss really hit the road running.
To me, the trait that stands out the most with this Mötley Crüe biography is that it is so thrilling. I actually eagerly turned page to see what would happen - even as I knew that the band presently is re-united and touring again.
In a way, the fascination "The Dirt" arose in me is related to my odd fascination "American Psycho". Somehow, the excesses and lunatics of both books are so exotic and far from me that I read them with great but unexpected interest.
Given that I grew up during the height of Mötley Crüe's career, it is a bit odd that the only one of their songs I know is "Home Sweet Home". I know a lot of the other bands and artists they meet throughout the book a lot better. Yet, it is inspiring to hear the tale of how the four members came to form Mötley Crüe and sail higher and higher on charts and fame (on infame).
It is no small wonder that they actually have survived all these years, despite abundant temporary sexual liaisons, booze binges, drug over-doses, bar-brawls and ill-conceived pranks. (The piss-licking contest with Ozzy Osborne being one of the relatively safe ones.)
The book also serves as yet another peephole into the inner workings of the music and entertainment industry and is in that aspect a bit educational. On the other hand, Mötley Crüe is an example of that you can make it despite not seeing eye to eye with the the same industry.
An interesting read that removed some and strengthened others of my prejudices about Mötley Crüe and hard-rockers.
(English, 12 June 2009)
Well, I don't know how I do it, but once again has a, shall we say un-orthodox, book found its way into my hands. Shade is one of these fellows that makes money by selling e-books and holding seminars on how to be more successful with the ladies. This, however, is no e-book but an actual paperback I purchased via the Swedish web-bookshop Adlibris. It might not be the most exclusively set book and it relies to some extent on emails Shade has received over the years. Yet, I would say that this paperback still stands at least a head taller than your common online e-book that comes packaged in so much endorsements that it gets counter-productive.
Anyway, this book has more credible feel to it. Yet the subject is clearly not politically correct. To quite crudely sum it up, Shade argues that A) females possesses a greater sexual potential than men but that they generally are B) socially conditioned to not take advantage of it and that they thus require C) men to unlock their potential by leading in the bedroom.
I am fully convinced that Shade is right about A). I mean, females are a lot more commonly multi-orgasmic than men, aren't they? And B) is a no brainer. Why do you think teenage boys with many partners are considered studs while their female counterparts are considered sluts? However, C) isn't as clear. Shade argues his case well, but it goes a bit against the idea of gender equality that is very much a reality in modern Sweden (probably more so than in other places of our world).
The intricacies of the core message aside, the really fun and fascinating stuff is all the practical tips Shade shares with the reader on how to actually lead in the bedroom. The first one, gaining the respect of your girl, is quite obvious but he offers a lot more than that - deep spot massage and advanced clitoris stimulation, really dirty talk that only is for the appropriate sexual situation and would be downright offensive in other settings, twenty minutes and longer sustained orgasms, etc. I'm talking things that made me blush! The range of hardcore technicalities is worth the price of the book alone - regardless if you are more amused or more offended by them. (Not for the faint of hearted, but you might find something worth trying on for size.)
Yes, this book is on the whole not politically correct. Yes, many would find parts of it offensive. Yes, feminists would probably go berserk. Yet I cannot fail to notice that the bottom line that Shade advocates is that we should put our ladies pleasure before our own and that we should push the envelope as far as it can go with regards to how much pleasure we give our ladies. This, at least, is in my opinion admirable.
(English, 10 June 2009)
Unlike most of Bandler's books, which are transcripts of seminars, this contains only partly seminar-transcripts. The rest is actually video-transcripts. This is a bit unfortunate, because even if you have the complete dialog and Bandler at times writes comments on what we cannot see in the transcript, you still miss the complete video. The strength in the book lies in the extensive analysis of the video transcript, down to each NLP concept used in the dialogs. Real textbook stuff. Yet, it isn't as enjoyable to read as his other books.
(English, 9 June 2009)
This is a praised novel that has won prizes. However, it never really caught me. I mean, it was good and I had no problem finishing it, but, at the same time, I didn't fall for it hook, line, and sinker. It was a nice, not great reading experience and I am still a bit bland about it. Yet I cannot put my finger on what element is lacking from it.
Nevertheless, it is a grand family saga were the narrating voice of Cal explains how he/she came about by tracing the lives of first her grandparents and then her parents, with lots of other friends and relatives in supporting roles. I wrote he/she, because that is the core of it. The main character is a hermaphrodite which, not surprisingly, carries some ramifications for him/her.
Eugenides has at the same time a creative side, imagining grand and absurd plot, and a sense for details, working hard to grant his more wild ideas some credibility. For instance, Middlesex, the area of Detroit where Cal grew up in - what a fitting name for an hermaphrodite to live in, don't you think?
Apparently, Eugenides is also the author of "The Virgin Suicides", the novel that Sofia Coppola made a movie of. As I liked the movie, I should perhaps read that novel, too.
Grand story, perfect to case boring moments away, but I didn't exactly chose to read it over other activities. The best I have to say about it is that it taught me a lot of Greek culture and of the science of human hermaphrodism.
(Swedish, 22 May 2009)
Since reading the second part of Larsson's Millennium Trilogy, I have actually started on two other novels but when the opportunity to have the third part as travel companion from Dresden to Stockholm, I of course took it. It was such a great in-flight read that I actually got quite a shock when the plane set down at the Cologne-Bonn Airport. I hadn't even noticed that the plane were landing, despite sitting in a window seat! However, as the third part is the thickest in the trilogy, it lasted over the next flight to Stockholm and the evening at home, only to end in bed before I went to sleep.
Boy what a worthy conclusion of the trilogy. Larsson ties up most loose ends and lets Lisbeth Salander even develop a little as a human being. She is really the focal point of the story. All what happens to the other characters are more often direct or indirect consequences of their direct or indirect relations to Salander.
Larsson carries out his two missions well - he both entertains and educates us with his thrilling novel. In this part, he succeeds at giving us hope that there is justice in our society and, at the same time, making us fear secret groups within the authorities that consider themselves above the law. I.e., who controls the controllers? I think it is pretty obvious that Larsson, as an old journalist, consider media as the controller of the controllers. However, when we are touching the subject of conspiracy theory - how come that Larsson died so young? Did anything in his novels come too close to reality? (Let's sincerely hope not.)
It just struck me that Larsson might be called Sweden's answer to Dan Brown - with the difference that Larsson's research seems to be more accurate than Brown's, at least in the area of computer science. (Larsson makes Salander into a plausible if yet unlikely hacker where Brown embarrasses himself with the computer stuff in "Digital Fortress".)
The Millennium Trilogy might not be Nobel Prize literature but in the category of (political) thrillers, it is simply excelling.
Whole-heartily recommended.
(Swedish, 16 May 2009)
Given Larsson's background as a journalist and given the obvious fact that Larsson has researched his thrillers carefully (like the for once plausible and not totally science-fiction description of computer wizards and their hacks and cracks), I begin to discern a pedagogical mission amid all the fast-paced action. I believe that Larsson wanted partially to educate us on the society we live in and partially make us aware of and able to discuss different elements of our society (politicians, authorities, media, laws, and the unlawful). Larsson's true skill is that all this serious stuff is swallowed unnoticed along with the exhilarating ride of reading the novel.
"Flickan som lekte med elden" picks up where "Män som hatar kvinnor" left of and we get to know Lisbeth Salander and her background better as well as the grim fate that awaits her and Michael Blomkvist as things set in motion in the first book accelerates in the second.
Given Larsson's narration skill and careful research, it is not wonder that his thrillers set in a Swedish environment are so popular in Sweden. However, since they also seem to be a huge success abroad, their literary value must transcend the typical Swedish and appeal to readers of all cultures. I.e., there must be some common denominators that is shared at least throughout the Occident.
I read the bulk of the book on an over-night flight from Montreal to Schiphol. Totally perfect in-flight reading material. I had no problem at all to zone out the cabin and bury myself in the novel.
Whole-heatedly recommended!
(English, 13 May 2009)
Australian Fantasy at it's best. OK, so I have read better Fantasy but I have a read a lot worse, too. The main strengths of Canavan's novel is its originality (that it isn't obviously mimicking any other author) and the nice feature of giving a lot of common objects Fantasy names (like rat and mouse, beer and coffee, etc). All common enough to be recognized despite the made-up names but the approach contributes immensely to the atmosphere of the story.
A decent reading experience. I look forward to reading the sequels.
(English, 6 May 2009)
The faithful readers of this page knows the drill by know. Like most of Bandler's and Grinder's books from this period, this, too, is compiled by the Andreases from transcripts of seminars held by Bandler and Grinder.
"Reframing" continues where "Frogs to Princes" left off. I.e., it builds further on the six-step reframing model with more advanced reframing models and applications.
Like the other similar books, the focus is on educating therapist in cool tools for them to use on their clients. I.e., there is less to find to use on oneself. In fact, one of the parts I found most fascinating - the one where one's unconsciousness is taught the six-step reframing model to be practiced on an problematic behavior of the unconsciousness choice every night just after one's conscious mind has drifted of to sleep - is better installed by someone other than by oneself.
Although this is one of their titles with the most presented practical applications of Neuro-Linguistic Programming, it is at the same time one of the thinnest on personal usages.
(English, 2 May 2009)
Ok, this not-so-thick novel was pretty weird. On the surface, it is a fantasy story about a prince with an identity crisis and the adventures he encounters in an enchanted world. Below the surface, it is supposed to packed full with Neuro-Linguistic Programming. However, as hard as I tried, I could not pick out any but the most obvious of them (plays with word like somewhere, nowhere, and - of course - the name the prince bears for most of the story: Anybody). Yet I suspect that there also might be cleverly formulated phrases that sounds like other phrases that get picked-up by the reader's subconscious while the conscious mind only gets what actually is written. At least, it was tricks like that I was busy looking for. It might very well be the case that numerous other clever tricks went right by my nose unnoticed (unnoticed by my conscious mind, that is) while I tried to "hear" such "overlayed" phrases. Anyway, I will research the book a little via Google. There might be some spoilers somewhere.
Bandler states in the foreword that this was his pet project and escape from writing lots of textbooks. It is supposed to be some sort of general, covert therapy for the reader. It will probably be beneficial to read it again and again now and then. Who knows, some positive effect might stick. At least, it makes for an exciting game to try to spot NLP constructs hidden in the narration.
The story itself is pretty thin and confusing as it repeatedly takes off in totally unexpected directions. Yet, most elements are your average Saga and/or fantasy stuff, so you feel kind of familiar, despite all the directions changes.
All in all, weird but strangely fascinating.
(English, 24 April 2009)
Wilson might have studied psychology but this book is equally much about quantum physics. It seems that Wilson, by chance, noticed the similarities between modern psychology and quantum physics and thus named this book "Quantum Psychology". It is thinner than his "Prometheus Rising" but equally entertaining (for physicist probably more entertaining). However, on the whole, Wilson tries to convey the same message as in "Prometheus Rising": that of the evolving human mind and what you can do to reach the higher levels yourself.
One of the details I found most entertaining was the war Wilson declared on the verb "be" and in particular its form "is". Apparently, some physicist discovered that much of the peculiarities introduced by quantum physics, that physicist and non-physicist alike had most trouble getting their heads around, disappeared when one rewrote the descriptions of it without using "is". Kind of makes sense, doesn't it, to defuse relativity by removing the word "is" that is most responsible for all absolute. Needless to say, in an universe governed by the theory of relativity, nothing is absolute and hence nothing "is" ever objectively and absolute something.
It just struck me that I should probably have written this mini-review without "is", in honour of Wilson's book. OK, I will try my best to write the rest of it without "is". Starting now.
Wilson and those who agrees with him call the English with out that particular word English prime or E' for short. They advocates general use of it, as E' helps us think more clearly and precise.
Other bearing elements in the book include numerous examples of how rigid traditions (religion, classical physics, Aristotelian logic) continue to influence the way we think and plague or society (politics), Schrödinger's cat, and Einstein's mouse (I had forgot about that one).
Any academician with some playfulness left will undoubtedly find this book most enjoying and entertaining.
(Swedish, 16 April 2009)
As I have read several of Bandler's and Grinder's books on Neuro-Linguistic Programming, it was quite refreshing to find a book by a Swedish author on an much overlapping topic. Translated to English, the title of the book reads "The Art of Mind-Reading", but it is really about how to become a better communicator (i.e., becoming better at conveying your message as well as understanding/reading others). Like Bandler and Grinder, Fexeus repeatedly hammers in the message that the meaning of what you communicate to others isn't defined by what you meant it to be but by the result you get (what the other thought you meant). In other words, the meaning of what you are trying to say is whatever the receiver understands, so don't get frustrated by people that misunderstand you - just refine your message until it is received as intended.
Of course, Fexeus doesn't refer to the popular view on mind-reading - to be able to read others actual thoughts. He only borrows the term because he argues that with a little practise, you can pick up so many signals from other people besides the words their mouths are forming that you can learn surprisingly much of what goes on inside them (without actually reading their thoughts - something that is totally impossible anyway at our current level of technology).
It is here the book becomes a bit delicate. Although Fexeus wants to educate us in order for us to be better communicators and give us the tools to do good by helping others go from bad feelings to brighter moods, the opposite is equally possible. Fexeus threatens to come after anyone who misuses their new knowledge, but that it, of course, a pretty empty threat. However, like so many other things, this knowledge of how to communicate is only a tool and thus neither good or bad. How you use it only reflects on yourself.
What I appreciated most in the book was how Fexeus broke down the art of picking out signals in other in manageable chunks and how he outlined a course were you try to learn one element at a time until you move on to the next (patience is a virtue). Also, he use a lot of intriguing examples of which the ones from politics and commercials was among the most fascinating.
As the book has a lot of illustrations and many of them being photos, the whole pocket-book is printed on thin, glossy paper, making the book both heavier and feeling more high-quality than other pocket-books. It is, of course, not vital for the contents, but is nevertheless very nice. More bang for the buck, so to speak.
Whether you intend to really learn and use what Fexeus offers you or you just like to read about to orient yourself, this book will entertain you, sometimes shock you, and constantly jog your brain in a good way. Recommended.
(English, 12 April 2009)
Meyer proved with her Twilight-series that she is an original author but in "The Host", she really packages and super-original idea in a most pleasant novel. If I remember the backside cover blurb correctly, it said something about "the worlds first triangle drama with only two bodies". Without spoiling to much, the book is about a invasion on earth by a breed of body-snatching aliens. Luckily, the resourceful human race isn't about to give up without a fight and Meyer are there to explore the ramifications and tell us a compelling story about it.
"The Host" shares some traits with the Twilight-series, like impossible love and the frustrations of restraining oneself from the same love. This is so far really a trademark of Meyer's authorship. Another thing they have in common is non-human beings with super-human abilities. On the less positive side, "The Host" is even more American than the Twilight-series (despite a huge part of the Twilight-series being your run-of-the-mill high-school drama). At the same time, luckily, "The Host" can be said to be even more foreign than the Twilight-series.
Unfortunately, you cannot get into specifics about this novel without risking to spoil the reading experience for new readers. Thus, I better end this review here, but "The Host" was a brilliant and refreshing nail-biter of a story. It might be too contemporary to become a timeless classic, but I can recommend it warmly anyway. Read it, you will in all probability like it.
(English, )
OK, I have a feeling that by reading numerous titles by Bandler & Grinder (edited by either one or both of the Andreases), I get a deeper understanding of the field of Neuro-Linguistic Programming. A variant of triangulation, sort of. Of course, it helps that Bandler's and Grinder's books aren't totally overlapping but dedicated to different aspects of their theories. This volume, "Frogs into Princes", is somewhat more of an introductory than the others (or I might feel that way due to having read a few of their other books before this one).
Like so many of their other textbooks, this is an edit of numerous transcripts of seminars held by Bandler & Grinder and is mainly targeted at therapist looking to expand their professional repertoire. This, of course, makes it more challenging to find personal uses of the presented theories. However, the main method explained in depth in the book, a six step model of reframing, is actually possible to use by one self on one self! This quality does not surprisingly leverage quite an interest in the fascinating utilizations of the method.
Speaking of the authors' different titles each having their own focus - actually, the next book of theirs I have procured is called "Reframing" and further expands on the subject of reframing, so evidently there are some overlapping going on between their texts.
One of my absolute favourites of the key-points the authors offers is that of generative change. I.e., instead of focusing on remedial change (to fix presenting problem X) one should rather look into generative change - to multiply one's available choices for different situations or to go for becoming better at one's already strong skills. The authors argues the case that when chooses this pursuit, any other problems disappear by themselves. There's a elegant model, don't you think?
(Swedish, 31 March 2009)
Oh my, such a plethora of broken people - a lot more than in Nilsson's earlier novels, if my memory serves me correctly. There is a strength in the numerous characters though. It is easy to find one or more that you either can identify yourself with more than the others or that you feel more for than the others. However, be warned. Even if Nilsson often has described appalling things in her novels (especially the first one, based on the cruelties of children to the lone kid that stands out), this title is really filled with misery and a lot of sexual abuse not present in her earlier works.
All characters isn't that broken, luckily. Fredrik, Gunbritt, and Katja all functions really well even if they isn't exactly normal (for whatever normal means). Others are a lot worse, with different mixes of physical and psychological problems.
I have recently in this page written about the heavy Swedish literary tradition of depicting broken people and misery. However, to me, Nilsson is on a level of her own. Most Swedish people use the misery like a backdrop, to spice up the background of their central story. For Nilsson, the misery is a very central element in itself. Even if Nilsson's novels sometimes ends on a lighter note, where the main characters has more or less successfully dealt with their personal miseries, the misery still is a bearing theme - far from the common supporting element of other Swedish contemporary works.
All in all, it was nice to get back to Nilsson. I have previously read her four first novels but have apparently missed some of her later ones. I believe this to be her seventh or eight novel - children's books uncounted. It thus seems that I have more of her works to read.
(English, 27 March 2009)
This was easily the most fascinating text-book I have read in a long time. The whole book is on pair with the chapter from "Blueprints for High-Availability" on how the NYBOT stock exchange survived the events on September 11th 2001 when the Twin Towers fell on their building, demolishing it totally.
However, "Trance-formations" is not perfect. Since it is condensed by the editor Connirae Andreas from a number of transcripts of seminars by Grinder and Bandler targeted at therapists, it is very much about how to work with others. I would have been more interested in more on how to work with yourself. On the other hand, it is a stimulating challenge to try to come up with personal usages for all of the therapy methods.
Also, near the end of the book, there is a ten page chapter on self-hypnosis with just above two pages on its utilization in combination with the different techniques the book discusses. A bit on the short side but fascinating nevertheless.
You can read this book in many ways: as a skeptic, as someone interested in becoming a better communicator, as a therapist genuinely interested in enlarging your toolbox of methods to help clients with, or just as your run-of-the-mill curious person. It would probably be entertaining for everyone.
(English, 17 March 2009)
In principle, this should be exactly what I wanted - a self-help book by one of the founders of NLP, recently written, and thus filled with the gold nuggets of his collected experience of the last thirty years.
However, it doesn't work like that for me. I think there is too little resistance. I.e., all the short chapters on how to deal with one's phobias or to quit smoking (the ubiquitous example, totally worthless for a non-smoker like me) seems on the one hand just too easy (can it really work?) and, on the other hand, lacks the necessary depth of theory (this is probably why I like Bandler's and Grinder's books from the eighties so much since they are theory-driven).
In order to use this book to your advantage, you need an open mind and to invest a lot of time to really try the outlined methods out, as described, to evaluate them and build a belief in them. I will probably continue to read Bandler's other books and might not ever get around to come back to this one (even if it might be a mistake not to).
(English, 11 March 2009)
This volume suited me in a lot of ways. It is really a number of transcripts from live seminars that Bandler have held that has been edited by the Andreases into a book. Judging from the comments on Amazon, a lot of people don't like that and would rather have seen it written more like a traditional textbook. However, I found that I liked this format a lot. Evidently, a written down seminar suits me very well.
This title is currently out of print, so I had to get hold of a used copy with some underlining and writings in the marginals. Not perfect, but at least all of the text was readable.
The book is about practical usage of Neuro-Linguistic Programming, which Bandler co-originated with John Grinder. However, contrary to popular belief, NLP is not about about getting laid, even if it is (mis-)used by pick-up artist (read Strauss' "The Game" for instance). It is actually more fascinating than that. That Bandler chose to call it NLP reflects his background as mathematician/computer scientist with an interest for psychology and language. What Bandler and Grinder really did were to study successful therapist from the fields of psychology and hypnosis and mimic the successful parts of the format of their methods - without regards to the content nor theory behind the methods. You can call NLP the distilled successful elements of a range of therapeutic techniques.
Does it work? The author presents a compelling case supporting the claim and there a huge body of practitioners (both of the therapist kind and the sales person/pick-up artist variety) although I have seen some criticism of it on the Internet.
This book only covers NLP for different therapeutic uses, like quit smoking, cure phobias, work with habits and compulsions and the like. I will probably try to test on some of my phobias, to at least have given it a fair evaluation.
The mission Bandler claims in the book is to better educate people on how the brain works and how to better take control of one's brain in order to be able to run one's life instead of having one's brain run it instead (think phobias).
I found it very interesting and want to learn more before deciding if it is for real or if it doesn't deliver.
(Swedish, 5 March 2009)
Who-ha! Until now, I have been resistant to the hype, what with the new movie and all, but as my sister highly recommended the novel and lent me her copy, I read it. A surprisingly well crafted piece of an original Swedish Crime/Suspense Thriller. Too bad that Larsson died 2004, only 50 years old. He would probably written a lot of good novels, had he lived to be a hundred.
True to my habit, I will not spoil anything but it is refreshing to find that the female lead character is a computer-wiz depicted without the common naïve errors of your ordinary novel writer. See, for instance, Brown's abysmal computer jargon from "Digital Fortress". Larsson either had a understanding of computers that Brown lacks or had better advisers/proofreaders.
Sure, the novel at times makes for some spectacular stunts, but it retains a high degree of trustworthiness throughout the whole story. One feels like it might really have happened that way, if it had been real. However, some passages surely isn't for the faint of hearted... *brrr*
Not surprisingly, like with many of the novels I have given high praise on this page, this, too, contained a subtleness on precisely the right level so that I was able to guess a vital outcome before it happened. Don't you just love authors that appeal to one's own self-admiration that way?
You can safely go ahead and read this novel. The chances are really good that you will like it.
(Swedish, 2 March 2009)
This book can be summed up as be your own head-hunter. I.e., instead of apply the traditional way to job ads and compete with hundreds of other applicants, you should yourself make the job of the professional recruiter and carefully determine your own strengths and weaknesses as well as research the needs of interesting companies - preferably such ones that isn't currently advertising job openings but where you can make a strong case to how you can be of use and in what direction they should move. ;-)
Granted, this is no easy feat, but the idea to match yourself to future positions before they are publicly advertised are a good one - to go for the so called hidden jobs. Evidently, more and more jobs are never advertised because it is cheaper to recruit from a small number of strong spontaneous applications or otherwise already known or recommended candidates than to have to wade through heaps of more or less matching applications from an public advertisement.
Frykman, once a dentist that switched careers and now are on his third one, this time as an personal development and career coach, is admittedly tooting his own horn with this book as he share with us the program for job hunting he has developed. However, the program makes sense and the tools for investigating one's owns skills and weaknesses seems really helpful.
The same as Juul, Frykman lightens the book with numerous examples of successful job searches from his own experience and former clients.
I might read the book the way the devil reads the Bible but I would like to think that I at least have done much right in the cover letters I have sent with my job applications over the years. However, I have yet to make an attempt at being my own head-hunter. Who knows, one day I might.
(Swedish, 21 February 2009)
This was an interesting book about child rearing, advocating the main thesis that your child is more competent than you think (and are able to perceive). Juul has worked with children and dysfunctional families all over the world and sprinkles his narration with enlightening examples from his own experience. These are one of the best aspects of the book. Through the examples, he can really drive his points home.
The to me two most important lessons of the book is A) to really see your child and its feelings and not just what the child does, and B) learning the child to primary take responsibility for him-/herself instead of the today more common practise of teaching them to take social responsibility.
I.e., when your child searches your attention, acknowledge the child's feelings and, most importantly, verbalize your acknowledgment. Juul exemplifies this with a girl calling out to her mother when on a playground slide. According to Juul, the mother should not answer the girl with "-How good you are doing" (thereby putting pressure on the girl to always perform well in order to win her mothers approval) or "-Be careful so you don't hurt yourself" (thereby undermining the girls confidence and making her afraid). Instead, the mother should acknowledge her girl by putting names to the girls feelings: "-It looks like you are having a lot of fun. Isn't it a bit thrilling, too?" (thereby learning the girl to communicate more efficiently about feelings and moods). There is a subtle but vital difference between urging the child to be careful (putting the parents feelings foremost and being overly protective) and acknowledge the child's own feelings of joy and suspense (giving the child names for his/her emotion). Better to have a child that actually can verbalize his/her moods than only act them out, don't you think?
It might sound provoking to promote responsibility for oneself before social responsibility (responsibility for others) but according to Juul, it has been shown that social responsibility comes naturally to people that first takes responsibility for their own well-being while, at the same time, we that have been raised to first take social responsibility often put the well-being of other before our own and thus, alas, often are doing less well ourselves.
Regardless if my examples above sounds right or wrong to you, the book will be able to give you food for thought.
(English, 11 February 2009)
This book has the sub-title "There is no such thing as hypnosis". Yet the book definitely is about hypnosis. However, the sub-title is a homage to the way the book butchers any popular belief one might have regarding hypnosis. To spell it out: this book is about therapeutic hypnosis, even including some neuro-linguistic programming.
It is not an easy book - yet it is very well written. It is challenging in the way that just with a little effort, you are amply rewarded. However, if you let your mind wander, your eyes quickly glaze over, (perhaps not something one want them to do over a book on hypnosis - right, lucky there are no such thing) and you end up having to re-read the last paragraph or page. The language in itself isn't hard - it is the concepts that are staggering. Also, Heller writes in a admirable terse and succinct style which makes it important to pay close attention, lest one loses Heller's thread.
Although the book is pretty thin, it contains a surprisingly large amount of interesting concepts, with implications for how we treat our friends and family and how to recover from troubled minds. I especially found Heller's chapters on what he calls "systems" and anchors very interesting. He identifies different input and output systems that, depending on the situation, can be visual, auditory, or kinesthetic (or even gustatory or olfactory). Given that you can identify which systems a troubled person is using, (is stuck in) you can use them to help the person.
Unfortunately, the book is squarely aimed at therapists who helps others and I see no direct way to practise what the book teaches on oneself.
(Swedish, 2 February 2009)
My main impression of this novel is originality - both a high degree of it and a fascinating lack of it. If we begin with the true originality, Lindqvist has written something completely new and fresh on the Swedish literary scene: a genuine horror story, and done it well. With regards to how much media cover the novel and the movie adaption of it have got, I don't think it is too much of a spoiler to tell you that it is a vampire novel. However, compared to Meyer's vampires of her Twilight Saga, Lindqvist's vampires are a whole other species (originality!) with their own quirks. Of course, they are enough alike the canonical vampire that they end up with the vampire label. Altogether, we don't learn that much of them in the novel, but the obscurity only feeds one's curiosity and adds to the appreciation of the novel.
What about the lack of originality then? Well, I find it quite fascinating that a new, young Swedish author like Lindqvist, that revitalizes the literary scene with his horror novel, still conforms to the heavy Swedish literary tradition of depicting misery and broken people. Granted, many of Lindqvist's character are more broken than most, but they don't step far from the numerous examples of Swedish crime novels by authors like Mankell, for instance. I really should read more of the twentieth century worker authors, to see if what I just summed up as "misery and broken people" really is some sort of twentieth century realism, the continuation of the movement of authors of the people that wrote about the masses for the masses. But, once again, I digress...
The strong points of Lindqvist ground-breaking horror novel is his original take on the ancient vampire legend, his choice of a bleak Stockholm concrete suburb as the setting, and his choice of 1981 as the year of the events. I started school that year, which makes me just a couple of years younger than Lindqvist's main character Oskar. Thus, I can recognize much of Oskar's environment although it, naturally, was quite a difference to grew up in a concrete complex in a capital city suburb like Oskar compared to a (dare I say) idyllic Northern Sweden village like me. (I don't think I even heard about concepts like sniffing glue and narcotics until years later...) All in all, I recognized myself enough to really appreciate the novel and regarding the details I couldn't relate to myself, well, I rather count myself lucky.
Is this novel for anyone? No - you need to be able to stomach it and I am not only referring to the nail-biting horror parts, I am to an equally large extent referring to the more revolting perversions and practices of the more broken people among the person gallery... Lindqvist isn't exactly a prude.
(English, 28 January 2009)
This title comes highly recommended and is often mentioned at the same time as Wilson's "Prometheus Rising". However, they are pretty far apart. Where "Prometheus Rising" is though-provoking and mind-blowing, "Undoing Yourself" is cryptic and obscure. Wilson's witty prose is a treat to follow whereas it is clear that Hyatt is muddling his prose deliberately to break the reading flow and play tricks with his readers. Interestingly, Hyatt's "Energized Hypnosis" is a kindergarten text-book in readability compared to "Undoing Yourself". In addition, much of the meditation techniques of the former is included in the latter as well, so unless you really want the challenge, you could go for "Energized Hypnosis" instead of this one.
Who knows? It might be beneficial to read on a subconscious level (there's a scary thought!) but personally I prefer the more clear communication of "Prometheus Rising". The red thread of "Undoing Yourself", however hard to follow, is to break free of chosen and imposed psychic confines to reach one's true potential. However, most of the book just leaves one confused and frustrated, regardless of one wants to or not.
There are some mitigating factors, though, in the form of six included sections and essays by other authors. These proved to simply be more readable than Hyatt's own chapters. I especially appreciated Rose Hartman's "On the Invocation of Eris" and Jack Willis' very practical "And Other Devices".
Clearly, I wasn't yet ready for this one. I wonder if I ever will be? I cannot for my life recommend it as something other than a challenge. You are much better off with Wilson's "Prometheus Rising".
(English, 24 January 2009)
I have had this lying around the house for a while, reading a few pages now and then. Talk about a serious sentimentally trip. Nostalgia extravaganza. Fisher has included around two hundred games from the Commodore 64, presenting each on a page with some screenshots, some trivia, a summary of the game play, and an analysis of what trends and feats that particular game represented.
For me, that got my C64 in -83 (I think) and has it to blame/thank for my present career as a computer professional (software engineer gone systems administrator to be exact), a book like this stirs an ridiculous amount of emotions. I actually bought myself an Stelladaptor to be able to connect one of my old joysticks to my Ubuntu laptop to be able to play the old games in the Vice emulator with the real feeling.
Even as Fisher has included around two hundred C64 games, it cannot be more than a fraction of the total number of games produced for the C64. I missed a lot of games I used to play, like "Jack the Nipper", and "ACE". At the same time, I was surprised to find a lot of games in the book I hadn't seen during my active C64 years.
This book really is intended for a quite small audience - but I am square in the middle of that audience and had a blast reading it and reliving glorious moments from a past when life was a lot less complicated to live. ;-)
(English, 20 January 2009)
Well, this title didn't really include any hypnosis - not any I recognize anyway. Rather, it contains a lot of advanced meditation methods to get to know one's own body and emotions better - especially a way to try to trace where a certain feeling comes from. If you can identify why you once learned a certain feeling as an reaction to some situation, you can evaluate if that feeling still is an adequate answer to the same sort of situation or if you would be better of with another approach.
Thin, not exactly straightforward but strangely fascinating nevertheless.
(English, 17 January 2009)
Blair is a hypno-therapist and self-help author that has zeroed in on the fact that you can lose the sense of time and space when reading an intense part of a gripping novel or when writing something that requires your undivided attention. I.e., the phenomena usually called "flow" that often is something you want when working or studying. Blair argues that having a "flow" episode - being caught up in the task at hand - really is a form of focused trance and as such can be used as an easy mean for self-hypnosis. I.e., instead of closing your eyes and perform whatever rituals that you usually employ to put yourself in a trance, you read out loud the induction Blair provides in the book, thus getting in a light trance which, according to Blair, enables you to benefit from reading loud any of the over thirty scripts for positive change that is included in the book (sleep better, lessen stress, get more healthy skin, etc). If none of the scripts suits you, Blair has also included templates for writing your own (complete with an induction to put you in a light trance before filling in the template, to benefit from it directly).
It is a compelling idea which makes a lot of sense. However, I am not convinced on the quality of his included scripts. I think the real value is rather in the presented background and theory of self-hypnosis which one really should put to practice by creating inductions and scripts oneself to use Blair's way.
(English, 17 January 2009)
So has Meyer's Twilight Saga come to and end. What a marvelous ride it was to read them. Not that they are Nobel Prize material (compare them with anything by Saramago for instance) but they do hold their ground in the torrent of contemporary literature.
Judging by a quick web search for Twilight merchandise, Meyer seem to have had an instant impact on popular culture. I even saw a Twilight reference on German television the other day! I guess I should see the movie, too. Just for the sake of it (not that it will come close to the total reading experience, but many movies based on novels can have qualities in them selves).
Just like in Rowling's "Harry Potter" suite, each of Meyer's follow-ups to "Twilight" swell out and is thicker than the one before. Thus, "New Dawn" is quite a tome but, at the same time, Meyer's language has got more polished than in "Twilight" where you occasionally stumbled on stilted words breaking the flow of reading.
Although I am sad to have to part with Bella and Edward for now, I am glad that Meyer has written a contained story. As much as I love Marathon reading sessions, I don't care much for neverending series (see for instance Kerr's series on Deverry). Meyer has told her tale and tied up the loose ends well. It is good so. It will be a nice reunion when one, a few years down the line, takes the time to re-read the fascinating Twilight Sage.
All in all, a great reading experience.
(English, 9 January 2009)
Who-ha! Meyer's Twilight series goes on with undiminished strength. "Eclipse" even surpasses "New Moon" but cannot rival "Twilight" as the (so far) best of the volumes. It is really a pity that I don't have character enough to ration my reading session to make the Meyer novels last longer. On the other hand, Marathon stretches of reading do support great reading experiences and we are all for great reading experiences, are we not?
In a way, Meyer's Twilight series are similar to Rowling's Harry Potter suite. At their core, both depict adolescence and the struggles of coming to terms with the emotions and struggles associated with coming of age. However, to spice things up, both places the with normal emotions equipped teenagers in environments filled with mythical elements - thus creating compelling sagas that attracts youths and grown-ups alike.
Another aspect of the comparison to Harry Potter is Meyer's originality. Brown's "The Da Vinci Code" wasn't even the first Templar heritage novel - see for instance Cappelli's "Rhapsody for a Unicorn" - but it was probably the most successful and caused an avalanche of new, more or less original, Templar heritage novels (for instance, Caldwell's and Thomason's "The Rule of Four"). The same way, in the wake of Rowling's Harry Potter, there came a lot of novels about magical kids - more or less original. Here we can identify another strength of Meyer. It doesn't matter how many shared traits we can find in Meyer's and Rowling's novel suites. Since Meyer's originality is so strong, they are all reduced to mere coincidences. Additionally, even if Meyer isn't the first to mix vampires or werewolves with teenagers, her Twilight series are original enough that few will call her a copy-cat.
"Eclipse" continues where "New Moon" left of. We learn about the events destiny throws in the way of Bella, Edward, and their friends (and foes). I will avoid any spoilers but Jacob Black and the Quilites plays an even larger rôle in this volume than in the previous ones.
I realise that these novels are not for everyone, but I do recommend you to give "Twilight" a chance. If it proves to be your cup of tea, you will wolf down "New Moon" and "Eclipse", too. Myself, I am already in conflict with myself, debating whether I should save the fourth novel, "New Dawn" for later or begin reading it on this instance.
(English, 5 January 2008)
I have had this title lying around the house for a while, reading a section in it now and then. I had hoped I would have finished it in December, to get it on 2008's count but, evidently, I didn't have resolve enough for that.
I got wind of Coach Sommer's long awaited book on Ross Enemait's web forum and thought it might be interesting to learn a little about how elite gymnasts train so I pre-ordered a copy. Imagine my surprise when I got the book and discovered that it is as much aimed at gymnastic-curious "normal" fitness enthusiasts as serious gymnasts. Even though most of the exercises are beyond my reached (unless, of course, I acquire the time, money, coaching and drive to pursue them), Coach Sommer presents each of them with the necessary progression to reach them.
Some exercises requires gymnastic rings or parallel bars to be performed on. Others are pure body-weight movements (although they require a lot more strength than your average push- or pull-up. On of my absolute favourites, that I gladly would like to be able to do within, say, five or ten years, is the Bowers: start in a free-standing hand-stand from which you perform a controlled descent into a planche and then presses back up to a hand-stand. No equipment needed, but imagine the whole body strength needed to deliberately perform the movements with full control!
Coach Sommer's has written a nice book for any serious trainee. If the exercises are too tough for you, it can still act as a great motivator and source of inspiration and new ideas on how to spice up your own exercise regime.
It is just a pity that Coach Sommer didn't acquire more professional help with the form of the book. I mean, when you print a huge batch of letter sized paperbacks - couldn't you find a layouting software that automatically takes care of hyphenation? As it is, the whole volume is non-hyphenated and there are unfortunately a lot of lines with ridiculously stretched spaces. However, even if the form wavers a bit, the contents are rock-solid.
(English, 5 January 2009)
Another treat from Meyer - and I have two more to go! Lucky me! (I pretty much didn't do anything but read yesterday.)
"New Moon" didn't reach as high as "Twilight", probably because the novelty has worn off a little, but it is still a treat for all of us that has some of our childishness left in us (not to mention sentimentality towards teenage romances - epic teenage romances, even).
In this volume, Meyer self makes references to Shakespeare's "Romeo and Juliet" and I think we can establish that when teenagers (predominately girls) fussed over romance novels in the nineteenth and first half of the twentieth century, it was over "Romeo and Juliet", Jane Austen's collected works and similar. In the late twentieth century and the twenty-first, the teenagers have acquired a taste for more easily read, more movie-like, more unorthodox and unimaginable experiences. Hence the popularity of Meyer's novel series. One can, of course, discuss if this is good or bad trend. Note though that the border between the genders are becoming more blurred. I.e., once girls read romance novels and boys adventure novels but today the novels are one and the same. That is, in my opinion, a good trend.
"New Moon" are thrilling suspense, burning romance (but kept under control, thus adding to the intensity) and fascinating adventures. I especially like that we learn more about the vampire society in "New Moon" (and another species, too, although they could have been brought to our attention a bit more subtle - as it were, I could guess it long before Bella figured it out and that made me grew a little frustrated with her).
If you are looking for some entertaining light reading, check "Twilight" out - and if you liked "Twilight", definitely go for "New Moon", too.
(English, 3 January 2009)
How do I define "Prometheus Rising"? Most people could probably not care less about it - some would perhaps even be offended by it - but to me this is a rather important book. Not in the way, for instance, Eberhard's "I trygghetsnarkomanernas land" is both important and very current in our society. "Prometheus Rising" is more timeless and general. I have previously written about books I should re-read. This title I probably will re-read pretty soon, for my own pure pleasure, the way you can watch some movies over and over again, always discovering something new and revelling in the favourite scenes (and, in this case, to better digest the contents).
But I digress. "Prometheus Rising" is about an eight layered model of the human mind where we share the first two circuits with all mammals, the third with some fellow and preceding primates and the fourth circuit is what discriminates us from all other life on earth. The emphasis of the book lies on circuits five through eight, though. Circuits that for every increase in level fewer and fewer numbers of people have ever reached. Thus, once could sum up the book as an survey of the sources and research covering this eight circuit mind model, combined with some tips on how to reach the higher circuits as well as some predictions on where mankind are going.
To me, the book is totally mind-blowing. With terminology from the book, I have had my "reality-tunnel" rocked, enlarged, and altered. I have learnt to identify others' reality-tunnels and appreciate that neither theirs nor mine is objectively right or wrong. However, in the big picture, to strive to reach higher circuits are always right.
This is no work of fiction but, at the same time, it is pretty light reading compared to most textbooks. Granted, the concepts are staggering but it is well written and full of Wilson's witty humour, which makes it easy to read and very entertaining (presumably even for bigger skepticals than me).
Now I need to encourage friends and family to read "Prometheus Rising" too, in order to be able to discuss it at length with someone.
(English, 20 December 2008)
First impression: a trifle. However, Cameron's deadpan narration somehow later on in the novel works to increase the intensity and makes the book both alive and interesting. All in all, it makes me think of Salinger's "The Catcher in the Rye". If I had read "Getting the Girl" in my teens (if it had been written back then - Zusak is one year younger than me) it might have had a similar impact on me as "The Catcher in the Rye". Now I appreciate it, but it doesn't make any earth-shattering impression.
After Zusak's "The Book Thief", I had expected more (always risky with high expectations). On the other hand, this seems to be his first book, originally published in 1999 under the title "The Underdog" while "The Book Thief" came 2006. I.e., not surprisingly, Zusak has developed his authorship further with every novel. We can probably expect great things from him still to come.
Another fascinating detail in the novel is the Australian slang. I am speculating here, but as I cannot say that I seen the same expressions in other books, I wager that it must be typical for Australia. For example, "Nah, I'll be right" to decline an offer of something to eat or drink. Must be Australian or even Sydney slang, don't you think?
As an end note, I'll offer a small spoiler. "Getting the Girl" isn't just about how to be with the girl in question but also how to understand her. Get it?
(English, 18 December 2008)
Oh my, what a precious lovely little gem of a novel. And what a sentimental old sucker I am... I actually frequently caught myself grinning like a fool over the more delicate passages of the book. Perfect, entertaining, and endearing light reading for me. *purr* (Reflected by the fact that I read the 400-odd pages in four workdays, beginning Monday morning on the commuter train and finishing Thursday morning on the same train, without loosing any work hours nor sleep.)
Granted, the language is a bit stilted in places. I especially noticed a few rather complicated adjectives that broke my reading rhythm and that often easily could have been rewritten with a few extra words without losing any meaning.
But who cares about the form when the contents are so beautiful and endearing? I mused a little over the fact that something so innocent (read: fully dressed) can be so romantic and - I would argue - between the lines erotic. Here lies the strength of Meyer's novel. It balances on the edge but never stumbles onto the plump and graphic side. It keeps beautifully on the innocent side but is full of innuendo and subtle hints of ravishing emotions. Budging teenage love - what a cliché but how well played out in this novel! This is definitively not for everyone but I like it a lot and would not have any problem putting it the hands of my daughter if I ever gets one. (By the way, it was my sister that lent me her copy and urged me to read it. Sis knows that we have quite overlapping taste in books!)
Oh, I should probably touch the subject of vampires too. Yes, it is technically a vampire novel but even "Buffy the Vampire Slayer" is scarier. As a vampire book, "Twilight" is only moderately scary. It offers more thrills and suspense in the urge to turn page to know how Bella's life progresses than it holds in the vampire blood sucking business.
You might call it contemporary, lightweight. and hyped - it is still a very well composed and gripping story for anyone with a bit of childishness as well as romantic flair in them. Recommended.
(English, 12 December 2008)
Once again, I have interrupted the flow of fiction and hobby-project related books with something more work related. This volume is about computer related high availability with regards to both computer systems and the services hosted on them. Marcus and Stern begins by noting that you get most effect from the cheapest of actions. As the methods and tools successively get more sophisticated and expensive, they return diminishing effects on the availability. The authors illustrates this with a ten-leveled graph and subsequently goes through each level in length, from Good System Administration Practices to Disaster Recovery.
The book has many strengths, but here are the four I like the most: 1) even though much of the contents are common sense, it is nice to have it collected and structured in one volume, 2) it is possible to read the book from cover to cover - something often not the case with textbooks, 3) the authors have a really nice, dry sense of humor and have sprinkled bits of it throughout the whole book, and 4) they have supported most chapters with brief examples from their own professional experience.
However, the most interesting chapter - by far - is the chapter on how the NYBOT stock exchange survived the events on September 11th 2001. Located in an adjacent World Trace center building to the Twin Towers, they were evacuated soon after the first aircraft struck but the building and the complete computer infrastructure were destroyed when the towers collapsed. Even so, 12 hours later, the NYBOT was operating again from their Disaster Recovery site in Queens. The chapter describes this truly amazing feat which was possible to equal amounts of good planning and pure luck. They had had the good sense to acquire a disaster recovery site a few years earlier but the plans only contained scenarios were they would be force out of their ordinary building for perhaps a couple of weeks. No-one had imagined that the whole building literary would be wiped out. Yet, mainly by improvisation, they got the DR-site going in just twelve hours and were able to continue operating from this make-shift location, until a new main site was procured and rebuilt to suit their needs.
On the subject of high availability, an abundance of lessons can be learned from the NYBOT example. I would almost say that this chapter alone is worth the price of the book - but that would be a rather thin book and without the complete volume leading up to this chapter, one would not be able to appreciate just how fantastic the NYBOT recovery really was.
For any system administrator, this is a really good read.
(Swedish, 5 November 2008)
This is something as unusual as a book about becoming a parent aimed at the father rather than the more common books focused on the mother or, in best case, at both the parents. Nilsson has used self-experienced episodes from his wife's pregnancy, the birth and the baby's first year to highlight a number of more delicate points of parenting and fatherhood not commonly described elsewhere. He openly shares with the reader his fears, frustrations, and strong emotions like love and passion as well as anger and resentment that all rose directly or indirectly from his new role as a father.
The strength of the book lies in the perspectives it gives to the reader on tough thoughts and difficult situations that are common in parenting today but that isn't necessary discussed in newspaper and lunchrooms, nor taught in parenting classes or warned of by doctors. By openly sharing his own experiences - both good and bad - Nilsson makes the reader better equipped to self handle a baby.
An additional strength of the short book is that although it is written with the fathers in mind he more or less inadvertently happens to also cover a few of the not uncommon pitfalls for the mothers in today's society. Thus, it not only can prepare fathers for parenthood but also mothers as well as enabling the fathers to lookout for things that might despair the mothers.
(English, 3 November 2008)
This is allegedly a book intended to fill the need for a standard text-book on Chen T'ai Chi in English (there are, of course, a number of them in Chinese). This is also the first T'ai Chi book I have read that is solely focused on the Chen style. Aside from that, despite being well-written, it is pretty much similar to the others with the usual sections on history and traditions as well as more practical tips on how to train and perform T'ai Chi. Not surprisingly this title also need a second reading with pen and paper nearby even of it, of course, is beneficial by just the casual read through too.
(German, 22 October 2008)
Who-ha! Someone has made his homework! This would be a quite typical modern political thriller if it wasn't for the fact that it is set in antique Rome and is based on actual people and happenings. The main character, Cicero, was a well-known Roman lawyer and politician that is perhaps best remembered for his great speeches and influence on the subject of rhetoric.
What is truly fascinating and an indisputable fact of how developed the Roman civilization was is how much knowledge of and information on it that has survived to the present day. Our knowledge of the everyday life in Rome two thousand years ago often surpasses our knowledge of life in our own countries up to the last five hundred years or so.
Armed with a lot of the sources of this knowledge, Harris must have devoted a lot of time to research the life of Cicero and his decisive struggle to make it as a top politician in Rome. Harris has then filled in all the natural gaps to present the reader with a complete modern politic thriller set in Cicero's Rome. One can only wonder where the actual historical facts end and Harris' fiction begins - and what minor details Harris might have chosen to change in order to better suit the story. Regardless of how much of the novel that really is fiction, Harris must have done a really thorough research job by turning to the best of sources. Impressive!
Aside from the novels entertaining strengths, it is a continuous source of wonder on how developed the Roman society was and how much similarities there are between the juridical and political systems of Rome and our own used today throughout the Western society. We truly have inherited a lot from antique Rome.
I would probably miss computers, Internet, Coca-Cola, and my toothbrush to name a few examples, but life as an wealthy Roman aristocrat would probably be quite enjoyable (but naturally not the life as a poor peasant or slave - we do have come longer than old Rome in some areas...).
(English, 30 September 2008)
What a worthy title to become the 400th book to be reviewed in this page! This was bought in the same shop at Wellington Airport where I bought "The Bone People". Of course, "The Bone People" is written by an author from New Zealand and it was Manja's aim to find such a novel, too. However, in the end , she settled for this title by Zusak, an Australian author.
This is another example of authors from my generation and what an author! (Of course, it remains to be proven by reading another one of his novels. After all, this could theoretically be just a lucky fluke.)
"The Book Thief" is the story of the book thief, told from start to end by the most unexpected of narrators. Someone that tries to distract himself from his work by watching the current hues of the sky. Sometimes he fails. The young girl that he gives the epitaph "The Book Thief" is one of the rare that shakes him out of his distraction. This is why he is brought to her full story and how come he is able to re-tell to us.
Zusak has a real knack for keeping the flow of the story go vigorously and steadily on, chapter by chapter. He lets the narrator observe colours in situations where one normally is to caught up to really notice them. He never lets the story get predictable, nor unrealistic, and despite all terrible things that happen, the backbone of the novel is built on love and kindness (although, at least twice, tears welled up in my eyes. You have been warned).
The novel is set in small-town Nazi-German during World War II. Naturally, the main characters are good guys while the Nazis are the bad guys. Yet, although the bad guys are vital to the plot, the novel really is more about the Book Thief and less about her adversaries. I wager that it takes an Australian author to use Nazism more as a backdrop without ending up with vulgar kitsch. I think European authors - especially German ones - wouldn't be able to reduce the rôle Nazis as much as Zusak does. They would feel the need to try to explain the unexplainable and analyze the unanalyzable to a much higher degree. Or am I just exercising my prejudice at the moment?
A truly remarkable novel. It goes right up with other great reading experiences in this page like (in reversed chronological order) "Zusammen ist man weniger allein", "Den stille pige", "Glennkill", "Ocean Sea", "Jonathan Livingston Seagull", "Girl With a Pearl Earring", "Sommarboken", "Written on the Body", and "Ender's Game". In fact, I consider these ten novels to be the best of the 400 books presented here.
(English, 17 September 2008)
I read this book now and then on the side for a period of four month. It is that kind of a book. It often leaves your head spinning. It isn't the most easily comprehended book, to say the least. Yet, like Douglas' book, it removes some of the Easter mystic and replaces it with math and physics! Tsung Hwa Jou was a math teacher working in the USA most of his life and, thus, it came naturally for him to explain both the motion patterns of T'ai Chi (Taiji) and some of the related Taoist philosophy (like the I-Ching) with mathematics and figure not unlike those in my physic school books. This is one of the two main advantages of the book, that it is written with a Western audience in mind. The other is that it tackles T'ai Chi from an impressively broad perspective. To that end, it is much more of a complete textbook than Douglas' book. On the other hand, like many great textbooks, it is not easy to get a handle on for the novice.
The life story of Tsung Hwa Jou is quite interesting. Allegedly, he got diagnosed with an incurable, terminal condition in his forties. To extend what few years he had left, he cleaned up his habits and turned to T'ai Chi. He himself believed T'ai Chi to have cured him from his illness and thus he devoted the rest of his life to T'ai Chi, both to improve his own and to teach it to others. Alas, he died in his eighties in a car crash.
This book was very interesting, despite being quite on the hard side to read. However, I think I will have much more use of it after I have taken a few T'ai Chi classes and got some proficiency in a style but want to improve my T'ai Chi further. At my current level, "The Complete Idiot's Guide to T'ai Chi & QiGong" is a more suitable choice.
(English, 16 September 2008)
"The Complete Idiot's Guide to Hypnosis" turned out to be quite readable, so when I got recommended "The Complete Idiot's Guide to T'ai Chi & QiGong", it wasn't a tough decision to buy it.
The two titles follows the same template so, clearly, the whole series are carefully designed in a key fashion. It seems to be working - and there are a lot of guides available on a diverse collection of subjects.
Anyway, Douglas' book's main strength is its Western perspective. It cuts away most of the Eastern mystic that often shrouds subjects like T'ai Chi. Instead, Douglas draws on scientific studies to explain and motivate the gentle moving exercises of T'ai Chi. Like Temes constantly referred to how hypnosis is put to use in hospitals to complement ordinary medicine, Douglas does the same with T'ai Chi - not only how it is used in hospitals but in schools and the corporate world too.
The book's main weakness is the repetitive references to the accompanying DVD. Yes, naturally, some things are easily shown with moving pictures than on paper, but it got quite tedious to constantly read about what excerpt on the DVD that matches the current passage of the book and, over and over again, how the accompanying DVD contains just a fraction of the author's full DVD courses. I get the impression that the DVD didn't come with the earlier editions of the book and that all the references to it got somewhat violently added to the third edition. That would explain why they often breaks one's natural flow of reading.
For me, all the chapters with information on T'ai Chi and Nei Gung was most giving. The chapters with instructions on a certain T'ai Chi form was less interesting, since that form isn't one of those that one can learn in Stockholm (not to my knowledge at least). However, even if that particular form doesn't interest you, the book still has lots of value to offer anyone that it curious over T'ai Chi.
(Swedish, 8 September 2008)
OK, so I have begun taking driving lessons. To this end, I have read the latest edition of the "Driving License Book" (Körkortsboken), published by the Swedish Driving Schools National Organisation.
The book is surprisingly well written, generally with illustrated key points on the left page and a more in-depth text on the right. It has a logical disposition that begins with the simple stuff and moves on to more advanced and technical things. There is a underlying emphasis on the environment and "Eco-driving" that I believe is new for the latest edition.
I learned tons from the book. However, so far, very little has actually come in handy during my driving lessons. In the end, theory only can get you so far - then you need to get the practical down solid.
(German, 2 September 2008)
This was the fourth installment in Heitz's Dwarf-series, although he meant it to be a trilogy. However, I deem it unlikely that it ever will be a fifth part, as there are less hanging threads after this one than after the third part. There are a number of unanswered mysteries though.For example, he who has many names, how did he end up as master armourer for all beasts in the Schwarze Schlucht?
This was the darkest of all the four volumes and is packed with Heitz's trademark: fast-paced sustained suspense (not a small feat considering the length of his novels). Yet, it draws heavily upon the already established characters from the earlier volumes. They would be a lot more one-dimensional and thin if you only read this volume independently of the earlier ones. If you read all of them in their intended order, you get to know them well, and the fact that the fourth novel just doesn't deepen them much isn't a problem. By this time, they are already old friends.
While the first three novels took place under the span pf just a few years, there is a 250-years gap to the fourth one. Much has happened in the Geborgene Land. Generations of humans has come and gone while our dwarfs just has matured a bit. Of course, there is a renewed threat to the land and all defenders of the good once again need to find a way to battle the evil and prevent the looming disaster.
Somehow, I found the German in this part easier to read than the earlier. It might be due to increased proficiency on my part, but it might equally well be due to simple and fast-paced language on Heitz's part.
If you have read the first three parts, by all means, read this one, too. You'll enjoy it. If you haven't, you should try the first part, to see if you have an appetite for the rest of them.
(English, 12 August 2008)
OK, the path from "Think and Grow Rich" to "The Complete Idiot's Guide to Hypnosis" might not seem especially straight-forward, but in reality, it is. Hill might not speak of self-hypnosis, but there is quite an element of it in his complex method of allowing for self-enrichment.
What is Temes' book then? It is a extensive walk-through of therapeutic hypnosis. Temes also includes stage-hypnosis but mostly to underline the differences between that type of entertainment for the non-hypnotised and all kinds of hypnosis with benefits for the one being hypnotised. Temes lists all kinds of interesting applications - to sleep better, to quit smoking, to quite nail-biting, etc, etc. Apparently, there is a increasing popularity within medicine to use hypnosis as an effective complement to ordinary medicine. (At the same time, there is a lot of resistance among doctors against something they cannot explain why it works.)
Temes constantly stresses the importance of choosing a well-merited and trust-worthy hypnotist if you want someone to hypnotise you (so called hetero-hypnosis). She also encourages the reader to practise self-hypnosis as an cheaper alternative. However, it requires lots of practise before one can acquire the same level of effectiveness with self-hypnosis as hetero-hypnosis.
Temes argues that virtually anyone can be hypnotised. However, the level of suggestiveness is individual. Some can get hypnotised just by watching a stage-hypnotist on TV. Others requires repeated practise of deep relaxation before being able to enter even a light trance.
I don't think I dare to use hypnosis instead of anaesthetic during operations and dental work, as Temes reports possible. However, I think I could put it to use to sleep better and to gain better exercising result (quite alike to the common goal-oriented practise of visualisation among athletes). Who knows, one might even be able to put it to use the way Napoleon Hill advocates, to make oneself rich. ;-)
(English, 2 August 2008)
OK, this is not a book by the late American movie star Charles Bronson. It is a book by a British convict in solitary confinement who has developed some quite extreme training habits, to keep himself fit and healthy in preparation of a distant release date.
Bronson mixes conventional training methods, conventional dietary advice, and yoga and filters it through the needle eye of what he has available and what he is able to do in his prison cell. Thus, he for example does a lot of isometric exercises using his own body - sometimes paired with a towel - as sole resistance (he calls this "psycho dynamics").
On the surface, much of it seems rather extreme but if you dig a little deeper, most if not all of it has a sane ground to it, even if Branson's packaging is a bit hard to stomach.
Alas, I will not embark on Branson's training regime. However, I find this book very valuable to gain a perspective to strength and conditioning work. There are real gems to be dug out of this rough diamond. Also, the entertainment value of the book should not be underestimated. Read it with an open mind!
(English, 26 July 2008)
This is a modern classic. It was first published at the end of the great depression between the World Wars. It has been reprinted over and over again since then. Supposedly, Hill spent over twenty years in close study of successful Americans, in search of common traits among them. The result of his endeavour is this book, which he hopes to be a complement to the ordinary school, enabling anyone to reach his or her true potential.
I really don't know what to make of it. I judge this to be a book you need to read through and through a few times before you get a handle on it. Hill constantly refers to the secret of success that all the objects of his study possesses (today, Henry Ford and Thomas Edison might be the most remembered). He never shares the secret directly with the reader. Instead, he argues that the secret is more efficient if one discover it on one's own. To that end, he dedicates chapter upon chapter on different aspects of how to grow rich, and instruct the reader to relax and enable the secret to let itself be known at the appropriate time for you.
Some parts of the book was truly boring. Others where really interesting as it lets one get a good look at the beliefs and values of the American society of the late 1930:ies. One of the stories that I enjoyed the most was Hill's own habit of, in his mind when going to bed, calling a meeting with nine successful men - some dead (like Napoleon Bonaparte and Abraham Lincoln) others still living at that time (like Thomas Edison). All in all a quite appealing way of meditation. Hill of course lets the meeting deal with his current worries and, in his mind, lets each member speak their thoughts on the issues at hand. An interesting idea, don't you think? Who would you include in your council of the mind, if you were to found one?
To sum up: will I grow rich by reading this book? No - at least not by a single read through. Might this book enable me to develop a mindset suitable for attracting wealth and success. Yes, definitely - but like all business with changing habits, beliefs, and mindsets, it requires time, effort, persistence, and - above all - an iron will. If you want it bad enough, this book can be the key for you. At the very least, it might be a bit dry and aged read, but it nevertheless is at least partially interesting and is guaranteed to give you food for thought.
(Swedish, 3 July 2008)
Marianne Fredriksson is a successful Swedish author. Ann Fredriksson is Marianne's daughter and profession coach. In this book, they have teamed up to combine Ann's knowledge in group dynamics at the workplace with Marianne's writing skills to write a hypothetical case study on what might happen to the staff of a department in times of change. Who will be a scapegoat, who will break, who will cover for the others, etc?
It is a thin book but it is nevertheless important. One can readily recognise elements from one's own career within the behaviours of the fictional staff of the problematic department. Its primary use is to educate one self of applied group dynamics to be able to identify patterns one self is caught up in and to act more consciously and not be left with one's subconscious reactions.
A secondary use is to be read by all members in a group, to try to break a bad behavioural pattern by trying to become aware of it as a group. (You might need external supervision to succeed at this.)
Thin but interesting.
(Swedish, 30 June 2008)
This one, I read as a kid. In fact, I even saw it as an Opera(!) as an even smaller kid. ;-) According to my sister, we even had it as a cassette book (this was before the compact disc). Anyway, at that time, it was mostly a thrilling story. Nowadays, I can make out a lot more satire on both the classical ways of the British and the American.
It is short - way too short - but is a nice example of a text that can be both read as an entertaining story full of suspense and as an easily interpreted satire, long, long before the Simpsons Family.
Even if he was a scandal during his lifetime, he was quite an author, that Wilde bloke.
(Swedish, 30 June 2008)
Such a nice treat! Why haven't I read this gem before? It looks like a short and simple story but the surface deceives - the story is both more complex and elaborate than it appears. For example, look at the simple means Wilde uses to convey Dorian's advanced ageing at the end (at the inside - on the outside, Dorian, of course, looks as young and beautiful as ever).
If one was well versed in Wilde's life and beliefs, as well as the political and social climate of the late nineteenth century, one probably could interpret the novel in whole other ways, make out finer nuances, agendas, and messages. However, for me, the life of Dorian Gray makes for perfect entertainment even when seen through the lens of the conventions of the present day. However, I must admit that I wouldn't mind reading some exposition which explains all the finer points of the novel (as long as it doesn't get too boring, buried in esoterical details).
Once again a timeless classic - read it.
(Swedish, 24 June 2008)
Er... OK. I regret to inform you that I am quite indifferent to this novel. It wasn't badly written but it really didn't go anywhere - and when I thought it might, it abruptly ended. To be perfectly honest, it was a bit strange. I cannot really make out any message in it. Perhaps there is none. The main character has lost his footing in life and we get to know how he copes (or doesn't) with the fact. And that is all we get. Weird.
It might be good literature. I don't know. It was definitely not my cup of tea. (Is this really supposed to be called authorship. Shouldn't it be more to it than that?)
(English, 21 June 2008)
Although Feynman was a well-known physicist and Nobel laureate (more about that later), this book contains surprisingly little science. It is really a collection of amusing stories from the fascinating life of Feynman - from childhood to fame, but more often than not on his adventures as amateur artist and musician rather than professional physicist. This, of course, makes the book a good read for a larger audience. However, I still believe that nerds might like it the best. ;-)
One of the most interesting passages in the book for me as a Swede was his description on when he was awarded the Nobel prize. Feynman really didn't want it and, as he instinctively understood, it actually complicated things for him after he got it. For example, before he got the prize, he drew crowds interested in and understanding physics whenever he was a speaker. However, after the prize, he had the delicate problem of drawing much bigger crowds of people more interested in seeing a Nobel laureate than in physic, making things hard for Feynman as he often bored them silly with his topics.
Furthermore, it was kind of nice to read Feynman's account as an regular Joe American of the elaborate ceremonies and royal touch of the Nobel party. He really liked the student-organised after-party though. :-)
Very amusing read, and it doesn't make you any dumber either.
(English, 13 June 2008)
My first complete re-read on this page! And it is not even a classic. I thought I should try to look at my performance at work and revisit the tips in Fowler's book to see if I can find any to incorporate in my professional arsenal, to become a better employee.
However, a straight read-through isn't really optimal. I really should try to read a chapter at a time with a pen and paper handy to take my own notes. Or perhaps I should ask my friends if they would be interested to form a study group to discuss the tips in the book?
You can, of course, read my original mini-review of "My Job Went To India", too.
(Swedish, 11 June 2008)
What a fascinating little book! Hägg has written a concise description of Rhetoric, its history and elements, with numerous examples from advertisement, politics, law, etc. It gives you a lot of insight and can equally well make you a (somewhat) better talker and writer and enable you to better discern and see through the Rhetorical tricks you might encounter in everyday life.
This is a book of popular science at its best. It might not be a complete textbook on the subject, but it is detailed enough that one really should make another pass through the book and take study notes to better take advantage of what Hägg has to offer.
(English, 3 June 2008)
Be sure to read the fragments and glimpses in the beginning of the novel carefully. You will not make much out of them. However, try to keep them in mind when devouring the rest of the book. When finished, go back and re-read them again. Then you can interpret them pretty much in full, right? Rather nice twist, don't you think?
When in New Zealand, one of course has to get a novel by a New Zealand author. To aid this, many bookstores on New Zealand have a shelf with domestic writers. The trouble was to pick one. In the end, I decided to get one from the current top five list. None of them particularly caught my eye, but in the end, I picked this one up. I think it was because of the Maori connection. Boy, what a great pick! I have no idea why it was currently among the top five bestsellers, but it was actually written back in -84 and won the Booker prize in -85! It seems that the Booker jury knows how to pick the winners - compare with Coetzee's "Youth". "The Bone People" was totally fascinating!
The novel is at the same time eccentric, creative, gripping, and heart-sizing. It weaves in a lot of words and phrases in Maori, but also drops of Western science, eastern philosophy, holistic medicine, traditional Maori lore as well as Maori magic. Yet the story - the core plot - is surprisingly simple but, at the same time, extremely complicated. The three main characters - the woman, the man, and the child - cannot be more different and odd. Yet, in some strange way, Holme actually succeeds in making them feel almost natural.
It cannot be a coincidence that the woman in the book is named Kerewin Holmes when the author is Keri Holme. However, without having researched it, my gut feeling is that the auto-biographical parts of the novel are rather limited (would be kind of cool if I were wrong).
All in all, it is no pleasant story but it keeps you eagerly reading on - at least if you, like me, doesn't balk at supernatural episodes.
A great read for anyone with compassion and curiosity. (Was nice too when the story swept by places we visited in New Zealand!)
(Swedish, 9 May 2008)
This is an important book. Can you recall Kuhn's theory of paradigm shifts? You know, paradigm A reins unthreatened for years and years until enough anomalies have gathered in order for someone to produce a new model that accounts for the anomalies and - hey presto! - the paradigm shifts and paradigm B overturns paradigm A. For me, Eberhard's book got me thinking about Kuhn's paradigm shifts a lot. Why? Read on.
Eberhard begins with the controversial notion of enlarging the medical definition of panic disorder in human patients to fit a definition of a national panic disorder in the government. As a reader, you go who-ha, where is he going with this? Then Eberhard continues, chapter up and chapter down, to account for example upon example of how the Swedish government (and many other Western governments) constantly strives to increase the security of the citizens - often by extremely expensive legislated bans with very limited gains in saved lives - thereby passivating the citizens in extreme, often disabling the citizens' ability to cope with any form of stress, pain or conflict. I.e., the trend in the Western world is that when the going gets though, the though doesn't get going - instead the though goes soft and cries for the government to make the bad go away.
Needless to say, I had the time of my life reading this book. Not only could I recognise myself, Eberhard visited a lot of my pet peeves, making me see them in a completely different light as he constantly explains them from the notion of a national panic disorder. Example: I have for a long time complained over the decline of the Swedish school, saying that the goal of equality has been driven way too much to the extreme, striving for having all pupils slowly advancing in unison - stressing the hell out of the weak ones and severely under-stimulating the strong, taking the joy of learning out of everyone. Eberhard sees it a bit differently. He doesn't stress the notion of equality but the fear of conflicts and personal setbacks. According to him, the national panic disorder has made the government remove all notion of competition in school to increase the level of security for the pupils by removing natural competition in order to never let anyone run the risk of losing to anyone else. Of course, at the same time, the schools ability to educate is crippled and above all, the ability to train the pupils for adult life in the workplace is completely lost. As soon as the first minor everyday setback or conflict happens to the fresh adult, he or she of course promptly goes on sick leave due to stress and burn-out. How are we ever going to be able to compete on the global market with a nation of security addicts that soon won't dare to leave their homes?
It is here Kuhn's paradigm shifts come in. Eberhard offer me a peek at a new paradigm through his book and I realised that his view fit the problems with our society much better than my own, old view. Thus, I have considered what Eberhard had to say and have adopted a lot of his views to augment and upgrade my own. In reality, how often do you come across a book that offers you something like that?
You don't have to agree with a lot of what Eberhard has to say, like me, to enjoy this book. Instead, I wager that it might come in more handy if you instinctively resist all of Eberhard's thoughts. Then it will jog your brain to try to outthink Eberhard, prove him wrong, come up with a better model, explaining all oddities in our society better but without the dystopic future. I don't think you'll succeed, though. I just hope enough people read this book, ponders it, and starts to demand our politicians and the government to mend their ways and adjust their policies and politics to, once again, make us a thinking, daring, and acting people!
To sum it up: since the end of the nineteenth century, the Western governments' effort to make it better for their citizen has gained momentum. However - since the Seventies or so, much of the efforts have had unintended negative results. Like the Swedish law of compulsory helmets for bicycling kids under the age of fifteen that has contributed to the increased obesity among Swedish kids (they use their bikes less when they have to wear a helmet - at the same time, the helmet law has made little difference on the number of fatal accident among the minor cyclists).
I wonder how many of our politicians that have read and pondered this book? How many have discussed it among themselves?
I hope everyone read this book - I am currently recommending it to both family and friends.
(German, 29 April 2008)
A real feel-good novel. Not without unpleasant details, mind you, but with a genuine, underlying feel-goodness nevertheless.
In a nutshell, it is about three people messed up by life that come together by coincidence and immediately starts healing each other - subconscious at first, more deliberate later.
It is rather beautiful, too, with lots of references to art, music, history, cooking and gastronomy. (Hmmmm, a brief enumeration like this somehow fails to give the novel the praise it deserves...)
This is a book you eagerly try to find time to read and have a hard time putting down. It mostly spreads a broad smile on your face but I actually shed some tears over it, too (in the commuter train on my way to work, to the other passengers surprise, in case they noticed).
I wonder what it would be like to read in French, its original language? To bad I don't know French...
Warmly recommended!
(Swedish, 13 April 2008)
A real gem and extremely current with the Olympic Games in China around the corner. Lilliehöök moved to China to learn Chinese and later to work. With a clear and observant eye, she compares Sweden to China and shows the unique traits of Chinese culture - both good and bad ones.
Personally, I learned that I would appreciate much of the nature in China and that I at least could handle the climate in the northern parts of the country. However, I would go crazy among all the people and decreased personal space in the large cities.
For someone planning on going to China or that will deal with Chinese companies or people, this book can offer valuable insights in the Chinese way of mind and help prevent fatal culture clashes.
No literary masterpiece but a good read, especially with China's share of the world market increasing.
(English, 3 April 2008)
I really don't understand what the hype is about. This novel was unfortunately not that special. Sure, the style of writing is very elaborated but comes across as overworked rather than as great literature. Also, the underlying plot is rather simple and thus doesn't really match the work that has gone into the form of the novel. I really had expected more.
At least the main character, Blue, is rather likeable in all her naïvety, despite her great intelligence. She had deserved a better intrigue than this rather banal one. It was too predictable, too. More subtleties, thank you - and more effort to get the language flowing. I read somewhere that it was so refreshing and groundbreaking with a novel that mimics the language of a research paper. The thing is, it doesn't really. It is just sprinkled with some bleak traits of papers. Any persons who interprets it a being like a scientific paper only demonstrate their own ignorance of such papers.
It is too long for its contents, too. Just rambles on. If you make a one page summary of the novel (like the condensed recaps of the previous volume(s) the latter "Otherland"-parts begins with), it would show merits. However, this reincarnation unfortunately lacks in several aspects.
I better stop here, as I have little good to say about it. To me, it was a decent idea that didn't meet its potential when realised.
(Swedish, 7 March 2008)
Another auto-biography - this time about the Swiss woman that abandons her Swiss life and own business to live with the love of her life under simple conditions in rural Kenya.
You got to admire Corinne's great resolve and persistence. Although she repeatedly gets ill due to malnutrition and malaria, she doesn't give up but instead works hard to make a future for her and Lketinga, her beloved Masai warrior.
Besides telling the story of Corinne's life, the book also offers a lot on Kenyan culture and on the differences between Masai tribal life, African bureaucracy, and life in Europe.
A good read.
(Swedish, 25 February 2008)
This is in reality a number of essays on the topic of Swedes, Swedishness, Swedish culture, and Swedish culture compared to cultures from other parts of the world. It is quite thought-provoking as Arnstberg tries hard to make the reader look at Sweden from new angles. Sometimes it is even downright provocative as he touches on subjects that is tabu in our society.
All of the book is based on material from Arnstberg's own research over the years. This gives Arnstberg a really intimate knowledge of the different subjects he touches upon and makes him well equipped to both argue his case and to point out why the general populations opinion might differ from his view.
An interesting book, yet very little actually stuck in my memory.
(English, 15 February 2008)
Jenna Jameson is just a couple of months younger than me - but we have lived totally different lives. Still, it was fascinating to be able to relate to familiar things during her youth, like popular movies and records, even as I have no experience what-so-ever of the things Jenna went through.
Yet it all boils down to the basics of love and acceptance, self-esteem and confidence - and that I can relate to, without having sex in front of a camera. It is no wonder that her mothers death when Jenna was three years old affected her family so greatly that it ultimately led to Jenna's insecurities and yearning to be loved. These, in turn, led her on a wild goose chase, making some good and many bad choices along the way. Some of the worse ones, like the drugs, should have destroyed her completely. Yet they didn't. She actually not only survived but came out on the other side stronger and maturer - and the queen of her own successful company - albeit within the sex industry.
Jenna's book is, beside being a biography of her, a look behind the scenes of the porno industry. I actually find the insights in what goes on behind the cameras and off sets a lot more interesting than the sometimes rather vivid descriptions of elaborate sexual acts (had I read it in my teens, the interest had probably been reversed).
Most biographies I have read has either been on famous dead people or living successful politicians. Some has been on famous entertainers and some has been on ordinary people with an unusual tale to tell (like "Verdensmester med vilje"). Despite Jenna's unrivalled fame within the world of porn, I am not totally sure that she should join Marilyn among the entertainers. After all, porn fame isn't really as widely accepted as other types of fame. This is even something that Jenna points out herself in the book.
On the surface, Jenna Jameson's and Marilyn Manson's autobiographies (both ghost written by Neil Strauss) are very alike - both are biographies on seekers and full of sex and drugs. However, Jenna had to do a lot more of searching before finding herself. Marilyn found himself earlier but had to search for a while to find his exact form of expression. Furthermore, both books experiment with form, mixing classic narration with diary excerpts, third-part interviews, and other novelties. I especially like the two-three pages spreads of cartoon renderings of Jenna, explaining different physical or emotional intricacies of the porn profession.
OK, this was the end of this Neil Strauss spree - but I guess I really ought to get my hands on his first, "The Dirt" on Mötley Crüe. I expect it to be rather similar to "The Long Hard Way Out of Hell" and "How to Make Love Like a Porn Star" (not to mention "The Game").
(English, 7 February 2008)
All of a sudden, one sees Marilyn Manson in a whole other light. Granted, it is an auto-biography (even if it is ghost-written by Neil Strauss, the author of "The Game") so one would expect some to be left out and some to be added, in order to better fit the message Manson want to convey. However, the book is rather compelling. Even if Manson and his band are quite eccentric, to say the least, most of their allegedly performed stunts seem rather to be FUD from their numerous critics - and the FUD is even welcomed by Manson as it, in his opinion, only de-masks his critics as the hypocrites he considers them to be.
Anyway, what did surprise me - perhaps mostly because I never gave it much thought before reading the book - was just how intelligent Manson is and how much thought he has put into the band and the music. I might not share all of his opinions (but at least a few) but I can respect his views and appreciate how he come to reach them.
Actually, I have read a lot of biographies over all sorts of people throughout my life, and they are usually able to hold my attention for the duration of the read. This is no exception and in this case it helps that I can relate to much of what happens in the world around Manson as he grows up (even if we, right from the start, has somewhat different taste in music...). On the other hand, once again, I have to blurb something here about the hard-to-pinpoint but totally overwhelming cultural differences between USA and Sweden.
At times, the voyage into the mind and life of Manson was a bit unsettling but it is my firm belief that books and information like this are more enlightening more than they are corrupting. Thus, knowing about the darker sides of the modern society don't make me more at risk to start practising them - only better equipped to stay clear of them.
This is the kind of book I wish everyone would read - especially the one's it isn't at all for. Just think how interesting and fruitful discussion it would give rise to!
Brian Warner/Marilyn Manson makes a lot more sense in this autobiography than he and his band do indirectly through newspaper articles and tv news mentionings. Perhaps one should actually try to listen to some of Marilyn Manson's lyrics? At the moment - I can only recall one Marilyn Manson song - the one from The Matrix soundtrack...
(English, 30 January 2008)
This is another title from the Oxford Language Classics series (last one I read were Cobbett's "A Grammar of the English Language") and it is as newly written as in the eighties. It is a short and concentrated walk-through of the English language with regards to its origins and trends throughout history in vocabulary, spelling, and pronunciation. Burchfield also covers the different variants of English (he is originally from New Zealand himself) and I was, for instance, surprised to learn how much the pronunciation differs between British and American English. I am trying to always spell English words after a British fashion, but I could conclude that when I speak (the Swedish accent aside), I use a terrible mix of British and American pronunciation. When I went to school, my English teachers still were taught and themselves taught British English. However, most of the English one hears daily in movies and television shows are American. Thus, most of my core English, I probably pronounce the British way but more recently learnt words I pronounce in the American fashion. Oh well, as long as I can convey my message...
The Old English, the language of the Anglo-Saxons that took over the British Isles from the Celts, were a Germanic language and surprisingly alike modern Germanic languages like German or Swedish. Then the Vikings made their mark on English with their Old Norse words. These two facts made all the really old examples of early English really interesting for me to try to decode. Clearly, I here have an advantage to native English speakers!
All in all a rather dry book but it still caught and held my curiosity throughout the torrent of information and odd facts from the history and numerous changes of the English languages.
(German, 16 January 2008)
This was a fresh flavour - a young (younger than me) German author that has written a very humorous novel about the hardship of being a genius at the time the planet was explored and measured in detail (i.e., we follow an interpretation of how the geniuses Carl Friedrich Gauss and Alexander Humboldt might have thought and felt during their achievements in the late eighteenth century and early nineteenth).
I have no idea how much Kehlmann has researched his subjects but if I had to guess, I would say that he must have read everything there is on the two - and especially all that is around by their own hand - both (dry) scientific works and collected personal letters. Read everything - mulled it over for a while - and then spun his associations and interpretations into this fascinating, enjoyable, and entertaining story.
Who knows? Maybe Gauss really was feeling that sorry for himself and maybe Humboldt really was so proud and driven like the Duracell-rabbit. I wager that Kehlmann exaggerates quite a bit in interest of a good story and that he walks in and out of actual history after his own mind. Thus, you should read this novel as a work of fiction rather than a historical biography. However, at the same time, a lot of the events and details are probably correct and will give you a feel for the affairs of that time. History light, so to speak.
Anyway, everyone can enjoy this novel but if you have an inclination for history and science, like me, you are pretty much bound to like it! Now the quest is to lay one's hands on some of Kehlmann's other titles. He won prizes with "Die Vermessung der Welt" but his other works are probably rewarding to read too.
Later addition: Upon further reflection, a comparison with Stephenson's Baroque Cycle is in place. Of course, they are totally different - one being concise, the other gigantic - but they at least share the trait of using historically real people and scientists in a fictionous story were it isn't obvious where the person's real actions end and the supposedly and totally made-up begins. Regarding which one are the better one, it depends entirely on the situation.
(Swedish, 24 Dec 2007)
OK, I probably read this years too early, as it mainly focuses on how to rekindle sexual lust in relationships where work, kids, and the everyday routine have come in the way. However, as long as you can learn anything new, I believe it is worth it.
What I found most interesting was the insights in American culture the book gave me. Perel was born in Israel, studied in Belgium, and has made her career in USA, so she is uniquely equipped to identify and describe the cultural difference with regards to sex within the American society compared to Europe and the rest of the world. I know that the cultural difference affected European and American teenagers views on sex but I hadn't really thought that it affected adult Americans so much that it does according to Perel. The more relaxed views on sex in Europe seems to be beneficial for Europeans of all ages. ;-)
Anyway, to sum up - this book might come in handy once I am really middle-aged. At this time, it was interesting, but less because of the actual subject at hand (how to help pairs that have lost sexual lust to find it again) and more because of the "cultural geography" where Perel compares the collective views on sex in different parts of the world and how they affect our lives and our relation to sex throughout our lives.
(Danish, 18 Dec 2007)
Once again changing flights at Kastrup, I bought another Danish book to read, as I enjoy reading books in Danish and Norwegian (and still find it totally fascinating that these languages are easier than German, despite all hours I have logged in German since the turn of the Millennium).
However, it isn't easy to find a good Danish author given the limited selection at the main book and paper store at Kastrup (I believe they carried more English books than Danish ones!). I had kind of hoped for a Peter Høeg other than "Den stille pige", but no such luck. I didn't want a thriller or crime story - so in the end I picked this one up.
Peter Christensen had nearly all - he was World Champion in Kick-boxing, had a nice job, and a career on the side as photo-model - then he got into a car accident and got severely smashed up. The doctors told him that he would have to live the rest of his life in a wheel-chair. This book is about his struggle to prove them wrong. He overcame all the frustration and used the same drive that made him kick-boxing champion to re-learn how to walk, talk, dress himself, drive a car, etc, etc.
It is a very inspirational story - that also reminds you just how fragile our everyday life is. Life as we know it can be shattered in a split second.
However, it is also a bit on the light side. Perhaps I should have gone for one of the crime novels?
(English, 12 December 2007)
Chevalier is very gifted. To me, her novels with their tell-tale atmosphere is not that different from the magic of Saramago, so if she can keep it up, isn't reduced in peoples mind to a "Luxury-Pleasure-Lust"-author, and the trend of the Nobel prize doesn't stray to politics again, she might stand a chance a few years down the road.
However, she is still a bit uneven. I mean, "The Virgin Blue" was a nice debut, but her second novel, "Girl with a Pearl Earring" still easily outshines all of her four other books.
"Burning Bright" contains the Chevalierian atmosphere in passages that makes the corners of your mouth rise and the hairs on the back of your neck tingle. On the other hand, she divides the attention as well as narration among rather many characters in this novel - more than I can remember she has ever done in previous books. All of them aren't equally carefully crafted and described either.
To me, she had a core idea that she has extended into a complete novel like a true master - but given her past performances, I kind of except even more from her. Come on, show that "Girl with a Pearl Earring" was no lucky fluke - please outshine it! ;-)
Don't get me wrong, I really enjoyed "Burning Bright" and warmly recommend it. I am just so spoilt by Chevalier that I want more.
(English, 10 December 2007)
By chance, the self-education spree continued - this time with one of the most used standard text-books on DNS and BIND. For you not so computer-savvy out there, DNS stands for Domain Name System and is what translates the domain names we humans can easily remember (like www.manja.se) to the actual numeric Internet Protocol addresses the computers on the Internet understands (currently, www.manja.se points to 192.71.80.118). This may sound easy, but bear in mind how many machines there are on the Internet and how enormously large some organisations on the net can be - with tens of thousands of computers and numerous sub-domains - and how daunting the task is to administer all these domain names and IP numbers in a consistent way. Hence the need for a practical book on how to administer your own zone(s), even when it/they are growing and how to get the authority over your own zone delegated to you from above and how to self delegate authority over independent sub-zones to other admins. In short, it quickly can become rather complicated.
Normally, this kind of book is for reference use only and virtually impossible to read cover to cover. This is an exception though. I was helped by having some extent of familiarity with the subject already, by having been active on the net since 1993 (one year after the first edition of this book was released) and by having been adding and renaming machines in our domain at work. Also, the humour and self-distance of the authors made the book much more readable (it is a small wonder that no editor removed some of the more pointless jokes the authors made). Yet, since there are many versions of BIND currently in use on the Internet and the book tries hard to cover them all, my had was sometimes spinning by all the references to the differences and similarities between the different versions.
After reading it, I have a much more keen knowledge of what DNS and BIND is all about. However, perfect knowledge is only possible to attain by actually setting up and administering a zone - and in such work, this book will come in very handy.
(English, 9 November 2007)
Another stab at a little self-administered competence development. This volume targets Agile Development, a method that aims to be much more flexible (agile!) than more formal methods. It is actually a lot of common sense involved, but it nevertheless helps to have it all presented in one place - and very enjoyable too, with lots of humorous case studies of projects gone wrong.
Good reading for any curious computer programmer.
(English, 18 October 2007)
OK. I will write this review - or at least the gist of it - before I read what I wrote about Gibson's previous novel, "Pattern Recognition".
What I like about "Spook Country": that it takes place right now - not in a possible future, that the plot - although very intricate - actually is plausible, that Gibson - despite the orgy in bleeding edge technology - has kept some divine intervention, even if the Gods are fiddling less with the outcome of the plot compared, for instance, with "Monalisa Overdrive", and that he uses a lot of computer technology that feels rather familiar to me. Oh, I like the background of the main character, too. ;-)
What I don't really like: that, unfortunately, all the characters don't come real to me - they feel a bit shallow, lacking in depth, that too little of the plot is revealed early on, even the persons acting toward a definite goal feels a bit lost even when they are not. I.e., one doesn't anticipate that the threads ever will come together, even if they - of course - ultimately do. All in all, I lack the "presence" in the prose of Gibson's earlier novels.
Now I'm going to read my review of "Pattern Recognition".
Apparently, Gibson has lost some of his ability to create atmosphere by focusing on some details of the scene. According to my review of "Pattern Recognition", that novel was a great union of his prose from the earlier cyberpunk works and the contemporary setting. In spook country, we only have the latter.
Still a pretty typical Gibson novel - but more washed out than his previous works.
(English, 8 October 2007)
Remember "31 Songs" were Hornby describes 31 songs that means much to him? In "The Complete Polysyllabic Spree", Hornby collects his column from the magazine Believer about what he has recently read (not completely unlike this page).
Hornby writes very humorously about his consumed titles as well as books purchased or otherwise acquired but not read. He often puts them in a context with each other and what happens to happen in his life in between reading sessions. He often made me sit reading with a wide grin on my face.
There is 28 columns in the book, representing as many months, distributed between September 2003 and June 2006. For each column, Hornby lists the books he has bought and the ones he has read. In the end, they totalled to a quite handsome number - but despite this, just two books I actually have read turned up! What are the odds of that?
To be fair, while discussing the books he reads, Hornby makes a lot of references to great authors I have read like Dostoevsky, Joyce, and Mark Twain (and others, like Chekhov and Dickens I haven't yet). He also reads Kurt Vonnegut, Michael Chabon, J.D. Salinger, Robert Harris, and Joseph Heller - but not any of the same titles I have read by the same authors - and make references to other well-known ones I have read like J.M. Coetzee and Tolkien (and reads Abraham Lincoln and Bob Dylan!). But the fact remains - in the end, of all the novels he lists in his book, I have only read Voltaire's "Candide" and Levitt and Dubner's "Freakonomics".
The overwhelming bulk of books that passes Hornby by in "The Complete Polysyllabic Spree" is mostly by authors unknown to me while some are known even if I haven't read anything of them yet. This is great, though surprising, because now I can use this book to stay clear of unpromising-sounding titles and as a mean to look up the novels and authors that do come across as interesting.
Light-weight but pleasant meta-reading.
(English, 5 October 2007)
Oh my God. Naturally, I had already heard about this novel - heard enough to form an opinion on it. Then I actually got around to read it and, well, I suddenly find myself having a completely new opinion.
I found the first hundred or so pages, before Bateman's more inhuman side got too obvious, to be mysteriously fascinating. Basically, it is an orgy in detailed description of tokens of power and riches - good looks groomed with expensive lines of cosmetic product, all kinds of really expensive men's and women's clothing, the most luxury items of cuisine, art and technology. It should be completely boring, yet Ellis succeeds in creating something more - perhaps it's just our native urge to find a underlying purpose that plays Ellis in the hands and makes us read "American Psycho" as the Devil reads the Bible.
Then Bateman's inhuman side gets obvious. Yet, I could not stop reading, regardless of how gross the abominations were. You just have to find out where it ends - if Bateman gets whats coming to him or not, whether he goes completely ga-ga or if he continues to contain his, er, more eccentric traits and otherwise blend in among his peers in the yuppie crowd.
At the end of it, I don't know what to think. I see no tangible reason for appreciating the novel as much as I do. I can list a lot of reason why I shouldn't like it, but somehow none of them really counts. Do I like it just because it stands out in wicked contents? I hope not. Do I like it because I am unconsciously a raving lunatic, too? I don't even want to think the thought... Perhaps, in the end, I actually like it because Ellis has a knack for capturing his readers - with or without the more, shall we say, unconventional parts? There is only one way to find out - I need to read yet another title by Ellis to compare with.
Not for the faint of hearted but quite fascinating to say the least.
(English, 28 September 2007)
OK, this was a bit disappointing. It turns out that it was rather aimed at computer professionals with less experience than me. I knew too much of Ruby, testing, software development, and especially script programming to really learn a lot of new things. Still, Marick's book is a nice one and I naturally picked up a couple of new things I didn't know before and saw a lot of others in a somewhat new perspective. It did work as a repetition course for me - something that we too often lack the time to engage in.
The main thing I will take with me from this book is the concept of test driven programming. I.e., when you are about to write a new sub-routine to your program, you first write one or two tests to verify that it (will) function. Then you write the actual sub-routine, run the tests and correct any faults they turn up. This way, when the first version of your complete program is ready, you already have an test suite for the program with tests for each sub-routine in it. This will be valuable when you extend or refraction you program to ensure that your alteration don't break anything else. If you discover any bugs later on, you add new test targeted at them to your growing test suite. Then you only need to remember to run your tests regularly during the development cycle.
(Swedish, 21 September 2007)
I was a bit surprised over how bad the language of the translation was in places. It felt kind of dated - or perhaps it tried to match the tone of the English original? I don't know.
However, P.D. James is well-know for her detective stories. In this one, it isn't Adam Dalgliesh that is the main character, but a young female private detective (hence the title of the novel). It is quite the typical British detective story - good, quality craft, a bit innovative with the female main character.
An entertaining read but no grand reading experience.
(English, 16 September 2007)
I remember stumbling onto Price at the Umeå city library in my late teens and over time reading all his novels that the library had. Of course, back then I read them in Swedish, but I liked his characteristic style with historical military mysteries interwoven with the spy games of the cold war of the eighties. Thus, it was with pleasure I picked up this title and I read it with great interest. Would the older me appreciate Price as much as my younger me?
Turns out that I did. I recall the historical mysteries of his other books as being more memorable, but the British Mariners' fate during the Napoleon War isn't bad at all - especially when it is uncovered bit by bit. The cold war ploy of this one is more disappointing, but it isn't central to the plot anyway, so Price can get away with it.
Price has a large gallery of established MI6 personnel, but in this novel, only a few has prominent rôles. A lot of others are mentioned in passing and it bugs me that I recognise their names but not much more of them. I guess that it would have given me a little more if I had read this one in conjunction with the ones I read almost fifteen years ago.
It was nice to revisit Price and I would like to do it again - perhaps reread some of the ones I read before but in original language?
(English, 11 September 2007)
I liked the movie "Fight Club" a lot (although I am very well aware that most people cannot see past its violent surface to appreciate the underlying thoughts) and was curious about the novel the film was based on and, of course, of the author. Then I stumbled over this title by Palahniuk on a sale and bought it.
Judging from the movie "Fight Club" and the novel "Lullaby", Palahniuk has the great ability of taking an idea and run with it, exploring its extremes and making an interesting story out of it. Although "Lullaby" is as dark as "Fight Club", I cannot help but wish that part of the plot was real (obviously not the lethal parts but what if...).
Beside the core idea and exploitation thereof, the rest is pretty common handicraft. I mean, the language and disposition of the novel is that of a standard American thriller - far from Austen, Winterson, or Coetzee.
A really decent, idea-driven thriller.
(English, 4 September 2007)
This was the last of the six Austen novels in the collection volume I acquired in 2002. It has really been a pleasure to read an Austen novel now and then the last five years, with their wonderful old English and general feel-good qualities (well, they tend to have happy endings, even as the main character generally suffer some between the beginning and the end).
"Persuasion" was very well composed and well written, better and longer than "Northanger Abbey". Of course, my memory might be clouded by "Persuasion" being fresher in it than the previous novels, but I believe Anne Elliot of "Persuasion" to be one of the Austen's main characters I like the most, for whatever reason. The whole novel felt rather realistic and all the key Austen characteristics were there, but moderated to subtle quality. It educates the reader in the importance and position of nobility and wealth in England around the end of the eighteenth century and the start of the nineteenth. The old nobility have lost ground to the increasing importance of successful officers and prosperous traders - and caught up in it is Anne Elliot, the middle daughter of a baron that is living a more fashionable life than he can afford.
I cannot but recommend this novel.
(Swedish, 18 August 2007)
Evidently, this was Lindström's first go at pure fiction. It is a collection of short stories - some only a couple of pages in length - that all contains an element of the general doubt or wish to be someone or somewhere else that most - if not all - of us experience a lot of the time. Of course, Lindström's examples might be a tad exaggerated to make the different feelings or ideas brooded upon more obvious, but I would say that he once again exercised his usual keen observational mind to capture common traits among the Swedish people.
Light reading, but at least offers some food for thought or reflection.
(English, 17 August 2007)
Jane Austen is always Jane Austen, but "Northanger Abbey" is not quite of her normal quality. After a little researching, I am led to believe that she wrote it in 1798, before all of her other novels, but that it was only published after her death. Furthermore, it should evidently be a satire of the Gothic novel popular at the time. This, I happened to stumble on before starting on it and it, naturally, led me to constantly compare the atmosphere and feelings of the main characters with Shelley's "Frankenstein" - something I might not have done if I had not stumbled on the fact beforehand.
"Northanger Abbey" is shorter and has a simpler plot than Austen's more well-known novels. Yet, to a modern reader, the satire of the then popular Gothic novel isn't obvious. Instead, we can roll our eyes at the irrationalities of the heroine Catherine.
Austen is as keen as ever on her depiction of the intricate social etiquette and conventional decorum that rules the manners of the well-bred people of Austen's novels. You learn tons about the not so kind fate of being a woman during this age - and, of course, of being a man, too.
A typical Austen but far from her best.
(English, 27 July 2007)
What can I say? Now the seventh and last Harry Potter novel has come to an end. It was a fun ride but it is not without sadness one realises that there is no eight book to look forward to. On the plus side is that one now is able to re-read all seven novels in one go - or at least a lot faster than the eight years that passed from when I found the two first volumes at Pocketshop at the central station until I got the pre-ordered seventh volume delivered in the mail. (Why didn't I learn from previous releases that it is quicker to go out and buy a copy locally than to pre-order it? I guess it is the feeling of security of ordering it many months before the release one is after.)
So - did Rowling pull it off? Yes, I would say so. Do all the volumes share the same quality? Yes and no. All are great entertainment, but they differs some in between them. I would say that the earlier focus more on what happens around Harry, whereas the later focus more on what Harry experiences during the events. It matches his growing age and maternity and is thus a quite nice example of an evolving piece of literature.
As for the mix of a Children's Book, puzzle-detective story, thriller, and god know what else, I am most impressed by Rowling's ability to keep riddles going over the span of many volumes. She must have planned the outline of the whole suite quite well before starting to write them. (Still, I am quite convinced that she must have sworn under her breath when she couldn't use all brilliant ideas she got because she was bound by what was in the already published parts.)
Frequent readers of this page knows that I am a huge fan of sublimity. In the case of the Harry Potter novels, I usually refer to the small hints Rowling sprinkles into the story that enable you to keep guessing at what will come to pass. In "Harry Potter and the Deathly Hallows", Rowling succeeded both in keeping me guessing and in giving me the satisfaction of, at a couple of occasions, guessing right - but always just enough pages (or paragraphs) ahead to make me feel good about myself and never so long in advance as to make the novel predictable. I like that a lot. ;-)
After finishing the book, I only had one burning question that I was afraid was an error on Rowling's part, so I googled on it. The first search hit was on some web-forum where a reader had posted exactly the question I had - and a million ten-years-old super-fans was able to answer him directly. My fault, it is totally logical. Sorry I ever doubted Rowling, sorry that I haven't memorised everything from the previous volumes... ;-)
(English, 24 July 2007)
In the last sentences of the first real chapter of the novel, Coupland lets the main character spell out a buzzword in ASCII, because it is so horrible. There I where, on the train between Stockholm and Mariefred, and was presented with a word in ASCII - and in lowercase, too, none the less. What a shocker. I'm not that big-a-nerd that I have memorised the ASCII table. However, I know that the capital A has the code 65 and that the difference between uppercase and lowercase letters are 32 (so you can change case by just xor:ing 0x20), so by some alphabet-counting on my fingers, I was able to decode the word without resorting to turn on my laptop I had tucked away in my bag (by the way, there was even wireless on the train, had I wanted to pay for it - totally in sync with the novel).
So there you have it. Of course I could relate enough to the computer professionals in the JPod to find the book very pleasant. On the other hand, North America is different enough from Europe to make the main characters totally different from me, too. (Of course, even as cultural alike societies as the Nordic countries is differing astonishingly much in the details.)
However, I am not perfectly satisfied with this novel. It is very Couplandish, but it seems that I like his more emotional and less Couplandish books better than the more riotous ones like this one. "JPod" is most closely related to "Microserfs", but I recall "Microserfs" as being the better one (might need to be re-read) with a deeper plot. "JPod" is mostly a hilarious and totally improbable story with a lot of ultra-realistic details typical of the current times and the Internet-savvy generation. It is not enough to make it a great book, though. It is merely amusing.
(Danish, 16 July 2007)
This is Høeg's first novel in ten years, and it is a worthy comeback. It was ages ago I read a book by Høeg the last time, but as far as I can recall, it mostly resembles "Fröken Smillas känsla för snö" ("Smilla's Sense of Snow") in that it has the overall outline of a thriller. However, I believe it has more supernatural traits than "Smilla" had - more like the other Høeg-novels I've read.
So what about it then? A thriller with some supernatural contents? Disaster or success? I would say total success. It is a novel that matches my liking perfectly. Høeg succeeds in exploiting the main character Kasper Krone's amazing hearing to the max - much like Swann does with the sheep's sense of smell in "Glennkill". He also creates a number of really interesting characters that arouses your curiosity and he is sublime enough to keep me on my toes guessing but never make me feel totally lost nor gives too much away too soon.
I also made the extra effort to acquire this novel in Danish, to see what it would be like to read Høeg in his original language. It was harder than Moltke-Leth's "Jo, du kan", because Høeg's language is more advanced, but it still was much easier than any German book. Of course, I wouldn't be able to guess the meaning of many words if I come across them isolated - but in the context of the novel, it was in most cases pretty easy to match them to the corresponding Swedish word, regardless of how different they were spelled. Danish and Swedish is just that close related - but it is easier to understand texts written in the other language than to understand it when spoken.
As the pace picked up in the end of the novel, I'd wished that I hadn't read in on the road - with frequent breaks to switch modes of travelling. It really had deserved to be read without disturbances, at home in a comfortable sofa. Still, the greatness of the novel made that journey a very enjoyable one. ;-)
(German, 7 July 2007)
638 pages of German Fantasy - it took forever to read, yet I am pretty pleased with a time of a month and a week. My understanding of German has definitely improved. But what about Heitz's story about Tungdil, has it improved? Na, I would say that this is the weakest of the to date three tomes about the Dwarf Tungdil Goldhand (Heitz leaves enough threads in the end to base another volume on).
Heitz strength lies in his ability to increase the pace towards the end and keep the reader's suspense at a high level. Heitz weakness lies in lack of "wallpaper". Even as he has dreamt up a huge and varied Fantasy world, it simply lacks depth. However, it is still good entertainment and I am sure that I will buy the fourth volume, if Heitz ever writes it, to see what will happen to our surviving heroes. Speaking of surviving heroes - I have to hand it to Heitz that he has done a remarkable job of killing his darlings in this novel. (Possibly, they were more mine darlings than Heitz's, but they are undoubtedly dead.)
One interesting treat of "Die Rache der Zwerge" is that we learn a lot more about the world on the other side of the mountain-range that enclosed the land of the novels. It's like Heitz has set the horizon a lot further back, thus enlarging his world substantially. Perhaps in search of fertile ground for more books?
(English, 1 June 2007)
Evidently, the paper "New Scientist" includes a column called "The Last Word" in every edition, to which the readers send in their questions and other readers answer them (the Swedish paper "Ny Teknik" started something similar the other year). They had already published a pair of volumes with the best questions and answers when "Does Anything Eat Wasps?" become an unexpected best-seller. This book, "Why Don't Penguin's Feet Freeze" is the awaited follow-up and is the first of the volumes that I read.
The whole concept is surprisingly entertaining. Of course, it helps to have a curious mind and some science education (the answers tend to be a lot more scientific than the questions), but the questions are really very general - of the type most anyone can ponder when having a moment to oneself - and the answers make you feel that your are learning something.
Although it is the questions that propels the book, it is the answers that provides the real entertainment. Partially because different answers sometimes disagrees and correct each other, partially because some answers are clearly written tongue-in-cheek. ("Why do sunlight make me sneeze?" "Because photons get up your nose!")
Last, but not least, it is interesting to see where the corespondents are from. Although the majority are British, American, or at least from present or past parts of the British Commonwealth, there are other nationalities, too. Even a handful of Swedish residents (if not actual Swedes)!
Light and entertaining scientific reading.
(German, 24 May 2007)
This wasn't exactly the easiest book to read for me, and if it hadn't been a gift, I would probably not have finished it. First of all, it is in German. Today, I have a pretty good understanding of German, but the language in this book is both educated and elegant, which makes it much harder for me than, say, Markus Heitzs Fantasy novels in the same language. Also, as the topic is both local to the area and historical, there pops up terms and names of things that I simply never have picked up in German.
Also, the book includes some passages - even some poems - in written dialect (what the Germans call "Mundart"). These sections were next to impossible for me. I could guess the meaning of about as many words as I an Italian newspaper article or so...
Anyway, the topic of the book is different traits of traditional Christmas celebration in the region of Oberlausitz (east of Dresden, on the border of both Poland and the Czech republic).
(Danish, 25 April 2007)
I am as fascinated with the language in this Danish book as I was with Ibsen's "Et dukkehjem" in Norwegian. Danish, Norwegian, and Swedish are closely related and really very similar. It might be hard for Scandinavians to understand each other - especially when we speak at normal speed - but it is pretty easy to understand texts in the other languages.
Sure, there are some words that one don't get, but they are seldom important for the general understanding of the passage (one of the exceptions was "ilt" that I had to google before I grasped its meaning. Apparently, it is Danish for Oxygen!). More often, you guess wrong at a word or a phrase the first time and have to re-read the sentence, searching in a larger circle, before you match its meaning. But "hold kæft", how easy Danish is to read!
The book in itself is a bit mixed. On one hand, it is a condensed autobiography on the author, on the other, it is an even more condensed biography over the Dane the book is dedicated too, Anders Lassen, who fought and died for the British Special Forces in the Second World War. In a way, it is a manual in how to develop oneself and how to find harmony in one's life. However, primarily, it is a book on the training and life of the Danish Airborne Ranger Corpse (Jægerkorpset), and here lies the book's strength. Moltke-Leth knows how to make even the most ordinary military exercise very exciting to read about. I enjoyed it a lot, even if it ended a bit abruptly and the transition to and from the part on Anders Lassen were a bit rough.
Clearly, if you complete sort of an autobiography over yourself before you are thirty years old, you will probably produce more books - autobiographical or not - later in your life. Moltke-Leth has apparently already published a second one. I look forward to hear more about future achievements of Moltke-Leth.
(English, )
At first I thought that juggling was just the pretext to do some really serious math, but then it actually came a chapter on practical juggling, too. However, this is really math, even if it is math on aspects of juggling. It is amazing how quickly an analysis of something as seemingly simple as juggling can turn complex. Soon Euler functions, Galois numbers, and Weyl groups among other things turn up. I must confess that pretty quickly, I just skimmed the calculations. I was a bit taken aback of the fact that even when I recognised almost all of the math and, for instance, could name the functions and methods, I have used most of them so little since university that I have forgot how to use them. It seems I should really brush up on my math (or not).
Is this a book for jugglers? Only if you have a background in some field of science or technology. Then it can be quite entertaining, even if rather nerdy.
Polster also touches on some parallel topics to juggling, like bell ringing, that was really interesting.
Is there any practical use of the calculations on juggling in the book? Of course there is - not all of it is purely esoteric. For instance, the systemisation of juggling patterns and methods of manipulating such systems allows us to mathematically calculate all jugglable patterns. Also, I found his calculations on general accuracy for jugglers to be quite useful.
All in all, a really theory-heavy book only for someone already into both science and juggling.
(Swedish, 10 April 2007)
Wetterberg writes in such a remarkable clear and lucid style. He is gifted with a tremendous knack for seeing the big picture even in complicated matters and is furthermore able to convey it to his reader in such a way that one, too, grasps the intricacies of the subject he is describing. Judging from his biographies on historical persons, he must be the ideal teacher.
Last time around, he wrote the thick two-volume set on Axel Oxenstierna. This time, the central figure of the biography is Arvid Horn, originally from Finland, that made career first as officer in the armies of Karl XII, then become the most succesful politican in Sweden during the times under queen Ulrika Eleonora and king Frederik I. This is remarkable as Karl XII was a through-and-through sovereign ruler in contrast to Ulrika Eleonora and Fredriks rule, which was heavily reduced in favour of a more powerful parliament. This time is known as the liberty time in Sweden. Arvid Horn rose to the top under a supreme king but stayed at the top - in positions akin to our modern prime minister and parliament speaker - when the power centre shifted from the crowned ruler to the parliament. In addition, he several times got politically defeated by his adversaries but reclaimed the power again.
In the biography on Axel Oxenstierna, it was pretty obvious that Wetterberg's reason for the project was to compare the politics and state governing of old with today. This is not as prominent in the volume on Arvid Horn, but is still there, mostly in comparisons between the political systems then and today. Needless to say, Horn worked a whole other arena than today's ministers.
Wetterberg writes among the most accessible history books I know of - great for anyone interested in history.
(German, 9 March 2007)
I was very eager to get hold of this novel after reading a review of the Swedish translation in my morning paper, for several reasons. Primarily because it was originally written in German and I need more German books to exercise the language but also because it came across in the review that this was a pretty different and fresh story.
I got a copy in German as a late Christmas present and had a few very pleasant weeks reading it. The German was not especially hard and, as it takes place in Ireland, almost all names and a lot of expressions are in fact in English.
Without revealing to much (it is a criminal story after all), it is about a herd of sheep that awakes one morning to find their shepherd lying dead with a shovel through his chest. The sheep quickly decides to make an effort to solve the mystery and bring the murderer to justice. So far it is a pretty ordinary criminal story, but what makes it so nice to read and unpredictable is that the sheep interpret the facts of the case and their whole world from their perspective. Some human things are totally alien for them. Other things that would be impossible for a human to sense is completely obvious to the sheep. Swann has exploited this extremely well and it is a pleasure to follow the sheep's investigation.
Furthermore, the herd is something of a Commedia dell'arte with every sheep having its designated rôle in the herd: Miss Maple is the smartest sheep and is leading the investigation, Cloud is the wooliest sheep, Lane the fastest, Mopple the Whale has the best memory, etc, etc. This, of course, makes it very easy to get to know and like the herd.
Being eager to read a book is often a sure recipe for disappointment. However, in this case, the novel really delivered. It is a story really easy to like, with some at least to me unexpected turns. Swann has proven herself to be an imaginative author that can execute an idea very well.
(Swedish, 19 February 2006)
What a silly setting and how awkward it feels in the beginning - an ignorant boy in his twenties working as home help for elderly and a retired lady in her eighties that is distance-studying an university course in Physics. But how quickly the setting grows on you as you read on and Nicke and Rakel becomes real persons brought together by their interest for everyday physics.
However, it isn't the setting that is most important. Rather, it is the story that takes place within the setting and the authors have done a good job making all the physics fit pretty natural in the dialogue between Nicke and Rakel (and some extras). More often than not, they have chosen the examples and explanations of the underlying physics to the everyday phenomenas very well.
Every chapter ends with a number of exercises for the reader to check if one has grasped the concepts of the chapter or not. I must confess that I took great pleasure in formulating answers to the exercises in my head and then check how well I did in the solutions section in the end of the book. To my immense joy, I did pretty well. Of course, this has two main reasons: the physics and exercises in the book aren't that advanced and I remember more from my senior secondary school and university physics than I thought!
Finally, I do hope that they correct more spelling and grammatical errors in next edition. Chapter 15 was especially bad - perhaps a mix-up where they sent an old version and not the proof-read one to the printers?
(English, 1 February 2006)
This is the most wellknown and leading textbook on strength training. That is the reason I read it, because it comes so highly recommended. However, it took me virtually forever to get through, partly because it is a paperback in US Letter size of no less than 498 pages, but mainly because it is a scientific text in a field foreign to my background in Computer Science. Still, the similarities between scientific texts from different fields is larger than the differences, and I even had an easier time with all Latin names in the human anatomy than I had anticipated.
Actually, Siff identifies the big question to be "how to develop strength in each specific case" but he leaves the question open as it is impossible to give a general answer to. Instead, he extensively goes through everything one needs to know to answer the question specifically as an advanced athlete or a strength-training coach (actually, it kind of shines through that the book is written with coaches of many athletes as intended public, but it offers a lot for amateur exercisers like myself too).
Siff goes to great lengths to present the definitive survey of the current state of human strength and strength training research. He begins by defining all kinds of strength and goes on to describe the best theories there exists today on how our muscles actually work from a physical and biological (biomechanical) perspective (this part was, not surprisingly the one I struggled the most with). He then goes on, chapter upon chapter, with the means and methods of strength training and how to organise and design the same. Much of it was pretty dull, but the interesting sections and tidbits came often enough for me to continue reading.
Interesting enough, often, the for me most interesting parts were where Siff touches upon other fields, like algebraic relations of training, organisatorial theory, management theory, and other things one perhaps don't expect in a textbook on physical exercise. Another interesting things is how much material Siff has drawn from Russian and Soviet research. Siff repeatedly points out how much farther Russian research has come in the area of physical exercise and how often their results are misinterpreted and overused in the West. Apparently, within the old Eastern Bloc and Russia, they do a lot more than in the West in the area of restoration and knows better what methods to apply, in what mix, to what extent, and when to gain the most restorative effect, enabling their athletes to train harder more often without suffering overtraining or injuries.
"Supertraining" is the unchallenged standard textbook of the field. However, it isn't for everyone. It is virtually free from easy to follow training recipes. On the other hand, it gives you all the means you need to - with a little understanding, afterthought, and planning - design your own recipes and routines. In other words, if you are looking for a new training program, search somewhere else, but if you rather are interested in designing a program of your own and aren't afraid of reading up a little, then this is definitely the book for you.
Me, I am glad I read it and did find some directly useful things, but I am totally aware that I would have done just fine with, say, the more pragmatic manuals by Ross Enamait. However, "Supertraining" has given me a deeper understanding of human physiology and the finer aspects of strength and condition training that probably will come in handy over the years to come.
(English, 21 November 2006)
I took a while, but I finally found a suitable time to pick "The System of the World" down from the shelf (the time included flights from Stockholm to Athens with transfer and thus waiting in Zürich both ways - a real blessing to have a good book to pass the time with).
This is the third and last volume of Stephenson's "Baroque Cycle". The basic idea of the trilogy is to describe the development of the modern economy during the late seventeenth and early eighteenth centuries by an intricate weave of fictional and real characters and events. Most - but not all - of the main characters are fictional. Most - but not all - of the big events are real. All in all, it offers a very nice reading experience if you are the least interested in popular history, economics, and how the world around you really works.
Granted, it was a long time since Stephenson could write a novel without having it overflow to a tome, but at least he has researched this trilogy to the uttermost. He constantly sprinkles the narration with small historical facts of the type how-did-this-and-that-origin and similar. In "The System of the World", he has also held back on the sex and more shocking aspects of the previous volumes (not that I am easily shocked, but there is one thing for Melissa P. to write a book about her early sexual experiences as a form of therapy - a whole other thing to weigh an already read-worthy book down with sexual escapades just because sex sells). Unfortunately, he has also held back a little on the natural science (natural-philosophy, as it was known back then) and focuses more on the accelerating global economic of the colonial era.
As for the reading pleasure - can it be anything else than comforting to follow the characters from the earlier books to an closure, watching some grow old and retire from the complicated affairs to tend to their own?
Probably, "The System of the World" and the rest of the "Baroque Cycle" are most readable to academics and perhaps more by students of economics and nature science and technology than other disciplines and non-academics. Basically, the novels are a bit nerdy. ;-)
(German, 30 October 2006)
It is always hilarious to read an American book in German translation - especially when it shines through that the origin is American. Nevertheless - this was a good and thought-provoking read. The general idea is very simple: the way people communicate love can be broken down into five languages (with a number of sub-dialects) - Words of Affirmation, Quality Time, Receiving Gifts, Acts of Service, and Physical Touch. Which one (or in some cases, which ones) is one's natural love language is quite instinctive - chances are that one is far from aware of which one it is, until a book like this presents the concept and one starts to ponder the question. (I strongly suspects Words of Affirmation to be mine.)
Dr Chapman, the author, is a therapist that has met tons of pairs with love problems over the years. Many of these pairs figures under new names as case studies in the book. Commonly, the reason for their problems is that the husband and the wife "speaks" different love languages, but when they are made aware of this - and of what each others natural languages are - and makes an effort to use the significant other's language when communicating their love and affection, their mutual love is rekindled and their relationships have never been better.
All in all a very American self-help book, but with a very interesting core idea that entertained me enough to discuss it with my wife, friends, and relatives, trying to determine what their natural love language might be.
(English, October 17 2006)
To sum this book up in one sentence: Johnson tries to write a guide to the human mind from the perspective of our brains' chemical cocktail and ancient involuntary parts:
"So this is your brain, in all its multiplicity. You are part reptile, part mammal, part primate, part homo sapiens. You are a twitchy amygdala; you are a dopamine fiend; you are under the spell of oxytocin. You are an unthinkably complex series of connections, of links, spun together by your genes and by your lived experience. You are a walking assembly of patterns and waves, clusters of neurons firing in sync with one another."
The above paragraph sums up the book pretty good. However, Johnson dedicates a chapter or section to each individual subject - discussing it in length. Thus, we, for instance, learn how the amygdala is tied to our fear reactions, why it has direct access to our memory, and how it probably evolved in the first place. We learn of pretty well-known brain chemicals like serotin (which lack of can cause depression) and less widely heard about, like oxytocin, that stirs the satisfaction in us when we recognise a loved ones face. One of the parts that intrigued me the most was that about neurofeedback and its uses.
Over all, Johnson's latter book, "Everything Bad is Good for You", is somewhat better, but I would say that this title is more important. If you are at all interested, try to read it.
(English, October 1st 2006)
You cannot have missed the hype, can you? Yes, most of the hype is true, or at least pretty well founded. However, if you look (read) closely, there is more.
It is evident quite early on that Neal Strauss has tried to write the most extensive catalogue to date of the techniques and methods of the foremost pick-up artists of our time. This alone makes the novel interesting. Some things are quite easy to understand, others, like Neural-Linguistic Programming, feels both arcane and rather dangerous.
However, after a while of horror-mixed fascination, you actually start to ponder the underlying motivations for these men and boys to pursue game of becoming a successful pick-up artist. There is a certain pattern of more or less insecure men making up for the lack in self-confidence by acquiring artificial skills in attracting the opposite sex. However - when their real motivation is a need to be loved, how can they ever be satisfied when the only thing they are good at is the seduction of women, not being committed, building a relationship, or making it last.
In the end, Strauss has actually written a educational book, not primarily in the craft of the pick-up artists, but rather more generally on the topic of human nature and relationship.
Of course, I must confess that I eagerly took in each new technique Strauss described - trying to understand it, trying to gauge my own game of old against it, but also to see if I could have any present use of it. Regrettably, there is little that is of use within a present relationship. Most of it is focused on seduction of new acquaintances. However, I guess that some of it could be efficient in a business negotiation or when needed to be social with complete strangers.
Anyway, it isn't really a piece of classical literature, but it will still survive as it rates rather high on the originality Richter scale. I would say that it is complex enough to be read to different ends by different kinds of people. It will probably have something to offer most of them.
(English, September 15th 2006)
One could summarise this title with just one sentence: Pinker is arguing the pretty novel idea that the human race has an innate instinct for language. However, this would not do the book justice. Yes, Pinker is raising his voice in favour of the rather revolutionary idea of an innate language instinct, but the real strength of the book isn't the conclusion he makes - it is his whole argumentation, as it forms an complete walk-through of the biology, psychology, physics, genetics, pedagogics, grammatics, and much more, that works together to make us able to communicate with language (regardless of it is spoken, signed, or otherwise transmitted). In short - regardless of whether you agree with the case he argues, you can enjoy the whole orientation of the science of language he systematically visits in his argumentation.
Pinker's idea is that much of our ability to learn language is universal and hard-wired into our brains, enabling us to learn whatever language(s) our parents happen to speak, and that this language instinct is reflected, for instance, on the rich similarities of underlying language constructs in all the worlds languages. I.e., even if the words themselves and their order differs, much of the basic language concepts remains the same from one language to another, to the degree that an alien might view all Earth's languages as mere dialects of one and the same language.
Pinker is an psycholinguist, but seem to possess rather good insights in a number of neighbouring scientific fields. I am not schooled enough in any of the fields to gauge the quality of his knowledge (except for computer science - Pinker's forays into this field were correct but rather shallow) but I must say that I immensely enjoyed his extensive walk-through of all conceivable aspects of language. I learned tons of interesting facts - like, for instance, the similarities between language taxonomy into groups and families and the tracing through means of DNA of how the human race spread from Africa throughout the world (seems quite natural that they took their language with them on their wanderings and that, as the groups separated, their languages grew apart just like their appearances).
Is this a book that everyone can be fascinated by? Yes! In every part? Unfortunately, no. For instance, I expect that the chapters on grammars and grammar theory might be too technical for most readers (I enjoyed them mostly as a consequence of me taking grammar theory rich classes like Computational Linguistics, Compiler Construction, and Theory of Computation).
However, if you can endure a few pages of heavy reading, you are always rewarded by lighter passages, spiced up by Pinker's sense of humour and numerous hilarious examples of unintentional comical writings from newspapers, politicians, school pupils and other sources (New Housing for Elderly Not Yet Dead, Stiff Opposition Expected to Casketless Funeral Plan).
To round this review off, Pinker actually gave me something to ponder. I muss confess that I, as one blessed with a rich and well-developed native language (that I hope has crossed over into my foreign ones), has been prone to criticise modern slang and the deterioration of Swedish. However, this is a misconception according to Pinker. A language is always a moving target - the sum of all its speakers' usage. Thus the way we speak this year will probably be considered very archaic in a few hundreds years. Also, the trend that some language rules are being more and more broken isn't a sign of growing language ignorance - on the contrary, Pinker argues that in hindsight, common people show an unconscious but very acute sense of language when they drop a certain rule. Uneducated people makes a lot less grammatical errors than are commonly supposed - it is the educated people that always are several years behind in their language usage.
(English, August 16th 2006)
This is easily one of the most readable popular-science books I have ever read. [Must find time to review this title properly.]
(Swedish, August 5th 2006)
This title, "Vita bergens barn", is the final volume of three in Fogelström's "Barn"-trilogy ("Barn" means children in Swedish), which he wrote in the eighties as a prequel to the five volume Stockholm suite he is most known for. Together, these in all eight novels spans the years 1749 to 1968 and even though they are fictional, they are probably the best historical description on life in Stockholm for the common man during these just above two-hundred years.
Fogelström doesn't exclude kings, generals, and noblemen - where they were central to the tides of time, they are mentioned - but focus are always on the everyday hardships of the little man, with secondary themes in the overall development of Stockholm and of the increased political awareness of the workforce, the rapidly growing new group in society that came along with the industrial revolution.
At the core of the "Barn"-trilogy, there is one family with friends and relatives that we follow for just above a hundred years. In the last generation to be born, we find a few of the main characters of Fogelström's earlier "Stad"-suite. I must confess that, given that I still have that suite pretty well in memory, I actually got a bit misty eyed when Lotten was baptised Lotten, as I already know her later fate from the "Stad"-suite.
As always, actually living and working in Stockholm gives an extra edge to Fogelström's Stockholm novels as one can relate to many of the streets and environments. There are even a fair number of buildings from the times the novels take place left today.
(English, August 1st 2006)
Levitt is a Economist on the rise in USA, but I would rather label him as a Statistician as his speciality is to swift through vast data set on the hunt for counter-intuitive facts. For instance, do adopted children do better in school? Intuitively, one would say yes, as adopted children tend to be wanted children and adopting parents tend to be financially secure, and thus can grant their adoptees a good upbringing. Yet, according to a few generations of Californian data, Levitt shows that despite these common advantages, adopted children doesn't catch up with non-adopted until college. His explanation is a little controversial - he suggests that this is because in USA, most children that is put up for adoption is born by poor single teenage mothers that probably never wanted the baby in the first place and, knowing that it will be adopted away, perhaps don't care for it while in the womb by quitting tobacco and alcohol.
"Freakonomics" is packed full of though-provoking statistical facts like the above: strong indices for cheating teachers, an explanation for the huge drop of crime in USA on the lines of fewer poor and unwanted teenagers since the legalisation of abortions, a closer look on the differences between how real-estate agents work when they sell others houses and when they sell their own, and statistical evidence that there is no difference in intelligence between blacks and whites in America if one factors out the differences in living areas. I.e., white kids from poor areas do as bad as poor black kids in school and black kids from wealthy neighbourhoods perform as good as rich white kids.
More of a book on statistics than economics, this can still be sorted into the same category of books as Ridderstråle&Nordström's "Funky Business" and "Karaoke kapitalism". Great reads for the curious mind.
About the only disadvantage is its total focus on USA, but it is to be expected as it is mainly American data Levitt has had access to. Still, there are a few comparisons with Europe, like the effects of Romanian dictator Ceausescu's ban of abortions and the effects of Finnish subtitling of American TV-shows on Finnish children reading abilities(!).
Very interesting and thought-provoking book - recommended.
(English, 29 July 2006)
This was unexpectedly interesting! With the "Bad" in "Everything Bad is Good for You", Johnson is referring to mainstream popular culture - tv, movies, and computer games. Despite school results having plateaued in the Western society, Johnson has identified an actual leap in the results of intelligence tests measuring other traits, like spatial awareness and short time memory, than the classical school factors like math and long time memory. This increase in intelligence, he claims to be the result of tv-shows and computer games becoming increasingly complex to satisfy an increasingly smarter and thus more easily bored public.
He goes in depth, comparing the number of parallel threads and level of "blinking arrows" in popular tv-series from the fifties, eighties, and today. He shows that although "High Street Blues" was revolutionary complex when it came in 1981, actually too complex for the taste of the viewers, it is nothing compared to the complexity and demands on the mind of the viewer of today's shows like "The Sopranos" or "24". Johnson also shows that it isn't only the refined taste and smarter minds of the public that demands the increasingly complex tv-shows that, in turn, over time exercises our brains to new levels of intelligence, but also the marketing of tv-series on DVDs that today actually generates more income for the producers than the actual tv airings. To buy the DVD, one must want to see it more than one time. To achieve this, it is paramount to have a high degree of complexity and also to have such a high level of details, riddles, and inside jokes and references that one see new and different things every time one sees the same episode. (Extreme example, the "Betrayal" episode of Seinfield, that has each scene in backwards. The first time you see it, you are pretty lost and struggles to make sense of it, especially when the pun is delivered before the set up. It is first on subsequent viewings, you already know all the pieces and are able to make out things that were lost on you before.)
As with tv-series, the same leap in complexity can be made out in movies, but there it happened much earlier with lots of experimental titles already in the first half of the twentieth century. However, the really huge leap can be seen with regards to computer games. Compare the classic "Pong" with today's hits like "Grand Theft Auto", "Zelda" and "Half-Life". Not only do the modern games demand a lot of the player - the increased popularity of network games also falsifies the old conventional wisdom of computer games isolating the children (furthermore, the typical gamer today is in his/her mid-twenties and isn't a book a lot more isolating and inactivating than a computer game?).
You don't have to by all the things Johnson has to say but I, at least, found this book both interesting and fascinating. It has also equipped me with a vast arsenal of arguments against the voices of old that still depicts popular mainstream culture as mind-numbing and down-dumbing.
A much recommended book to read!
(German, 12 Jul 2006)
A rather short but extremely sweet novel about a young boy with terminal leukaemia that doesn't at all shy away from the crucial questions of life and death, good and bad, courage and fear, etc. It is genial in all its simplicity. Due to its simplicity, it is hard not to divulge too much when writing about it. It suffices to say that Oskar gets top-notch support from the "lady in pink" that helps him come to term not only with himself and his own emotions, but the people around him (including his parents) and their emotions, especially those sprung from their fears of his disease and imminent death.
(Swedish, 7 Jul 2006)
You know how many real classics from many centuries ago feel surprisingly fresh and modern in language and ideas? It struck me while reading this one that it felt rather older than written in the fifties. Peculiar.
Anyway, to me, most of the novel was a long start passage. Sure, it happened a lot and we learnt how Henrik in the book was formed by the events of his life. Still, it didn't really speed up and come alive until the end - and then it ended. However, all in all, the end was good enough to get my overall impression from bad to ok.
It is a novel about personal relations, primarily with family and the opposite sex. The settings of Poland before and after World War II and Italy is really just accidental. The story could have been set anywhere.
(Swedish, )
This is the sequel to "Gömda" and "Asyl", but this title is the first Maria Eriksson has written without Liza Marklund as co-author. Like "Asyl", it is mainly a book about what happened after "Gömda" - something of a wrap-up, about Maria and her children seeking closure. Although the message is the same as in "Gömda", like "Asyl", "Mias hemlighet" lacks the urgency of "Gömda" (I have said it before and will say it again, "Gömda" should be compulsory reading for all police, social workers, governmental officials, and others that make uninformed decisions without the imagination to foresee the consequences for the people involved.)
It is good to learn in "Mias hemlighet" that she made it. Although the threat still exists, she is alive and has, compared to the years on the run, a more normalised everyday life in her new homeland. The main strength of "Mias hemlighet" lies in what it tells us about the challenge in dealing with unprocessed traumas and trying to overcome them to be able to live a normal life. It is also, as always, interesting to learn of foreign cultures and both the obvious and the unexpected differences between us and them (in this case, USA).
The story about Maria's fate would not be complete without this title, but of the three, it is "Gömda" that is the most important and urgent one, that most clearly identifies the needs for change within the Swedish authorities - changes "Asyl" and "Mias hemlighet" only discusses and clarifies further.
All in all, a most important piece of contemporary history.
(German, 26 June 2006)
Here is something you don't read everyday - a biography written by a European woman that spent the better part of her childhood with a primitive tribe in the West Papuan jungle as her parents were doing missionary work. However, the really fascinating aspect of the story is the enormous culture shock Sabine experiences once she returns to our so called civilised society. It is one thing to un-learn shaking out poisonous spiders and scorpions from one's shoes every time one puts them on. It is a whole other thing to re-learn the Western view on death or our fundamental distinction between friends and strangers.
This is, in many way, a truly amazing tale. Not the least, it is amazing that there still exists faraway tribes in the twenty-first century that still are living the same stone-age life as their ancestors. However, what is even more intriguing is the fact that, despite having two parents born and raised in Germany, the three kids of the missionary family still adopts so much of the primitive tribe's culture and outlook on life - fine-tuned for life in the jungle - that the return to Europe is not only rather confusing but also painful and even potentially dangerous.
In a way, what Sabine's parents inadvertedly exposed Sabine and her siblings of was rather cruel. Yet, in the end, none of them would have missed it for the world.
A truly remarkable book.
(Swedish, 9 June 2006)
This is the direct continuation of "Vävarnas barn". We follow the same family, or rather the families of the now grown children from the previous book. This book covers the end of the eighteenth century and the beginning of the nineteenth, during times coloured by war and hardships. During this time, Gustav III staged his ill-advised war against Russia and got murdered at the opera, Gustav IV meddled in a war of his own, unfortunate war and the becoming Karl XIV Johan brought the Swedish army to the allied forces against Napoleon - all straining the nations resources to the limit.
Only a few of our main characters actually followed the army and navy in battle. Most stayed at home in Stockholm - but all suffered, in one way or another.
If war is the main theme of this book, the different classes of society is another, not the least as some of our main characters succeeds in business and is elevated over most close relatives, confusing their social life.
In "Krigets barn", the big events of the time play a more prominent rôle than in "Vävarnas barn", but it is still the everyday life of the little people that is at the core and drives the story forward.
(Swedish, 19 May 2006)
Per-Anders Fogelström is best known for his five volume suite about Stockholm from the middle of the nineteenth century to the middle of the twentieth century (of which the first volume, "Mina drömmars stad", often is compulsory reading in the Swedish school). Some years after completing this suite, he set out to write a three volume "prequel" suite. This is the first novel of these three.
Fogelström does not only write the history of his beloved Stockholm, he also writes the history of the common man, the little people that don't make it into the history books like kings, politicians, and high officers. In fact, he tells the tale of the city by re-enacting the lives of a handful ordinary people.
Following this pattern, in the beginning of "Vävarnas barn", we get to know a family of three, with the fourth on the way - all employed in a textile manufactory in Stockholm. The novel then depicts their lives overs the years of the late eighteenth century, in good times and in bad times, both with regards to their everyday life and how the big events of the time affects them.
The life of a worker in the manufactories of the early industry was very hard. The employers adhered to the theory that by keeping the workers close to starving, they would be motivated to work. Of course, that didn't work in practice. Instead they either got sick or left work temporarily to make some money in other ways, despite the harsh punishments for such actions. By the way, if you complained over what little salary you had, the employer had the right to punish you by doubling the length of your contract - without any pay-raise.
(Swedish, 7 May 2006)
This is the sequel to the biographic novel "Gömda" by the same authors, but is really a whole other book. Where "Gömda" was a shocking revelation of just how vulnerable the Swedish society is against people who chooses to break all conventions, disregard Swedish law, beat their wives senseless, and hunt their wives down when their unfortunate wives actually succeed to flee. In short - in some ways, Swedish authorities have got so little imagination that it fails miserably to protect Swedish citizens from anyone who isn't a common Swede and doesn't think like a common Swede.
In "Asyl", Maria and her family have already learned that Swedish authorities is powerless - either by design or by narrow-mindedness/lack of imagination/not being able to think outside the box. Thus, they look elsewhere for help and, after being burned yet another time, more or less are forced to leave the country.
Here the story changes as they go from being constantly hunted, and all the time having to hide, to having to try to cope with foreign authorities and different cultures, first in Chile and then in the USA. Of course, it is still very important that the man that hunts them doesn't get wind of where they are, but, over time, they can put him more and more behind them and focus more and more on living a somewhat more normal life. In "Asyl" they are not constantly on the run. Instead, they are constantly learning new customs, culture, and law - all the time negotiation with the local authorities on how to become naturalised and still being protected from their dark nemesis.
"Asyl" is far from as revealing and important as "Gömda". I mean, "Gömda" should be compulsory reading for any student of law, police or governmental official. "Asyl" is less urgent. It is more of a "what happened then novel", and, as such, is is quite interesting.
(English, 1 May 2006)
Instead of rewriting his Underground Guide once again, Ross decided to retire it completely and replace it with a completely new book, "Never Gymless". As the title indicates, it is, like the Underground Guide, dedicated to training you can do in your own home, with little or no equipment. However, even if the bulk of "Never Gymless" is about bodyweight exercises, it isn't as focused on bodyweight training as the Underground Guide was, and, for instance, makes use of ab-rollers made from lawn-mower wheels and different rubber exercise bands.
Like Ross' last book, "Infinite Intensity", "Never Gymless" first lays out the theory behind program making and the different classes of exercises, then moves on to outline a fifty day sample program. However, the "Never Gymless" sample program requires a lot more afterthought and individual adjustments than the "Infinite Intensity" program, since the former is built around bodyweight exercises where you need to pick the variant most suitable for you and your current level of physique, whereas the latter often only require you to pick the right dumbbell weight (the more advance athlete you are, the heavier dumbbells).
Ross exercise guides are among the absolutely most price-worth on the market. He describes no-nonsense, proved-to-be-working methods of physical training that only require hard work (i.e., no silver bullet).
Aside from using them as instructions on how to train, you can also use them as inspirational material. For instance, some of the more advanced exercises Ross performs with apparent ease, I will (probably) never be able to do, but instead of being intimidated, I only feel challenged! Slow and steady wins the race. One recipe for using Ross' books is to first read them for inspiration, only adopting selected exercises from them. Then you can move on to search them for advice on how to build up to conquer certain exercises you cannot do. Finally, you might work up to the level where you actually can more or less follow the programs Ross outlines.
Good value for anyone who is serious about getting fit.
(English, 27 Apr 2006)
What a pleasant surprise! The only reason I acquired this title was because it came in a two book combo that cost less than the book I wanted ("Karaoke kapitalism") alone. However, I gave "Blue Ocean Strategy" a chance - and it was more than well worth it.
It is very clearly written and is probably intended as a text-book in Business Economics. It discusses in depth the strategy the authors have named "Blue Ocean", which, in short, is about striving to make the competition irrelevant by value innovations. Fierce competition colours the market ocean red from blood. By making the competition irrelevant, one instead sails alone on a blue ocean - hence the name.
The authors really succeeds in making their message come across. No prior knowledge of business economics seems necessary (although, it is possible that I, as a computer geek, might fail to appreciate a number of fine points that require more in-depth knowledge of economics). The strongest merit of the book is the numerous examples, though. Every key concept and suggested tools and methods are illustrated by real-life examples, sometimes with anonymized company names, but most often with real companies that one in many cases has a customer relationship to. These real-life examples of how different companies made briefer or longer lasting blue oceans for themselves over the last hundred years are very educating and extremely entertaining. They are also a really motley mix and includes manufacturers of cars, computers, insulin, cement, financial software - the list even features the New York Police Department.
You cannot read this book without, in your mind, trying to apply the theories on your present place of employment. I know I did. However, this should make for really interesting reading for those who already own or plan to start a business. It was surprisingly interesting for me, and I'm just an employed systems engineer.
(Swedish, 11 Apr 2006)
"Karaoke kapitalism" is the follow-up to the authors' celebrated book "Funky Business". Where the latter investigated the New Economy of the IT-bubble days from old, new, and some unexpected angles, "Karaoke kapitalism" does the same to the economic trends that have established themselves after the bubble burst.
I read a lot of Cyberpunk into "Funky Business" (or rather, I interpreted much of what the authors said then as the first step in an development that might lead to certain key elements of many of the dystopic futures present in Cyberpunk novels). However, "Karaoke kapitalism" steers a bit away from the analogies with Cyberpunk. On the whole, "Karaoke kapitalism" is more about ethics and how to sustain a thriving capitalistic market in the long run. As the subtitle to the book read - "Management för människan" ("Management For Mankind").
Ridderstråle and Nordström is definitely my favourite economists. I mean, I am a computer geek, not a business management person, but this is easy accessible theory of contemporary market trends that not only is educating but extremely enjoyable to read. Granted, in "Karaoke kapitalism", the authors raises a lot more warning flags than they did in "Funky Business", but their analysis is as sharp, fresh and witty as ever. They dare to make connections no-one else sees. They sprinkle the narration with lots of really interesting facts about corporate brands we all have heard of, but also with concrete advice on how to prepare oneself for an imminent future.
This is not a guide to starting one's own business but it is definitely mandatory reading if you are looking for ideas to found a successful and rewarding business on.
If you are the least interested in the world we are living in and how it is changing, this is definitely recommended reading.
(German, 2 Apr 2006)
It irks me that Heitz novels aren't better than they are. He obviously has got the imagination needed to come up with the alternate world, but, alas, his writing lacks in "wallpaper". Yet he is entertaining, as the pace is high and the suspense well supported throughout the thick volumes of his. It is just more apparent realism, more tangible atmosphere that is lacking - what sometimes is referred to as "wallpaper".
This is a independent sequel to "Die Zwerge" and it begins where the predecessor ends. "Der Krieg der Zwerge" feels a tad bit lighter than "Die Zwerge", but, on the whole, they are of the same overall quality. In this book, we get to know more about the Dwarves in the land as the land is once again threatened from without.
This is fantasy books to read and enjoy - not to lose oneself in and get obsessed by, but to read just for the entertainment and escape from reality for a while.
The concept of focusing and delve more in depth on some well known component of fantasy literature, in this case the race of Dwarves, is quite intriguing. I mean, authors of all times have experimented with their books, but this is something special in the realm of fantasy, to, instead of just inventing a world of one's own, like people have done before, take some component of someone other's work, interpret it, and create an original world where the component fit and gets more space than in the originator's world. (Of course, Heitz is not the first one to have done something like this in Fantasy.)
(English, 11 Mar 2006)
This is a modern classic, re-actualised by the latest movie adoption by Tim Burton. I remember that my mother read it to me and my sister at bedtime, when we were kids. I also remember the TV-version, where still drawings were shown as Ernst-Hugo Järegård read the book. Oh, what memories.
This is the first time I have encountered Charlie as and adult. I could not imagine that the novel was so short! As I remember, it was much longer. However, it is a quite ingenious tale, in all its apparent simplicity. (For instance, remember the "Square Sweets That Look Round" or "Butterscotch and Buttergin"?).
A treat for children, good for adults, too, but perhaps a bit on the thin side.
(German, 22 Feb 2006)
This is a short chronicle over the history of the Frauenkirche in Dresden, with emphasis on its destruction after the Allied bombing in the end of World War II (actually, the stone church survived the bombs, but the limestone melted in the heat of the fires that ravaged the the Dresden city for days after the bombings). The book cannot beat the real thing, but contains a lot of interesting facts and gives credits where its is due, to a number of vital persons I otherwise never would have heard of.
Unfortunately, the language doesn't really flow, I cannot understand why the book is set with a sans serif font, and they repeatedly interrupts the text, often in mid sentence, with a two-page spread of colour images. Probably, they have limited the number of colour pages and thus have to have the photographs on these pages, but couldn't they have tried harder to have the picture spreads between chapters and not in mid text. I don't mind if, when I turn page, the text continues not on the left page, but on the right page of the spread, but I get annoyed when I have to turn page once again in order to finish reading the begun sentence. Amateur layout! Luckily, many of the photographs is really nice and interesting - especially the old black and white interior picture of the altar, next to a fresh colour one, where one can see how true to the original the rebuilt Frauenkirche is.
(English, 17 Feb 2006)
I like sublimity in literature. At least I like sublimity that I am able to detect. That is, I like when a novel makes me feel intelligent and good about myself for making the connections the author has left me to make. "Ocean Sea" includes a lot of sublime connections that Baricco masterly ties together before the end. Marvellous stuff.
I cannot think of any author except Jeanette Winterson that comes close to Baricco's style. It is flourishing and poetical, and quite often crosses the border of reality to venture out in the greater realm outside. It is not without suspense, but foremost, it is beautiful, even in its grosser details. A real book to lose oneself in.
I am not even sure which century it takes place in, but I would guess at the late eighteenth century or the early nineteenth. It is not contained to Europe, but it is definitely European in origin, and - despite its Italian author - I get the impression that most of the characters are French. But that is not important. The main thing is that Baricco has used his imagination to tell us a tale that is spun into a complex weave, from which we are served carefully measured portions, one at a time, very, very delicately laid up on the plates.
Mostly sad, very beautiful. Brilliantly composed. A reader's feast. Who wouldn't want to stay at the Almayer Inn for a while?
(German, 8 Feb 2006)
I am quite happy that I came across this novel. To improve my German, I should read more books in German. However, it isn't so easy for me to find new German authors worth looking into. It is much easier to find interesting books in Swedish and English. So, how did I find Markus Heitz and his Dwarves? ("Die Zwerge" translates to "The Dwarves".) Actually, I was reading a Stern magazine, where they had a short article on Heitz and his latest novel about the Dwarves. The different parts of his trilogy were also in the current German best-selling top-list in the same magazine. Later, I bought the first part of the trilogy in a bookstore in Dresden.
If you haven't guessed it already, it is a Fantasy novel, about a mountain-enclosed land with Elves, humans, and magicians - and Dwarves in the mountains, guarding the ways into the land from Orcs, Ogres, and other evils. That it is Fantasy actually makes it both easier and harder to comprehend the novel in German. Easier, because the Fantasy-genre is well-known to me, so I am often expecting certain elements, which makes it easier to guess the meaning of to me unknown German words. I.e., the context is a bit narrowed down in Fantasy literature. On the other hand, it can be hard to tell when Heitz has invented a Fantasy word or name for this alternative world, and when it actually is a real, but uncommon German word. (Take, for instance, all the numerous synonyms for axes that the Dwarves uses for their favourite weapon. I don't expect to ever have use for them when speaking with a contemporary German fellow.)
The quality is OK. It isn't really any epic Fantasy but Heitz is imaginative and the pace in the novel is good. All in all, I was a bit encumbered by the German, but it still was a positive reading experience and it always kept the suspense. For a tome of this size, that is quite a feat. It almost never got dull. There were only short "transport passages". On the other hand, the high pace often made the environment descriptions rather sketchy - but rather sketchy ones than long-winding boring ones.
Before I finished this first part, I already acquired the second and third parts, so now I can continue reading about the adventures of Tungdil the Dwarf whenever I want to. ;-)
(German, 10 Jan 2006)
Another typically contemporary German novel, in that it uses the fall of the Iron Curtain as a backdrop. However, unlike the novels by new German writers, it doesn't focus on differences between "Ossies" and "Wessies". Rather, as a Russian that migrated to Berlin, Kaminer focuses on how Russian and other Eastern Europeans integrate themselves - or fail to integrate - in the united German.
Every chapter is a independent short story on a certain theme. Only a handful chapters are about a common topic. The vast majority is totally independent. Most is quite entertaining.
All in all pretty light-weight reading. Good German training though.
(English, 31 Dec 2005)
You have seen the movie, haven't you? If you haven't, see it. It is a splendid movie of adventure and true love. This is the novel they made the movie from. So - is it better than the movie, as the novel usually is? Actually, in this case, the movie adoption and the novel is pretty much even, perhaps with the movie in the lead. Why? I'll tell you why.
First and most important, William Goldman is not most known for his novels. He is more famous for the movie-scripts he has written, like "Butch Cassidy and the Sundance Kid" and the "Marathon Man". As he wrote first the novel and then the movie script of "The Princess Bride", they are, not surprisingly, very alike with just minor omissions and alterations in the movie adoption.
However, where the movie is a contained and self-propelled adventure story, the novel is something else. Sure, it contains the same story, about the beautiful Buttercup and her love Westley, how they part, how Buttercup ends up the bride of Prince Humperdinck, and their adventures as Buttercup and Westley meet again. However, Goldman cannot own up to the wonderful saga of his imagination. He hasn't got the guts to walk the extra mile and make the novel perfect. Instead, he runs and hides. Something that pisses me off to the extent that I am about to write him down completely.
As Goldman cannot stand for the wonderful product of his own imagination, he makes it out as being an old book by a European author, S. Morgenstern, and in original being a long and hard-read political satire on what is wrong with European monarchy and nobility of the past centuries. Thus, Goldman pretends to have made the abridged version, supposedly cutting out a lot of pointless and boring sections and inserting a lot of his own witty comments instead. Sure, it is new and fun for a while, but soon you get rather tired of it. Why could he not simply write a novel with the story in focus, instead of only pretending to do it, motivation his own silly rant that get in the way of the core story with the supposed cuts he pretends to have made. Silly, silly, silly.
But the movie is very nice and if you can forgive Goldman for the pretended abridgement, the novel tells the same story as the movie.
(German, 22 Dec 2005)
Harris is a British author and historian. As such, I expect that he has investigated the details and facts of the novel thoroughly. However, even if the novel takes places in historically accurate environments, any efforts of his don't really show, as one war-time barrack is pretty alike any other war-time barrack, and in Harris' plot, it is the people and their interactions that stands out - not the historical facts.
As for the Enigma and Bletchely Park - Simon Singh, in his "The Code Book", and Andrew Hodges, in his biography over Alan Turing, presents better factual descriptions of the German code machine and the British effort to crack the German encoded messages. (For another fictional view of the matters, see for instance Neal Stephenson's excellent "Cryptonomicon".)
A pretty typical war-thriller. However, as I happened to read it in German, I think I lost some of the typical British in the dialogues. (Might "Alter Junge" be the translators way of expressing "Old chap"?)
(English, 12 Dec 2005)
There has been a certain amount of fuss over this novel, and I have to say that the fuss is not without merit. It is clearly a very imaginative and original book, with a pretty distinct style of its own. I would say that the style is rather roundabout - perhaps in an attempt to mimic old English literature. At first, one is a bit consternated, but one quickly adapts, and learn to appreciate the style - not the least because of the thrilling contents.
To summarise the plot in one sentence: the novel is about the revival of English magic by Mr Norrell and Mr Strange in the early years of the nineteenth century (around the time of the Napoleon wars). The idea is quite endearing - who would not see magic revived in the world today? But, at times, one really considers the main characters to be blind and deaf block-heads, as they fail to make connections that the readers already have been informed of long ago (can be quite frustrating).
The characters in the book aren't the most multi-faceted in the world of literature. Rather, they are either good or evil, intelligent or dumb, and plays their roles faithfully. But there are many of them and together they make the story tick.
Well written but a bit on the long side. In the end, perhaps it borrows more of its style from the movie and TV media than classical literature. I think it could have worked better with a more focused style. Still, there is no doubt that Clarke's novel deserves its status as a bestseller. I can recommend it as pleasant reading for anyone with a romantic view of magic.
(English, 16 Nov 2005)
Gaiman is a gifted modern story teller, that tries his best to keep the legends of the really ancient folklore alive. In this novel, he continues to spin a few of the threads from his magnificent "American Gods". However, "Anansi Boys" is much lighter and doesn't really reach the levels of its predecessor.
However, Gaiman still manages to surprise. How many novels have you seen that includes deleted scenes and other extra material, more commonly found on DVDs? I especially appreciate the Reading Group Discussion Questions he has included. ;-)
Even if the plot is rather light-weight, the ideas of gods and aspects of gods still wandering the earth and trying to cope with our modern society are entertaining. It is especially entertaining to read about how ordinary peoples lives tend to be a bit messed up by interaction with a god or demi-god.
Far from Gaiman's best but still worth its while to read.
(English, 9 Nov 2005)
Most prominent impression: no movie adoption of Frankenstein I ever have seen has used more than a fraction of the real novel. Actually, most Frankenstein movies are very loosely based on the book. It would be more precise to say that the movies have been inspired by Shelley's novel. Even if it is years since I saw a Frankenstein movie, I still thought I had a fair grasp of the overall story. It turned out that I had not. The original is something completely different from the movie copies, different but very good. (For instance, in the novel, the monster has a lot more sense, feelings, and intelligence than in the movies.)
Other important impressions: I had no idea that Victor Frankenstein was from Switzerland! (The monster is given life in Germany, though.) How modern a book from 1818 can feel in style and contents! The tale of Frankenstein and the monster he created has actually, quite unexpectedly, a lot to offer the modern reader (in the modern world full of new complex inventions, constantly seeing the light of day).
A Penguin Classic is always a treat to read (but not always light reading). As all other titles in the Penguin Classics catalogue, this edition of Frankenstein contains an extensive analysis of the novel and the author. It also contains two shorter Gothic horror stories, one by Lord Byron and the other by his personal physician. Along with Frankenstein, these were the three actual contributions to a competition to write such a story among the guests of Lord Byron one evening (Mary and Percy Shelley were there). I would say that, in the end, Mary and her Frankenstein rather clearly won the competition.
(Swedish, 17 Oct 2005)
The copy I own, inherited from my paternal grandparents, is a facsimile of an earlier edition. However, it doesn't say anywhere from when the original is. From the language, I wagered to guess at the early twentieth century, but, when I finally looked the original up in a book catalogue, it was actually not older than from 1954!
It is really a compilation book of drawings (no photos allowed) from the reign of king Karl XV (the present king's grandfather's father's uncle). It presents a poor Sweden at the verge of the industrial era, a society where the upper-class spare no cost for entertainment while many peasants starves. However, the pictures are accompanied by a rich text that puts the drawings in their context and offers background information to peculiar details of the pictures, etc.
An unusual history book - driven by drawings of all aspects of life and society and not by politics or the main events of the time (even if they, naturally, tend to inhabit the drawings, too).
(English, 14 Oct 2005)
I now own four titles by Enamait (all reviewed in this page). All are great exercise guides, but they differ in the focus of their contents. The latest, "Infinite Intensity", is the most complete and is rich on theory behind and motivation for different modes of physical training. It incorporates exercises of all the types covered in the other books and more, and forms a versatile fifty-days exercise programme, designed for well-rounded athletes like those involved in combat sports. "The Underground Guide To Warrior Fitness" is an authoritative gold-mine on the subject of body-weight exercises. "Medicine Ball Training", like the title hints at, focuses on the medicine ball, but also includes chapters on sandbag and dumbbell training. This title, "Ultimate Training for the Ultimate Warrior", is a bible on sandbag training, but also contains material on the sledge hammer and sled.
As I happen to like the sandbag as a training tool, I naturally enjoyed this book immensely. Even if one could dream up the different drills oneself, one would second-guess the use of them. Thus, it is very nice to be handed such a extensive menu to choose from. (I especially fell in love with Sandbag Fence Jumping - lift and throw your sandbag over a fence, then jump the fence yourself and repeat in the other direction, over and over again. Too bad that I probably won't perform it until next summer...)
As with all of Enamait's targeted books, this title includes a number of compiled drills and complete workout suggestions. As I quite recently finished "Infinite Intensity" and since then have been thinking about how to adopt and customise its fifty-days programme for me, I was very glad to find a variety of routines in "Ultimate Training for the Ultimate Warrior" I can use to substitute for the ones in the fifty-days programme outline that I regrettably cannot perform (like interval running...).
Each of Enamait's book contains enough concrete information and good advice that pretty much anyone motivated can base their physical exercise on them. However, together, they represent such a gold mine of information that you are able to put together a personal programme that will target all different kinds of strength, condition, and endurance and will be usable indefinitely, without plateaus, over-training and such. Of course, most ordinary persons don't require the same all-round level of physique and condition as a combat sport athlete, but, then again, would not our day to day life be simpler if we did? (I know that I am healthier and more rarely out of wind since I started to use Enamait's advice.)
(Swedish, 11 Oct 2005)
Translated to English, the title of this book reads "Fans - a Book About Obsession", and that is exactly what it is. Strage, who normally writes about music in the daily newspaper "Dagens nyheter", has painted a broad picture on the matter of fandom by focusing on some more or less extreme forms of fandom. He tells the tale of Michael Jackson fans that travel to the other side of the world to give their idol support when he stands trial, he presents the case of the female fan that stalked Evert Taube and his family already in the sixties, he follows teenage girls to Westlife concerts, and much more.
Everything is carefully researched and many theories made by researchers that has looked into the phenomena of fandom are interleaved with running interviews with the fans themselves, people around them, and - in some cases - the fans' idols.
I must say that I found most expressions of fandom rather foreign to me. It is quite fascinating stuff, but at the same time both appalling and terrifying. Like the young, depressed German girl that travels to Sweden and manages to stab her idol in Ace of Base with a knife... All in all, of all the more or less extreme fans, I identified most with the Morrissey fans, despite being rather indifferent to Morrissey myself. I just understood them the best, even better than the Trekkers and Star Wars fans.
You should read this book if you are a fan of anything yourself, if you have strong feelings or prejudices about fans, if you are interested in contemporary affairs, or even if you just are looking to be entertained. Strage has written an unexpectedly interesting and rich book. It does not give any definitive answers, but suffices to show that fandom is both old and more vital than is commonly thought.
(English, 8 Oct 2005)
Ross Enamait is a boxer and professional trainer, renown for his series of self published exercise manuals and his promotion of cheap, down to earth, functional, and efficient methods of training. The brand new "Infinite Intensity" is his sixth title and the third of his books that I have read. Where the others have focused on some general theme, like bodyweight exercises or sandbag training, "Infinite Intensity" instead takes on a broader perspective. Even if Enamait is a boxer, he has intended his book for a much wider audience of competitive athletes and ordinary people training for better condition and health. The programme he outlines fits equally well for a wrestler as for a boxer, soccer player, or gym rat. As long as you are looking for general fitness and aren't focusing on just one aspect, like hypertrophy for a bodybuilder, this programme will work for you, with minimal tweaking.
This is by far Enamait's most complete book to date. He not only lists efficient exercises for the different goals of strength gains, aerobic and anaerobic conditioning, work capacity, and more. He also explains the theory behind each component, weighing different practices against each other and argues why he chooses to stick with some and stay clear of others. The whole book leads up to a sample fifty day exercise programme that incorporates all the multi-faceted aspects of training discussed before it.
If you aren't already a seasoned athlete, you may be a bit intimidated by some of the more advanced exercises Enamait present, like one arm pull-ups and push-ups, standing wheel roll-outs, or the flag. However, don't be scared off, thinking that the programme is to advanced for you. Relax, take a deep breath, and read the guide more carefully. Enamait always includes sections on how to master these beasts of exercises and point outs that it may take months or years. He stresses the importance of going slow and learning to crawl before learning to walk - or run.
I have been training for about a year with routines inspired by Enamait's books and it has worked very well for me. Not only have I gained a lot of strength and condition, I have also been able to incorporate increasingly advanced exercises. Right now, my biggest challenge is to make a customised version of the fifty day programme from "Infinite Intensity" that suits me and my current level. (And then launch head-over-heels into it.)
If you like to sweat and put an effort in your training, "Infinite Intensity" might be something for you. It sure offers a much more secure way to success than the exercise gadgets sold by tv-shop...
(English, 30 Sep 2005)
Another title from the Pragmatic Bookshelf. This one was less individually oriented than, for example, "The Pragmatic Programmer" or "My Job Went To India". Instead, it contains lots of valuable tips for developer teams and software companies on how to succeed with their business. The topics include revision control, automatic builds, continuous integration, automated testing, and much more. There are also less technical advice on how to interact in the workplace, for instance with short daily meetings.
This book made me remember the project courses I took at the university and the lecturer, Jürgen Börstler, I had on those courses. He is an authority on research in methodologies for software project. Although "Ship It!" is less research and more pure empirical notions on what has worked according to the authors' experience, I think Börstler would find this book pretty interesting.
It at least gave me an itch to try out some of the practises that I don't already use regularly or have used before.
(Swedish, 25 Sep 2005)
Today is Grandma's ninety-fifth birthday, and what better day to finish this thin book? My paternal grandmother is born Silfwerbrand and her grandfather's grandfather's father Alexander Magnus Silfwerbrand acquired the Händö estate in the 1720:ies. Now grandma descends from Alexander Magnus' oldest son, Johan, whom moved north, away from Händö, and didn't inherit it. Instead, it went to a younger brother but was kept in that branch of the Silfwerbrand family for generations.
Sjöström bought Händö in the nineties and has since then both given it a needed make-over and brought farming back to the estate again. He has also researched the history of the estate, compiling facts from numerous sources into this thin but fascinating book.
For me, who is related to the Silfwerbrands, the chapter on them is naturally the most interesting, but Händö has had so much more history than just under the Silfwerbrands. Evidently, it has been a "säteri", i.e., a estate with tax benefits for the nobility, since Johan III's reign 1568-92, but probably existed as a farm prior to that.
Probably one of the books most narrow in scope in this list, but quite interesting to me, anyway.
(German, 18 Sep 2005)
OK, so I normally try to read books in their original language, when I know it. However, in this case, Anja&Marc lent a German copy of the novel to me. It kind of gives it a whole new dimension, to read a thriller that takes place in a counter-factual Großdeutschland in German.
Robert Harris is a British historian, columnist, and author, that has written several thrillers, often based on the history of the twentieth century, like "Archangel", that in our time unravels a secret plan of Stalin. In "Fatherland", Harris explores the possibilities of a counter-factual cold war between USA and Germany, twenty years after Germany has won the Second World War. As usual, counter-factual books are very thrilling, as a lot of facts and things you know and take for granted suddenly appear in new angles and whole new contexts, hopefully making you understand the actual history better, or at least appreciate the counter-factual thriller more.
The general plot is pretty typical: common policeman gets mixed-up in large conspiracy and soon is hunted himself. The settings are completely new though, a Third Reich lead by Hitler that has swallowed most of Russia and Eastern Europe and dominates the rest (through a European Community, believe it or not!), and is about to celebrate Hitler's birthday when the body of an old man is found floating in a Berlin lake.
Quite an interesting weave Harris has woven of the actual plans the Nazis had, and what may have come about if they had not been defeated by the Allies.
(English, 12 Sep 2005)
I really need to read this book through again, and this time take notes, and from the notes form actual plans of action for myself.
It is a hand-book of how to sharpen one's skills as a computer professional in the times of increased concurrency from off-shore programmers in India and China. However, the tips are a lot more broader and practical than just focusing on how not to loose one's job to someone off-shore - the book is ripe with small but good advice on how to organise one's workday and work-task, how to interact with management and clients, how to develop oneself and one's skills and knowledge further and so on.
What I really would like to do is to round up a small group of friends from the university and then read and discuss each of the just over fifty articles the book contains. I think that could be very beneficial.
Fowler was an jazz-musician before he became a computer programmer and he manages to find a lot of parallels between being a musician and being a computer professional - perhaps unexpected, but intuitively true parallels nevertheless. He is also sent to India himself for a year and a half, to start a off-shore centre for his current company. Naturally, this adventure is both the inspiration and a great source of information for this book.
Great book for any computer professional.
(Swedish, 5 Sep 2005)
I had the impression that Koontz wrote horror novels, but this book only begun as a horror story, then turned out to be a pretty conventional American thriller. Sure, it had some supernatural components, but it is overall mostly a pretty typical American thriller, and Cold War Era, too.
As the copy I own happens to be a Swedish translation, I cannot tell if it is Koontz that have written some sloppy passages that the translator faithfully has not corrected or if it is the translator that have made a sloppy job of translating those passages, but I believe the former to be more probable.
All in all, it was a pretty nice thriller with all of the regular ingredients, but my reading experience got a bit tainted by disappointment as I was expecting a nightmare-inducing horror novel. (I wonder if this title is an exception to Koontz's other novels, as he really is renown as a author horror, isn't he?)
(English, 1 Sep 2005)
I read "Generation X" the first time at the university, around the time it got known in Sweden as the great ironic generation novel. Then it was original and ground-breaking. Today, it is less special - mostly because I have read all of Coupland's latter books (OK, all of his novels in English - naturally, I have not read his book that has only been published in Japanese, and not his art books either) but also because I have read other contemporary authors that either have been inspired by Coupland or have emulated his style unaware of him.
Compared to the rest of Coupland's production, "Generation X" fares pretty well. It has a certain graceful beauty and, by being his first, has a deeper originality than the rest, regardless of all having their u own ideas and quirks (take my favourite, for instance, "Girlfriend in a Coma", that has got a whole own dimension of originality).
It is, at its heart, about three friends that all have seen through the accelerated Western lifestyle of the nineties and chosen to quit their conventional careers and carve out a living on their own to the side of the conventional middle class life. They spend a lot of their free time entertaining each other with thought-provoking stories. These stories make up an important part of the novel.
The reason that I re-read "Generation X" right now was because DN choose to include a reference to it in their great nineties edition (covering all the memorable happenings within politics, culture, and sports from the fall of the Berlin Wall to September 11 2001).
(Swedish, 23 Aug 2005)
It is just plain wrong to put 1972 as the publishing year when H.C. Andersen wrote his stories in the mid-nineteenth century - but as each story are written in different years, it is easier to use the publishing year of this compilation by Carlsen if, illustrated with wonderful colour drawings by the Danish artist Svend Otto.
This is a collection of sixteen of H.C. Andersen's stories, some very well know as "The Emperor's New Clothes", "The Ugly Duckling", "The Princess on the Pea", and "Thumbelina", and some less well know like "What the Old Man Does is Always Right", "The Shepherdess and the Chimney-Sweep", and "The Fir Tree".
It is quite nice to revisit these old friends (I got the story-book as a gift 1978 - when I was four years old), but one reads them with different eyes now. We know that the underlying morale in "The Ugly Duckling" is a good one but, in comparison, the morale of "Little Claus and Big Claus" is really a bit gruesome for modern readers. Yes, little Claus got his revenge but one can hardly consider it proportional to the offence he suffered by Big Claus in the first place. But it was other times then - not exactly Disnified yet (for instance, "The Little Mermaid" is originally by Andersen, it is not in this book, but I imagine that the Disney movie is quite "adjusted" compared with the original.
All in all a very nice and nostalgic reading experience.
(Norwegian, 17 Aug 2005)
As I was sent to Norway in my work, I took the opportunity to buy a book in Norwegian, to check just how close written Norwegian is to Swedish. And, well, I was surprised. I mean, I have studied German for five years in school, plus an evening course in recent years, and used German regularly since 2001. Yet it is a much smaller fraction of words I don't understand in the Norwegian book than in any common German book. Norwegian and Swedish is close enough that it is no problem to read it and most often no problem to understand it, hearing it (the exception being some dialects). Of course, most words are somewhat different from their Swedish counterparts, but their meaning is still normally easily guessed. I had never thought it would go so easy - it was hardly any sentences where I did not get the context (something that still occur frustrating frequently in German texts).
Anyway, as I don't know any Norwegian authors, except for Linn Ullman and classical greats as Henrik Ibsen and Bjørnstjerne Bjørnson, it was thus primarily books by these I looked for. It turns out that many of Ibsen's plays is currently available as pocket books, containing reprints of the last editions Ibsen authorised himself. As, next to "Peer Gynt", "A Doll`s House" probably is Ibsen's most famous play, I choose that title (i.e., "Et dukkehjem").
It seems that Ibsen, like Strindberg, used new and sometimes controversial modern ideas in his productions. In "A Doll`s House", the conventional outlook on marriage at the time (nineteenth century) gets re-evaluated, empowering the wife in the process. The events would hardly raise an eyebrow today, but 126 years ago, it must have been dynamite.
The play is a rather simple one - three acts all taking place in the same room and not that many characters, but it is still quite thrilling, actually, as the reader/public tries to anticipate what will happen to Nora (the main character) as the events unfold.
All in all a both interesting and nice reading experience.
(Swedish, 14 Aug 2005)
The original English subtitle is "The Plot Against the Jewish Doctors 1948-1953" and that is basically the scope of the book. The authors has, through careful investigation of recently opened archives from the Soviet Union, compiled a lot of new (or at least freshly re-interpreted) facts about Stalin's big plans the last years of his life. The authors conclusion is that Stalin was manipulating people to fabricate the revelation of a Jewish conspiracy within the Soviet Union, aimed at the communist leaders and supposedly instigated by USA. The authors argues that Stalin would use the false conspiracy as a excuse to launch an attack on America. The authors sound rather convincing, but, to be honest, I find the book too hard to follow to be really swayed by their argumentation. It is just too many names, events, and sub-plots, and rather than stating their hypothesis and then collecting and accounting for facts that support their hypothesis, they try to write a thriller by keeping the reader in the dark and adding a measure of mystique to the narration. I.e., to some extent entertaining but rather unsatisfying even for the pure hobby historian. They might be right on the mark - it certainly looks like Stalin knew and manipulated the whole Soviet society. But, then again, they can equally well grossly have over-estimated Stalin's intelligence. He might only been an old, previously very successful bully that the last years of his life only become more and more erratic and irrational - in people of power, those traits can easily be mistaken for secrecy and cunning.
Somewhat interesting but on the whole unsatisfying, kind of leaving you hungrier after you devoured it than before. The 75 years of the Soviet Union are such a rich source of real, hard-core contemporary history that there really are little need for speculation on the secrets that have not yet been revealed.
Read it and make your own opinion.
(English, 1 Aug 2005)
Remember Hornby's last novel, "How to be Good"? Remember how it started out so well as a sublime everyday drama - perhaps a bit predictable but, oh, so bittersweet enjoyable. And then that strange new-age guy show up and the novel goes completely overboard and it is not until way past half the book Hornby finally wins one over again. Remember that? With it in mind, it was not so strange that I started on this title a bit cautious. However, I had little to worry about. Yes, "A Long Way Down" is both bizarre and extreme in places, but - believe it or not - the events are never totally unlikely. Rather, following the logic of the novel, they are well bordering on the likely.
Four very different people happens to get to know each other just because they all shared the urge to kill themselves one New Year's Eve. Naturally, all of them is pretty depressed and/or self-destructive. You would think that it would make for depressive reading. Yet, there is hope, because they do not kill themselves that night and we are able to follow them for a while, to see if/how they get to terms with their problems - problems big enough to want to end it all.
One can but wonder what dark period of hardship in his life Hornby has revisited to draw experience from in order to weave this intriguing piece of contemporary fiction. Like Maureen, Hornby has a disabled son. Like Martin, he is a celebrity. Like JJ, an artist, like Jess - er, well, I cannot tell any obvious link between the author and his character Jess, but who knows? She might be representing his hidden fury and frustration, for all I know.
What I do know is that this is a pretty multi-faceted novel and, as such, probably has something to offer most readers - regardless of who you most identify with or if you mostly find the book hilarious or mostly insightful and thought-provoking.
I even think it can act as helpful reading when you are down. Of course, it might also make the reader even more depressed, so it is, naturally, something of a double-edged tool. I find the risk rather a lot less than the chance of something positive.
A great, if rather complex, reading experience.
(Swedish, 23 Jul 2005)
This is something fun: a rather advanced book on Mathematics for school children afraid of the same subject. The main character, the boy Robert, loathes math and is frequently having nightmares. However, the nightmares goes away when he suddenly begins to meet the Number Devil in his dreams. Each chapter describes one of Robert's dreams and in each dream, the Number Devil presents a new mathematical phenomena in a clear and easily understandable way (and when Robert is slow getting it, the Number Devil gets rather angry).
The pedagogy in this book is far from the conventions of ordinary text-books. Enzensberger even invents new and imaginative terms for things with frightening common names like faculty, potencies, etc. For example, the irrational numbers are referred to as unwise numbers. ;-) For a grown reader, well-oriented in math, these alternative, friendly names can actually be a bit troublesome, as one, naturally, would like to see the phenomena called by their right names. However, I can see the beauty of using a simple and non-frightening name to make children focus on the mathematics and not the terminology.
I was actually a bit surprised on how advanced and wide-spread mathematical topics Enzensberger has chosen to visit. All can awake a fascination for numbers in a child but none of them is deemed to fit in any elementary math-book as the space is reserved for mind-numbing repetitive exercises on simpler and duller topics, like the multiplication table.
The big question is, really, just how soon can you read this novel to a toddler and have it sow a seed for future school-years in the toddler's mind?
(English, 21 Jul 2005)
On Saturday July 16th, the sixth Harry Potter book was released to the public. Having pre-ordered it, I could fetch the package from the local grocery shop, masquerading as Post Office, on Monday the 18th and sit down to read. Then followed a few days when I wished my work-hours would be over soon and my fiancee wished I would quit ignoring her in favour of the novel.
The big questions then:
I would say that the magic still is there, but that it has faded a bit. Rowling definitely keeps the suspense up, but I rather felt that the current novel was a sequence of often too short passages. Somewhat like if she chose to trim each passage down in order to avoid a too long book instead of limiting the number of passages. However, it was too long ago I read the first books (even before I started writing this web-page), so I really need to go back an re-read them to be able to give a fair judgement. The sixth book is somewhat shorter than the fifth, and I think that is good, but I don't think the sixth needed to be quite as sketchy. In short, you get less into the Hogwart's atmosphere than in the earlier books, but you also get less into Harry's own teenage mind, which pretty much dominated the fifth book. All in all, Rowling still keeps the quality on a high level, but it suffers somewhat from the extended challenge of writing the latter books for a matured public. I.e., she excelled more at the adventurous tale for pre-teens that the first, rather thin book was, than the teenage thriller-suspense-crime-love-everything book for teenager the latest is. Still, the novel is good and I had my happiest moments for months when I read it on the bus and underground to and from work.
The plot both thickens and is sorted out in the sixth volume. We discover facts hinted at earlier and receive answers to mysteries seen before. Yet Voldemort is still at large and the perils for our friends are the gravest so far. The grim cliff-hanger to accompany the wait for the seventh - and planned final - novel in the series is even grimmer and bleaker than the one of the fifth book. We can only hope that Rowling does not make us wait too long.
Oh, another thing, one guess I made at one mystery pretty early in the book payed off - I was quite satisfied to be right in the end. Another guess back-fired completely. Not that I was wrong, I was quite correct, thank you, but the thing was just so disappointedly plainly obvious that it was not at all of the Agatha Christy Puzzle-Crime-mystery standard we have got use to within Rowling's children's fantasy-comic-suspense novels.
Think what a literature treasure the complete HP-series will be to re-read - both for one's own amusement and one's kids. ;-)
(Swedish, 14 Jul 2005)
Ooops, mistake - I did not go through the bookshelves of the summer house my in-laws rented thoroughly enough. I missed that this title, the prequel to "Godset", was there and read the sequel first. Oh well, nice to at least have found the prologue to the latter book too.
As its sequel, "Jacobys hus" takes place in Poland during the latter half of the nineteenth century. We follow a Jewish family and its numerous connections through the aftermath of a Polish uprise against the Russian occupants and times coloured by the new political ideas that caused the mass-migration to America and eventually would lead to the Russian revolution.
Except for Polish national and European political history, one also learns a lot of Jewish tradition - especially within the Chassid movement - but also meet a few Jews that have converted to Christianity in order to promote their businesses.
However, all these side treats aside, the novel is a family drama at its heart, and it is said that Singer bases the story a lot on his own background, before he left Poland for USA.
(Swedish, 12 Jul 2005)
This title from Saramago has a lot in common with "Lissabons belägring" (or at least the single middle-aged clerk/academian as main character). It is quite brilliant in it simplicity. The story it a lot less grand and a lot more contained than Saramago's other books, but I rank it as one of his best along with "Blindheten".
It is hard to go into details without divulging to much, but one could say that it is about finding a purpose to one's life and making even ordinary mundane days extraordinary.
Give it a chance, it is well worth it.
(Swedish, 9 Jul 2005)
This is a grand family drama, said to be based on Singer's own youth in Poland. We follow the members of a Jewish family and their connections in Poland, Palestine, and USA. They are swept up in the events of the latter half of the nineteenth century - the old Europe is about to make room for the new Europe, as marked by the bloodbath of the First World War and the Russian Revolution. However, these events takes place years after the novel ends, but many of the characters in the book definitely feel and ponder the new trends and winds, especially political, that ultimately will pave the way for the new Europe.
A quite educational novel, as background to the family saga. Aside from nineteenth century history, we also learn a lot about Jewish traditions and challenges in a Poland occupied by a Russia riddled with Pogroms.
However, the lasting impression is that the people of the nineteenth century differs very little from us in the twenty-first century.
(Swedish, 6 Jul 2005)
This was evidently Saramago's international break-through and even if his characteristic traits - most notably the creative punctuation of dialogs - already is there, his more sublime presence will develop further in his latter novels.
The book has similarities with his other historical novel, "Lissabons belägring", in that it uses as a backdrop a real, Portuguese historical event - in this case the erection of a convent near Lisbon. But, as usual, the story is ultimately about a few ordinary people - not about the event that serves as backdrop for the experiences of the main characters of the novel.
I found this to be the most winding and least realistic of the novels by Saramago I have read so far. It clearly bears his distinctive mark, but his authorship has evolved a lot further in his latter novels.
(English, 4 Jul 2005)
One can get quite annoyed at young, spoiled Emma Woodhouse. How she deceives herself and sometimes others! How she over-estimates her own good sense! How she meddles in others affairs! Always with the best intentions, but not always with matching results. However, during the course of the novel, we watch Emma grow as a person and the end is as lucky as we would expect it.
Austen can as no other make small English country villages come to life with credible, if quite one-dimensional, and lovingly sketched portraits of the inhabitants. Some characters are good and wise, other good and stupid, some stupid and narrow-minded, a very few is both evil and intelligent. Austen's classical novels is almost an England in themselves. Also, the beautiful nineteenth century English is a treat to read. It can only enhance one's own foreign English. ;-)
(English, 27 Jun 2005)
It says on the dust-cover of the novel that it is "the book of the film", which can be a nice variation to the more common phenomena of films made after popular books. The chance is greater that a book made after a film will include all of the film whereas a film after a book often trims the story down quite a bit and even alters it "to better suit the public"...
Anyway, this is the story of the third generation professional show magician, Jasper Maskelyne, that, even though he already was approaching his middle-aged, joined the army to do his share of the fighting during World War Two. He nurtured the idea to use his skills of deceiving the public in magic shows to dupe the enemy at the front. However, in order to be able to do that, he had to battle the quite traditional view of the Army officers. But, as you have guessed, he prevailed and eventually probably contributed to the British victory in the Battle of El Alamein. Along the way, he, among other things, had made the Suez channel disappear, tanks appear here and there and even displaced a harbour (or at least manufactured the impression of these things).
A highly entertaining and quite unusual war-documentary, with a lot of inside information on how the British deceived the Germans in North Africa.
(English, 19 Jun 2005)
Three authors and a novel divided into three parts divided by years and years. Kind of makes one wonder if the authors wrote one part each? I did imagine some differences in style, especially between the first part, where the local Latin language were omnipresent, and the second part, where the language were notably less frequently used. However, on the other hand, these parts are divided by more than three hundred years and the dialogues differ between the second part and the first. I cannot say for sure that the authors wrote one piece each, but I can speculate, and I do know that they all have published fantasy novels of their own, so it is anyway quite a nice feat to join forces to produce such an intriguing novel like this.
The story takes place in the small duchy of Tira Virte and is ultimately about the ruling family, the do'Verradas, and especially the unique family, the Grijalvas. The language of Tira Virte is obviously a Latin language, with clear kinship with Italian and Spanish. Yet, it is neither of these languages, which make me believe that it is a Latin variant the authors have invented to make their fictitious world more real (or might it be Portuguese or even Rumanian?). By deriving it from Latin, they also ensure that most Western readers can understand or at least make educated guesses of the meaning of a great many of the words.
If we look at the fantasy side of the novel - the magic - we can note quite many original ideas. I don't want to disclose to much, but I think it is safe to say that the art of painting lies at the core of the book, as the Grijalvas, one of the two families in focus, is a family of painters. You know the rich symbology of classical paintings? Let's just say that the symbology of the Grijalvas' paintings sometimes are more concrete that the abstract symbology we are accustomed with in our world.
"The Golden Key" is in reality something of a mix of several literary disciplines. Of course, it will always be labelled as Fantasy, but it contains elements of both family annals and city chronicles. Also, and here I am speculating again, the love scenes and erotic passages get a more sensual touch by female authors than by males. So, in this sense, I imagine that the mix gets kind of a whiff of Harlequin too.
All in all, a very complete and enjoyable novel with both a couple of original, well executed ideas and a thorough base of solid literature.
(English, 16 May 2005)
Compared with Clinton's autobiography, "Homeland" took no time at all to read. It is, of course, pretty light and predictable reading, but it actually has got its moments. Salvatore is one of the more celebrated authors of role-playing-games-spin-off-literature.
Anyway, "Homeland" takes place in Underdark, well below the surface world, where, among other creatures, the dark elves, the Drow, dwell. Their's is a twisted society, sprung from their hatred of the surface world they once were driven from (and now cannot go back to as they no longer can endure the sun).
However, not all Drows are blindly ambitious and treacherous. One of the exceptions is Drizzt Do'Urden, whom the novel is about.
You learn a lot of Drizzt's hardships and Underdark in this novel - perfect for when one of your game master's campaigns take you to the same place and in the way of Drows.
(English, 12 May 2005)
It took a while, with perhaps just a few pages progress a day when riding to and from work, and a break with other books during the trip to Athens (to be able to travel light), but now I am done.
Clinton's autobiography is not as well written as his wife Hillary's "Living History" but is exciting as it is the in Europe very popular president's own version of his years in the White House.
The best part is the beginning, covering his childhood and youth, sprinkled with anecdotes about his adolescent adventures - often with some retrospective speculation on exactly what valuable lesson that and that adventure taught the young Clinton. Another good part is the campaign for the president election. You already know he is going to win - yet the chapters on the campaign actually are pretty exciting, not to say nail-biting, reading.
Thereafter the book loses momentum. The eight years in the White House are impossible to contain in one volume - even if it is a brick-like one. Yet Clinton clearly has had a hard time cutting things out. He covers way to much just to briefly. You almost get lost in the barrage of short paragraphs on big issues. Also, I, as a non-American, would have appreciated more domestic issues. Clinton is so proud of his rôle as a peace-maker all over the world, and it shows in the book, but these foreign matters are old news to me, who followed the news during Clinton's presidency. I find the US domestic politics a lot more interesting and educating to read about, but, alas, Clinton priorities his foreign work.
There are of course a lot of domestic politics, too. Most feels quite natural, but the battles with the National Rifle Association and the ruthless Right Wing dominating the Republican party is very strange to me as a Swede ("only in America..."). Actually, as I recalled it, Hillary Clinton goes deeper in her coverage of the Whitewater affair (where the Right Wing Republicans breaks all rules trying to discredit Clinton) than Clinton does himself.
Of Clinton's lesson, one really stuck with me: how he makes a difference between good policy and good politics. Good policy does not always make good politics - especially not in USA. (Policy is the big picture principles and long run solutions while politics is more about appearances and short term goals and petty wins). Needless to say, Clinton argues that he tried his best to implement good policies (and at least he did create 22 millions new jobs, forward the peace process throughout the world, and diminish USA's national debt dramatically during his presidency) but sometimes neglected or failed at implement good politics (making himself a sitting duck for Republican attacks).
All in all, a great piece of modern history that has a lot to offer even as the bulk of the book took place just about ten years ago.
(English, 24 Apr 2005)
OK, this is yet another title that is advertised as pertaining to the "Da Vinci Code" genre. However, the contents revealed quite another story than the sales pitch and cover led me to believe.
I bought my copy at the airport in Athens and spent the flight to Budapest, the hours at Budapest airport, the flight to Stockholm, and the train and bus rides home reading it. Still, I did not finish it until the day after.
It contains many of the now so familiar ingredients for an ancient-riddle-to-be-solved-today-thriller but also has a personal touch I really enjoyed. In the centre stands four young college students, sharing a dorm at Princeton. They are all quite different but complements each other and get along well. The unusual twist is that, instead of being caught up in the mystery and having the mystery change their lives, never looking back, in "The Rule of Four", the mystery plays a prominent rôle but never becomes more than a catalyst for the changes the college students experiences as they are growing up.
The true plot is not that about the decryption of the five-hundred years old book of still unsolved secrets. Rather, the mystery is only acting as a most intriguing backdrop to the accelerated evolvement the main character Tom experiences his senior year with regards to his friends, his dead father, his widowed mother, and his fabulous girlfriend.
I like that "The Rule of Four" is not as black and white as many other novels of the genre. In "The Rule of Four", no-one is completely evil and no-one is completely good. The greatest dangers to each persons poses within the persons themselves. Also, the path from A to B is far, far from straight. It can even be debated if Tom even has reached B as the novel ends.
A brilliant, intelligent mystery-thriller with an unusual personal, caring touch. Recommended.
(English, 23 Apr 2005)
After I had finished "Saker min flickvän och jag grälar om" but before I had had time to shop around for something new to read, I stumbled on Marriott's book in a desk-drawer at my hotel room (at Athens' Ledra Marriott). As I needed something to read, I of course dug into it.
In short, it is a pretty American piece of corporate history, with focus on corporate values. The professional writer Kathi Ann Brown has helped J. W. Marriott, the son of Marriott's founder, to write his account of how the company his father started has evolved from one hot soup restaurant to a global lodging, catering, and management corporation.
All in all rather light-weight, but it has its moments where it gives the impression that Marriott focuses more on core values than on finances and ruthless business than many competitors.
Also, it is always nice to hear of global companies that once started out of nothing. Makes it possible for oneself to dream a little. ;-)
(Swedish, 20 Apr 2005)
Going away on a one week conference in Athens, I did not want to pack Bill Clinton's "My Life" as that would have made it impossible for me to travel with only a carry on bag. Instead, I brought along this novel, although I did not have more than perhaps a fifth of Clinton's auto-biography left. Millington's book fit easily in the outer pocket of my backpack, but, despite being so small, as I slept most of the trip to Athens and the conference took up most of my time, I did not finish it until the middle of the week.
It is a rather weird story - bizarre and farcical - but in an everyday setting. Well, sort of everyday anyway. That is, it is Pel's - the main character's - everyday life that suddenly takes a surprising turn (and more than one turn too).
About the only thing that, with a little good faith, can be interpreted as plausible is actually Pel himself, despite his unbelievable fate. His girlfriend, his colleagues, and his friends are all rather unconvincing. Then again, as Pel is the narrator of the story, can we really trust him not to make himself out as a victim of the persons surrounding him?
All in all light-reading and cheap entertainment.
(English, 16 Mar 2005)
It is hard to pin-point what this really is. It is not fiction, far from it. Yet, on the other hand, it is not a strict scientific piece either. The closest fit would be that of popular science. What it all boils down to is three journalists describing how they come about to formulate the hypothesis they then argument in favour of.
The book is well written and, despite spanning two millennia and only reading what ripples historical events have caused that are still discernible, is quite thrilling, too. The authors have succeeded in making history come alive, even when they are only guessing at what might have occurred.
As you probable know, the authors have accused Dan Brown of theft when he based his "The Da Vinci Code" on this book. However, Brown have clearly been inspired by "Holy Blood, Holy Grail", but this title contains so much more than what Brown used for the plot in his novel, so I cannot really support the authors accusation. On the contrary, they should be glad that Brown's bestseller probably sells more copies of their book, too.
As you also probably know, after the Da Vinci Code hype, the general hypothesis is that Jesus was married, fathered children and that his blood-line has survived to this day, and, furthermore, that a secret society has been working over the centuries to reinstall Jesus blood-line on a throne.
The authors argues a strong case. Or so is the reader led to believe. What we do not know is how much contradicting facts they have omitted. They do have collected a lot of either supportive or at least not non-supportive facts. In the end, however, it all boils down to indices and guesswork. Probably, the main thing this hypothesis has going is people's general tendency to believe in conspiracies and mysteries. But I admit that it is a really nice and thought-provoking book. I really enjoyed reading it and eagerly awaits further hard proofs to be found. What other Dead Sea scrolls are out there? What manuscripts are hidden in ancient monasteries?
Great hype, great book, but no excuse not to exercise common sense.
(English, 26 Feb 2005)
Enamait's training manuals are all down-to-earth instructive regarding personal physical exercise. Enamait describes in detail, illustrated with photos, a wide range of exercises that you can do at home to boost your strength, endurance, and condition. I already have read his "The Underground Guide to Warrior Fitness" that focuses on body-weight exercises. "Medicine Ball Training", not surprisingly, list a lot of medicine ball exercises but also contains sections on dumbbell and sandbag training (i.e., a canvas bag filled with sand - apparently a great piece of training equipment because the instable sand contents activates your stabilising muscles a lot more than a barbell does).
For me, Enamait's manuals not only are great reference material to compose killer workouts from. They are also great motivators - by reading them, I get really inspired to train and train hard.
All in all, great value for a cheap price.
(English, 26 Feb 2005)
This was kind of an embarrassing surprise. I was totally convinced that I read this novel in senior secondary school, too, but after finishing it this time, I am beginning to think that I missed it the first time around. At any rate, I have no recollection of any of the events in the novel, the way I remember bits and pieces of "Neuromancer" and "Count Zero". Well, now I definitely have read it.
"Mona Lisa Overdrive" is the third volume in Gibson's first cyberpunk trilogy and here he ties up the events set in motion in Neuromancer. Many of the key characters in this novel played crucial parts in the two earlier books too.
Gibson's strength lies in his ability to take an idea or a concept and look at it from every angel, twisting and turning it, to explore its every ramification, before he actually puts his novel in writing. This way, he creates a powerful sense of authenticity and credibility. In this sense, I find this to be Science Fiction of uttermost quality. Yes, Gibson's cyberpunk future is in many ways dystopic, but it still feels a lot more genuine than a lot of the mainstream high-tech, totally incredible Science Fiction we are used to.
Also, if you read some theories of modern economists, like Ridderstråle and Nordström's book "Funky Business", Gibson's future only looks more probable. The global economy, the Internet becoming more and more of a business tool, the entertainment industry driving technology advancements forward - all indicates that a development towards Gibson's world is not only possible but have come a lot closer since Gibson started to write his novels in the eighties.
This is a typical novel that you either loves or hates. Who knows what elements of it that triggers just your reaction, but people are seldom indifferent to Gibson's books. How do you view them?
(English, 15 Feb 2005)
Why didn't we have grammars like this in school? How many grammars have you seen that one can read through from cover to cover and enjoy? This was quite something. Written in the late 1810:s and early 1820:ies, it is a English grammar in the form of 24 letters (and six lessons) written by the author to his fourteen years old son James, to teach him proper English and how to avoid common pitfalls when writing in English.
It works like a charm. Sure, some letters, like the one on verbs, are longer, more complex, and harder to understand than others, but on the whole, this grammar is the simplest I have ever seen (for a natural language). Even if it is close to two-hundred years old, Cobbet's language is clear and lucid, even if he is quite generous with the commas at times and makes use of colons and semi-colons much more often than modern users of English.
This touches upon my main concern with the grammar. Might anything have changed since the early nineteenth century? Do all rules really still apply? I mean, I know that colons and semi-colons are not used as frequently within sentences today, and Cobbet himself explains that thou/thy/thine/thee already at the time of writing were disused in favour of you/your/yours/you, but is there any less obvious part of the English language that has changed and that I am unable to spot?
I have learned things, too. The first thing that springs to mind is the subjunctive mode. Take the sentences "He was here" and "if he were here", for instance. The latter is in subjunctive mode due to the "if" and there "was" becomes "were". I'm afraid that I, by ignorance, frequently uses the third person form of the verb in subjunctive mode (especially in long and winding sentences). However, I hope I will remember to check that now that I have read Cobbet's grammar.
Cobbet himself is an interesting character. Apparently, he got himself thrown in jail at times for criticising the authorities. One can tell in his grammar as he constantly uses writings by ministers, bishops, dukes, and other persons of high rank, as examples, to illustrate the rules of his grammar with the faults in their writings (and he is not nice at at all while he does it).
To wrap up this mini-review, let me cite a sentence found early on in the first letter, the introduction:
"But knowledge, in any art or science, being always the fruit of observation, study, or practice, gives, in proportion to its extent and usefulness, the possessor a just claim to respect."
As I said, he uses commas more generously than modern users of English, but this sentence coming so early in the book, it stood out quite a lot, and I had to re-read it to grasp it. Compare it with "But knowledge gives the possessor a just claim to respect." The insertion of the multiple subordinate clauses immediately before and after the main verbs "give" makes the sentence quite complex. But try to read it. Kind of beautiful, isn't it?
(English, 1 Feb 2005)
Now, why does people from our world that come to the world of Lyra acquire an external animal dæmon when people from Lyra's world that come to our world do not lose theirs here (i.e., their dæmon are not incorporated into our usual spirit or soul)? It probably just is so, but, then again, it might be a inconsistency Pullman is unaware of.
Anyway, this is the second volume in Pullman's "His Dark Materials" trilogy, and things are acting up. Lord Asriel has succeeded in his stunt to make the barriers between the worlds more volatile and inter-world travels become a lot more frequent. This time around, the plot also takes us to our own, familiar world. Not even that is unaffected by the resent events...
"The Subtle Knife" is, I would say, even more suspense-filled than "Northern Lights", but it is darker, with a higher sense of foreboding doom. To me, one of the most thrilling passages in it is not one of violence or out-of-this-world creatures. Instead, it is a few pages involving an our-world Oxford scholar. When fantasy touches the imminent step of scientific progress, at least I get thrills down my spine...
Quality fantasy with true originality. Unfortunately, Lyra was not as prominent and self-poised as in "Northern Lights".
(English, 23 Jan 2005)
What a nice idea - to make a copy of our world and make some thorough alterations to come up with a whole new world, at the same time both very familiar and utterly strange. For instance, it is the church that drives and controls the scientific research. Also, every human has got a dæmon - a portion of one's soul that acts independently of the human, in the shape of an talking animal. This idea, Pullman has explored to the limits. (Nice stuff, why don't we have dæmons in our world?)
"Northern Lights" is the first volume in Pullman's "His Dark Materials" trilogy. However, in America, "Northern Lights" was published under the title "The Golden Compass" - apparently due to some miscommunication with the American publisher.
This is on the whole a fantasy novel with freshness. It is not a bleak copy of some other bestselling author's creation. It is an original idea, explored with merit. It is easy to sympathise with the main character, the young girl Lyra (and her dæmon Pantalaimon) and you are driven by an urge to turn page and see what happens next (quite a lot of suspense crammed in).
Basically, a nice surprise that makes for a lot of pleasant reading.
(Swedish, 13 Jan 2005)
This was a quite useful book - if you own or plan to buy an apartment in a co-operative building society (due to the rent control in Stockholm many times more common here than in other countries capitals).
Taavola lists advice on how to find and deal with real-estate brokers, how to investigate a apartment for sale, how to renovate your own flat to make it more worth, how to measure the actual area of an apartment correctly, etc, etc.
As my one room apartment currently feels quite cramped, I read the book with huge interest, as I hope to, in a not too distant future, find a larger flat to buy and sell my current one (I think I will stick to a co-operative building society - it is not likely that I will be able to get hold of a common rented apartment in Stockholm).
(English, 2 Jan 2005)
This is the second volume in Gibson's first cyberpunk trilogy. It is the successor of "Neuromancer" and refers at places to events of that novel (what took place in "Neuromancer" did naturally not go by unnoticed).
Not surprisingly, it does not reach the heights of "Neuromancer" but, then again, it is not especially fair to come as a follow up to a totally ground-breaking novel. "Count Zero" has merits of its own. I especially like the ideas of AI:s breaking lose and dense amounts of information reaching critical mass and not only becoming sentient but also starting to interact with humans in the matrix (what in our world is called being "on the net"). Kind of interesting that I, despite being a full-time computer professional working a lot on the net, still am able to retain a romantic interest in it, don't you think?
All in all a fair cyberpunk novel that explores the ideas of "Neuromancer" further but is forever doomed to stay in the shadow of its predecessor.
(Swedish, 28 Dec 2004)
This was a Christmas gift from my mother. Always nice to receive a self-help manual from your own mommie, don't you think? I mean, she knows you pretty well, right? So either she disapproves of how you are and wants you to change, or she feels sorry for you and wants to try and help you... There is no other possibility, is there? Well, of course there is: she has stumbles over a nice book she found interesting and wants to share it with her kids (my sister also got a copy).
Pollak is to me best known as a movie-maker. This year he directed "Så som i himmelen", which is a quite good movie. This title seems actually to be his second self-help manual. It is basically about recognising one's own unconscious, trained reactions, trying to un-train them and change them into more positive choices. In short: to choose happiness instead of irritation, anger, and other negative feelings.
It is not a book to read from cover to cover. Pollak repeatedly urges the reader at special points to take a break, rest, and ponder the already covered before moving on. Of course, I read it straight through, but I admit that it might be worth going back and re-read with more conviction and dedication. I read the bulk of it on the flight back from my parents in Umeå to Stockholm. As it is about choosing happiness instead of irritation I could not help but appreciate the teenage girl that constantly the whole trip looked after her kid sister in the seats next to mine. She really had the patience of an angel. She really choose happiness before succumbing to an irritation and impatience that only would have upset and frightened her little sister. Impressive and acted as an amazingly fitting illustration to Pollak's book.
No self-help book works without the reader being both committed and a believer. Thus it is important that the contents come naturally and not just feels like a huge mumbo-jumbo enriching-the-author scam. Pollak writes about himself and, more important, to himself. That works. One trusts that. Also, although a lot of the ideas sounds quite impossible at a first glance, the core message is quite sound and natural.
It is a journey of unconscious fears and projection of own feelings onto others, as a defense. It is a course in identifying these things and train hard to break them, choosing happiness before irritation and anger. A book to turn to with an open mind. It might sow a small seed even if one does not get instant salvation and follow it to the letter (no book should be followed to the letter, especially not the holy ones).
(English, 27 Dec 2004)
Apparently, this is Brown's first thriller, written years before his breakthrough bestseller "The Da Vinci Code". Of all four of Brown's thrillers, this is the one I have the most problems with. Yet I consider it one of his better, despite not having Robert Langdon as main character. The problem and the quality is tightly coupled. The plot takes place within USA's National Security Agency's code breaking department and, corresponding to the times we live in, this makes computers, digital codes, programming, and networking a huge part of the book. Here lies the lure for me as I am a computer professional and know many of the things Brown describes as my own pocket. This also brings us to my problem with the novel. Brown should really have had some seasoned computer programmer proof-read the book, as it is littered with an abundance of unnecessary mistakes. Brown does not know the difference between bits and characters for God's sake! (On most common architectures, one character is represented by eight bits and in the more and more popular unicode character/symbol set, one symbol is represented by sixteen bits.) I could make a long list of crazy things, like ftp packet filtering being an outer defense layer with X11 packet filtering being an interior layer, or it being possible to write a general tracer that emailed to an email address calls back with the address of the actual, final receiver, but I will not. Instead, I will just encourage computer professionals not to read chapter four at all and try to picture the rest of the novel to take place in a parallel universe - not quite like ours...
All in all, quite a typical thriller by Brown but perhaps his first does not follow the same template to the same degree as the subsequent three (which is good). With a bit better research or proof-reading by someone computer literate - it could have been a near perfect thriller even for me. As it stands, it is just pretty good. ;-)
(English, 14 Dec 2004)
I cannot recall exactly when I read "Neuromancer" the first time, but it must have been as a teenager. Of course, I read it with quite other eyes today, as I am roughly twice as old. For instance, I seem to remember experiencing an adolescent crush on Molly the first time. Now, I regard her more of a side character, described rather sketchily, and can appreciate her skills but am not exactly intoxicated by her anymore.
Another thing I did not remember - or possible was not equipped to make out before - is the quality of Gibson's language, especially in the first part of the novel. This must have been one of the reasons for "Neuromancer"'s instant success. Gibson used a style of classical literature for a science fiction piece. Of course, some parts - especially the dialogue - are more modern and adopted for a cyberpunk society,
Here is a topic worth mentioning again. Gibson did not invent cyberpunk. He does not even use the term, but "Neuromancer" made him the father of cyberpunk anyway. What is cyberpunk? In short - a dystopian view of the future driven by immense technology breakthroughs. In the world of "Neuromancer" (and the following two volumes in the same trilogy, and Gibson's second trilogy - but not his latest novel, "Pattern Recognition", that takes place in our own time) the third World War has taken place and global corporations has replaced the national states as the powers that be. Gibson's vision of what we call the Internet is everywhere present and people make cybernetic alterations to themselves. Other authors have created their own cyberpunk worlds, but Gibson's is one of the best known.
Gibson also excels in making his world real. This is not easy. Think about different authors' style and the realism of their novels. Gibson does not ramble on lengthy explanations on intricate details of his world. He sort of takes the dreamt up things for granted and deals with this distant and impossible world as if he was writing a novella about his own work day. It just works.
Does it still hold? Yes, it does. I still consider "Neuromancer" among the best Gibson ever wrote (it is only his last two novels that really can compete, "All Tomorrow's Parties" and "Pattern Recognition"). Being a computer professional, I cannot but help draw parallels between Gibson's (to me) wonderful Matrix and the bleak shadow of the Matrix, the Internet, that I use daily. While reading "Neuromancer", it is always a bit more special to sit down at one's computer and log in. ;-)
(Swedish, 12 Dec 2004)
Fiftyfour battles at land and sea where Swedish armies or fleets have fought, from Visby 1361 until Leipzig 1813 (yes, a Swedish army took part in the alliance against Napoleon). The book's somewhat bulky format made me read it mostly at home, and not on my way to and from work, so it has taken quite a while to finish it - reading about one battle one day and another perhaps next week and so.
The book is nicely illustrated, both with paintings and photos of stuff in museums, but also with excellent diagrams over the battles and how they evolved. Each battle only get a small number of pages, so they are not described on the most detailed level. Instead, you get a good description, not only on the actual events that took place, but also on the politics and overall status of the current war/campaign. This is the book's strength. You can look up a single battle and get yourself oriented without the need to read a whole tome dedicated to the same battle. Also, the authors have done a good job at mentioning and doing away with old "truths" - reinterpreting the events with modern research in mind - often finding more banal explanations for some actions than the notion of Swedish bravery of old...
Another important aspect is that the authors not only lists battles Sweden won but also disastrous defeats. Perhaps not as fun to read about, but probably more useful in the long run (we learn history in order not to repeat it). Yet, I can hardly help myself romanticise over Sweden's glorious past and ponder what Sweden might have become, had not "if" been.
(Swedish, 2 Dec 2004)
This is not any thick tome, but it is hilarious. Tage Danielsson was renowned for his very kind and unobtrusive tone - but very satirical and sometimes chiding contents. In this book, titled "Bok", the Swedish word for book, Danielsson collects a large number of short parts, written to mimic different kinds of writing - the novel, the short story, the diary, the fabel, the poem, the speech, etc, etc. The supposed point of this is to make people familiar with the styles again, so they will be able to begin reading again (it is a well-known fact that people don't read as much as they use to, isn't it?).
Anyway, each style of writing contains different more or less hidden opinions, often of the kind of mild criticism of society. Unfortunately, as it was written in the 1960:ies, most of the people in office is not only succeeded but often dead, like the prime minister or the director of the Swedish Post. However, much of Danielsson's beliefs is timeless, like his idea of peace and equal rights. Anyone can find this book entertaining, but one might require some amount of general education and knowledge of Swedish twentieth century history to appreciate all fine details.
My two favorite pieces in the book is the supposed movie script where the censor has removed everything the least sexual and romantic but left even extreme violence untouched, and the "tutorial for architects building houses where people are murdered" - the typical British criminal puzzle story is being parodied to the uttermost degree.
(English, 30 Nov 2004)
This was the third novel by Brown I have read and his trademark pattern still holds (actually, having read one of his books before makes you able to predict certain elements of the plot rather accurate). I wonder if he is teaching the same pattern in his courses in English and creative writing? Would not surprise me...
So, was it any good then? Yes, it was - not as good as "The Da Vinci Code" but a lot more compelling than his "Deception Point". Why? Probably because "Angels and Demons", like "The Da Vinci Code" features Robert Langdon, has a plot woven around history, and takes place in Europe. "Deception Point" makes no historic forays and stays much more within a US interest sphere, somewhat alienating readers from the rest of the world.
Interesting how the Catholic church seem to be the default player in Brown's Langdon novels. Is it just because our Western history also is the history of Christianity or might it just be a favorite theme for Brown?
I especially enjoyed the connections to CERN (Conseil Européen pour la Recherche Nucléaire) as CERN is coordinating the global project I currently am working in (in short, the project aims to establish a global computational grid large enough to process the extreme amounts of data CERN's new particle accelerator will produce). However, my indirect dealings with CERN are much more mundane and dull than the CERN Langdon experiences.
Brown's novels gives you reading value for your money. However, I personally find that Brown's books would benefit from a bit more variation, not to say experimentation. Consider the thrillers by Alistair MacLean - they have a high degree of suspense but is nowhere near so patterned and conforming as Brown's books.
(English, 23 Nov 2004)
OK, Coupland seem to become more and more uneven. I did not find this novel special at all, where I found "Hey Nostradamus!" his best since the outstanding "Girlfriend in a Coma". Oh well, Yin and Yang, dark and light, summer and winter - things would get pretty boring if everything always stayed the same.
Is it at least a typical Couplandish book? Yes, it is. It explores the seemingly meaninglessness of our modern Western society lives. As usual, he takes a ultra-common person and then finds the little twists and quirks that make the same person stand out as one great extra-ordinary human being.
The book is really crafted like any other Coupland novel. It just never struck any special chords with me. Others probably will like it better than I did.
(English, 17 Nov 2004)
Now this is a novel that rises a lot of questions:
(Insightful) Why are men such hideous pigs?
(Selfish) Why was I not more industrious in my dealings with the
opposite sex in school and at the university?
(Worried) Just how normal/abnormal is Melissa compared with most of
today's teenage girls? The ramifications of this question are quite
staggering...
(Timely) Has it always been like this or is it a phenomena of our time
and way of life? Or might it just have taken different expressions
before?
(Introspective) Even if I, too, have quested for my own identity through
external actions, the search never took me near where Melissa wandered
off, did it?
(Retrospective) Might I have lost former girlfriends to the same hunger
for experiences as Melissa's that I alone could not give them?
The ones who labeled this novel as erotic have either not read it or, if they did read it, cannot have understood it at all. Yes, it contains a lot of erotically explicit contents. However, it is - at its core - not an erotic story but a story of how to find one own's identity, personal expression, and love (or rather how one does not find love). It is more a book about growing up than a x-rated novel to be aroused by. I must confess that I thought the contents would excite me more than it did. Mostly, I just felt for Melissa. In a way, it has a lot in common with Christiane F's "Wir Kinder vom Bahnhof Zoo" but with the drugs exchanged with the sex and with less obviously destructive consequences for Melissa than for Christiane.
Supposedly, Melissa is born 1985 (same year as my kid brother - kind of make me wonder what he has been up to...) and her diary entries in "One Hundred Strokes of the Brush before Bed" begins in mid 2000 and ends in 2002. If it really is auto-biographical, as we are lead to believe, it is quite obvious that Melissa's eighteen years old self (the novel was published in 2003) has been editing, and probably extending, the entries of her fourteen years old self and the years inbetween. The language and contents are pretty advanced, even for an eighteen years old. According to the cover, she is currently working on a collection of short stories while at the university.
This is a novel to teach us that love is found elsewhere than through advanced sexual encounters.
(English, 12 Nov 2004)
"The Confusion" is the second volume in Stephenson's Baroque Cycle, which features the ancestors of the main characters of his marvelous "Cryptonomicon".
In order not to repeat myself too much, please read my mini-review of "Quicksilver", the first volume in the Baroque Cycle. Most, if not all, of that review holds for "The Confusion" too. However, I need to add something new here, to feel that I have reviewed this title too.
On the whole, "The Confusion" carries on where "Quicksilver" leaves off. However, the dull transport passages are more numerous in "The Confusion" and the style is more mixed, with lots of rather vital lengths of story told only through written correspondence between the main characters. Also, the chapters at the end are rather short - ran Stephenson out of time and pages to fit the novel in?
The novel is roughly divided in two interleaved storylines - one adventurous where we follow Jack Shaftoe and the Cabal from Europe to India, Asia, America, and back to Europe, the other where we follow Eliza's schemes for riches and influence in and around the courts of Europe. I must say that even if the Shaftoe line is the more action-filled, with more unexpected turns and hilarious stuns, the Eliza line is the more interesting, as one can make out more of what underlies and have formed our modern Western society today. In reality both, but especially Eliza's line is a "popular science" version of economic history - the birth of modern banking in the end of the seventeenth century and the beginning of the eighteenth.
Unfortunately, I believe the Baroque Cycle to be too long and complex to be of interest to the general public. That said, it remains almost essential for Academians that are in connection with their boyhood (or girlhood) - especially if they also have somewhat of a romanticised interest of history.
(English, 27 Oct 2004)
It is interesting with coincidents. The last novel I read, Bergman's "Enskilda samtal", was about how a woman dealt with her unhappy marriage and her impossible affair. This book by Greene is instead about a bachelor author that grows jealous of his once mistress' presumed other lovers. Two very different novels, yet both have unfaithful love affairs as a basic element.
I must confess that I assumed a lot when I started reading, perhaps influenced by Bergman's book, and was not particularly impressed by the novel. But, given time, it did surprise me and it really won me over. It is actually a very neat tale in all its simplicity, but I have to ask myself just how much the Second World War has made its impression on the book. It takes place in London during the war and the years immediately after. Even if the war seem to only act as a background, I still get the feeling that it is more to it. Perhaps some sort of re-evaluation of our world collectively done by our society and manifested in this novel - but now I am speculating. I really do not know.
I think the novel is typical for its time and I believe Greene to be a technically very adept author. The book may appear grey, but on a closer look, it reveals itself to be quite glittering.
(Swedish, 19 Oct 2004)
OK, what do we know about Ingemar Bergman? He is a well-known movie-maker. His trademark is heavy drama. He had a hard childhood. He like to draw from personal experiences in his movies.
What do we know about Bergman as an author? Nothing... But at least now I have read something by him. "Enskilda samtal" is not obviously auto-biographical in any way. Yet, I would not be surprised if the main character is a version of Bergman's own mother and Bergman is one of the boys (either the one called "Dag" in the novel or Dag's nameless brother). Then again, it might just be a completely fictional story.
The whole novel consists of five personal conversations between the main character Anna on one side and different people in her life on the other. However, we get to know how each conversation came about and much about the environment where they take place. The conversations are often years apart and do not come in chronological order. Kind of like in a movie, don't you think? Actually, I have read lots of "modern" novels with a lot more film-like composition. In this case, I think one gets fooled by the author being a movie-maker.
Can I relate to the main character Anna? No, not really. Thus the book is not a particularly great reading experience for me, but it is well written and managed to catch and keep my interest even without stirring me much. Nice craft.
(English, 15 Oct 2004)
This is the sequel to the terrifying "A Child Called 'IT'", where Pelzer was brutally abused by his own mother, and the heart-breaking "The Lost Boy", where Pelzer from scratch had to learn all the things taken for granted to be know by a boy of his age and start to slowly process his scaring childhood. In this, third autobiographical book, Pelzer tells us how he became an adult and how his adult life was affected by his childhood experiences and by his constant efforts to understand and to put the trauma behind him.
Stop for a while and ponder in what ways you resembles your parents - not by your looks but by your manners. Often, our reflex reaction to some situations are dictated by the way our parents reacted to the same situations - and we may very well be totally unaware of the fact. This makes Pelzer's effort to break the chain and not be an abusive parent to his son all the more praiseworthy. In "A Man Named Dave", Pelzer travels a long, long way from the child he once was, a child called 'it'.
This is probably good reading for about anyone on several levels. Primarily, it act as a warning about child abuse that enable us to check ourselves and keep an eye on the people around us, but it also serves as an indirect manual on how to work with and overcome one's own personal flaws - whichever they might be.
Dave Pelzer is quite an inspirational man. With regards to the obstacles he and his determination have overcome, I cannot but wonder how soon I would have succumbed, faced with the same hardships.
(Swedish, 7 Oct 2004)
This one by Saramago share many traits with "Blindheten", such as Saramago's very typical form of dialogues. However, where "Blindheten" at times is rather overwhelming in its despair and hopelessness, "Lissabons belägring" is almost completely just a rather light and pleasant tale with lots of sublime and modest qualities.
"Lissabons belägring" takes part as much in the reality of its two main character as in the fictional story that one of them is writing. Not surprisingly, the two stories interleave in some places and often follow each other suit, despite a time difference of eight hundred years.
It is not hard to see why Saramago is considered a great author when reading this novel. Just look at his treatment of the different white roses, for instance (are there more than five?).
(Swedish, 25 Sep 2004)
So one stumbles over yet another Nobel prize winner (Saramago was awarded the Nobel Prize in Literature in 1998) and all though I have only read one novel by Saramago, it is easy to see why the Swedish Academy choose to award his authorship.
The core intrigue of "Blindheten" is very simple: suddenly one man is struck blind and the blindness proves to be highly contagious. As the epidemy spreads, what will happen to the first victims? To all victims at large? To society? To human morale? Saramago let us follow a group of early victims for a unknown amount of time (months?) and along the way the answer to the above questions appears with nauseating clearness. The one thing I associate with the level of horrors the blindness victims faces is the Nazi concentration camps... This novel is nothing for the faint of hearted. Saramago has supposedly written other, none-gruesome books for those of you who wants to be spared the terrors of this one.
An interesting characteristic trait of Saramago is his way of writing dialogs. This is a mock-up example: How are you, I am fine, I was just asking as you wasn't here yesterday, the flu going around and all, I am fine, I just took a day off to see the new exhibition, the one at the art museum, I hear it is a good one, It sure is. You see? In long conversations it can be hard to keep track of who is saying what as Saramago only changes person with comma capital letter. However, it only takes a couple of pages to get use to. I imagine that it is creative rule-breaking like this, paired with actually read-worthy stories, that earns you tons of readers and wins literary prizes for you.
It will be interesting to read something more by Saramago - preferably less gruesome than "Blindheten"
(English, 23 Sep 2004)
First things first - the title is a bit misleading. The only thing "underground" about this guide is that it is distributed as a pdf or as a binder of photo-copies by the author himself and not as a real printed book by some corporate publisher, and that it is against the huge-buck industry formed around fashionable gyms and fancy exercise equipment on one hand and diet pills and other "get-healthy-without-effort"-scams on the other. In the guide Enamait focuses on bodyweight exercises you can do everywhere and the only extra equipment he recommends that does not come very cheap is the heavy punching bag. But as his background is within boxing, it can be excused.
What about "Warrior Fitness" then? Is it a manual of hooliganism and street fights? Far from it. Once again, the choice of the term warrior might have something to do with Enamait's background as a boxer, however, he motivates the use of warrior with the definition that a warrior is a person engaged in some struggle or conflict and that we all daily, like warriors, battles the ongoing struggle of everyday life. As well as physical fitness is important for a soldier at the front, so can improved fitness help each and everyone of us to cope more easily with work, household chores, and other obligations.
So what does it all boil down to? The most complete exercise manual I ever seen with an emphasis on exercises that can be performed in you own home, outdoor, everywhere! The selection of exercises is staggering, each well described and most illustrated with photos of the author performing them. The range of exercises alone makes the book worth to buy. However, Enamait also includes chapters on proper nutrition, warm-up and stretching, etc, etc. He also shares with us a long list of different conditioning drills that will drop the toughest Olympic champion to his or her knees. Enamait repeatedly tells the reader to go slow, to progress gradually over time. Most none-elite athletes will have to modify the drills on the easy side to be able to use them, but, if one sticks to them, this guide seem to be about the only supervisor one needs to acquire elite fitness, if that is what one strives for.
I cannot imagine a more price-worth exercise manual for those who wants to get in shape without spending huge sums on gym memberships, exercise equipment, and personal instructors.
(German, 21 Sep 2004)
Yet another novel that deals with the enormous change of DDR's abrupt end and assimilation into a united Germany? Yes and no, actually not, because this is not fiction. Rather, Hensel has written a book filled with her own memories, observations, and reflection, and thus it has a fresh and fascinating flavour.
Of course, I, as a Swede, can never appreciate the book the same way a former citizen of DDR can - especially of the same age as the author, i.e. born in the late seventies, and thus part of the "Zonenkinder". However, many things stand out pretty obvious even to me, like how common everyday objects all of a sudden changed names and like how many fundamental elements of life in communist DDR vapourised over night when the Berlin wall fell.
But even as Hensel's book helps emphasise these things, they are all already part of history and we have heard of most before. What is new and most intriguing is the struggle of the "Zonenkinder" to find their own identity - to find their true place among former West Germans both in Germany and abroad. This is Hensel's main contribution, her sharing of her own experiences with balancing between hiding her origins, blending in with the "Wessies", avoiding prejudice, and proudly acknowledging her DDR heritage.
In many aspects, a huge part of Germany is still waiting to land from the big shake of the reunion.
(English, 15 Sep 2004)
This novel did not reach the same height as "The Da Vinci Code". Why? Probably because where "The Da Vinci Code" takes place in Europe and reinterprets history in a way intriguing to the whole Western World, "Deception Point" just performs an inventory of American technology breakthroughs - not yet known to the broad public - and bases the plot on domestic US politics. I.e., "The Da Vinci Code" is a lot more universally appealing to the world than "Deception Point" that more focuses on American readers.
That said, "Deception Point" has it moments where you get caught up in the story and cannot put it down. But I would rather like to read "the powerful engine roared" instead of "the Ariel Ultra General Mechanics Turbo-prop 2000cc Limited Edition engine roared" (exaggerated example). Who cares what kind of engine it is? Or is it perhaps a case of product placement?
Form-wise, "Deception Point" and "The Da Vinci Code" has a lot of common traits. Dan Brown teaches creative writing. Might he be using the same bestseller template he promotes in his lectures in all of his own books? Who knows? Have to read more of his novels to check. ;-)
All in all, a weaker sibling of the excellent "The Da Vinci Code".
(English, 11 Sep 2004)
My first contact with this short gem of a novel was in senior secondary school. Me, a class mate, and a pair of his friends actually took turns reading the book to the others. I fail to remember whose copy it was - it was not mine - but I do remember that we had a long discussion after we read it, a long the lines of religious parallels, life after death, suicide, self improvement, self confidence, human potential, everything. It was a very intense evening at that age.
Later, at university, I came across and bought my own copy and revisited the special experience of reading it once more. This time must be at least third time I have read it, and it still is an exhilarating reading experience. That I chose to re-read it at this point was because I were trying to think of great books to read for a guy I know that is totally into sail flying - and what better novel than that about how Jonathan Livingston Seagull explore the limits of his flying ability?
Actually, Bach's book it a rather unknown modern classic. It is so short but contains so much. The basic story is simple and straight-forward but it gets you thinking and what you think is often more complex and far-reaching. As you turn the pages and Jonathan grows as a seagull and a bird, you cannot help but ponder how it possibly can translate onto humans in general and your own possibilities in particular.
Perhaps it was not deliberate. Perhaps Bach never meant the novel to be more than the simple story of a collection of seagulls. However, as evidently millions of readers have read more into it, it is hard to believe that this was not on Bach's mind from the start. Yet, it takes true talent to write a story that can be a mirror for the reader's own mind and subtly guide the reader's thoughts to higher ground.
It is such a short novel but it contains such a powerful story that always puts a smile on my face and fires up my dreams and ambitions. Read it!
(English, 10 Sep 2004)
Mark my words, this was the best novel by Coupland since his wonderful "Girlfriend in a Coma". It is simply excellent. As usual the central theme is human relations, this time with focus on the family, but what sets the novel going is the horribly tragedy of a school massacre.
In this book, Coupland repeatedly succeeds in surprising me. Once I sat gaping in total shock in the underground, re-reading the last paragraph to be sure that I really had read what I just read, almost missing my stop. That shock prepared me for further surprises in the novel, but I still marveled Coupland's genius whenever the story took a turn in a not only unexpected but brilliant and creative direction. In this way, the book resembles a roller coaster ride a bit.
Does Coupland flip out and let the story take any unrealistic turns? Only to a lesser degree, not at all like in "All Families are Psychotic", and not enough to be bothering. Instead, this is one of Coupland's more probable stories in all its tragedy and personal failures.
It is divided into four parts where each part is narrated by a different character. This way, we constantly receive refined views on how their lives hook into each other's and the nature of their relationship. It is really fascinating to see how the view of one character differs among the other's and over time - just like in real life.
Regardless of whether you are a fan of Coupland already or not, you probably will find this title interesting to read.
(English, 4 Sep 2004)
This is one of the numerous books that have been published in the wake of Dan Brown's "The Da Vinci Code". Many are critical of Brown's novel, trying to prove him wrong. Cox's book are neutral instead. His aim is not to prove Brown wrong in order to defend his own beliefs. Rather, he is aiming at the Brown-critical loud-mouths that have no factual basis for their animated criticism (like stating that it has no support in the bible - well, duh, isn't that exactly what Brown are saying, basing his thriller on that very "cover-up"?). However, as Cox systematically goes through the facts behind the fiction, he points out a few places where Browns has got the facts wrong and some where Brown has chosen to alter reality to better suit his story (like the interior of the Roslyn Chapel, for instance).
The book is alphabetically organised with articles on different subjects, half a page to a couple of pages in length. This makes it easy to look up a topic that one is curious about, but less suited for a straight read-through, cover to cover. Also, since the articles should be as self-contained as possible, some things is repeated over and over again in each close related topic. Still, the book is educating and very interesting.
Cox's book makes it quite evident that Brown's main source of inspiration is the book "The Holy Blood and the Holy Grail", written by Michael Baigent, Richard Leigh, and Henry Lincoln and published in the 1980:s (yes, the name Leigh Teabing in "The Da Vinci Code" is made up of the names Leigh and Baigent). Reportedly, this was the first book in English to present the idea that Jesus was married to Mary Magdalene and that their bloodline exists to this very day, but kept secret by the Priory of Sion. Kind of makes you want to read it, to see the real argument that inspired Brown to write his thriller.
Summary: Cox has written the perfect companion for Brown's "The Da Vinci code" for those who wants to know more about the actual facts behind Brown's fictional thriller. However, for those who wants to dig deeper than quick reviews of each chapter, the only thing Cox has to offer is the list of additional reading at the end of the book. ;-)
(English, 2 Sep 2004)
A typical and yet different Winterson novel. It is beautiful and revolves around love and stories just like most of Winterson's earlier works. However, at the same time, "Lighthousekeeping" is more held together and focused than, for instance, "The Powerbook". Winterson is still letting different stories flow in and out of each other, but in contrast to many of her earlier titles, in "Lighthousekeeping" there are only two main threads being told.
"Lighthousekeeping" has a very pleasant tone and feeling and makes you rather happy. Not much in it for those who has elected Winterson as a Lesbian Icon - but there are some uncertainty regarding the gender of one character in the novel, so it is pretty much up to the reader to decide for themselves. ;-)
(Lastly, August was a really bad month bookwise - I sort of only worked, exercised, watched television, and ate watermelon. I hope the rest of the year will be better.)
(English, 1 Aug 2004)
Well, OK. Quite a treat, this title. To describe it as original is an understatement. Never have I read a book where the devil is more human. Never have I heard a more interesting interpretation on certain event involving one Pontus Pilate and one Yeshua (Jesus) (well, perhaps with the exception of Monty Phyton's "Life of Brian"). Extraordinary, to say the least.
Bulgakov finished his masterpiece in 1938, two years before his death. Through the struggle of his widow, it was first published in parts 1966-67 and then in full in 1973. It is said to be a satire - but I am not sure of what. Perhaps religion in general? Or perhaps politically in some way? Well, you do not have to figure out the real target of the satire in order to enjoy the accelerated and humourpacked ride the pages of the novel offers you. The dark lord Satan pays Moscow a visit with some of his most powerful demons in tow. Quite a few people get their silent lives turned upside down by the prankster demons. However, some souls are rather saved than made to suffer at the hands of the devil.
This novel was truly through and through unpredictable, with parallel threads of narration in early twentieth century Moscow and Jerusalem during the rein of Pontus Pilate, the fifth Procurator of Judea.
I know too little of Christianity to be really sure, but I got the feeling that Bulgakov has put together a very plausible alternate interpretation of the foundations of the New Testament and Christianity. Of course, most true Christians would probably declare him wrong but today's general population would probably just smile and think "what if?".
(German, 9 Jul 2004)
The Saxon fort Königstein ("Kingstone") dates back to at least 1241 - it exists a Bohemian royal decree from that time that grants certain privileges to the local lord regarding Königstein. Most of its fortifications were finished in the 1700s even if the impressive old castle above the port was erected in the 1600s and additions to the fortifications were made until the second World War.
Königstein is built upon one of the great rocks that have given the area of Saxony the nickname "Sächsische Schweiz (Saxony Schweiz)". The harder stone in the rocks have been left when the Elbe has eroded away the softer stone around them. Königstein's walls encloses the whole rock plateau - 500 meters long and 300 meters wide. The walk along the ramparts gives a breathtaking view of the surroundings. On a clear skied day, one can see as far as to Dresden, some 30 kilometres away.
But I digress. The book is about the history of Königstein - how it have been used as a safe place to store gold and paintings in war-time as well as in peace-time. Königstein has actually never played any real military roll. It has never been taken been force, but for instance the Swedes passed by during the Thirty Years War, ignored the fort, torched the town below, and moved on. Its most regular use has been as a state prison.
As the book was produced in DDR, it is easy to look for signs of any propaganda in it. However, the topic is so neutral that it is hard to find. It does express some gratitude towards the Soviet army, but as the Red Army actually choose to return the art collection that were kept at Köningstein during the war to Dresden instead of sending it to Moscow, some gratitude is motivated. Also, the ending words along the line of the up to the 1960:ies always closed fort now being open to the public is rather innocent.
(Swedish, 7 Jul 2004)
This pocket, the fourth from Formas ("Forskningsrådet för miljö, areella näringar och samhällsbyggande", i.e. "The Swedish Research Council for Environment, Agricultural Sciences, and Spatial Planning"), focuses on what we currently are eating in Sweden and the trends in our views on what is healthy and what is not.
Actually, the book is quite interesting, covering advanced stuff like how fast a supposedly milk-digesting gene could have spread through out the population of Northern Europe since the time of the Vikings, hypothesises regarding good diets for infants, and the merit of sticking to what was on the menu during the Stone Age.
The most intriguing thing is that the researchers that have written the 15 chapters often disagrees. One chapter might emphasis the risks of one kind of food while another chapter declares the same food as totally safe. On the surface - the book seems quite Schizophrenic! However, if one reads more carefully, once can discern that when the researchers seem to be in total disagreement, it is actually most often only a case of different priorities. Researcher A might say that food F is bad because of its X content. Then researcher B might explain that food F is good for you, because its has lots of Y contents, which makes your body jump. In other words - they focuses on their own field of interest and thus reach different opinions on the same type of food.
Because of these different opinions, one cannot simply use this book as a healthy diet manual. However, it is educating and teaches both on the risk and benefits of the current, Western world food culture, as well as demonstrating the need to think for oneself and make one's own, more or less educated, decisions on what to chew on.
(Swedish, 1 Jul 2004)
This is a Swedish classic because it was such a controversial novel when it came out. Even as Almqvist has gone to great lengths to also include parts that should muddy the waters regarding the authors own opinion and act as a defence against those who feel indignation. What is the controversy then? Sex? Drugs? Rock'n'Roll? Hardly in mid nineteenth century. Actually, Almqvist has only suggested that the conservative views on marriage at the time not necessarily was set in stone. Time has proven him right. With respect to that, one has to imagine oneself back in the nineteenth century to fully appreciate the main characters boldness. Today, their actions is quite harmless, even innocent. Yet, even today, when marriage is more juridically and economically convenient than in it self an institution in the society and before God, one can trace hints of a casualness in Sara's view on love that most modern people would consider radical.
A nice piece of work - not just a treaty on an idea but a complete novel that makes me want to visit Strängnäs, Arboga, Mariestad, and Lidköping.
(Swedish, 22 Jun 2004)
In this volume, Olga Paley, second wife of Grand Duke Paul of Russia, gives her account of the years 1916 to 1919, known to the world as the Russian revolution.
I have seen on Amazon that there are recent French editions of the title (she wrote it in French originally) but I have actually got hold of a copy of the Swedish translation from 1923 - a rather pretty book in reasonable condition. Why was I on the look-out for it? While Prince Lennart mentioned it in his autobiographies. Grand Duke Paul was Prince Lennart's maternal grandfather (Lennart's mother was Grand Duchess Maria of Russia, Paul's daughter from his first marriage).
Paley being a eye witness to the revolution makes the book very interesting to read, especially as she has the perspective of the noblest of the aristocracy. After all, her husband and son were murdered by the revolutionists and she lost about everything she own - jewelry, art, the castle they lived in, etc. Her loss was immense and heart-aching. However, her book does not only tell the tale of how the Bolsheviks turned the country upside down, it also is a portrait of the uppermost Noblesse in the dawn of their reign. In the twentieth century most of Europe's aristocrats would lose their privileges - some violently as in Russia, others more silent as in Sweden. They were bred into a position of supremacy - a position that is appalling to us to day. I could not believe the faults Paley contributed to people with Jewish looks throughout the book. She was clearly a convinced anti-Semite. Also, the does not find it in herself to understand that some people might have helped the Bolsheviks not of conviction but by fear. Everyone not serving her purposes is declared to be evil and of bad character.
Still, this does not in any way make the book less good. On the contrary, it only makes it a portrait of the Russian upper class the Bolsheviks wanted to get rid off, as well as being a eye witness account of the Russian revolution. Strong reading.
(English, 13 Jun 2004)
Your average crime novel. The hardworking, misunderstood, strained, and stressed police detectives in focus struggles through a luckless investigation in hunt of a ruthless murderer. We have heard it all before. The one novelty of this title is that it actually takes place in small town Canada!
Perfect, easy airplane reading - which was how I used it. ;-)
(Swedish, 9 Jun 2004)
A very important book. The genuine thing. Told from the heart - not by a real author.
Well known Swedish TV news presenter, Ulla-Carin Lindquist, was just last year diagnosed with ALS (Amyotrophic Lateral Sclerosis), a neurological disease that causes muscle loss and eventually death. This book collects Lindquist's own tale and thoughts of her last year in life. She mixes detailed diary passages with memories from her childhood and professional life and thoughts about relations to friends and family and life and death.
A thought-provoking book to read for the healthy - illness can strike suddenly and swiftly - and a source of comfort for the already sick.
A touching piece of contemporary history.
(Swedish, 8 Jun 2004)
This was two volumes in one - creatively put back to back so that when you read one, you have to flip the book around to read the other (i.e., two front sides). Both are historical anthologies with short articles by authors from the Swedish historical magazine "Populär historia" ("Popular History"). Also, most articles have already been published in "Populär historia" but a few are published for the first time in the book.
Alas, the articles are both too short and too sketchy. They only act as appetisers, making you crave more. The short nature makes them lack completeness. Even I, with just a history interest, sometimes know more about the background or additional examples than the articles expresses. Naturally, one starts to check whether some of the authors might have written any full books of their own (most are historians at universities or within the military, so - naturally - they tend to have written lots of books).
Nine of the articles are about Swedish wars and fighting Swedes, ten is about Swedish kings and powerful Swedish men. Some where interesting, most where just too thin.
(English, 7 Jun 2004)
This title should be familiar to everyone by know. The hype have been twofold: first, it become a bestseller. Then, it became a target of many annoyed Christians. I guess Brown and his bank account is pretty happy. ;-)
Anyway, true to my habit, I have stayed clear of the novel, because of the hype (I am so glad that I stumbled upon the first Harry Potter before the Swedish translation generated a hype in Sweden). However, my sister more or less force me to lend her copy, as she strongly felt that I should find it as enjoyable as she did. With her acting as quality filter, I agreed and I must say that I agree with her. It is a great reading experience.
Before I list any of its merits, though, I have to mention "Rhapsody for a Unicorn". When I first come across the sales-pitch of "The Da Vinci Code", I was instantly struck by the apparent similarities with Cappelli's novel. Now that I have read both - how alike are they? Well, some core ideas are the same and - naturally - many elements and symbols occurs in both of them, but they are anyway separate stories and it would be hard to argue that one author has stolen from the other. Where "The Da Vinci Code" is a textbook thriller, "Rhapsody for a Unicorn" poses as a modern economic thriller, but is more of a spiritual book - something "The Da Vinci Code" might aspire to be, but really is not. It is impossible to justly compare apples and pears, but I would say that "The Da Vinci Code" is better reading and more educational while "Rhapsody for a Unicorn" is more innovative and thought provoking.
So why is "The Da Vinci Code" enjoyable to me? First of all, Brown has done a thorough research and the theories he present, I find both trustworthy and likely. Also, I simply love all the offhand facts he sprinkles throughout the novel - like the etymological history of words like cross, crucifix, sinister, and villain. On top of that, the actual plot of a thriller is rather plain, but well executed. I especially appreciate the fact that all left dangling threads I had identified was tied up in the end and that I was able to solve some mysteries before the main characters, without the novel being annoyingly predictable.
I guess this is my humble addition to the hype...
(Swedish, 4 Jun 2004)
I mostly associate Claesson with his television shows for children - if I remember correctly, crayon illustrations with his own narration of glimpses from his childhood. Never my favourite show, nor my most disliked either.
This is the first of his numerous novels I have read. It was quite nice. Odd, but nice. Very late twentieth century Swedish in style and language. Rather original in contents. Takes place in just two days just before Christmas, with just a handful characters - the main being the painter Erling Alfredsson that is rather out of himself after the thought of writing his memoirs has forcefully entered his head.
Not the best book I ever read, but far from the worst either.
(Swedish, 2 Jun 2004)
Why do I find the autobiographies of the different Bernadottes so fascinating? I am not really sure. Perhaps it has its source in my somewhat romantic interest of history? In any case, Prince Lennart's (who juridically is no Swedish prince since he married Karin Nissvandt) autobiography in particular is interesting because it paints the picture of an elderly tradition - the monarchy - and its troubles adopting to new ideas and modern times. When Lennart was growing up (he is born 1909), the European monarchies were still a vital force to be reckoned with. Even if they had far less power than the supreme rules of, for instance, the eighteenth century, they still wielded (and jealously guarded) far more power than today's pure symbolical monarchies. Prince Lennart experienced this monarchistic struggle to adjust from within and he later choose to break lose.
This is actually the first part of Prince Lennart's autobiography. The latter, "Mainau, min medelpunkt", my grandmother gave me last year and since I read it, I have been hunting the first part (it is of course currently out of print). Finally I tracked a copy down in a bookshop in Gothenburg and bought it. It turned out to be signed by both Prince Lennart and his second wife Sonia!
Where the latter concentrates on Lennart's endeavours with the green island Mainau in south-western Germany, this volume tells the tale of the son of Prince Wilhelm of Sweden and Marie, Grand Duchess of Russia. Their marriage was politically and it did not last. When Prince Lennart was only four, Marie left him, her husband and Sweden and the First World War called the Navy Officer Prince Wilhelm out to sea. Prince Lennart was left to be raised by his grandmother, Queen Victoria, in the Royal Castle.
Actually, Prince Lennart's childhood, education, military service, first love, and more gives ground for a fascinating story. Read it, if you have a chance.
(English, 27 May 2004)
OK, I read this novel in English. Normally, you can tell by the title of the book in the printed language and the title in the original language within parentheses. However, in this case, the translator or publisher have chosen to release the newprint with the original French title. So, just to be clear: I have not improved my French, I have read a English translation.
This story is less outrageous today, in the twentyfirst century, than it must have been when it came out between the World Wars. In any case, it is an intriguing portrait of two close siblings and their fatal fate.
One can but wonder what inspired Cocteau to write this novel.
(English, 17 May 2004)
Coincidence is a funny thing. Almost two months ago, I read the wonderful "The Time Traveler's Wife" by Audrey Niffenegger. A month ago, I decided on a price-worthy package of nine twentieth century classics from my bookclub. A couple of weeks ago, I were in Germany to celebrate my girlfriend's grandfather's seventyfifth birthday and also visited the city of Dresden. Last week I happened to choose one of the nine classics as next book to read - it was this novel.
To my surprise, it turns out in the foreword that "Slaughterhouse-Five" is inspired by the bombing of Dresden in the Second World War. Vonnegut were there as prisoner of war but survived and for decades of years afterwards had the ambition to write the definitive anti-war book about it. In the end, this science-fiction novel was the result.
The real story begins like this: "Listen: Billy Pilgrim has become unstuck in time." It turns out that "The Time Traveler's Wife" was not so original after all, even if Henry travels physically so there can be several Henrys present at a time, where Billy only travels by mind and visits previous and future selfs.
Coincidences. So it goes.
I am not sure what to think about this novel. It is light-weight with pretty lousy language. Yet it contains some real ideas. However, it kind of avoids the big issues. They are there, as a distant background all the time, and Vonnegut uses them with merit, but the novel still is pretty much a light-weight science fiction novel, regardless if some great, existential thought happens to seep in through the backdoor while one is reading it.
I think that regardless of time travel, abduction by aliens, etc, the main thing I will remember from this novel is that more people died by the bombing and resulting firestorm in Dresden than in Hiroshima and Nagasaki combined.
(English, 21 Apr 2004)
Hey! This was interesting. This title was also one that I did not order but got as an editor's choice as I had forgot to actually place an order with my book-club. However, Peter Carey is a two time winner of the Booker Prize (not with this novel, though) - the same as J.M. Coetzee, if he is familiar to you. ;-)
Anyway, this volume is quite tasty. Hard to pinpoint, but tasty (at least to me). The bearing pillar the plot revolves around is a kind of a mystery - a mystery that never is explained, to the definite benefit of the novel. To summarise the plot in one sentence: a young, female editor of a London-based poetry magazine is oh so close to to lay her hands on the poetry-find of the century, in Kuala Lumpur, Malaysia of all places. It perhaps does not seem to be much to make a novel out of, but I can assure you that it is both thrilling, imaginative, and thought-provoking.
Hmm, this mini-review does not yet give the novel the credits I think it deserves. I wonder what I should add to it? Oh well, let me just end by stating that this definitely is an above average, if not terrific, reading experience.
(English, 17 Apr 2004)
In "A Child Called 'It'", the horrible abuse Pelzer's own mother made him suffer was revealed. Here, in the direct sequel, we follow Pelzer through his teenage years, a lot of re-adjustment to normal life, and just too many foster homes.
The key factor in this novel is the foster homes. There are too many abused children and too few foster families. Also, as foster children suffer the prejudice of a society that wish to forget its own downsides - downsides that often are brutal on kids: alcoholism, abuse, etc - and seeks to put the blame on the kid, so are foster parents accused of just lifting governmental money - the amount of love, time, and effort they invest in each foster child being completely ignored. Oh well, I guess I myself is part of the ignorant society from time to time...
Any human being that are put through an ordeal such as Pelzer's childhood and emerges on the other side surviving needs to re-adjust, be re-programmed back to "normal" life. You cannot expect a deeply traumatised child that is rescued and removed from her tormentors to just pull herself together and go on with life as nothing has happened. Only time can heal all wounds and many of these particular kind of wounds often require professional help to deal with. Perhaps not always by psychiatrists but at least by a patient, persistent, caring friend or foster parent.
It is a wonder that Pelzer survived his childhood and his need to re-adjust was not his only challenge during his teenage tour of foster homes. His mother had not quite surrendered - she still plotted to put the blame on Pelzer and justify her own sick actions...
(English, 13 Apr 2004)
I don't get this novel. Barker cannot be any fan of Maupassant, the master of short stories. I believe that he sometime stated that if you introduce a gun in a story, the reader expects someone to be shot with it before the end. Barker introduces a handful of interesting characters, describes their different relationships and let us know how they evolve. Many successful books does that, so what is the catch? Well, nothing really happens. Or rather, it is only two or three of the characters that things happens to. The other are introduced but are left chiefly unused when the book ends. It is just a monotone narration that - despite some colourful memories, events, and characters - never picks up any pace. I am sorry. I have read lots of lovely novels taking place in the British countryside, but this is not one of them. "Double Vision" left me most of all indifferent and feeling quite fooled.
There were many promising ideas that got explored a little, but Barker never ties up the strings into a contained whole. As the end of the novel drew near, I kind of wondered if it would continue in a sequel but it seems that I just ends - like a ten stories free fall ends against the pavement with a thud.
(English, 8 Apr 2004)
I really smiled all the way back to the bookshelf after this one. ;-) Niffenegger's first novel might not have the best of language or be typical classic's material, but her plot is original and she has executed it very well.
What it is about? Well, you see, Henry, the main character, suffers from CDP (Chrono-Displaced Person). I.e., he involuntarily gets moved backward or forward in time and room for varying amounts of time - the time spent at the destination not always matching the time missing from the present here and now. The first time Henry meets Clare, his future wife, he is 28 and she is 20 and apparently seem to know him well even as he has never seen her before. Clare, on the other hand, met Henry for the first time when he was in his late thirties and she was 6. Complicated? Well, imagine a life when you can disappear at any moment, not knowing where you will end up.
Niffenegger seem to have thought things through well. She manages to create trustworthy fiction where focus is more on the implications Henry's disorder has on his and Clare's everyday life than on the unnatural phenomena itself.
Great stuff. I just wish I could have a killer idea for a book like that.
(English, 31 Mar 2004)
The trademarks of Forster are subtle, laidback narrations that on the surface are just pleasant readings but, when you think about it, contains a core of rather perceptive and critical observations of the human nature and, in this case, of European colonialism. Forster excels at playing out the English classes against each other - often with some romantic view of Italy as a backdrop. Here, he increases the stakes by setting the novel in an India divided by the British and some independent Indian states.
Apparently, Forster made his own way to India a few times and once was a secretary for a maharajah for half a year. I guess this is what we could call extensive research. Even if Forster never outright sides with either the British or the Indians, one get the impression that he already saw the independent India as an inevitable future. Furthermore, even if he sometimes somewhat patronising describes some Indians as rather feeble, the portrait of the British as cold and prepared to walk over dead bodies to keep a united front towards the nasty natives is by far the less complimenting.
A mother accompanies her son's potential bride-to-be to the son's station in the outback of British India. As newcomers, they touch the lives of both the native Indians and the British colony at the spot - touches that have many unforeseen consequences.
(Swedish, 4 Mar 2004)
Brusewitz is a well known painter, especially known for his wildlife studies. Here, he has made a astonishingly complete compilation on European hunting - from the stone age over the grotesque par force hunts in the eighteenth and nineteenth centuries to today's modern hunt.
The most impressive thing is that there are no photograph at all in the book - all of the numerous illustrations are done by Brusewitz himself, in his typical style. Not only has he painted the different hunted animals, but he has made sketches of weapons seen in museums, different kind of traps utilised over the years, hunt-situations, and much, much more. It is surprising how held together and complete this makes the book feel.
Two things bugged me though. One, in the very beginning Brusewitz makes some rather sweeping remarks about the early forms of humans that eventually led to the Homo Sapiens we belong to. When he has research everything else so well, why does he need to put some old prejudice concerning our roots in print? Was it not the fact that the early humans started to hunt and thus gained a source of animal proteins that made it possible for the brain of the Homo Sapiens to evolve? However, this a minor thing. Two, among numerous other references to other books, Brusewitz often refers to Henri de Ferrière's "Le Livre du Roi Modus et la Reine Ratio" (The Book of King Practice and Queen Theory). However, after a while, he tries to shorten things down and just calls it "kung Modus" (King Modus) - which is on the border - and then he begins talking about "kung Modus bok" (King Modus' book) and that is plainly wrong and it annoyed me a lot every time he did it. Thus this petty paragraph. ;-)
Aside from learning more not only about hunting practise, but of hunting history, and a lot of the animal being hunted, I was very interested to hear about both natural and human influences over time on the European and especially Swedish wildlife. Also, I found it very fascinating to learn that Shakespeare often used falconry terminology in his plays - something that Brusewitz shows that Swedish translators often has failed to acknowledge (or perhaps chosen to disregard). Might Shakespeare been a Falconer on the side?
(English, 4 Mar 2004)
I forgot to order a book of my choice from the English Bookclub before Christmas, so I got stuck with the editor's choice. However, that turned out to be not that bad as one of the three novels was this one, by the 2003 Nobel laureate in literature J.M. Coetzee. I had previously read Coetzee's "Youth" (which must be the only time yet I have read something by a Nobel laureate before he or she was awarded (and it scored some points in my gang too - freak points, but still)). "Youth" was pretty good but has just about the fleeting tone - Coetzee's distinct style - in common with "Elizabeth Costello".
Elizabeth Costello is an ageing Australian author. I must confess that old ladies with a complex relationship to her son and that cannot get along with the son's spouse are not that appealing to me. Still, I kept reading and Coetzee soon won me over. You see, Elizabeth Costello keep getting invitations as speaker all over the world and she chooses tough issues to speak about - does animals have a soul? Is meat murder? Does authors get influenced by what they write and should they therefore keep away from exploring more dark and evil plots?
Not only can we follow much of her different speeches, we also get to sit in on other conversations about these teams - formal dinners afterwards and such. As a reader, you somehow regard yourself as an extra, passive part of the conversations. A non-speaking part that only listens to the arguments of the other parts, tries to get one's head around what is said, and constantly sides with yet this speaker, yet another one. It is big questions and Coetzee has woven an intriguing weave around them, activating the reader in a way no focused thesis can. Very clever.
From the afterword, I gather that most of Costello's speeches is in fact revised versions of Coetzee's old speeches and articles. Makes one wonder to what degree Coetzee identifies with the ageing woman and makes her convey his own beliefs. Especially interesting is Costello's thoughts about an award she is bestowed. She is not all that grateful and wonders if she should have agreed to accept the award in person. Four years later Coetzee himself receives one of the greater literature awards. I wonder of he regarded it along the same lines as his creation Elizabeth Costello regarded hers?
(English, 24 Feb 2004)
There were a lot of Brinks around me all of a sudden. I needed somewhere to celebrate my thirtieth birthday. The man originally responsible for the meeting/party hall of the co-operative building society next to mine was named Brink. At work, I conducted a feasibility study within a project where another Brink was signed on, and last year's Nobel laureate in literature, J.M. Coetzee, was frequently compared with André Brink in the media - both being from South Africa.
Anyway, finally my friend Tomas gave me this novel, which he had enjoyed. It is interesting. Basically, it is a love story, but beneath the surface one can ponder the similarities to struggle almost starved to death through a desert in the interior of Southern Africa and to struggled through the often harsh and stressed emotional environments of our modern, Western society. (OK, perhaps I am being a tad too deep here.)
Furthermore, the book has a connection to Sweden! It is a Swedish explorer and apprentice to Carl von Linné, Erik Alexis Larsson, that is the key factor of bringing the main character Elizabeth, a Cape town girl, into the interior where she latter (after the demise of Larsson) meet the other main character, the fugitive slave Adam.
A beautiful novel, with a simple plot on the surface but with sinister emotional ramifications below. A tale of courage, resolvedness, resourcefulness, and stamina to carry on.
(Swedish, 22 Feb 2004)
As my paternal grandmother successively has changed her living to smaller and smaller apartments as she grows older, she has had to get rid of much of her belongings and has often urged me to loot her bookshelves - which I happily have complied to. Among other titles, I have thus acquired a small collection of volumes by and about the Swedish royalties - which I have a special, I guess somewhat romantic-historic, interest in.
Currently, the adversaries to the Swedish monarchy are loudly demanding a republic after the King made some less fortunate remarks about the Sultan of Brunei during a state visit to the sultany. However, what the Swedish republicans fail to appreciate is that Sweden is a modern democracy through and through. The constitutional monarchy is just an adornment - but a valuable one that is a practical tool for promotion of Sweden as a nation and Swedish export. Very little would change if Sweden is converted to a republic - nothing would be dramatically better. On the contrary, we would lose our royal asset and have to begin from square one and work out the practicalities of a presidency. Not very rational nor economic, regardless of what the republicans believe. Do they really think they would benefit if the King would be thrown down from his inherited throne which today holds no real power but instead lots and lots of official duties? Anyway, the bulk of the King's subjects is still behind him.
This book is a light autobiography by the King's uncle Prince Bertil, who sadly died a few years ago. He is perhaps most well known for his interest in motors and motor-sports, sports in general (for instance as leader of the Swedish Olympic Committee), and food (crêpes Prince Bertil is internationally famous). In this volume, illustrated with numerous photograph, the Prince re-tales memorable events from his youth, military service, work as Swedish military and export attache, sports leader etc, etc.
However, it is more of a humorous, anecdotal tone than deep biographical. For instance, he just skims the surface of his and his wife Princess Lilian's long, long wait before they could be married. Two of the Prince's brothers and one of his cousins lost their princehood by marrying common women. Prince Bertil and his Lilian instead waited until they got the King's permission to get married. It would have been interesting to know more about Prince Bertil's own thought about this and about the lost princehood of his brothers.
All in all, Prince Bertil was a very nice chap with rather clear and measured insights in both political matters concerning the future of Sweden and the international Olympic movement.
(English, 14 Feb 2004)
Oh my God. What can I say? Such a revolting tale of systematic child abuse. Such a sad report on a mother who singles out one of her boys to vent all her frustrations on. It is a wonder he survived.
This novel cannot have been easy to write. The voice of the child, the I in the book, is rather detached. Most because he did not know any other reality at the time. The only world he knew was a cruel one. He just adopted to it, refusing to be broken and killed. However, I think the narrating voice is detached also to protect the author to some extent, even if he had to relive it all to be able to put it in writing.
It is not a long novel. But it is a crucial one. Dave Pelzer's case is said to be the third worse known child abuse in the state of California. The most sad part is not the actual abuse of Dave. The most sad part is everybody who saw but did not see: relatives, neighbours, teachers, etc. Well, finally some teachers and a school nurse acted but only too late, after many years of constant hell for Dave.
Pelzer has also written sequels covering his later years as a boy and as a young adult. I look forward to reading them too, to see how he managed to put his dark years behind him.
(Swedish, 11 Feb 2004)
I really would have liked to read Jansson's original "Kometjakten" from 1946 instead of the 1968 revision of the original but I believe that the original is quite hard to find so one have to make do with the revised version. On the bright side, it is said to be more logically coherent and fit better with the rest of the Moomin-books, but on the other hand has Jansson herself sometime said that she was afraid that the naïve spontaneity of the original was lost in the revision. Nevertheless, it is a great and cosy novel even as the comet threatens the whole Moomin-valley - and how could it be any different when Snusmumriken ("Snufkin") is introduced? Boy, is he cool!
Speaking of revising original works to fit better with each-other: The first book, "Småtrollen och den stora översvämningen", is a little apart as the Moomin-world had not quite been formed in Jansson's mind yet. For example, the small animal is referred to as just that - the small animal - throughout that volume. In the very first sentence of "Kometen kommer", it is referred to as "the small animal Sniff" and after that baptised as Sniff in the rest of the book and the series. I does seem like Jansson has kept them apart. For instance, when the Moomintroll and Sniff for the first time encounters Hattifnattarna ("the Hattifnatners") Sniff states that he never seen them before. Yet he, the Moomintroll and the Moomin-mother travel with Hattifnattarna on a boat across the see in the first book. But that is a rather unimportant detail.
As ever, the novel is sprinkled by the hauntingly feeling-ripe illustration by the author herself. You can also start to pick up on the Comedia Del'Arte quality of the Moomin-novels. Many of the characters represents an idea or a type of behaviour. It is all rather subtle, but by letting the figures interact, Jansson creates a fruitful pedagogical weave for young minds (and more seasoned, too).
(Swedish, 10 Feb 2004)
A novel of about normal length (325 pages) in German takes a couple of weeks to finish. A short children's book (56 pages) in Swedish about one lunch... ;-)
This is the first book ever to feature the now world-famous Moomintrolls. It appears that Jansson wrote the first draft 1939, when she could not go to work because of the Finnish-Russian Winter War, but it was not published until 1945 after a friend had read it and encouraged her to illustrate it and let a publisher have a look at it. At that time, the publisher did not want "Moomin" in the title - thus the "Småtrollen" ("small trolls") he thought would confuse people less. According to the back-cover, it has not been printed in Sweden since 1945 until 1991 and, as it is out of print everywhere, I guess it has not been printed after 1991 either. I think this is because in this initial volume, neither the Moomin-valley nor the Moomins themselves has found their real shape. (Actually, they only find their way to the Moomin-valley in the very end of the book.) I will know more when I have read more of the later books.
The story is to short and to simple to be able to contain much of the Tove Jansson magic and Fennoscandian mood that, for instance, "Sommarboken" is so ripe of. Yet you can make out traces of things to come - for instance the very composed but resourceful Moomin-mother. However, the very best in the book is the numerous illustrations by the author herself. These drawings is full of feeling and atmosphere - and even humour.
A simple beginning. If I remember correctly, it will gain up momentum in the later titles.
(German, 10 Feb 2004)
Yet another novel in German read and I feel that I understand more and more of the language. In this particular case, I have learnt a lot of seventies Berlin-slang. I wonder if I ever will have any real use for that? ;-)
Anyway, this is a most important book. The closest things that come to my mind is Maria Hede's "... och bli ett vackert lik" and "Trainspotting" (which I have not yet read, only seen the movie adoption). However, Christiane was deeper in the shit and shares everything with the reader in the tale of how she by a variety of subtle reasons come to try hash, then LSD, different pills, and eventually heroin. Needless to say, the heroin soon took over her life and she soon found it natural to prostitute herself in order to be able to afford the next shot.
Even if Christiane in retrospect points out that she often were so tangled up in things and high all the time, that she had lost insight of her situation, she and the co-authors Kai Hermann and Horst Rieck, who wrote the book after extensive interviews with Christiane, identifies several key factors and contributing events which both led to Christiane's drug addiction and prevented her from escaping the drug scene. Not surprisingly, the modern society often stands perplexed before citizens that fall short of the common frame of convention. For instance, after leaving Berlin and trying to rebuild a clean life in the countryside outside Hamburg, Christiane's Berlin file continue to haunt her and is for instance used as a petty excuse by a lame headmaster to remove Christiane from his school - not because she has cause any problems but as a preventive measure as she has been known to be a heroin addict.
Today, nobody raises an eyebrow at people using alcohol to relieve stress and wind down. This is an habit almost as old as human society. However, our modern, quick-pasted, and often somewhat artificial life puts a lot of stress on the individual. Our basic instinct is to seek refuge in a friendly clique, to find a community where we belong. This can be friends at the local pub, it can be a religious movement, a tight (extreme) political group, or it can be a gang of drug users. Often, the more dubious the art of community is, the stronger and more appealing is the feeling of belonging to the lost souls who are sucked in. Is it our modern, western society that make more people set the feeling of belonging first and the actual purpose and goal of the community second? Or is rather that we today has a wider variety of gangs and cliques to choose from than a hundred or two-hundred years ago?
Great if rather depressing book.
(English, 20 Jan 2004)
Wow, it took me just over a month to finish this book, with my thirtieth birthday's party to plan, execute, and clean up after and an extensive course assignment to finish up and hand in. Also, the novel is pretty huge...
What about it then? I have previously several times stated that Stephenson's authorship has evolved to the better from title to title. Is the trend continuing? Yes and no. Yes, true to his habit, "Quicksilver" - the first in the three item "Baroque Cycle" - is a bit different than his previously works. But not as much so as, for instance, the jump in style between "Snow Crash" and "The Diamond Age" or between the latter and "Cryptonomicon". Furthermore, even if I grant "Quicksilver" a high mark, there are some passages that is weaker than the rest - more of tedious transportation than real story-unravelling. In other words: Stephenson has finally fallen in the typical American trap of being too wordy and writing a too long book. (On the other hand, then the pleasure of reading it, of course, last longer.)
In "Cryptonomicon", he left the realm of future science fiction, returning to the second World War and contemporary time, intermixed, bringing certain selected science fictitious elements with him. Now, we meet the ancestors of the central characters of "Cryptonomicon" in the second half of the seventeenth century, spread out through Christianity (i.e., Europe and the colonies). The outline is the same as in "Cryptonomicon" - our fictional heroes get tangled up in the grand events of the time and meets and interact with non-fictional persons. For instance, Alan Turing in "Cryptonomicon" is replaced by Newton, Leibniz, the whole Royal Society, and others. The effect is thrilling, but - as always - I have harder to accept some of the words, deeds, and qualities that Stephenson takes the liberty to bestow the historical personae. Especially, why does he need to be so generous with homosexuality? (Hmm, did I fail to be political correct now?)
Anyway, the story works. I mean, at least I got so fascinated that I had to fetch my encyclopedia and look up some of the characters in the novel, checking who is historical and who is made up and whether some of the events really occurred or not. Stephenson have obviously had to do some serious research in order to tie this book together.
If I may be as bold as to try to sum up the main quality of the novel in one sentence, I think it will be this: "Quicksilver" is not merely historic fiction but a dramatisation of the history of natural science as we know it. Thus, it is a real treat for academicians with a bit of boyish playfulness left, like me. I wonder whether people with little or no interest of science would find the book thrilling enough to read it? I do not really care whether it really happened that way or not, but I completely love to read Stephenson's account for how, for instance Isaac Newton and Robert Hooke made some of their revolutionary discoveries.
Pity, though, that the references to Sweden were so few and in rather bad light (but our sphere of influence at the time was more to the north-east than the bulk of events in the novel, as the story takes place after the Thirty Year's War). Perhaps they will be more frequent in the next book, "The Confusion"?
(Swedish, 18 Dec 2003)
It is not often a cookbook finds its way to this page, not because I do not consult them (I do, but for inspiration rather than detailed instructions) but because I seldom read a cookbook from cover to cover, which is required for a book to be listed here. Thus, I have read this cookbook from start to end. What made it so interesting? Well, it is not a biography made with food at the focus, like Söderbergh's "Till bords med Strindberg", but it is not just recipes either. Wretman has included both un-edited material from older Swedish cookbooks (the oldest from 1733) and lots and lots of personal notes and condensed essays on the history of the dish at hand. The only way to dig these gems out were to read the whole book. Luckily, I am a sucker for history and my patriotic side enjoys learning of the Swedish dishes of old. Some are still in use (for instance, I have learnt my maternal grandmother's recipe for the north-Swedish peasant-food palt), others are presented in their more original, no-cheat form, and yet some are almost forgotten but might be worth a try (if one can get hold of all the ingredients).
Reading that makes you quite hungry.
(English, 16 Dec 2003)
Believe it or not, but I found this book in the garbage room (paper recycling bin) when dumping lots of old papers during the relocation of my department to a new building. It is actually a doctoral thesis - nothing strange about that. However, Piñeiro was a Ph.D. student at the department of Industrial Management - yet he choose to do a study on programming and that from the programmers rather than the managers perspective!
His main thesis is that managers of software project would do better if they acknowledged and made room for the personal aspects of programming, rather than suppressing them. He argues that while programming mainly is seen as an instrumental process (to translate a solution to a problem to something the machine can understand), it is actually a both personal and creative process. He goes on identifying several key factors that programmers among themselves use to determine the beauty of code. This beauty, he argues, is tied to the quality of software and should therefore not be suppressed as ugly code makes for unhappy programmers and bad quality.
The thesis is easy to follow, with lots of examples collected from Piñeiro main source of input: Slashdot! (http://slashdot.org/) He begun with some interviews but was not satisfied before stumbling on just a few threads on code beauty at Slashdot. These threads he has read very carefully, drawing parallels were possible to lots of literature on Computing Science (for instance Knuth, Dijkstra, and Brooks' "The Mythological Man-Month") and philosophy (for instance Heidegger, Kant, and Wittgenstein).
You know the holy-wars between, for instance, programmers who use vi and those unfortunate that use Emacs? Piñeiro identifies several more situations where the programmer community uses religious terminology and then finds support in modern philosophy for making rather extensive parallels between programming and religion, down to sacrifices! Fascinating stuff.
I, as a programmer, had expected Piñeiro to somewhere cross a line, make a fool of himself, and annoy me greatly. However, this never happened. He thread lightly and sure-footed around all kinds of aspects of programming and made sure never to pick sides, always remaining the neutral observer, drawing more general conclusions. I think it is of great value, as a programmer, to read this thesis and kind of get an objective perspective on one's own aesthetic preferences and idiosyncrasies when programming. However, it is really meant as a tool for managers to become more insightful and better managers.
(Swedish, 26 Nov 2003)
This high-paced tale could have been written today. Apart from the sometimes a bit dated language (still discernible after translation), you cannot tell that the author was born in 1802 and published this title in 1831. The scene where Febus is trying to seduce Esmeralda is especially timeless - it could equally have been about a teenage girl and a older "friend" somewhere in Sweden (or France, or anywhere else) today.
Quite a load of action too. The public in the 1830:ies must have craved musty stories to gossip about. Now I kind of have to see Disney's animated motion picture of the novel. Somehow, I believe that most of the darker parts have been lost since Disney movies are supposed to be for children. Imagine a Disney film where Clopin Trouillefou calmly is chopping the legs of the attacking cavalry horses with a sharp rake? ;-)
This review should not be about a film I have seen, however. It should be about a great novel I do have read. It is pretty obvious why it have achieved the status of a classic. I think the best homage one can pay to the book and to Hugo is to go to Paris and visit Notre-Dame. Some year I will.
I must say that I am quite impressed by the complexity of the plot. Yes, it was at times pretty predictable, but that is not necessarily a bad thing (not if you have to wait a sufficiently long time to be sure that you are right and when the revelation comes, it is not written on your nose but delivered more subtle). Quite a chap, that Hugo.
(English, 13 Nov 2003)
Apparently, Hornby's debut book, "Fever Pitch", is not counted as a novel but rather a piece of non-fiction. Is it really that auto-biographical? I never interpreted it as such, but I guess it must be. However, this clear piece of non-fiction, "31 Songs", resembles "Fever Pitch" in more than one way, even though the soccer is replaced with music and it is a collection of essays about one or two songs that touched Hornby's life rather than a narrative of a life with Arsenal's seasons as constant background and influence.
Hornby has simply written short but fact and emotion stuffed essays on some of his all time favourite songs, some recent discoveries, and some passing flings. Much of the usual Hornby magic is there, despite being a very subjective and - in the large - to others uninteresting subject. The funny thing is that even songs I cannot recall hearing by artists I never heard of is described in a way that makes me keep reading and nodding when it is compared to songs and artists I do know of.
Not Hornby's finest hour but pleasant and interesting nevertheless. How do you and I relate to the music around us?
(Swedish, 8 Nov 2003)
Ahh, what pleasure. I like reading about our Swedish royal family. This is the second autobiography by Lennart Bernadotte, grandson of the Swedish king Gustav V, nephew of king Gustav VI Adolf and cousin to the current king Carl XVI Gustaf's father. The first, "Käre prins, godnatt!", which I have to get my hands on, covers his childhood and youth. This one covers the rest of his life - and what a life! It revolves around the green island Mainau in Bodensee, the lake inbetween Germany, Austria, and Switzerland but also contains lots of work for the environment, gardening, bringing researchers together, international cooperation, a passion for photography, boat life, and lots, lots more.
All Bernadotte's family ties makes for interesting meetings too. Beside the Swedish Royal family, he is also related to the surviving members of the Romanows that were Czars of Russia for 300 years, the German emperors, the British Royal family, and many more. He is also one cool chap that takes no shit from nobody, which of course sometimes has made him enemies, but he has a lot more friends as he has continued to collect them during a very long and very vital life (he is born in 1909).
After reading this book, I promised myself that I have to visit Mainau when I get the chance.
(English, 6 Nov 2003)
OK, you have to take any autobiography with a pinch of salt, as it is only human to emphasise one's great achievements and diminish one's less glory moments. Thus, I have to remember that I, as a Swede, am in no position to truly judge Hillary's assessments of the merits of what the Clinton administration achieved and the low watermarks of Republican ruthlessness during the same period. However, Hillary does argue a strong case...
The fact I learn from this book that I deem most important is that neither Bill nor Hillary came from rich and well-established families. Instead, they both came from ordinary, hard-working backgrounds and made it to the top all by them selves. That is remarkable. Speak about the American dream. They also supported a set of ideas that feels pretty natural to me, as I have grown up in a typical European democracy. It is also impressing how the Clinton administration was able to focus on their own agenda domestically and internationally, despite being constantly weighted down by investigations initiated by Republican interests that cost tremendous amounts of money and time but failed to turn up any real dirt on the Clintons (well, except from the Levinsky affair that back-fired on the wolf-crying Republicans as the common American more or less considered it to be a private matter that did not interfere with Bill's ability to be a successful president).
I have to say that I really, really, really would like to see Hillary as the first female president of USA. I guess it wont happen because we still are some generation from a world that that office can be occupied but anything else than a whiet male, but one can dream. Basically, I find Hillary's values and beliefs to be sound. (On the other hand, it is hard to find someone disagreeing with Republican suggestions like putting the children of single teenage mothers in orphanages and revoking the mothers rights to welfare for life as anything but sound.) I think more Americans would benefit from Hillary as president than any Republican president.
I have just one objection to the book: if she has gone through the trouble of spelling for instance Polish and Czech names with all their funny characters - why does she call Göran Persson Goran?
(English, 23 Oct 2003)
I have been quite busy lately, hardly having time to read, but I finally got time to finish a simple novel. I borrowed the third volume in the Avatar series from my friend and game master Nico. This is a recent reprint, so the old pseudonym Richard Awlinson is shed and the actual authors appear on the covers. Thus, it is revealed that is actually was a chap named Troy Denning who wrote "Waterdeep".
This novel picks up where "Tantras" left of, with the party in possession of one of the sought stone tablets and going of after the other. Simple story, simple language, but rather thrilling at times. Especially the last chapters gained a surprisingly high speed, with a high density of events, before ending in a bang. Afterwards, I kind of wonders what the rumoured next two books in the series should be about. "Waterdeep" ended rather definitely, in my opinion.
Well, perhaps not award-winning fiction, but at least entertainment and a great preparation before our next role-playing session in the same world, but some decades later than the time in the Avatar series.
(English, 10 Oct 2003)
OK, if it says Neal Stephenson and Frederick George on the cover, why does it say copyright Stephen Bury 1994 on the inside? It turns out that Stephen Bury is a pseudonym Neal Stephenson has used for a couple of novels he has written together with his uncle Frederick George. I have only read "Interface" but as its contents, albeit fictitious, might be a bit annoying for the Powers That Be in USA, I can understand why they choose to publish it under a pseudonym. Though, I wonder why they now have chosen to reprint it under their own names?
Anyway, the key characteristics of the novel are those of a political satire. It delivers quite a few hard punches against USA's electoral system and the country's media-driven politics. However, there is another interesting bearing element in the novel as well: new hardcore technology, in the image of biochips surgically inserted into a subject's brain, to act as replacement for a damaged area of the brain, for instance after a stroke. The chip grows new connections to the undamaged parts of the brain and then different connections can be tested, to find the ones that give the right result, i.e. restore mobility or speech for instance. Fascinating stuff - just think of the possibilities! Which of course is exactly what Stephenson and George have done. Since the chip is re-programmable by radio transmission, it is also controllable by radio, and since it emulates neurological signals across the brain, it can also initiate signals of its own. So, if one just figures out what signals that affect the subject in which ways, one suddenly gets pretty powerful marionette strings to control the subject with. Super. Let's make the subject a candidate in the presidential election. What better way to look after one's interest if he wins?
There you have it. Once more, science fiction outlines an idea of how cool tomorrow's technology can be, and once more, it is the ways of how it can be misused and abused that the novel is based upon. Tragic. But, of course, I would rather be physically restored after a stroke than remote controlled, and I would rather use new and powerful ways to interact with the brain and the senses to enjoy improved cinema and computer games - or why not a better way to work with one's computer? - than be manipulated to boy a certain type of chewing gum everytime I pass it in the store. The bottom line is: are the benefits more worthwhile than the increased risks of abuse? Can the risks of misuse be prevented? Technology turns to an ethical/philosophical issue.
It was a while since I read a common, American contemporary thriller, so it was quite nice to read "Interface" as it probably should be labelled as such. However, as it includes the technology element, it is only more attractive to me. Despite being a bit predictable, it was an enjoyable ride, and it is always nice to see someone rearrange American governmental politics a bit.
(English, 28 Sep 2003)
This was the fourth novel by Chevalier's pen and I have to say that it is the best next to the masterpiece "Girl with a Pearl Earring". I guess that on a high level, Chevalier's novels are pigeonholed as romantic literature for middle-aged women. However, that is quite unfair to the subtleties in the modern classic "Girl with a Pearl Earring" and the grand background setting of "Falling Angels" (even if the latter contains quite a lot more amour than the former). "The Lady and the Unicorn" fits better in the genre though, constantly making the unicorn's horn into a symbol of the male member. It is still very good and has something to offer to everybody, not only love-dreaming housewives. In this novel, the mail characters have more to say and relate than in any of Chevalier's earlier books, but it is the portrayed young females Claude and Aliénor I am particularly fond of. Aliénor is somewhat of a deepened and extended parallel to the dear Ivy May in "Falling Angels", but does not suffer the same terrible fate that poor Ivy May does.
Chevalier's first novel, despite its qualities, did not get known and reprinted in large numbers until after the success of "Girl with a Pearl Earring", which was marvellously well-balanced and well-composed. I use to say that the true brilliance of "Girl with a Pearl Earring" lies in the story behind the actual lines of the novel - it is such a masterpiece in subtleties. Chevalier said in interviews after the success that it scared her - it made her uncertain of she would ever be able to write anything as good again. She dared to continue writing, which we should be grateful for. "Falling Angels" is different. It is a more complex story with several parallel threads in the intrigue, and it is not quite the same gem as "Girl with a Pearl Earring", but it is still better than most other contemporary literature. "The Lady and the Unicorn" comes closer to the brilliance of "Girl with a Pearl Earring" and is a genuine "feel good" novel. See for your self.
(English, 25 Sep 2003)
Chevalier has a distinct style to her writing, a style that blossomed in "Girl With a Pearl Earring" to something quite extraordinary. I do not place "Falling Angels" as high as that, but it is still a superb novel. In "Girl With a Pearl Earring", we mostly followed the maid Griet's thoughts and reflections. In "Falling Angels" we jump around among a set of about ten characters, each chapter being a narration from one of them. Well, not quite a narration, nor a entry in a personal diary - rather, we can hear them think and reflect on the recent events. Some chapters are a number of pages, others less than one. Sometimes we learn how several characters perceived the same event. Sometimes it goes months or even years between the chapters. Still, the weave is surprisingly strong and dense.
What do we learn except from a interesting drama among two families? Well, we catches a whiff of Victorian traditions as they are beginning to be loosened. We see the Suffragette movement rise. We see a snapshot of early twentieth century London. We enjoy a really good book.
(German, 21 Sep 2003)
Finally. I actually begun reading this novel in the end of July, to practise my German before my vacation. However, I did not succeed in finishing it before my vacation, and during those three weeks I had little time to read, and when I read, I instead read Lagercrantz and Linna, that I found I one of the cabins we stayed in.
Why did it take so long then? Two reasons: first of all, the German was littered with tons of slang and modern expressions - many of those with connection to sex - which I, with my still limited German, struggled some with. Secondly, I was never able to identify with the main character, who I found rather naïve.
At its best, the novel was only dumb. In its worse moments, it was quite bizarre - not to say perverse. The main character was not very good at obtaining information about anything and least of all life in general. Whenever he did find information, he always interpreted it in rather creative ways. Strange book. Far from as good as the other novel by Brussig I have read, "Am kürzeren Ende der Sonnenallee".
(Swedish, 1 Sep 2003)
I read this novel many years ago. It still works. It is a great tale of the meaninglessness of war, in this case the Finnish-Russian Continuation War 1941-44 were Finland attacked Soviet at the same time as Nazi-Germany, hoping to regain what was lost in the defeat in the Finnish-Russian Winter War 1939-1940. We follow a platoon in a Finnish machine gun company from the exercise field before the war to the wars end, on the way learning how man after man dies. In the end, only a handful of the original men is left.
Sweden lost Finland, the eastern half of old Sweden, to Russia 1809. Finland was made a part of Russia, however with some autonomy, but as the "reds" won the civil war in Russia after World War I, the "whites" won in Finland and the independent Finland was established. In 1939, Soviet used their non-aggression pact with Nazi-Germany to attack Finland and force Finland to give them both land and a naval base just outside the Finnish capital Helsinki. Thus, it is not hard to imagine what dreams of revenge Finland had and as long as the German armies made progress in the south, the Finns was victorious in the north, pushing past the old borders all the way to the Russian lake Onega. However, there would be no Great-Finland in the end. The tide turned and both Germany and Finland was defeated, but Finland was able to keep its independence. The Baltic states, that also had become independent after the first World War, were less lucky and were swallowed up by the Soviet Union.
This is the background of the novel. However, it is only some of the officers that dream the dram of Great-Finland. The enlisted soldiers only care for staying alive and finding something to eat. A great novel, comparable with Erich Maria Remarque's "Im Westen Nichts Neues" (All Quiet on the Western Front).
(Swedish, 30 Aug 2003)
How interesting. After an extensive own career as an artist and author, Lagercrantz wrote this biography on August Strindberg that in parts redefined the persisting view of Strindberg. Lagercrantz argues that, unlike the old school of Strindberg-researchers, one should be very careful when interpreting some of Strindberg's novels as autobiographical. Not even his personal letters to friends, relatives, and business associates should be believed to reveal Strindberg's true being. According to Lagercrantz, Strindberg always was primarily the author collecting material for his next book and often enacted new ideas for an intrigue in his own life and family, to explore the feelings involved. Lagercrantz goes so far as explaining that Strindberg's quite frequently used threat of suicide in letters only should be interpreted as an emphasis, albeit somewhat morbid, and not as a sign of psychic instability as the traditional view has been.
I know too little about Strindberg to be able to judge to what degree Lagercrantz is right, but he argues his case well and convincing, and the biographical presentation of Strindberg's stormy but interesting life makes for excellent reading. He was quite an original, that Strindberg chap. Always short on money, always extravagant in food and pleasures, often challenging the opinions of the contemporary society, idealising Stockholm's archipelago while sometimes leaving Sweden altogether for "more breathable air" in Switzerland, Austria, German, Denmark, and France. And always, always producing new novels and plays.
I better try to read more of Strindberg.
(Swedish, 8 Aug 2003)
This modern globetrotter jet-set action-adventure thriller by Lindqvist has ran in Dagens nyheter, Sweden's largest newspaper, with daily excerpts for 49 days.
Herman Lindqvist is a former foreign correspondent turned author, specialised in popularised historic books and musings on cultural differences between different countries and nationalities, chiefly the European ones. To my knowledge, this is his first attempt at something purely fictional - but it bears his trademarks as the story revolves around the globe, with hubs in the Middle East and Paris, but always with Sweden as the Utopian idyll that all the Swedish main characters have chosen to leave.
As for the complete novel, I have to say that it is pretty light-weight and rather burlesque. It is lots of jet-set lifestyle, big business money, violence, sex, and greed - or perhaps a lot of the general public's general views of the same. In focus is a Swedish family working abroad and their connections with the fall of a morally corrupt finance empire.
Entertaining, but more popular than deep.
(English, 26 Jul 2003)
It was quite a happy accident that I stumbled upon this book. I noticed it when I was shopping at the European Amazon sites for another book that Skiena has co-authored: the promising "Programming Challenges: The Programming Contest Training Manual", which I pronounce - after only a quick glance - to be terrific primer for all serious programmers, not only programming contestants. The challenge setting makes for great joy of learning - imagine using it as textbook in an undergraduate course. Anyway, while that is more a book to work with than read from cover to cover, Skiena's "Calculated Bets" is written to be read as a story - from the beginning to the end. Thus, it now appears, duly read, on this page while "Programming Challenges" probably never will, even if I spend more time with it than with this book.
What is "Calculated Bets" about then? Jai-Alai, computer/scientific simulation, mathematical statistics, and sports betting - a mix well suited to interest me.
Jai-Alai is a sport of Basque origin that actually has its main stronghold outside Spain and France in the melting pot of USA. It is similar to Squash, as one is to hit the ball into a wall in such a way that you opponent/opponents cannot return it. However, the pitch is more prolonged and Jai-Alai is played with the odd, curved, bowl-shaped rackets that most of all looks like old-fashioned fenders on veteran automobiles.
Anyway, in some US states, it is legal to bet on Jai-Alai, and Skiena happens to be a great fan of Jai-Alai that, when he got tenure, started research on an efficient betting strategy for the sport. Among other things, he used Monte Carlo simulations to predict results of certain matches. Together with a few students, he crafted a automatic parser that collected game statistics from the World Wide Web, a predictor that processed the statistics and suggested potentially rewarding bets, and an autodialler that phoned the bets in.
I will not tell whether the system made money or not, but I can tell that this book offered some insights in scientific modelling and simulation (even if rather light-weight) in a very thrilling way (with a spoonful of sugar...). In a way, it is comparable with Clifford Stoll's "The Cuckoo's Egg". Both books is exiting and rather well-written real-life stories involving computers and for computer-junkies and professionals well-known environments, but where "The Cuckoo's Egg" is the better reading experience, "Calculated Bets" is much more educating.
(Swedish, 19 Jul 2003)
I think I was four years old when my parents for the first time read Lagerlöf's "Nils Holgersson" for me, a couple of pages each evening, as they put me to bed. I consider this - and all other examples of qualified, non-kid's literature my parents choose to read to me at bedtime - to be the main foundation of my well developed language and the eloquence to sail through compulsory school without much effort. This is something I am very grateful to mum and dad for, and something I plan to give to my children, too, if I will have any.
I believe that mainly daddy read "Nils Holgersson" to me once a year for a while during my childhood. I know for a fact that I could account for parts of the tale by heart at times. Then I think that I re-read it in senior secondary school or possible in the first year at university. Now I have re-read it again - prompted by a visit to a outdoor staging of a dramatisation of the novel in the lovely castle ruin in the Haga park in Stockholm. Although the piece only were two and a half hours, and only consisted of eight or nine actors that played all parts, often only with very small but efficient adjustments of their costumes, they were able to capture the main events and very essence of the book very well. However, as I knew that there were gaps, but could not remember exactly what was left out, I thought it to be a great opportunity to read the old copy of the novel that I bought at a antiquarian book-shop a couple of years ago.
It is a very nice copy from 1926, sprinkled with a multitude of photographs of the milieus Nils passes on his way through Sweden, and illustrations by famous Swedish early twentieth century painters: the fairy-tale illustrator John Bauer, the nature and wildlife painter Bruno Liljefors, and Prince Eugene, the gifted painter of the royal family. Unfortunately, the leather binding on the back shed paint onto my hands if I held it with damp hands - something a bit hard to avoid when the temperature reached the thirties in Stockholm this summer!
Selma Lagerlöf is one of the very few Swedish authors that have been Nobel Prize Laureates in literature. She actually wrote "Nils Holgersson" by commission of the Swedish school board - creating a thrilling tale to teach the pupils about Sweden. Of course, Sweden has changed immensely in the close to a hundred years that have passed since she wrote the novel - but all the old provinces still exists, even if one has been split into two, and much of the landscape and nature descriptions are still valid, even if the agriculture and industries have evolved and changed over the decades. One thing is sure - all the fairy-tales and folklore about each province, that Lagerlöf has preserved for the generations to come, are about as fictitious now as then, but perhaps have even more to offer today in means of provincial spirit, as people moves a lot more today, and are more and more rootless.
This is to me one of the great Swedish classics, and it has struck me that, as it has been translated to a larger number of languages, it is a great gift to any foreign friends that have expressed the slightest wish to learn more about this country.
What an idea for a novel, really - to let a mean boy get shrunk to a Lilliput and ride a goose from his home in the far south of Sweden to the far north and back again, on the way learning good form all animals he gets to know and about almost every part of Sweden.
(English, 6 Jul 2003)
This is a collection volume of "The Strange Case of Dr Jekyll and Mr Hyde", "The Body Snatcher", "Olalla", and "A Chapter on Dreams". Also, the editor of the collection, Robert Mighall, has included an excellent introduction, a very interesting analysis called "Diagnosing Dr Jekyll", and numerous notes of further commentary on all parts of the book. For instance, according to Mighall, with "The Strange Case of Dr Jekyll and Mr Hyde", Stevenson were the first to plant a Gothic horror tale in the midst of civilised London. Prior to that, the Gothic horror tradition was to place the story in some remote and backward old corner of the world.
I know that I read "The Strange Case of Dr Jekyll and Mr Hyde" in Swedish as a kid, but it must have been many, many years ago, because I cannot remember it being so short as it actually is. Also, I cannot remember marvelling over how modern it feels, despite the somewhat old language and the definitive nineteenth century London setting. It must have been truly ground breaking with regards to the duality of man when it came.
The other stories included was much more lightweight. Pleasantly crafted, but not really scary. I must say that I still consider "The Treasure Island" to be Stevenson's best work, even if I do acknowledge the for the time very advanced ideas he expressed in the tale of Dr Jekyll and Mr Hyde.
(English, 25 Jun 2003)
Released to the world on the twentieth, my copy reached me on the twentythird and by the evening of the twentyfifth, I had read it cover to cover. Perhaps one ought to have dragged it out a bit, extending the experience, but I found that a bit hard to do. ;-) Compared to reading in German, for instance, reading Rowling in English is like cutting butter with a hot knife.
So, what about the great questions? Is it as good as the four previous novels? Has the success finally gotten to Rowling's head? Why did she not continue to release one part a year?
It is still good. Although it was a while since I read the earlier ones, I would say that HP5 is a bit less thrilling as the fourth and actually does not win anything on being much longer than the three first. However, I detect a deepened exploration of the teenage mind - like if Rowling wants to make sure that kids in the same age as Harry is in each book will be able to identify themselves with him, at least to some extent. The warm humour is still there, but regarding the decreased frequency of releases, perhaps the portraits of shortsighted, narrowminded officials in the book is a small revenge on the business people that I think is responsible for the delayed pace of releases. Of course, it could be that it actually took Rowling more time to write a longer novel, but I actually believe that the publisher strongly has advised her to wait a few years, to really cram money out of the previous part, and possibly the makers of the Harry Potter movies have had their say in how the releases of the remaining novels and movies will be coordinated. But I should not be speculating...
Harry Potter is light reading. However, that does not mean that it is low quality reading. There are both classics that are easy to read and those that are not. There are both pure entertainment books that are mostly thrash and those that inhibit quality, even if the ambition is not that high. I consider Rowling's novels to be good quality entertainment that have been proved to be working - if not we would not have this god damn hype that slows down the release rate... Anyway, about the best review I can give them is that not only do I read them with pleasure myself, I also intend to read them to my kids if I will have any.
It will probably now be yet another three years before the sixth and second to last part is released. Of course, during that time, perhaps the movie adoptions of books three, four, and five will be viewed all over the world, but I still eagerly would exchange that for the release of HP6 next summer...
And to give just the tiniest of spoilers away - the Weasly's play a bigger part than ever before in HP5.
(German, 22 Jun 2003)
You know how I always try to read books in their original language? Since I do not know French, I thought I could exercise my German by reading it that language instead. However, it turned out that although Lusseyran most definitely is French, he emigrated to USA in 1960 and there wrote the novel in English three years later. The rule states that I should have read it in English instead, but - hey - is it not a good intention rather than an absolute rule?
This novel can actually be regarded as two in one: first, we have the thrilling story of how the young Lusseyran got involved in the French resistance during the German World War II occupation and what events transpired after he got caught and sent to the German concentration camp Buchenwald. This is modern history at its best, the tale of an eyewitness.
However, I found the other incorporated novel even more interesting: the one about how a eight-years-old loses his eyesight in an accident and how he learns to "see" and function again (well enough to later start his own resistance movement while still passing excellent grades in school). I write "see" while it does not exists any better word, even if seeing traditionally involves ones eyes. Lusseyran combines hearing, smelling, and sensing into something that is not far from as efficient as the eyesight we are used to. In some ways it is even more efficient. As seeing persons, we tend to let our eyes coordinate our hands. Not a blind person. According to Lusseyran, his hands soon got life of their own. Subconsciously, they started to roam his arms-reach to explore what there is. Very interesting stuff, but I would like to get Lusseyran's experiences as a blind person commented by someone who has been blind from the birth, to learn if there are any substantial differences.
(German, 6 Jun 2003)
It is not everyday that you read a biography over a historical regent in German but, hey, someday should be the first. August the Strong was elector of Saxony and made himself king of Poland when the seventeenth century turned into the eighteenth. Young and restless as he was, he wanted to expand his empire even further and allied himself with Russia and Denmark and attacked Sweden - starting the Great Nordic War that blazed between 1700 and 1721. This is a war that I as a Swede is pretty familiar with, Karl XII being a hero-king of Sweden and all. However, it was quite interesting to read a biography that told the tale of the other side, from the perspective of one of Sweden's enemies. In reality, modern Swedish historical research is objective enough to shred the hero-king legend of Karl XII to pieces, but it still was enlightening to share the other perspective. Especially regarding the person of Aurora Köningsmark, Swedish female adventurer and August's mistress, who is a lot more positively portrayed in the biography of August the Strong than in even modern Swedish history-books.
August the Strong was pretty unfortunate as a empire builder. Even if Karl XII was eventually beat by the Russians, the Swedes had already mangled August and his Saxony severely. However, as August grew older, his interest in wars diminished and his interest for culture increased. August's true greatness law in his reformation of Saxony's economy, gods production, postal service and such. It was during his rein that the secret of porcelain production was discovered outside China and the Saxonic city of Meißen became the porcelain capital of Europe. August also built scores of castles and decorated them with sculptures and paintings. He begun a remake of Dresden with Venice as a template. It it this enormous cultural heritage that is the foundation of his greatness.
So why is he called the Strong and not the Great? Well, he was one huge man of great strength. There is even a broken horseshoe in a museum in Dresden along with a letter certifying August to have broken it with his bare hands. Hence "August the Strong".
(Swedish, 27 May 2003)
A young Swedish secularised Jewess that go to New York to research the Hassids in Williamsburg - can that be interesting? Yes, it can. The Hassids are ultra-orthodox Jews that live in the most unorthodox city in the world and yet succeeds in increasing their numbers and keep the more common secularised life-style at a distance. At first, one tend to shake one's head and write them of as fanatics, but after a while, one cannot but acknowledge the possibility that the Hassids might have more meaning in their life than most of us others. Could I embrace their believes and share their life? Probably not, but I can be intrigued by their lifestyle and jealous of some spiritual elements of their life. However, I primarily find the whole concept of an ultra-orthodox colony of Jews living next to the Puerto Ricans in the area of Williamsburg in the Big Apple quite fascinating.
(English, 24 May 2003)
I am unsure whether it was the movie adaption of "Howard's End" or "The Remains of the Day" that was viewed when I flew from USA the summer of -94. I did not rent any headphones and thus focused more on my book than on a movie without sound. Anthony Hopkins was in it though, and I think it was "Howard's End". However, I have to say that I had a quite cloudy view of the actual story. To this end, the novel surprised me greatly.
It is pretty much a typical Forster novel - great language (albeit with dialogues you have to read very carefully to get), socially aware, detailed depiction of England at the time of second last turn of the century.
Given a summary, the intrigue might look awfully thin, but when you let yourself soak in the full contents of the novel, it appears to be anything but thin. The Wilcoxes are rock solid, the Schlegel sisters wonderfully enjoyable, Mr Bast movingly awkward. I really would like to see the movie now. ;-)
(Swedish, 11 May 2003)
As these memoirs only cover the years from Erlander's birth until the outbreak of the second world war - when Erlander was a state secretary, well before he become the Swedish prime minister - I guess that there probably exists a sequel, covering the later years. However, Erlander's early years are not without interest. He tries hard to identify the conditions and influences that made him form his political conviction (social democrat) - from his childhood years in Värmland, over his university years in Lund to his political career, first locally in Lund and then in the Parliament in Stockholm.
One thing he cared strongly about in the 1920:ies and 1930:ies was the unemployment aid and the workers' and unions' situation. Hence he elaborates on the background and motivation for the reforms in these areas made during that time. This is valuable stuff today, when the situation is quite different, even if there are some parallels. As the worker unions generally lives in the past and fail to adopt to the risks and chances of the twentyfirst century, it is pretty educating to read about how the unions came to be what they are today. If nothing else, any political discussions I might find myself engaged in might be a lot more fun to partake in - if I only can remember a little from these memoirs. ;-)
Even if I do not share Erlander's convictions, his memoirs testify about the Swedish social-democrats greatest feats in history. Too bad that Erlander's party's current heirs have troubles following the good examples of those who came before them. The social democrats of old adopted and reacted better to the world around them than the social democrats of today do.
(Swedish, 4 May 2003)
I remember seeing novels by Rosander in my parent's bookshelves as a kid on a quest for something new to read. However, I never gave them a chance. Now I have relieved granny of two of them and has just finished "Vargarna från Elba". It is a historical novel, not unlike those by Björn Holm, only a lot more burlesque and naughty. You could call it Jackie Collins for men (men that are amused but that sort of thing, that is).
Fairly pleasant novel, perhaps a bit predictable. The one thing that I found a bit disturbing was the frequent references to Sweden - made not only by ambassador Neippberg who formerly been stationed in Sweden, but by a lot of others as well. Actually, it is not the idea that something about Sweden should be known on the continent in the time of Napoleon I find strange - but rather that so many references are made to Sweden and so few to all other obscure countries. It is fair to say that the origin of Rosander shines through pretty obviously in this aspect.
(Swedish, 2 May 2003)
I cannot decrypt the handwritten dedication in this book, as it is in Finnish, but I can make out my paternal grandmother's name and that it is signed by six Finns. It seems that granny was given this book in 1940, when she was one of the Swedish volunteer nurses in Finland during the war.
Anyway, the book is about the fighting in November to January 1939-1940 in Suomussalmi, where a couple of Russian army divisions crossed the border to try to get to the bay of Botnia. However, they did not get very far, as the Finns defended their land furiously.
The book is written by the major general Siilasvou, who commanded the Finnish forces in Suomussalmi. He writes very calmly and lets the facts speak for themselves. Yet, there are a strikingly large numbers of hero's deaths throughout the narration.
Pretty interesting book, but rather analytic. It is not often the sufferings of the individual soldiers shine through, but then it is not a novel set at the front - it is a high level account of the military operations that countered the Russian assault in the Suomussalmi area.
As for the language - it does not say if it is translated or not, but either way, it is always nice to read Swedish from the early half of the last century.
(Swedish, 30 Apr 2003)
This was the kind of novel you read with a broad smile upon your face. Sometimes a smile of happiness, sometimes a smiled of shared experience with some particular kind of trouble. And, OK, sometimes the smile was replaces by a grimace of pain. It is just that kind of book.
In Nilsson's last novel, "Rebell med frusna fötter", the heroin had outspoken views and opinions on what is wrong with our modern society. This can make that book a bit hard to swallow for those of another political confession. However, in "Konsten att vara Ela", the main character Ela is much less outspoken. She only happens to get thrown into the back alleys of society, but it is mostly up to the reader to draw her/his own conclusions. I think this will make this novel more widely accepted and acclaimed.
I had no trouble at all identifying myself with Ela, even if I am not a young women, nor have divorced parent, or an especially messy life. Furthermore, the rough spots life has thrown at me in the past can hardly qualify to play in the same league as Ela's dire straits.
Nilsson is one of these blessed authors that only keeps getting better and better. I am resolved to keep on buying her books until she is well over her peak. ;-) Especially since she has moved on from the terrific but horrifying novels about young, troubled and alienated children to employ young women of roughly my age as main characters. And they are no synthetic Barbie dolls either, they are women of flesh and blood, with the same flaws, shortcomings, and challenges in life as the rest of us crawling the earth in this particular corner of the world.
I wonder if Nilsson is vain/curious enough to prowl the net after reviews of her writings? If so - has she ever stumbled over this page? If she ever will, I hope she will send me an email. It would be fun to get a chance to get a peek at the brain behind the books. ;-)
Anyway, "Konsten att vara Ela" is the latest novel from an young author that already established herself as a voice to keep track of in today's media noise. The style is definitely modern, but the contents are somewhat more plain and touching than most other books written today. More every day's and every person's troubles, less escapism. Sometimes you need escapism to flee this world, sometimes you need Johanna Nilsson to reassure you that you are not alone.
(German, 25 Apr 2003)
I cannot remember when I read a book in Swedish or English with equally much I did not understand as in this novel in German. Probably we have to go back to the late eighties for English and mid-eighties for Swedish. OK, that one or another word escapes me. That still regularly happens in English books, even if it was more frequent in the past, and on occasions, I even stumble on Swedish words I cannot make something of - but that is rare - and in both Swedish and English, I almost always at least grasp the context of each sentence. Not in German. I must say that "Das Parfum" was written in a bit too advanced German for me. Not only did I not understand words in most sentences - often they were too many for me to grasp the sentence itself. Yet I somehow succeeded in following the context on every page. I got the story, but probably missed a lot of the finer details and shades of the tale. Anyway, my German did probably not suffer from the exercise. I have learnt a lot of new words - some by deduction, others by obvious relation to Swedish words. Now it only remains to learn how to pronounce them! ;-)
"Das Parfum" (The Perfume) is a tale of passion, beauty, alienation, and hate. It is not a beautiful story, even if it contains element of beauty and there are radiating details. In many passages it is bizarre as well as grotesque and abdominal. I wager that many of the weak-at-heart puts this novel away at the first sign of unorthodoxy, in order not to be accused of perversion. We of sturdier minds suffers through the darker parts out of curiosity of what will come next and out of respect to the author's more lighter and happier chapters. The texture of the novel works. Some of the ingredients may seem strange, but the result is pretty well balanced. If you can make out the forest past all trees, you are likely to appreciate it.
One can read this novel in many ways. You can read it as a exploration into a world not dominated by vision or you can focus on the alienation and draw parallels to modern integration debates - or you can just read it to be publicly disgusted by that which you are secretly afraid of being associated with. Probably, you are best off if you use it as most book should be used - as a mean of escapism, to leave the common world behind and pay a visit to an alternative world for a brief moment in time. ;-)
(English, 31 Mar 2003)
"Tantras", the second volume in the Avatar trilogy, was a lot more well composed and well written than the "Shadowdale", the first volume. However, my favourite character from "Shadowdale", Cyric, went completely overboard in this book. That murdering bastard is not my favourite anymore.
Anyway, the trilogy is one part of the Forgotten Realms role-playing games campaign settings. The books tell the tale of the arrival, when Ao throws down the gods from the planes to walk Faerun among common men. Afterwards, this will be know as the Time of Trouble, when magic was unstable and the laws of nature upset.
Not the most refined literature, but nevertheless pleasant, and great to get in the mood for my gangs sessions of monster-bashing.
(English, 20 Mar 2003)
You know the way we imagine what we want, be it a item or a partner? In reality, these visions are nothing more than projections of ourselves and our own preferences. When we get what we want, it seldom matches our anticipations but still satisfies us. Gibson's latest novel "Pattern Recognition" contains an abundance of elements that lies close to my likings, which - of course - makes my appreciation of it immense.
Take the main character, Cayce. Gibson has made her such a close match to what I imagine I like in women that my appreciation of her borders to love. It do not matter that we (probably) are more different than alike - I only remembers the colours she dresses in and that she seldom remembers what she dreams, just like me. Do I need to tell you that I find the novel quite great?
Gibson has left the dystopian cyberpunk future and lets "Pattern Recognition" take place in our time, right now. His ability to create a believable future by focusing on the small details - the keyhole-peeping technique - now works astoundingly well to highlight the elements in our world that indicates that we in the twenty-first century in a way are already living in the science fiction future we still only expects tomorrow to bring.
The underlying theme of the novel consists of the modern abundance of trademarks and marketing strategies. This makes the book altogether more comparable in thesis and vision, if not in form and exact contents, with the economists Ridderstråle and Nordström's book "Funky Business" about our modern, global economy.
All in all, a pretty typical Gibson novel, despite the contemporary rather than future setting.
(English, 15 Mar 2003)
Compared to the massive volume of Gaiman's "American Gods", this novel is pretty tiny - but that is as it should be, as this really is a children book. Not for too small children though, mind you, as it is quite scary. A swell book to read for one's daughter, if one will ever have one - the challenge being waiting until she will be old enough, or else one will cause some dreadful nightmares.
Gaiman does precisely what he is good at, albeit somewhat scaled down. He has taken a pretty basic storyline and embroidered it into a thrilling and complete tale that offers much both to kids and adults.
What a courageous young girl Coraline is.
(Swedish, 13 Mar 2003)
This tome is a direct sequel to Steckzén's "Umeå stads historia 1588-1888". The latter was written to the city's 300 years anniversary and the former to its 350 years celebration. I would probably never have read these books if I had not been born i in Umeå and also spent my university years there. However, as one is familiar with the town and its surroundings, it is quite fascinating to learn about its history and to be able to see how and when the different developments were made.
In Olofsson's more recent history, buildings that still stands in Umeå today are being built. This gives the narration an extra depth, as one already known the houses as they appear today. To this end, the book also includes Karin Eriksson's "Stadsplan och bebyggelse i Umeå 1888-1900" and "Några byggnader och miljöer i Umeå 1900-1972" which contains lots of photographs and blueprints besides in-depth description of architecture in Umeå over the years.
What are my lasting impressions of the book then? Aside from the buildings, private and public, I think I most eagerly read the account on how Umeå positioned itself to receive Sweden's fifth university, as it is my own Alma Mater. However, the politics and economics of Umeå during the early twentieth century was not so boring as one could have expected. Instead, they were often quite intriguing, as the bitter political feud that gave Umeå standing coverage in papers all over the country - albeit rather embarrassing coverage...
I wonder if it will be written any history over the years 1972 to 2022 for the 400 years anniversary? As I am living in the middle of that interval, I kind of consider it as too lightweight to be of any interest. Yet, I am probably wrong, and the period will be interesting enough to fill another tome by the year 2022.
(Swedish, 7 Mar 2003)
This book was awarded the Swedish August Award as the best children book of the year 2002 and it is not hard to see why. It is a most pedagogical book about death that approaches the delicate subject head on, without hesitation. Even so, it is kind and hopeful - perfect to introduce to a child and then go back to when a friend or relative of the child dies.
One aspect that I noted and appreciated is that the perspective of the book is strictly that of a pet Guinea Pig. As the main character is an old Guinea Pig, this is perhaps not so surprising, but what I noted with gratitude is that the ubiquitous humans in a pet animal's world was just that - ubiquitous and nothing more. I.e., they were no gods but just a natural element in life. Eh, this became a bit complicated. Let's just say that I think Nilsson has succeeded well in creating the trustworthy perspective of a dying pet Guinea Pig.
If I have understood things correctly, this was a successful play before Nilsson, with the aid of Tidholm's wonderful illustrations, made a children's book out of it. It would be interesting to see the play.
(Swedish, 2 Mar 2003)
Another one of Bengtsson's books about how to use simple estimations to reveal the underlying physics of the world. As no one else, Bengtsson succeeds in making advanced theoretical physics accessible for the common man, by de-dramatising it by placing it in everyday settings and using relatively simple math.
This volume contains a collection of short essays on a wide variety of subjects: how much the soles of one's shoes are worn in a year, to what extent our breathing and sweating can cool us, how to estimate the earth's radius by watching the sun set, etc, etc. My favourite was the essay on Buffon's needle, and how the formula can be used not only to determine the length of the needle, but to the determine a value of Pi, measure the length of a piece of string or even the coastline of a country!
Not only is Bengtsson an expert in theoretical physics but also a connoisseur of literature, art, good food, and fine drinks. This shows in the narration, as he constantly sprinkles his account with all possible references and often uses them as the base for the different physical explorations. For instance, twice he bases the subject of essays on classical Donald Duck adventures by Carl Barks!
(English, 27 Feb 2003)
The appreciation of a novel is tightly bound to the reader's expectations before reading it. The greatness of a great book is amplified by low or no prior expectations and unmet high expectations can make the impression of a decent novel suffer. I must confess that I had a bit too high expectations of RfaU. Somehow, the references to the Templars in the sales-pitch had made me expect a historical drama rather than a pretty typical modern thriller. At first, the disappointment made me regard it as nothing more than the light-reading adventure stories that Clive Cussler (albeit for boys of all ages), as RfaU contains parallels to all the typical elements of Cussler: an unexplained historical event and a secret conspiracy intermingled to presents a combined challenge for the twentieth (or twenty-first) century heroes.
However, while reading the book grew on me. First, acknowledging its trustworthy treatment of the plot and successful level of complexity, I promoted it to a modern political/financial-driven thriller, like those of Tom Clancy for instance. Yet there are traces of more philosophical contents and especially historical events, which made my final opinion settle at something more than a mere thriller. A few elements in it could equally well have been conceived by Arthur C. Clarke.
Cappelli has succeeded well in creating a thriller with increasing excitement that climaxes in the very suitable ending. I found the novel very entertaining and look forward to reading future books by the author. Yet, as somewhat of a literary snob, I cannot but add that I find RfaU a bit wanting in language and form, in the sense that they are too typical of the late twentieth century for the novel to ever becoming a classic. Its form does simply not match its transcendent contents.
(English, 9 Feb 2003)
Well, as the nostalgic role-playing party I am a member of currently is playing a Forgotten Realms campaign, my Dungeon Master has encouraged us to read novels set in Forgotten Realms, to get a better feeling for that particular world and atmosphere.
"Shadowdale" is the first book in a trilogy on the events that take place after the Arrival, after Ao has cast down the gods from the planes and the gods walk the realms in human avatars - with only shadows of their ordinary powers. However, the gods of course continue to plot against each other... And it is then an unlikely party of adventurers are brought together by their random meetings with the gods. Not surprisingly, they are swept up in the flow of events and have to fight both for their own survival and the welfare of the realms.
Of the different characters in the party, my favourite are Cyric, the cynical and disillusioned thief. But you have to read the novel yourself if you want more details.
As for the overall quality of the book, I find it somewhat lacking. At least twice I spotted sentences with completely wrong words and you cannot really call this anything else than light reading. It somehow lacks depth compared to most other works of fiction I usually read. It really helps building up my (or my campaign character's) background knowledge of the realms though, and the ending is quite thrilling. ;-)
(English, 9 Feb 2003)
This was a magnificent novel! In a way, it is a sequel to "Pride and Prejudice", as there are some parallels between the main families, with the oldest girls married away and so. However, the focus is not the same, and "Mansfield Park" has another intensity.
There are a lot of opinions of the author expressed in the novel, on the education of children and the right foundations of marriage, to name two. Austen's views are pretty accurate even today, but I imagine that they must have been quite modern and controversial in the 1810:ies.
If I were to compare "Mansfield Park" with any other genre than romance, I would have to say thriller. I found the novel extremely thrilling. The suspense of wanting to know how long Fanny would suffer and whether she was right or mistaken in each of her observations and concerns really got to me. Why is "Mansfield Park" not as well-known as "Pride and Prejudice"?
Perhaps the book is a bit predictable, but when the prediction eventually proves to be true, it does not matter anymore. One is quite satisfied anyway.
The lasting impressions are thrilling, domestic suspense and timeless, ever modern contents. However, I cannot stand the awful Mrs. Norris.
(English, 16 Jan 2003)
The tenth and final volume of Gaiman's Sandman series. Here many, but not all(!), loose ends are tied up and the aftermath of the events of the ninth volume are cleared up. The reader realises that the Endless really are endless and that we humans on the whole are pretty much pointless - both as individuals and as a race.
You either love or hate the Sandman series. It is simply hard to be indifferent. I love them violently and I can tell you that it feels pretty good to have them all in my bookshelf. If nothing else, I am now able to browse them all, to try to find all the small references to obscure pieces of facts and fiction that Gaiman ingeniously have scattered all over the volumes - not always following the timeline of the narration.
But now what? I have them all. What should I collect now? *sigh*
(Swedish, 11 Jan 2003)
Do you remember the IT-bubble? Before it burst? (Or rather, before reality caught up with the dreams of fortune of all the players in a infant industry). In this book, Ågerup collects in one place the complete story of Adcore, from the foundations of the two companies, Connecta and Information Highway, that later merged into Adcore, to the eventual free fall of Adcore's stock. In the beginning of the rise, they were unstoppable. Everything they touched turned into gold (or were considered as gold). In the beginning of the fall, the Swedish bank Handelsbanken declared Adcore to be "the strongest buy in the history of strong buys", making many private savers sorry to have followed the bank's advice.
Anyway, I have friends and former fellow students that was hired at Information Highway, and later became Adcore employees. That makes it particularly interesting to get the story behind the story, to learn a lot of facts they, as simple employees, were not aware of at the time it all happened.
Books like this are very important if one believes that those who do not know history are doomed to repeat it. Perhaps a book like this can make the next set of blessed entrepreneurs exercise more common judgement, to avoid going bankrupt and getting their visions and dreams crushed. (However, some of the key players in Adcore come out all right - but not the small investors).
One important factor Ågerup points out is the rôle the medias played in the Adcore-drama. They had no little part in elevating many of the young IT-companies to the skies. Would things have been different if they had been more cautious in their judgements and their investment advice? Or was it more important to sell a lot of copies of the paper the days the headline shouted about safe investments guaranteed to make you rich?
(Swedish, 6 Jan 2003)
I saw the movie adoption of Forster's third novel in English class in Senior Secondary School - a very pleasant movie, that actually treats the book pretty well. It make some cuts, but no major alterations of the plot.
It is rather tempting to compare Forster with Jane Austen. Even if the differences outnumber the similarities, one cannot but acknowledge that they both play the same game: they indirect mouth their own opinions and theories on contemporary society by dramatising them in their novels set in the midst of their own surroundings. What is really starting is that, even as the two turns of centuries the two authors was active after have been succeeded by yet another, their observations on what is right and what is not in their respective times are still accurate and applicable. Here, of course, lies the basis of their greatness.
Anyway, "A Room With a View" is the story on how Lucy leaves adolescence behind and becomes an adult, directly spurred by the events and persons that occur during a vacation in Italy and thereafter. Great language, trustworthy characters, pleasant story - good reading.
(Swedish, 27 Dec 2002)
Going through my parents library, I finally decided on one of the three novels by Boije af Gennäs that stood on a shelf. I cannot tell why I choose "Ingen människa en ö" instead of the others and initially it annoyed me quite a bit - but in a good way! I sighed and thought "why has she chosen this and that subject?", "why has she made this and that character in this and that way?". But each time, a few pages or a chapter later, I came to appreciate each of her choices, as they grew on me and turned out to be less one-dimensional and less stereotype than I originally thought. She might even be so refined that she is using counter-examples to get her ideas through. ;-)
OK, it still a pretty typical "modern Swedish novel" - you know, the kind that it goes thirteen on the dozen of - but I have to admit that it has some originally and a certain quality. I may be pretty tired of the politic criticism and alarmistic view of where society is going, but that is not the true message of the novel anyway. It is really, as the title suggest, a reminder that we humans need to interact with other humans to survive - preferably our own family. Sometimes, we tend to forget that in our stressed western society - do we not?
Anyway, it was no coincidence that I settled for Boije af Gennäs. I have heard some of her and took the opportunity to read her myself. I was not disappointed, and will probably read more of her.
It is tempting to give a copy of the novel to my ninety-two years old grandma. However, she might take it the wrong way or even get funny ideas. Just because that I see some passages that I think would suit her does not mean that she could pick out a completely different set of passages, could she not?
(Swedish, 25 Dec 2002)
When I think of Maria Gripe, mostly her "Tordyveln flyger i skymningen" comes to mind. Not because of the "Selanderska villan" (the "Selander house") but because it is a really thrilling story that was a great experience to hear as a kid. However, I think I and my kid sister listened to a radio-theatre performing "Agnes Cecilia" as a series sometime in the eighties. Also, mother read Gripe's "Josefin", "Hugo", and "Hugo and Josefin", which also were made into tv-series.
Anyway, "Agnes Cecilia", as well as "Tordyveln flyger i skymningen" has got elements of the supernatural - connections between people over time and room - so it is thrilling, because it never feels dumb, always on the borderline of possible. Also, "Agnes Cecilia" is a book on coexistence among people with lots of thinking on why people are like they are, and how to be to them.
It is a well-balanced tale that I will try to remember to get for my daughter, if I have one. Hopefully, she will be as strong and independent as Nora, the main character of "Agnes Cecilia", but also feel more wanted and loved and never be orphaned like Nora. (I especially hope any future daughter of mine never will become an orphan).
(Swedish, 23 Dec 2002)
Here Henrikson has written a book on the theme "What If?". He let the goddesses of destiny meet with the muses for a workshop in practical history. If we change the path of life of this person (Stalin, a German atom-bomb, Bismarck, Alexander the Great, etc), what consequences will that have?
It is kind of fascinating but, unfortunately, each chapter is to short and to shallow to be really interesting. It is hard to grasp the real ramifications as Henrikson only lightly sketches the results of the alternative events. Amusing, nevertheless.
(Swedish, 22 Dec 2002)
I liked this novel a lot better as a young boy, but it is still good. Today, however, I appreciate other things than as a kid. Now it is more interesting to see how accurate Clarke's predictions of the imminent future was and consider his visions of human-Dolphin cooperation. As a young boy, it was the adventures and Johnny successfully running a way to a new, better life that was alluring.
Clarke has proved himself as a great thinker and visionary of what today is science fiction but tomorrow might bring. But this must be one of his earlier and simpler novels. Yet it contains much of the grand ideas he later explored in "2001: A Space Odyssey", "Rendezvous with Rama", their sequels, as well as other books.
A great title to increase children's appetite for reading and contemplating our place on earth and in the universe.
(English, 21 Dec 2002)
This was Chevalier's debut novel that appeared two years before "Girl with a Pearl Earring". It is not as tremendous as the latter, but almost. The story, with parallel events in the seventeenth century and today. is more complicated than in "Girl with a Pearl Earring" but is treated with the same simplicity, which makes it very alluring. Chevalier definitely has got her own style, which makes her novel great reading experiences. I hope that her latest, "Fallen Angels", is at least as good. ;-)
"Girl with a Pearl Earring" was great because it was a simple and straightforward story told with a restraint and subtleness that made more happen behind the eyes of the reader than on the pages of the novel. That quality between the lines is simply marvellous. "The Virgin Blue" is not that subtle. Instead its story is much grander, with supernatural elements and more severe depths. Yet, at its centre, there is a strong but not completely fortunate young woman, just like in "Girl with a Pearl Earring". Also, European history is very present - this time French-Swiss history.
Anyway, perhaps it would be easy to brand Chevalier's novels as feminine reading - the books middle-aged women reads - but I beg to differ. I - an almost thirty years old computer scientist - adores Chevalier's writing. I only wish that I could write novels as good as hers.
Try one by her pen. What do you have to lose?
(Swedish, 18 Dec 2002)
This second part concludes Wetterberg's extensive biography on Axel Oxenstierna, the gifted administrator that paved the way for Sweden's brief time as a European super-power.
(English, 13 Dec 2002)
I ordered the ninth and tenth volumes of the Sandman series at the same time, but when I ripped open the package, it was only the ninth that had come. The tenth was sold out (as everywhere else). However, it seemed like it was two the box. The ninth is by far the thickest of them all, and have the most dark and haunting atmosphere, as the Dreaming is under attack and some of our well-known characters even are killed.
What many of the previous volumes have hinted at and contributed to the build-up erupts here abruptly, with dire consequences for the Dream, the Dreaming, and its inhabitants. This is the real stuff.
My two favourites of the Endless, Death and Delirium, makes guest appearances - Death only a short one, but Delirium a continuous one with a spray of colourful fishes! (I am not kidding.)
Anyway, I have said it before and I will say it again: Neil Gaiman is a exquisite modern story-teller, who uses traditional legendary in new - or perhaps old, rediscovered - ways. I tried to buy his latest novel, "Coraline", but it was of course sold out already (anyone heard about Christmas shopping?). I expect many great reading experiences from Gaiman in the future.
(Swedish, 6 Dec 2002)
The common thread in these seven essays is the premise that Sherlock Holmes actually existed and that Sir Connan-Doyle only published what Dr. Watson told him. Given these facts, how can one explain certain paradoxes in the novels about Sherlock Holmes? Bengtsson uses his immense knowledge of physics, as well his developed argumentation skills, to prove Sherlock right on several accounts. For instance, he gives a physical explanation for the case were Sherlock draws his conclusions from how deep the parsley has sunk in the butter and argues that Sherlock's said visit to Tibet after his life and death struggle with Professor Moriarity fits well with the fact that the Dalai Lama at the time was not murdered as his predecessors (thanks to Sherlock, according to Bengtsson).
Most of the essays has previously been published in the paper of a Sherlock Holmes society. I guess Bengtsson has earned his membership. ;-)
However, what was most interesting with this book was that it revealed some of Bengtsson's travels around the world (notably to Tibet) and his collection of items from those trips (a Tibetan table is actually mentioned in "Kring flaskor och fysik" as well!). Bengtsson must always have been a quite busy lad, or he could not have time to all the things he evidently has done (doctor in theoretical physics, travel all around the world, write a number of books, make television programs, etc). Quite cool.
(Swedish, 4 Dec 2002)
How on earth did this book get published by "Studentlitteratur" - the Swedish publishing house for academic course literature? If it actually is a text-book in a university course in Physics, I actually would like to take the course. ;-)
This book is a great companion to Hans-Uno Bengtsson and Jan-Boris Möller's "Koka soppa på fysik". In that book, Bengtsson, the physicist, and Möller, the chef, discusses food and cooking from the combined perspectives of chef and physicist. In "Kring flaskor och fysik", Bengtsson repeats the feat, but this time he discusses high-spirited beverages with the sommelier Mischa Billing. The result is very enjoyable. Historic anecdotes around wine and spirits is mixed with physical explanations for a variety of connected phenomena, like how long it takes for a glass of wine to become warm or aired.
Actually, for a fan of Bengtsson like me, most of the physical explanations is old ones. Bengtsson has used them before in other books. However, this setting is new and what Billing tells I have not heard before. Thats why about the only negative thing I have to say about this book is that it is too short. (One get pretty thirsty when reading it too...)
I guess this is about the uttermost nerd literature - a book that combines wine and alcohol trivia with physical formulas - but I do not care, it is pretty enjoyable anyway (and you can always skip the formulas).
(English, 3 Dec 2002)
OK, quick summary: First, there was Card's debut novel - "Ender's Game". Then followed a productive authorship with lots of books and series (see the rest of this page). There is, for instance, a trilogy about what happens with Ender and his sister Valentine when they leave Earth after "Ender's Game". Then, a few years back, Card wrote "Ender's Shadow" that takes place at the same time as "Ender's Game", but is told trough the eyes of Bean instead of Ender. Now Card is writing a trilogy to follow "Ender's Shadow" and tell the tale of Bean and the other Battle School-children left on earth. The first of that trilogy was "Shadow of the Hegemon" and the second, this novel, "Shadow Puppets".
I consider Card as a rather uneven author. Some of his works I like, some I do not. My big favourite is "Ender's Game" - the novel that started it all. However, I have a soft spot for the Bean-series as well, even if they are not as great as "Ender's Game". It might have something to do with all the mind games and super-intelligence in the book. I kind of like the atmosphere - but whether it is because I feel right at home with them or because I too want to be as smart, I really do not know...
Anyway, even if the main thread is the struggle between Bean and Achilles (which begun as they were living on the street of Rotterdam), we also get to meet Petra, Alai, Hot Soup, Vlad, and others of the Battle School kids, and see where they have ended up (often in a high position in their nation). A good and thrilling novel. I wonder how long we will have to wait for the next sequel?
(English, 28 Nov 2002)
Clancy is the grand master of modern, post iron-curtain, espionage thrillers. His "Res Storm Rising" was probably one of the most probable Third World War scenarios before the end of the Soviet Union. Regarding his line of novels about Jack Ryan, I always liked the old ones best - were Ryan was just a finance-broker turned college teacher turned CIA analyst. That Ryan - by a banana-peel slip - in the latter turned president of USA all of a sudden was a bit much for me, even if the affairs of the world around still was treated as well as ever by Clancy.
However, in his latest novel, Clancy return to the time just after his "Patriot Games" and introduces a young Ryan back in the UK, on loan from CIA to MI6. It works well. Perhaps because I was in school at the time when the novel is supposed to take place, I remember that state of the world pretty well, which makes the political settings of the book almost feel more familiar and today's more fluctuating events. I mean, the Cold War was nightmarish, but it was driven by quite simple rules. Those rules do not apply anymore. Hence today's more chaotic world.
Yet I cannot help but find Clancy's latest to be a bit less thrilling as his former. Is it because one to some extent already knows what is - and what is not - going to happen?
On the whole, I find it to be a very good book. Yes, it does not hold you in the uttermost suspense, but it is a well-written espionage-thriller of classical Cold War type. For the fanatic Clancy-fan, it fills in some gaps, as it introduces some characters of earlier books achievements previous to their appearances. What I especially like about Clancy is all the small tidbits of facts he sprinkles his narration with - factoids that bear the evidence of thorough research of subjects and surroundings in the novel.
(Swedish, 20 Nov 2002)
This book is commonly advertised as a travel-guide to Berlin, but it is not your average where-to-party and where-to-shop guide-book. Instead, it is a travel-guide that focuses on remains from Nazi- and communist rule of Berlin. Mosander's aim is that we never should forget, and thus never allow something alike to happen again. However, even if the book is really interesting, I would have liked more of the ordinary travel tips, like that about KDW's delicacy department or good restaurants.
Mosander is grown up in both Sweden and Finland, and throughout the book, he tries to follow up a lot of connections between Berlin and Sweden/Finland. This actually works to heighten the relevance of the book. I guess I am a bit patriotic or so. ;-)
The atmosphere of the book is rather special. You sort of get the feeling that you are sitting down talking to the author (but yourself not saying much) and the author tells you about his experiences in Berlin. I wonder if Mosander's newspaper articles are written in the same style? Even if it is possible, I somehow doubt it. I like to think that he just were lucky to find the exact right tone of this book.
The general form of each chapter is an account for something or another in Berlin told from the author's own perspective, most often with some connection to Nazi or communist times, followed by a "What has happened since then"-section and finally a short "Facts"-section, with directions on how to get to the places in the chapter. Mosander was first assigned to Berlin as a foreign reporter in the early seventies, and the book is based on his experiences in Berlin to this day. This is actually a newly revised edition, with some new material and all these "What has happened since then"-sections added. They make the book a lot more up to date, but are also a bit sad, since many of them informs us of the death of the person Mosander had interviewed in the chapter...
I cannot tell how much use I will have of this book when I actually will find myself in Berlin, but it sure was an interesting reading experience.
(Swedish, 17 Nov 2002)
This is the first thick part of Wetterberg's biography of Axel Oxenstierna - the chancellor of Sweden in the early 1600:s and the creator of the first modern government of Sweden. Many of his makings still exists today, albeit with somewhat altered tasks over the centuries.
Gunnar Wetterberg begun doctoral studies in history, but then got a job at the Swedish Foreign Department, which initiated a career throughout different levels of the Swedish government administration. He kept and cultivated his interest of history the whole time, until he one day realised that his training as a historian paired with his inside experience of Swedish government administration made him extraordinary well equipped to write a biography on Axel Oxenstierna, the father of the modern Swedish government administration.
Wetterberg has done a really good job. His language is very clear and lucid. Compared to Peter Englund, Wetterberg writes a fraction less elegantly, but with an even clearer focus, where every detail is chosen to support the big picture - not told for its own sake. Englund tells more of the common mans condition in his books on the seventeenth century. Wetterberg focuses on the situation of Sweden as a young nation and how Oxenstierna's concern for Sweden made him build a whole new organisation for government administration - an organisation that was the key factor that enabled tiny Sweden to become a super-power in Europe during the 1600s and that in many ways still exists or influences the current Swedish administration.
To single out an illuminating example: the Swedish tax politics of the time. It is really interesting to learn how the king and Oxenstierna, to get funds to give the nation room to operate, tried different tax schemes, one after another. Some worked, other misfired completely and were replaced or reworked. This account of the tax politics of the early seventeenth century is highly relevant these days, when the increased real estate tax forces people to sell houses where they lived all their lives and people, in the wake of the burst IT-bubble, sometimes have to pay taxes on profits that in the meantime have been rendered worthless. Somehow, the media reporting about the negative effects of the current taxes fail to show the ever ongoing work of testing and revising taxes from the perspective of our legislators as well as Wetterberg does in this book. ;-)
The first part covers the years from Oxenstierna's birth and career until the Swedish king Gustav II Adolf is killed in the battle at Lützen. After that, it is de facto Oxenstierna that governs Sweden and Sweden's actions in the Thirty Years War. But that is the scope of the second part, which I have not begun reading yet.
(English, 5 Nov 2002)
Now I know what all chicks fuss about. "Pride and Prejudice" is quite a novel, much more vivid and readable than "Sense and Sensibility". I marvel at the quality of the works of authors like Austen, Strindberg, and other writers of the nineteenth century. Austen's language is less complicated and the dialogue feels a lot more natural than in "Sense and Sensibility". It may be said that the characters in "Pride and Prejudice" all come from the small minority in the top of society, with the less fortunate almost invisible or altogether non-existent. However, at the time, it was the noble who wrote books to be read by the nobles, so it is not especially surprising. Furthermore, take a well-known soap opera like "Dallas". Is it not about a modern nobility rather than poor white trash?
"Pride and Prejudice" contains a large collection of characters with different temperament, intelligence, and upbringing. Some are the most amiable possible, others are false to the bone. Some you grow an instant liking to, others you just want to strangle. This has of course no small part in the novels constant ability to attract affectionate readers. It is simply a very good book.
I cannot determine whether Elizabeth is made to be equally easy to understand by all readers or if there really are a special resemblance between her and my mind, enabling me to better relate to her thoughts and actions. She is a real gem among females, that is for sure. ;-)
I wonder how good the (latest?) movie adoption is, that one where Colin Firth plays Mr Darcy? I guess I have to see it when I have a chance. If not for anything else to see what Bridget Jones is so fixated on. ;-)
(English, 1 Nov 2002)
Page 157. What a page. It is hard to explain why, but it really hit me hard. You know, your heart skips a beat, you realise that you are holding your breath, that sort of thing. Yet the artwork of the page cannot create the effect all by itself - even if it is beautiful. It is the combination of having read all previous Sandman volumes, knowing who is in the page, and being able to decrypt that the whole passage of pages ending on that pages probably is a forewarning of events yet to come - an enveloped cliff-hanger. Page 157. What a masterpiece.
The eight Sandman volume is an in between volume. It does not forward the general plot much. Instead, it rests a bit, giving time to digest things past further, broaden the world, and deepen the atmosphere. It is set in the Worlds' End Inn, where travellers from all worlds sometimes find themselves. There, they pass time by telling each other stories - like we did in the winters before radio and television or even books were everyone's property. The stories told in "Worlds' End" might appear to be grander and more intricate than the stories of old, but if you think about it, the classical stories of old where at least as magnificent in imagination and spell-binding as Gaiman's, given the fact that Gaiman has got a much larger field of inspiration to reap than old granny in a small, isolated, medieval village...
Neil Gaiman is a modern story-teller of tremendous skill.
(English, 22 Oct 2002)
This series just keeps on getting better and better. This fourth volume had a philosophical depth the previous ones cannot match. One cannot but wonder where Severson got her inspiration. Might she herself have suffered from bigotry sometime? Hederick, the villain in this volume of the Dragonlance Villains Series, is convinced that he is doing good and is completely ruthless in his actions. Really scary...
Beside the questions of right and wrong, good and evil, Severson also frames the story of Hederick's life nicely with a peek at the Order of Aesthetics ceaseless work to document the history of Krynn as it happens. That frame fits very well to the rest of the story.
Good reading even if a bit light.
(English, 17 Oct 2002)
This was a pleasant surprise. I stumbled upon it by the sales-pitch in the catalogue of the English Bookclub. Actually, I read the catalogue to fast and thought "Youth" to have won the Booker Prize. This was not the case though. "Youth" was Coetzee's first novel since winning the Booker Prize for the second time! "Youth" was very good anyway.
The novel has to be autobiographical to some extent. Coetzee's perhaps does not tell exactly his own tale, but I am pretty sure that he has drawn from his own experience when writing the story of the young man who leaves South Africa for London in pursuit of his ambitious dreams. He his hampered down by doubts and failings but still keeps on striving forward more or less undaunted.
Although the novel is set in London in the sixties, it is very easy to relate to the main character - perhaps only because we are roughly of the same age and both academics. I do not consider us to be much alike but - who knows? - I might be wrong on that account.
J.M. Coetzee is definitely an author well worth reading more of - his two Booker Prize winning novels not the least.
(English, 9 Oct 2002)
This volume contained more of classical questing, but not much more. Light, adventurous reading. Interesting enough, it actually takes place before volume II in time.
(English, 1 Oct 2002)
This volume was a lot better than the first! Less predictable and a lot more original. You know the old story of an young apprentice and his/her master? Like Luke and Obi Wan Kenobi/Yoda, Arthur and Merlin, Belgarion and Belgarath, and so on? In "The Black Wing" the apprentice is a young, female black dragon that is taught by a fascinating little being called a nyphid. Actually, the whole perspective of a greedy black dragon as main character is uttermost refreshing and enjoyable.
No award winner, but nevertheless nice and easy reading.
(English, 28 Sep 2002)
This is not great literature, but - and this important - it does not acclaim to be great literature either, and that works in favour of the book. It is a simple hack'n'slay adventure tale with magic, villains, heroes, gods, and hideous creatures. Easy and enjoyable reading, and, since it does not acclaim to be more than it is, one does not feel a bit offended like can happen when one reads something by Katherine Kerr for instance.
OK, so what is the main drawback? It tends to be a bit predictable (but, in the end, I was proved wrong on a key event!). Great recreational reading to better be able to appreciate heavy literature again.
(English, 22 Sep 2002)
Predictable novels are only enjoyable if the author is brilliant enough to make the story very pleasant to read anyway. I mean, if the craftsmanship is good enough, we are able to forget whether the story is predictable or not. An on the whole predictable novel can also be surprising in the details. We feel certain that that and that will happen, but we do not know how it will come to be. However, a story should not be too unpredictable either. If it is too surprising, the reader will consider it unreliable. The best novels are not to predictable, but once something has happened, it should feel pretty natural that it happened that way, even if we could not foresee it beforehand.
"The Longest Journey" is not a predictable novel. Nor is the flow of events especially natural once they have unfolded. I am constantly being amazed by the book. I cannot say that it is bad, because it is not. Yet I cannot really say that I understand it. I wonder how the English community received it when it was published in 1907?
"The Longest Journey" is a lot more surprising and, in a way, alarming than "Where Angels Fear To Tread". The characters are less common, the plotting is more severe, the tale more grandiose. As far as I can judge, Forster's next book, "A Room With A View", is more alike the latter, but I will probably find out for sure before the end of the year.
(Swedish, 14 Sep 2002)
Very well-meaning, but falls short of its target. Alan Gut, professor in mathematical statistics at Uppsala University, has written this book aiming to over-bridge the gulf between mathematicians and non-mathematicians. However, I am afraid that most readers will be lost in the quite early chapter of theory. In this way, the book reassembles any university textbook - the necessary theory need to come before its applications. Here, I think the book as an example of popular science would have gained if more of the applications - examples from mistakes in the daily press, poker, Lotto, and such - had come first.
So, I am sceptical whether the book will be a success among the large public. The educated are another matter. Even if I found the theory chapter boring - possible since it was all repetition from my university days - I enjoyed the following chapters of examples immensely, the last chapter of his own research together with chemists not the least. The most likable pieces were the ones about how crazy things in our newspaper can be, if you read the news through the eyes of a statistician.
(English, 10 Sep 2002)
The motion picture adaption of "Sense and Sensibility" from 1995, with stars like Emma Thompson, Kate Winslet, Hugh Grant, and the brilliant Alan Rickman, is actually a very good treatment of the novel. Most movies based on books make more or less severe simplifications, alterations, and compromises that, to various degrees, annoys those in the audience that have read the novel before seeing the movie. In this case, however, I actually find the novel a bit "woody". It is a bit hurried, especially the first half. Austen forces her way through the story, with few dialogues and little afterthought. "Sense and Sensibility" was her first published novel though, and it is generally not considered her best. The movie does exchange some characters and leaves other out, but on the whole, the movie is actually more real and living than the book. This, you do not see very often.
Having said that, one have to acknowledge the novel's status as a English classic. It is a elaborate story about one sister's sensibility, the other's sense, and their different reactions to what lives throws at them. Moreover, the language is supreme! It is a you to read Austen's flowing language, except, perhaps, when she lets people express themselves in very complicated ways. I guess that were the fashion of the times, but sometimes one need to re-read the utterings in order to sort them out. Still, the novel has aged very well, and is much more timeless than dated.
Given the qualities of "Sense and Sensibility" and the fact that it is not considered her best, what might the rest of her works have to offer? Only the future can tell.
(English, 1 Sep 2002)
I did not really know who Forster was before I ordered a set of all his six novels. Then I saw that he has written "A Room With a View", which I have seen the movie version of. I decided to read his books in chronological order, and started with "Where Angels Fear To Tread". It takes place in late nineteenth or early twentieth century - I am unsure of which - and is a nice drama about what happens when English middle-class upbringing meets the less rigid ways of happy Italy.
The characters are all different, but one in particular is really terrible. She only lives - conscientiously or not - to uphold her and her family's good reputation. She does not act with her heart, but exclusively with her calculating mind. It is actually a bit frightening if you think about it...
The novel was a bit misleading at first, or perhaps I underestimated it a bit, but soon it was evident that the story was not so simple, but rather both complicated and refined. I wonder how Forster's second novel might be?
(German, 15 Aug 2002)
Yesterday, I came home after two weeks in Germany. During that time, my ability to understand German increased somewhat. I could, for instance, understand more than 70 percent of a newspaper and had no problem following a TV-debate between Schröder and Stoiber. As German bookstores in general have no books in English (or Swedish for that matter) and I needed something to read on the flight home, I bought this novel in German. It was surprisingly easy for me to read it and follow the story, although I came across words I did not know in almost every sentence. It must be about fifteen years since my English was on the same level as my German currently is. Maybe I should keep my German alive and perhaps develop my skills a bit further by regularly reading a novel in German? We will have to wait and see. ;-)
Anyway, the book is a hilarious piece about a teenage boy and his family and friends, all living within sight of the Berlin Wall, on the the east side. Many of the more comical of the passages in the novel are in some way built on absurdities within the former communistic East-German system. Yet the book is not bitter, but rather chiding and teasing. Some of the characters are a bit extreme though, and do not appear as genuine.
In one sentence: a novel which both offer laughs and a portion of contemporary history from the perspective of the common teenager.
(German, 25 Aug 2002)
It did not really make this precious gem justice to read it in German, a language I still not grasp fully. I should really re-read it in Swedish some day (as I have little knowledge of French). Yet as a book for children (or rather a children's book for adults?), the language was simple enough to make me believe that few if none nuances were lost on me.
"The Little Prince" is a extraordinary story in its apparent simplicity and actual depth. It is downright philosophical if you think about it. It is really about how to perceive the world and the difference between how children and adults usually do it.
Antoine de Saint-Exupéry was truly a remarkable person. I look forward to reading some of his other novels. His own illustrations for "The Little Prince" may be simple, but they add tremendously to the atmosphere of the novel. I do hope that the prince still lives happily on his planet.
(Swedish, 20 Aug 2002)
A pretty ordinary thriller. I admit that it was exciting at times, but there were little true originality in it. The really annoying bit however where the translators poor Swedish. One should really read it in Norwegian to save oneself the translators mistakes.
(English, 19 Aug 2002)
Wonderful, wonderful, wonderful! Such a simple and straight story on the surface, but such tremendous depths and subtle, unspoken plots that really hides within the novel! You can read it as just an account of Griet's time as a maid at Vermeer's house, but you should read it as a heart-gripping novel about contained love and unused potential.
Chevalier is really a gifted writer. Her language flows elegant and easily and writing just enough to enable the reader to perceive the rest. I wish I could write like that.
This is one of my definite favourites so far this year and Chevalier has sailed up as one of the authors I monitor for new books (I have to find her previous novel too).
What Chevalier really has done is to take one of Vermeer's paintings - the one with the girl with the pearl earring - and research Vermeer's life to make a story about the girl in the painting that fits within what is known of Vermeer's life and family in Delft. It is not unlike what Guillou has made with his books about Arn, but where Guillou wants to put a message trough and question our perception of what is homily and what is alien, Chevalier just want to grant us a great reading experience. Mmmm.
(Swedish, 15 Aug 2002)
This is the winner of the August-prize 2001, but it is far from as good as Niemi's "Populärmusik från Vittula" or Axelsson's "Aprilhäxan". Even Enquist's "Livläkarens besök" is better. I actually find "Underdog" quite a bit whining. I am perhaps five years younger than the main character in the book, so I can recognise much of his childhood from my own, but Flygt sets everything in a political perspective that is an addition by the grown-up author - not something the child, fictional or not, would have had acknowledged at the time. Perhaps it is as simple as that my political views differs form those of the author, perhaps I just have, naÏvely or not, more a hopeful outlook on life, but I really find Flygt's book dull and whining.
I am sorry, but this novel is lost on me. Of course, it is great that someone writes about the children of the seventies and eighties, but is it to much to ask that it at the same time is good literature? Gardell's "En komikers uppväxt" is brilliant by comparison. Johanna Nilsson's early novels might be simple to the form, but they are unquestionably original to their disturbing contents. I am sorry, but it takes more than a collection of words to make a great reading experience. (If Flygt ever happens to find these passages - perhaps I really am disappointed while I expected more from a August-prize winner. Perhaps I would have liked "Underdog" better if it had not been labelled as winner.)
To be perfectly fair, the novel actually grew on me while I was reading it, and I liked the second half better than the first, but facts remains - my overall impression of "Underdog" is not a good one.
(Swedish, 10 Aug 2002)
An hilarious and witty tale of such grievous events that I shed some tears after finishing it. The form and tone of novel might be comical, but the underlying story is sad - belly-aching sad - about the hardships of love.
I will put this novel on my list of recommended books to read after being dumped. However, I will keep it at end of the list, because directly after a dumping, you most of all need comfort and solace - something this book cannot give you. If read to soon after a break-up, it would only aggravate your feelings of grief, bitterness, and anger. But after a while, when you have gained some perspective on the matter, the novel can offer you recognitions of universal ups and downs in relationships that might enable you to better understand what you been through.
I have most often found Mazetti's style of very short, terse chapters in books by Cyberpunk-authors, but Mazetti proves that the fashion works well for a contemporary story set in everyday surroundings. I also appreciate Mazetti's distinct use of carefully chosen words to give exact colour and value to whole passages. As she uses chapters of just a few pages and a terse narration, wordings like that is crucial to grant the necessary depth to the novel.
Right now, a motion picture based on the novel is playing at Swedish cinemas (the true reason that I finally bought the book). However, it is obvious from the trailer that the movie does not follow the novel very well. My friend Lena, who loves the book, has declared that she will not see the movie. I am less sure. If I see it, I will of course be irritated by every change from the book I do not consider motivated by the transition from paper to the movie screen. However, I think I also might be entertained by the rather good actors that play Desirée and Benny.
It is not a thick book, but it is very enjoyable and has the ability to entertain even though, at the same time, you get that unpleasant feeling in the pit of your stomach, both out of sympathy and of fear of the same sorrows ever afflict yourself.
(Swedish, 9 Aug 2002)
This is a collection in the form of a book of Grünbaum's language recommendations to the writing staff of Dagens Nyheter, Sweden's largest daily paper. It is quite fascinating stuff, both for those, like me, who have an interest of correct language, and others, as Grünbaum has sprinkled the facts with lots of humorous examples of how not to write.
One learn a lot too. For example, do you know when to use "jämtjock" and when to use "jämntjock"? Or the difference in meaning between "urskillning" and "urskiljning"? I thought I knew Swedish pretty well, but I guess one is never fully learnt even in one's native tongue.
Grünbaum is clearly both well-educated in the use of modern Swedish, but also very familiar with literature - Swedish as well as foreign. A guideline like this runs the risk of being dry and boring, but Grünbaum exercises her knowledge, wit, and humour with good judgement, creating a book usable as a reference to turn to when in doubt, but also readable from cover to cover for the sheer entertainment inherent in it.
(Swedish, 25 Jul 2002)
Strindberg planned for "Tjänstekvinnans son" ("The Son of a Servant") to have five parts, but there would be only four. The three first was released during the years 1886 and 1887. The fourth was written at the same time, but was not released until 1909. Strindberg give no clear account of why, but perhaps he needed to get more perspective to the events it describes.
"Tjänstekvinnans son" is no genuine autobiography, nor is it a memoir. Strindberg states that it was not written to give some confessions or to simply amuse by sharing memories. Instead, the purpose was "to take an inventory of his life's events from the beginning until today and to investigate his souls origin and development, such as it has been formed by heredity, upbringing, temperament, pressure, and the events and spiritual movements of the times". He did it mainly for himself, at a junction in his life, to gather his thoughts and himself, but he acknowledges the fact that he at the same time gives an clear account of the times for generations to come. And he did. I really appreciate the book's detailed description of the Swedish society of the time and the living conditions of rich and poor.
Compared to "Röda rummet", "Tjänstekvinnans son" is much more easy to follow and comprehend, despite covering a much grander span - the life of Strindberg from childhood to middle age. You get to know Strindberg as a person pretty well, and at least I am able to recognise myself in him and relate to him at times. Today, Strindberg is a bit recklessly viewed only as the great author. It is mainly forgotten just how controversial he was to his contemporary society and how he one year was celebrated only to be cast down as scandalous the next, over and over again. It is an understatement to say that he sometimes felt rather hunted.
The really interesting angle of the book is the account of how each new set of ideas are received by Strindberg. Some he throws away at an instant, some he elects as absolute truth, and yet some he makes his own for a while, only to later discover them to be false, and let go of them. Among others, he takes on Christianity, literature, drama, female emancipation, worker's emancipation, socialism, etc, etc. In many areas, he is a forerunner of the future, never fully understood by his contemporaries.
In school, I know I read "Hemsöborna" and the play "Mäster Olof", but I do not remember them as political as "Röda rummet" and "Tjänstekvinnans son". Yet the latter refers to "Mäster Olof" as so controversial in its criticism of the society that it is refused to be played for years. Maybe I should re-read it as I perhaps am better equipped to discern the play's true contents as grownup. I will however definitively continue to collect more titles by Strindberg, to marvel at his wonderful Swedish if nothing else.
(Swedish, 10 Jul 2002)
First and lasting impression: how modern in its form and contents. Yet, in a way, it is its age that make it hard to decrypt. "Röda rummet" was Strindberg's first novel and I believe that I caused a lot of debate. Just as Johanna Nilsson paints the story of "Rebell med frusna fötter" on a background of the absurdities and faults of our modern society, Strindberg uses "Röda rummet" to point out the downsides of the society of the 1870:ies. However, were I instantly recognises even the indirect sarcasms in Nilsson's novel, I probably miss lots of them in Strindberg's, and the direct ones, which I hardly can miss, I cannot grasp the complete implications and consequences of. The society has just changed too much in the 120 intermediate years.
"Röda rummet" is a bit chaotic to its form, something that gives it a rather modern flavour. The language is old, and just great to read. You can marvel over how early some words were in use, and you can note with interest how others has changed in the meantime ("fadren", "en fotografi", "fotografien", etc). Yet, I think that the form and language in Strindberg's later books are of higher quality than this one.
As always, it is very enjoyable to read about a Stockholm of old, since then long lost. I wonder where exactly the artists' house in the Lill-Jans forest was? Perhaps at the site where the Royal Institute of Technology's new buildings was built thirty years later and I am currently working? Who knows.
As for more surprising, unexpected parallels between "Röda rummet" and "Rebell med frusna fötter" - both sneaks in short mentionings of things of uttermost importance in the end of the novels, without succumbing to the desire of dwell on it and making it over-obvious. I appreciate such simplicity and sublimity a lot. It is always a strong reading experience when you make the connection of what both Strindberg and Nilsson happens to briefly mention in mid-sentence, as it really has high impact on the story.
(Swedish, 30 Jun 2002)
Johanna Nilsson's third novel is quite different from her two first. In a way, she has gone on and grown up a little (that did not sound right, but I cannot find better words). Her first books were clearly a confrontation with the demons of her childhood - and were at times nauseatingly lucid in the description of children's cruelties against those who do not fit in. In "Rebell med frusna fötter", she has a broader perspective, as the main character is not a child but a student in her mid-twenties, with lots of thoughts on the world and who she is herself. Yet I still cannot tell where the author ends and the novel starts. As in the previous books, you get the feeling that most of the story is Nilsson's own, perhaps only a little altered.
The end of the novel is very abrupt - intense and abrupt. It leaves the reader to decide how one believes the events to continue. Every reader probably imagines different outcomes. My outlook is rather bleak for Stella, the main character of the novel. I think that she will be rather ill-treated by the system and the establishment in the aftermath of the events ending the novel. It makes me angry.
This is a book that about everybody should read, to get a different perspective of things. I guess that right wing people will promptly dismiss it as communist rubbish and perhaps some left wing people will accuse it of flirting with capitalism. Extremists in every camp tend to be very short-sighted and narrow-minded. However - Nilsson does not pick a side with this novel. Not really. It lies, I guess, somewhere to the left of the political centre, but that is really a simplification, as the main character, and her friends and foes, labours with thoughts, theses, and ideas that lies all over the left-right scale and often transcend it completely. In the novel, Stella wishes that she were a more assertive, "motor-way" kind of person - sure of here self and her beliefs. Instead she is a web of small, interleaving paths - often too easily convinced by others arguments.
The book is actually filled with an amazing amount of criticism of our present society, or rather, Nilsson has managed to squeeze in surprisingly many elements of absurdities within our current system, and that without making the story-line suffer too much (well, at some moments, it is a little wild, but it fits the novel pretty well anyway).
You should read it. Everyone should read it. To enjoy a good and somewhat wild story, and perhaps get an opportunity to reevaluate where one stands in the greater scheme of things. ("Hmm, I had not consider that in that way - interesting, I did not know that", etc.)
Perhaps students of economics will find it most rewarding, as Stella is a student at Handelshögskolan (Stockholm School of Economics). I, as a rather recent student, albeit in Computing Science, enjoyed the ability to relate to lots of elements of student life. However, the novel should have merits enough to please anyone.
Politics aside, it is really only a story about finding love and finding oneself.
(English, 27 Jun 2002)
"White Gold Wielder" is the third and final part of Donaldson's Second Chronicles of Thomas Covenant. I should really go out and shop for the first chronicles and the first part of the second, as this one and the one before is the only ones I have and I last read the previous ones in the end of the eighties.
The books about Thomas Covenant are Donaldson's best in my opinion. "Mordant's need" is a bit lighter and his science fiction piece (which I cannot remember the title of) I quickly lost interest in and never finished. The two chronicles are examples of pretty epic fantasy with the most intense psychological dissection of the main characters that I know. It should be rather tiresome, but actually it works, at least for me.
(English, 23 Jun 2002)
Yet another one of Winterson's beautiful novels, this one actually including one of the more macabre interludes of her works that I have read so far.
As always, Winterson writes about love - grand love, hard love, passionate love, bittersweet love. The story-frame of "Gut Symmetries" is pretty defined, with less allegorical passages than some of her other novels (notably "The Powerbook"). Or perhaps they just seem less allegorical to me, as "Gut Symmetries" uses symbols more of moderns science and physics than ancient myths and legends. Actually, Winterson must have done a lot of research, or been in contact with someone well versed in the new theories currently occupying the worlds theoretical physicists.
Before, I have tried to relate Winterson's novels after how much I enjoyed them, but I think I will not do that any more. I will just state that this was one of her better, but not the one I consider the best.
(English, 16 Jun 2002)
It is a while since I had one of these Sundays - that is, the kind where you forget all high-flying plans and just read, eat, and even take naps in the middle of the day. Once, they were the result of stress, depression, abandonment, and self-inflicted isolation - and were only partially enjoyable. Now, they are rare oasis of private quality time - and are immensely enjoyable. Strange how your perspective on things alters over time, don't you think? (Yes, this paragraph is inspired by "How To Be Good".)
So what did I do today, except for sleeping late, watch Sweden get undeservedly beaten by Senegal in the World Cup, clean out the fridge, read the Gaiman's seventh graphical Sandman novel, and nap a few hours in the afternoon? I read most of, and finished, Nick Hornby's latest novel "How To Be Good" (which I had begun on earlier this week). It was such a treat!
It begins rather low-key, with a vivid description by a woman of her rundown marriage. I guess it was rather common stuff, things that most adults and even teenagers can relate to, but it bore the signs of Hornby's perception and language, and I fell for it directly. I am simply a sucker for painfully realistic dives in everyday misery. Somehow, they make me feel better.
However, I had hardly got into the book and discovered that I liked its uptake tremendously, when Hornby throws the everyday out the window, the story flips out, and in comes the extraordinary. Why, oh why? Would the critics have made barfing sounds if Hornby had kept to the simple story, and made something great out of common household supplies? Why did he ever feel the need to surprise his readers in the way he did?
I must admit that I got somewhat disturbed just then, but I kept on reading, and Hornby won me over again. You know that he possesses that ability, don't you? I must confess that I never understood the fuss about "Fever Pitch", Hornby's debut novel. I keep suspecting that its success owes more to its originality than its true merits. However, I should really re-read it, and give it a second chance. I do like "High Fidelity" and "About a Boy" (even the movie adaption with Hugh Grant!) a lot, and now I have to add "How To Be Good" to the other two.
Why do I like it? Apart from the parallels to most couple and family relations that you can relate to, Hornby also puts his finger on middle class regrets and conscience issues that seldom are spoken out aloud. You can say that some liberal dilemmas are dramatised by the main characters, along the lines of "live as you learn", but a bit to the extreme. However, these out-of-the-ordinary things are not really at the centre, but rather the main character reactions to it and the impact on her life and relations.
I think many people could appreciate this novel, for various reasons, and I plan to give some copies away, as soon as I can get hold of a Swedish translation.
(English, 16 Jun 2002)
This was the seventh part of the compilation volumes of the episodes of Gaiman's graphical novel about Sandman, or rather, about Dream and his six siblings, the Endless: Destiny, Death, Destruction, Desire, Despair, and Delirium.
In this one, we encounter some of the oldest living persons on earth, we accompany Dream and Delirium on a quest for their brother Destruction, who left three hundreds-years ago (and we experience a wild car-ride with Delirium at the wheel!).
As usually, I will not give more of the plot away. I can only share with you that I enjoy looking at each frame at a time, sometimes for minutes, discovering before unnoticed details, while pondering on Gaiman's careful wording of narration and dialogue. I kind of like the atmosphere of Sandman a lot. I especially like Gaiman's adoption of ancient, many time forgotten, gods and mythology into the twentieth century. This, of course, is the special sign of all Gaiman's writing, not only of Sandman. It still strikes a chord with me.
I am well on my way to collect all of the volumes in the series. Stay tuned for the eighth part. ;-)
(Swedish, 11 Jun 2002)
Apparently, a colleague of my mother had recommended this book as something everyone born in Umeå should read. So what does my mother do? She gives a copy to me. ;-)
It is actually a facsimile from 1981 of the original book from 1922. The language is sweet, it is educated Swedish from the beginning of the twentieth century, with lots of archaic words (my favourite being the alas disappeared word "esomoftast") and foregone spelling. There is also several citations from the three centuries the book covers. Especially the one from the sixteenth century are interesting. They actually spelt Umeå "Whme" back then (I know that u often was written as v, but with w?).
Birger Steckzén was a historian who, among other things, wrote the history of the cities of Northern Sweden - Torneå (today in Finland), Luleå, Piteå, and Umeå. It was the city of Umeå that engaged Steckzén to research the city's history for its 300-years anniversary (counted from 1622, when the Swedish Crown gave Umeå city rights. Of course, Umeå is older than that).
The task proved harder than for most other Swedish cities, because Umeå has lost most of its historical archives due to Russian invasions in the beginning of the eighteenth and nineteenth centuries, and the devastating fire in the summer of 1888. Yet Steckzén has succeeded very well by laying puzzles with what he found in governmental archives in Uppsala and Stockholm. He has succeeded in making the common people shine through the frame of big events that have shaped Umeå.
To make a brief summary, the first attempt to found a city in the area of Umeå was made in 1588 by king Johan III. The time was not ready yet though, and it was only 1622, during the Thirty Years War, Umeå got its lasting city rights. Then it fought for its existence and some profit on its trade, interrupted by the Russian army's plunder and devastation in the Great Nordic War 1700-1721 (Russian fleets struck Umeå 1714 and 1720), the war with Russia in 1808-1809, and the all-engulfing fire of 1888. In the time in between, a handful of Umeå families established themselves in the centre of activity and continued to influence matters by each new generation. Many of the families still exists in Umeå.
This book was a great example of down-scale, domestic history, far from the big-picture history of isolated events like that-and-that war. In addition to offering an excellent account for Umeå of old, this book also helped filling in the blanks of my knowledge of Swedish history. I mean, I can list all the ruling kings and queens since Gustav Vasa, but I had less notion of the common peoples struggles and everyday life, something Steckzén has captured very well.
It has also come to my knowledge that another historian wrote "Umeå Stads Historia 1888-1972" for the 350-years anniversary, so now I have to be on the outlook for that one too. ;-)
(German, 22 May 2002)
I have been reading this one for quite a while, since it is in German. It must be the first real novel in German I have ever read from cover to cover. It went pretty OK, but there is still to many words and expressions that I have no grasp of, so I pretty often ended up confused and perplexed. It is much easier with English (not to mention Swedish): even though I sometimes stumble upon English words I do not know, I almost every time can follow the story by context anyway. I wonder if I ever will get a equally good knowledge of German? Anyway, the trick I worked out, which is the main reason why it took so long time to finish the book, was to read it out aloud to Manja, who is a native German speaker. Thus she got the context and could explain the meaning of any word or expression I needed to ask about in its current setting. She also took the opportunity to correct my German pronunciation at times.
So, what about the novel itself then? Well, Benjamin Lebert was only sixteen when he wrote it and his biggest regret is that he let the main character have the same name as himself, so know most people think that he has experienced everything in the book himself. It is a very gifted debut with many thought and passages of beautiful language that are rare among common sixteen-years-olds. Perhaps Lebert's left-sided paralysis can explain some of the deeper thoughts regarding the meaning of life.
Apparently, "Crazy" has reached cult-status in Germany, and a movie-adaption is currently viewed in cinemas across Europe. As for the story itself, it is a modern, adolescent, boarding-school tale where friendship and existential questions are central.
(English, 20 May 2002)
I thought this was another novel by Neil Gaiman. It was not. Instead, Gaiman and Ed Kramer were the editors of a collection of about twenty stories by different authors (of which I previously only knew Tad Williams, the author of the Otherland-suite, and the singer Tori Amos, who has written the afterword). All stories are someway connected to the world of Sandman, as Gaiman's created it in the graphical novellas he has written. The stories are of course very different from each other and widely dispersed, but they still work well together, as they do not contradict each other and one always can recognise traits of the Dreaming in them.
As always, collections of short stories like this, is a great way to get to know new authors. Who knows? Some time from now, I might very well be enjoying myself while going through everything published by the hand of any of these authors.
(Swedish, 20 May 2002)
This was a typical guide-book, but crammed full with facts and anecdotes about Stockholm's city hall - the building of it, the use of its rooms and halls, its many adornments and decorations, its architect Ragnar Östberg, and the numerous artists and craftsmen who was engaged in its creation.
Ragnar Östberg was quite a genius. Buildings as the city hall is not made anymore. It was built between 1911 and 1923 and combines archaic details with a multitude of playfulness in the overall composition. The result is striking - it is far from a modern public building (rational and boring) but rather an adventure waiting to be explored. If you have the chance, you should visit the place itself and take the guided tour. If not, this book can give you some idea of what you are missing.
I do hope that history will turn and twist upon itself so that another era of such fruitful artistry is possible, and more such exquisite creations will see the light of day.
(Swedish, 3 May 2002)
To paraphrase Douglas Adams, this novel was mostly harmless. It was not grandiose in content nor volume. Yet it was both interesting and entertaining, in an simple way.
Neander was a school-inspector in Northern Sweden, and a great friend of the Laps or Sami as we call them today. The novel is about the Sami around the fictional mountain Silpas on the border to Norway at the turn of the century 1899-1900. It is meant to enlighten the people of Southern Sweden of the nature of the Sami, in order to enable them to make better informed decisions from Stockholm about matters in the far north. I cannot tell how well it filled its purpose, but today it is mostly a document typical of its time. For instance, it several times explains the Sami's consternation of "civilised" novelties by liking their minds with those of children - an idea hopelessly outdated today.
This book is foremost a window to how the Sami was considered by their contemporary neighbours, settlers and governmental persons from the south. It also has some albeit thin merits as an actual account of Sami life and culture. To me, its biggest value is its connection to my paternal granny, who was born 1910 in Kiruna as the daughter of a shopkeeper. Who knows? Some of the fictional characters might have been inspired by real people who might have shopped in my granny's father's store. ;-)
(Swedish, 1 May 2002)
Gustav VI Adolf's queen Louise was evidently a remarkable woman. She was born Louis Mountbatten and Fjellman also presents us with the fascinating history of the Mountbattens and their numerous connections with royal dynasties all over Europe. The life of queen Louise proved to be quite interesting reading, on several accounts - her gradual transition from Briton to Swede not the least interesting part.
The book also offered a good view into the Bernadotte family and the life in the royal court during the middle of the twentieth century, and especially how they were viewed and treated by the medias back then. Fjellman was a journalist, and it shows, because the book at times feels more like a series of articles than a held-together biography. Fjellman also have a peculiar fondness of enumerating things with only commas, no "and". Still, she is a courteous journalist and writes about the royalties with reverence, and I found her choice of words very enjoyable, as she uses typical sixties paper-vocabulary, which is pretty much extinct today.
Biographies like this are unfortunately not written anymore. However, as Fjellman jumps around in time a lot, one easily get confused as different titles constantly refer to different people, depending on where in time we currently are and which ones that have inherited the titles at the time.
(English, 21 Apr 2002)
This was a nice surprise. Mike Gayle has a distinct style of writing about the contemporary lifestyle of the young in a very observant way. His first novel, "My Legendary Girlfriend" hit me like a grand piano dropped from an airplane (I read it at just about the exact right time). His two intermediate novels, however, dealt with more and more adult problems and felt less and less close to me and my situation - despite that I must be getting older as well as Mike Gayle. Gayle's latest, "Dinner for Two", follows the same tendency in the way that it depicts an older and more settled "I" than the previous novels. However, the plot focuses on the ever-lasting theme of relationships and relation related problems in a new and original way, which actually made this a very likable novel to me.
I would like to call this a serious feelgood-novel that enables you to step out and look at your life (or at least elements thereof) from the outside. something that can be both reassuring, developing and quite entertaining. ;-)
(English, 14 Apr 2002)
I have a soft spot for Clive Cussler's very male adventurous thrillers. It is a kind of relief to escape the normal world and enter one where the hero always prevails, despite all the beating he has taken, and is tough on the evil but nice to the innocent and every woman...
However, Cussler has been at it for quite some time, and this, the latest, felt a bit thin. It was less worked-through plot and more an account of a series of events and what the main characters wore, ate, and what equipment they used in each. It still has merits, but it is not as original anymore.
One interesting aspect was that the book, which was released in October 2001, contains a veteran plane-chase through - not above - New York. Kind of reminds one of something, doesn't it?
Clive Cussler has had world-changing elements in his former novels too, but I think that the one in this might be the one with the most profound ability to really make an impact on his fictional world, should he choose to try to include its ramifications in latter works. Anyway, none of the archaeological findings in this book was destroyed, which I am grateful for, as it is not always the case, and it frustrates me when it happens, even as it is just fiction.
(English, 7 Apr 2002)
Gaiman is always Gaiman and his Sandman is always Sandman. In this, the sixth compilation volume of the collected original Sandman episodes, we learn how Dream was involved in old legends of Russia and Greece, and how he came to affect the rulers in old Baghdad as well as ancient Rome.
Also, in one of the episodes in this volume we meet the seventh endless for the first time, I think. You know, the one that always is referred to as the one who chose to leave in the preceding episodes.
I like Gaiman's interpretation of the story of Orpheus and Eurydice a lot, and the story about the Roman emperor Augustus intrigues me. My overall favourite passage, however, is when Abel tells the story about how he and Caine came to reside in Dreams to a three-year-old toddler, adapted to suit a child, which in the cartoon artist's versions renders Dream and Death extremely cute and cuddly. Imagine that, a cuddly Death. ;-)
I guess it is about time to order the seventh volume.
(Swedish, 4 Apr 2002)
Peter Englund is a rather interesting character. He is a historian, an academic historian, of a certain reputation. Yet his writings are suited for the broad masses of the public, instead of just the exclusive order of fellow historians. He even writes little essays on the history of regular things like the paper-clip and the screwdriver in Sweden's largest daily morning paper. He is also quite young. In other words - we can expect a lot of great things to come from him. ;-)
Englund is focused on the seventeenth century and this was volume two in a planned trilogy about the Swedish era as European superpower, loosely based on the life of the upshot Erik Dahlbergh. However, Dahlbergh most often has to stand back for accounts of the actions of the king, armies, and other European states.
Where the first volume, "Ofredsår" covered all of the Thirty Years War, "Den oövervinnerlige" actually only covers the 1650:ies, or rather the rise and rein of Karl X - the cousin of queen Kristina who she chose as heir of her throne as she abdicated. He spent his time conducting his armies throughout the Polish-Lithuanian commonwealth and Denmark, building a reputation as unbeatable. In short - quite nice reading for a Swede with a romantic flavoured interest for history, all the hard historic facts aside.
I also like Peter Englund's book tremendously because of his excellent Swedish. Not only does he write Swedish of advanced stature and high quality, he also is able to use a lot of archaic words and expressions in a way that feels completely natural, despite the fact that the expression might not have been used in that way or meaning for some hundred years. Englund thus really revitalises the Swedish language by careful use of some now out-of-use elements.
(English, 19 Mar 2002)
Compared to "American Gods", this novel was less held together and more chaotic. Actually, "Neverwhere" got me thinking of a movie-script (it was not this one that originally was a BBC-production for tv?). Yet it contains all the usual traits of Gaiman's genius and unmatched view of the world, what is in it, and - more importantly - what is not (or what is believed not to be in it, hmmm).
In "Neverwhere" Gaiman paints his story on the background of the concept of a "London Below" under the ordinary "London Above". Sometimes people fall through the cracks and enter London Below, at the same time vanishing from London Above. Who can really say that magic does not exist, just because we never seen any proof of it?
Anyway, it seems that Gaiman, too, is a author that develops some with every novel he writes. This is most promising. ;-)
(English, 14 Mar 2002)
Ah, how absurd that a trip to hell can be so enjoyable. Of course, I only peeked over the shoulder of Sandman through the strips of this cartoon novella, but anyway.
This was the fourth volume out of ten in the compilation of all Sandman episodes. Some would call it dark, psychotic, and weird. I call it marvellous, thought-provoking, and wonderful. Check for yourself!
(English, 28 Feb 2002)
I do not really know why I have not read this one before. I read "Ender's Game" ages ago and bought "Speaker for the Dead" at the same time that I got my own copy of "Ender's Game". As I liked "Ender's Game" tremendously, it seem obvious that I should devour its sequels as quickly as I could. Yet I did not. Maybe it was because I found Card's Alvin Maker-novels a lot less good than "Ender's Game", and my trust in Card was only reestablished with his "Ender's Shadow" which creates a extraordinary unit together with "Ender's Game".
Anyway, now I have read it, and would place it next to "Shadow of the Hegemon" in merit (that is, better than the Alvin Maker-novels but not as excellent as "Ender's Game"/"Ender's Shadow").
"Speaker for the Dead" is a sequel to "Ender's Game", but is rather independent. It really is the first volume in a trilogy that takes place quite some time after the events of "Ender's Game". (Aaargh, from this sentence onward, I will not use the title of that preceding book...) Here Card puts us at a remote planet, in a society built on lots of technology yet to come. It is one of his trademarks, to take a concept and explore the implications and ramifications of that concept to the affected people. This is nothing unique for him, but you will pretty soon recognise his specific style after you have read some of his books.
Hmmm, I feel hampered by the fact that I do not want to reveal to much of the contents of the novel to any potential reader. Yet, how can I describe a nice book without referring to what happens in it?
It is one of the nicer novels by Orson Scott Card I have read. An especially to me interesting detail is his incorporation of some foreign words into his narration. We meet deep space settlers descending from Brazil and Scandinavia - of course they have kept their old languages. Card has chosen many Swedish words well as names of people and thing, but some are more hilarious to a native Swedish speaker, with [will continue later].
(English, 23 Feb 2002)
Eh, the day after the third volume came, the fifth lay on my door-mat, wrapped in cardboard. Of course I could not resist reading it before the fourth, especially since each volume is quite independent from the others. It was simply great...
"A Game of You" is a continuous story throughout all the episodes in the book, and as such, it reaches more epic heights than the others (I know that, for instance, the first volume also is a continuous story, but this one is more focused).
An interesting fact that I noted already in "Dream Country" is that among all the references to other and other's ideas - literature, mythology, etc - that Gaiman sprinkles the storyline with, some stand out as more typical for Gaiman than for someone else. These are ideas I associate to Gaiman and that I remember him using in "American Gods". To say the least, Gaiman has an imaginary mind quite of his own - a mind we can expect many nice reading experiences yet to come from.
(English, 21 Feb 2002)
It came! It was on backorder everywhere, a dealer in used books in USA actually had some copies in their original wrapping left! One of them found its way to me. ;-)
This, the third volume of the collected Sandman episodes, only contains three storylines - the rest of the volume is a reprint of Gaiman's script for the first of the three, complete with additional, hand-scribbled comments by Gaiman and the artist Kelly. The script is interesting, but I would rather have had more Sandman episodes. However, the three that are there are great - especially the one where William Shakespeare and his actors performs "A Midsummer's Nights Dream" for Auberon and Titania with their whole court.
As the fourth volume also is a bit hard to locate, I probably will get the fifth first. I wonder if I can restrain myself to wait for the fourth if that is the case?
(Swedish, 21 Feb 2002)
Oh boy, what a mouthful of Mumbo-Jumbo, masquerading as a ordinary political thriller. I got this from my mother as a Christmas present (that is why it is not in the original language). I really have to check with mom how much thought she put into the choice of this novel. Probably she just picked it up at the local grocery store, but I cannot be sure of that. Perhaps she, after reading the bombastic "the key to a new life" on the cover, gave it to me to make me change my life? Then, what should I read into that? Normal motherly concerns or a disapproval of my current life? What if she has read it herself, or been told about it by some friend of hers? That would be a bit disturbing, because it would be much more typical of my father - the seeker who uses transcendental meditation, is a vegetarian, have been known to mess with astrology and acupressure, etc - but is pretty atypical for mom... Maybe it really was meant for my dad? Or maybe it was he and not mom who chose it? I guess it it time to phone home...
Anyway, I am once again reminded that it is best to read books in their original language whenever possible. Even if the Swedish of this translation flows very well, I here and there get aware of the probable English wording and what nuances have been lost in the Swedish adoption. I guess it means that my English is pretty decent.
What about the Celestine Prophecy then? Well, the thrilling setting aside, the central message is one about heightened awareness, cosmic energies, energy-flow between all living, people's "control dramas", and a more harmonic, environmental, future society. Very much new age and environmental movement. Yet I find it hard to just discard. The subject fascinates me, the same way that seemingly well-formed life- and personality horoscopes intrigues me (the daily tabloid ones should be avoided at all costs - at best they are just embarrassing bad, at worst they mess with your head and get self-fulfilling). Even lacking any substantial evidence of correctness, the vague idea of an underlying, still undiscovered truth is quite seducing. Especially in this case, where the heightened awareness and tapping into new sources of energy offers personal gains if they were to be true and achievable.
Most of the implications of each level of awareness in the novel is hard to refute right away. The key concept of awareness is ingeniously chosen as it bars everyone of less awareness (most of the human race in this case). Still, it would be interesting to know about any progress in the spiritual areas sketched in the book - whether they are scientifically explained or not.
Unfortunately, the novels ends quite over the top. Many of the ideas expressed in the prophecy have got merits, but the conclusion drawn in the book is a bit too much. When you think about it, it is interesting to consider how simple stylistic methods Redfield has used in the novel, but at least it gains a wider audience by posing as a thriller than if it were a pure life-improvement manual. To summarise: "The Celestine Prophecy" is a cheap, light-weight thriller that aspires on offering the way to a better society, but at least contains some thought-worthy ideas.
(Swedish, 17 Feb 2002)
Such a wonderful mood this gem of a novel puts you in! A small island of the Finnish archipelago, a grandmother, a father, and little Sophie. The quiet, solemn ways of the Finnish (which also is a shared trait with the Swedes of the north). The poetic flavour of the Swedish of an author of Finno-Swedish birth. The weather-torn seaside nature that forms the mind of its inhabitants. The mild summers of the Baltic Sea. Mmmmm.
Tove Jansson died last year but her novels lives on forever. I cannot recall ever reading any of her books before (except for the cartoon version of the Moomintroll, which I do not really count). I had already planed to read the Moomin-novels before she died, but since then I have given them higher priority.
Tove Jansson is most famous for her Moomintrolls, secondly as an artist (her own illustrations are an important part of the atmosphere of her books), thirdly as an observant describer of the thoughts and feelings of children (thoughts and feelings she gives to different figures in the Moomin-world), and last, but not least, as an author of somewhat self-biographical books.
"Sommarboken" is one of the latter kind. It is pretty easy to imagine that Sophie really is a young Tove, but I cannot say that for sure. What I do know is that I love this carefully sketched story of a young girl, with all of the phases and believes of childhood, a pretty invisible father, and the very agile perceptiveness of a grandmother who's body has begun to falter.
I do not know how Tove Jansson creates all the magic, but through short chapters that appears to just describe the everyday life on the island, she subtly lets a grander tale of relations, worries, and intentions shone true. Or maybe that is all just in my head? Well, then it still is Tove's magic touch that leaves room for it, is it not?
If you are, like me, a sucker for subtleness, Fennoscandian nature, climate, and mindset, and novels of strong feelgood content, then this is a book for you.
(Swedish, 16 Feb 2002)
This was a most important book.
In a simple, naked, and most personal way, Anhua Gao has written her own biography, and to some extent her parents and siblings biographies. Gao was born 1949 as the third child of two revolutionary heroes in China. She left her motherland in 1994. The intervening years experiences are a collage of the effects of the communist regime on the country.
I have to confess that, at times were the cruelties, illogicalities, and sheer dumbness of the communistic leadership peaked, I doubted the authenticity of the narration - especially as I caught a few inconsistencies in the story. However, there is no ramble of anti-communist propaganda, the details and flow of events are too natural, and it all fits within my, admittedly limited, notion of modern history. My conclusion is that it is real and that, thus, the ideas of communism has not married well with the ancient Chinese mind. I mean, Soviet communism did not work either and often replaced science and common sense with ideology, but not to the grave extent as the Chinese.
Take for example the Culture Revolution. Every account of famine, abuse of power, deceiving of the people, and such disturbed me, but all the effects of the Culture Revolution that Anhua encountered were truly appalling. I mean, I am an Academic myself - you could even call me an intellectual - and I would not want to be executed or sent away in "internal exile". How on earth did they believe that the country would blossom if they first exterminated everyone with any knowledge acquired before the Communistic overtake, as they might harbour non-friendly feelings toward communism, and then ban all kinds of schooling and skills? And when the productions lines of the economy faltered, what did they hope to achieve by replacing real work with endless political lessons at the workplaces?
However, one should not read this novel as a criticism of communism. One should read it as a fascinating biography of a strong woman who happened to be born into a life most of us never would like to have lived. It is very easy (just too easy) to remember only the more absurd effects of communism and forget all other interesting aspects of the book. Read it to get to know Anhua Gao ("Little Flower") - she has earned that respect.
It is also interesting to compare this novel with Wei Hui's "Shanghai Baby". The modern China of the latter is just sketched briefly in the end of "Till kanten av himlen", yet they both have some parallels to each other, even if the great cities of "Shanghai Baby" has more in common with Stockholm or New York than the cities of the slightly older China of Anhua Gao's novel. Even during the Culture Revolution, China was a country of great contrasts. In the cities people had running water and decent standards. In the countryside of far China, there still are villages that have changed very little for thousands of years...
Anyway, this is an important document over modern history and if nothing else, it can give us some perspective on whatever annoyance regarding our own government the papers are writing about at the moment (we are very spoilt in some ways).
(Swedish, 5 Feb 2002)
As my paternal grandmother gave away most of her books rather than bring them too when she moved to Stockholm, her copy of "Ofredsår" found its way to me (my dad was not aware that he already had a copy of his own! *chuckle*). I cannot remember when I read it the first time, it can very well have been when it came out in 1993. However, I do know that I appreciated it much more and on a whole other level this time.
Englund cannot help that history repeats itself, and in the case of the Thirty Years War, that the operations of the armies also often repeated themselves. Thus there are many reoccurring turn of events, as well as phrases and words. Still, Englund is gifted with the talent of making the narration alive and interesting in all six hundred pages.
I have to admit that my quite romantic view of history is attracted by the victories of the Swedish side in the conflict, but at the same time it is appalling to read about all the abuse and plunder which today would be considered a crime against humanity. There is no wonder that the Germans had their saying "Bet kind, bet, morgen kommt der Schwed."
However, my more scholarly side enjoys all the small facts that Englund uses to spice up the narration of the big events. For example, did you know that the heel of our shoes has its origin in the boots of the soldiers of the Thirty Years War. They needed the heel to stay in the saddle when riding. Then the soldier-style boots became high fashion also among the non-fighting nobility, and thus also by the nobility-wannabes of the burghers. Since then, shoes have had heels.
I also enjoyed Englund's Swedish immensely. Naturally, he tends to use archaic words and some words with their more original meaning that their common meaning today. It is very satisfying to read his archaic-flavoured but very fluent and almost driven Swedish.
Great historian, great author, great book. ;-)
(Swedish, 15 Jan 2002)
Dostojevskij has been called the father of the modern novel, and I have to agree. His books feel very modern despite being written almost 150 years ago. That is, the environments are definitely those of the nineteenth century, but the intrigue and interaction between the characters have a contemporary - or should I say timeless - look and feel. The brick-like volumes of his novels may look forbidding, but once you start reading them, you easily get hooked.
"Idioten" is about a very kind man, prince Myshkin (furst Mysjkin in Swedish), how he percepts the world, and how the world percepts him. Not surprisingly, more normal people, with all our suspicion, cruelty, and prejudice, have some problems with how they should view and handle the good prince. It is amazing how Dostojevskij can take such a simple idea of a plot and grew such a great novel out of it, and still keep it enjoyable.
I should really read something of Tolstoy to have another Russian author of old to compare Dostojevskij with.
(Swedish, 13 Jan 2002)
So, what was this? A biography over a famous Swedish author or a cook-book? Actually, it is neither or, rather, both. You could say that it is a food-driven biography (courses of life!) or that it is a cook-book with lots of background on the courses, written with their connection to Strindberg's life as a common angle.
Nevertheless, is works pretty well as a compact biography, but is of course far from complete. You get the overall picture of Strindberg's life, but without any of the usual considerations of the mind and moods of the once controversial, but now celebrated author. You could argue that it is more of a biography over a person of Strindberg's stature in the late half of the nineteenth century and the beginning of the twentieth, than it is a biography over Strindberg himself. In other worlds, what did the middle-class eat back then?
What about the recipes then? Oh, some of them are truly great! Some are so very, very traditional Swedish, yet you almost never see them anymore, as they have been replaced by more modern influences from other countries. Others are simply forgotten, as the range of products in our markets has changed over the years. Some are simple, like biff Strindberg, some are more complicated, like "lungmos" (an interesting course based on heart and lungs with lots of other things, even anchovy).
I think I will try at least to cook biff Strindberg and some of the cheese-pies.
(English, 2 Jan 2002)
Mmmmm, pure pleasure. This is the first book in the Sandman series of ten (the ten volumes consists of all the seventy five Sandman episodes).
Sandman is an mature comic. It is a dark and somewhat bizarre story, but it has depths and is much more richly faceted than most other novels and movies today (yes, I am a sucker for subtleness and lovingly crafted details). Example - in a few panels in the episode where Dream visits Hell, he exchanges a few words with someone he obviously knows. Who is she? Well, a complete episode is about how she and Dream got to know each other, but that episode is found in the second volume, "The Doll's House", as is not in any way advertised beforehand. All those little references to be discovered and enjoyed, it is great! Now I only wonder how long it will take before I get my hands on the third volume.
(English, 28 Dec 2001)
Yet another Pratchett... This one is one of my sister and the only reason I read it was because I was sure I would finish it while still at my parent's for Christmas.
Before, I have only read two of the recent books about the Watchmen. This one of one of the ones about Death. It was better. Still, I do not like Pratchett very much. He writes too thin, too one-dimensional. There is not much of an atmosphere in his Discworld-series. Actually, while reading, I sort of very cynically begun to hear one of these drum-rolls-with-a-cymbal-at-the-end at everyone of Pratchett's more elaborated jokes about our own world. I did not laugh, though. I only heard that drum-roll ("Oh, look, here he has placed another one. How very clever of him, don't you think?").
For light reading, OK, but not for much more. There are a lot of much satires about the absurdities of our modern society.
(English, 22 Dec 2001)
OK, this book is actually promoted by stating that it has been banned locally in China. Why? Because of its often very intense and explicit erotic contents. Is it an erotic novel then? No, far from it. It is the story of a young, educated female in Shanghai, but it could have been any of China's greater cities, because this is really a novel about the new China.
China is a huge country with gargantuan differences between the country-side and the big cities. There are still inaccessible villages in the inner regions of China that are best described as medieval. At the same time, the larger cities are rapidly becoming more and more Western-oriented, both economically and with regards to life-style. The book is not about these differences and changes of late, but the fact that the ideas - the good as well as the bad - are being incorporated in the ways of the urbanised Chinese are easily discerned between the lines of the author's alter ego's accelerated life in Shanghai.
The story itself are rather banal, and actually a little shocking (yes, I know that I have a reputation of being pretty bizarre, but even so). The true merit of the novel was what you could make out yourself of how ancient Chinese philosophy is mixed with modern Western ideas in the everyday life of the new China.
(Swedish, 11 Dec 2001)
Once again, I am struck by the often coincidental elements of the books I read. In the novel before this one, "Lolita", we meet a grown man seducing a just-about teenage girl. In this one, a fifteen-years-old boy meets a woman more than twice his age. However, the two novels are not alike at all.
Schlink's novel is at first glance yet another German book dealing with the trauma and aftermath of the Second World War. Yet it is very different from most of the others I have read. It has a refreshingly original angle and is at its best memorably bitter-sweet.
It has many of the characteristics I value the most in literature: it is subtle, intelligent, non-obvious, worth afterthought, and simply enjoyable to read. Also, I can in some way relate to the main character - always a key element in any great reading experience.
(English, 8 Dec 2001)
It is very assuring to know that one lives in a world where subtle novels like this are being written. "Lolita" has no obvious aim or reason for its realisation. Countless of critics has tried to find some evil perverted conspiracy in it that simply is not there. It is just a magnificent creation by an author who possesses a incredible imagination, language, and sense of details.
About the language - Nabokov plays with words in a competent way that is very rewarding to read. Unfortunately has either the translator or the printers (my guess is the printers) done a miserably job. In this edition, Replik has misplaced characters in words, misspelled words, lost characters in words, lost words, and lost punctuations. The errors is not on every page put are common enough to be extremely annoying.
I admit that Nabokov sometimes takes liberties with the language, and such liberties should no translator remove, but there are simply to many errors that is just that - sloppy errors - that I hope that Replik is really ashamed of themselves.
I should never have read it in Swedish, but I did not know that Nabokov originally wrote it in English. Given his name, I guessed that I would not know the original language (most of his production is in Russian), thus I bought Replik's Swedish edition. Big mistake. Huge.
However, the book is simply great. Try to read it with an open mind. Hey, you can even read it with every prejudice you can muster! Given the issue of pedophiliacs and kiddie-porn the recent years, it gives you some perspective to read a fifty year old book that includes some pedophilia. The strange thing is that despite being there, and being central to the story, it is not the point of the book. Would it not have been possible to write the novel without molesting Lolita? Yes, of course, but then it would not have been the same, carefully balanced book.
It is a very unusual book, and that is a part of my fondness of it. I could not predict its course. I was often surprised of the beauty and gentle treatment of details of things Humbert passed on the road. I think I better look out for other titles by Nabokov's pen.
Find a edition of better quality than mine and read it. It is well worth it, I can assure you, whether you like it afterwards, or chose to hate it by some misdirected show of political correctness.
(English, 25 Nov 2001)
Ah, pure pleasure. It has been a while since I came across an alluring novel like this. About the only thing I did last weekend was to read it. It has adventures and great, mind-blowing ideas. In a nutshell, it offers a world that appears more interesting and appealing than our common world (which we often care less of than we should, of course).
Unfortunately, it is hard to say anything about it without giving too much away. In my opinion, I already knew to much before I even bought it. On the other hand, if I had not known anything, I might not have bought it. So, OK, as the title indicates, the novel is about gods and how they manage in the new world.
Think about it. We do not see much of gods in these modern times, do we? What if they are here among us anyway? Many of them still have followers, do they not? Want to find out what Gaiman make of them in the book? Read it!
In a way, this book is extremely typical of the novel of the late last century. On the other hand, the plot is beyond most of the rest. If not for something else, read it for the amazing set of characters. Or for the puzzle-quality: think ahead and see if things happens the way you believe. ;-)
(Swedish, 22 Nov 2001)
This is a collection volume of Boye's all poems, the novel Kallocain, and Varia: her "thought journal" from 1918-1922 and some essays. Together, they represent the bulk of Boye's production.
In Varia, the most interesting pieces I found were the essay about the children's books she remembered reading as a child and what impressions they made on her, and the essay about being a female student at the ancient Uppsala University in the twenties. The importance of Varia lies in the thoughts that Boye has left us, and some accurate observations of her contemporary society she makes.
Of all her poetry, there is two poems that virtually everyone knows about, if not word by word: "I rörelse" (On the move") and "Ja visst gör det ont"" ("Of Course It Hurts"). "I rörelse", I have cherished as long as I can remember and used in the introduction to the travel journal I kept in Second Senior School, when I participated in a trip to Latvia. "Ja visst gör det ont" is one of these poems almost every Swede (at least of my parents generation) knows the title of and that it supposedly can be interpreted as being about puberty and loss of virginity (why do you think it is common knowledge?). However, I cannot remember ever reading the full poem until now, and I can assure you that it has merits of its own, regardless of how you choose to interpret it. Can you honestly say that you can read it without losing yourself at least a little in thoughts?
There are, of course, more great poems by her pen than these two. Yet I have to confess that most of them passed me right by, but that may be the effect of reading the sheer number of her collected poems in sequence, and because I read most of them while travelling to and fro work (the bus and underground is not the most ideal, peaceful, and distraction free environment to read poetry in).
Some of them made a bigger impact on me than the others though. To mention just a few: "Unga viljor viner" ("Young Wills Whine") which is a brilliant little poem that might make you think about young, emotional minds and wills compared to old, measured, and more thoughtful ones, the short but hilarious "Från en stygg flicka" ("From A Naughty Girl"), and the "epic/surprising" "Torkel Tyre". There are more, but as I cannot recall the titles, I will not page through the book to find them. Instead, since these are some of the poems that I found the best, I leave it to you to read the rest and choose your favourites. ;-)
Kallocain, "a novel of the twentyfirst century", is a really dark story. What gave Boye such insights, enabling her to make up such a totalitarian society, where the state is everything and the individual completely suppressed? Furthermore, what made her able to draw the conclusion on what problems such a society's govern leads to, and what effects those problems would cause?
It is a novel about alienation, but not the personal estrangement someone can experience, but a global alienation of all and everyone, when the sole purpose of the individual is to serve the state and the state's cause, and every hint of appreciate needs other than the state's is banned as asocial and criminal behaviour.
Thus, no one really lives, but walks numbly through life, guarding on one's peers and guarding on oneself so that one's peers will have nothing to report of one's actions.
Boye does not offer any happy ending, but she still gives a certain amount of hope, just in the uncertainty whether the human spirit really can be completely crushed even after generation upon generation of passed-down submission. How else can the small and isolated signs of resistance be explained?
Nevertheless, Karin Boye is a Swedish author, poet, and thinker to remember. She had the misfortune of living in times less forgiving of homosexuality and weakness of mind (i.e. depression) than ours, and she ended her life in 1941 (the same year as Virginia Woolf, which, by coincidence, I learnt a little about in Michael Cunningham's "The Hours" last month).
Boye will always be remembered.
(Swedish, 10 Oct 2001)
I wonder why I did not read this novel in Norwegian? I think I would have managed. Anyway, Linn Ullman is one of Norway's young authors on the rise. Her book maybe contains more sexual references than are completely realistic in this time and age, but is actually kind of convincing (albeit depressing). It could happen that way. People could actually be that unfaithful (but I sure hope they generally are not).
It is far from a story of sunshine, but still I cannot help but feeling joy when reading her strong and fluent prose. She writes vividly and may very well find timeless topics and produce future novels of classic fibre.
(English, 7 Oct 2001)
OK. I guess the word is "indifference". I cannot say that this novel gave me much. Yet it has received both the Pulitzer Prize and the Faulkner Award.
It is the interleaved story of three women: Virginia Woolf in the end of the 1930:ies, an American housewife in the fifties, and a New York lesbian of the nineties, in her upper middle age. They all have strong connections, either directly to Virginia Woolf or to characters in her novels. The composition is good, but it still does very little for me...
Actually, I am a bit disappointed, but it only goes to show that you cannot trust the judgement of all prize committees...
(English, 26 Oct 2001)
This novel was so rich! It contains the eternal questions of the meaning if life, fear for death, and mystery of love. It actually takes place during one single trip by train for a few hours, but the story flies in and out of the train, as well as years, and actually spans many millennia in the process.
It is a powerful brew of three persons, all with strong connection to the history of art or art itself, who faced with destiny finally makes the decisions that sends them on the train, which the story revolves around.
In my opinion, this is one of Winterson's better books (though not as good as "Written on the Body").
(Swedish, 21 Oct 2001)
This book was silly. SILLY! Not the concept of reviving the common-day of Pompeji during the days of the Roman Empire (just before the outbreak of Vesuvio). That concept is brilliant, because the life of the Romans resembles our life more than those of the millennia inbetween. Nor was the explicit sexuality silly. It seems the Romans of Pompeji had ha more relaxed view of sex than we do, and that reflects in the novel, as it should. Actually, I seem to have even less trouble with it than the author herself. On many occasions, she unnecessary uses ellipses and innuendo instead of calling things their right names.
No, the silliness springs from Lundgren's choices of language and form. Often, the narrative more resembles burlesque comedy monologue than a novel. I do not know what air she wants to create, but I find the result beneath the subject at hand. I am sorry, but I do not like it. I find it stupid. Great idea, poor realisation...
The underlying idea is as brilliant in its simplicity as the form of the result is lost on me. Lundgren has focused on all the ancient graffiti that the Pompejians scribbled onto the walls of their city. Based on the implied facts of the graffiti, coupled with other archaeological findings, Lundgren weaves a fictional tale that fits with the surviving facts. Pity that she did not have a more somber view of her own work.
(English, 17 Oct 2001)
With my usual bleak outlook on modern author's ability to keep their new novels as good as their previous, I got a shaky premonition in the first chapter, but soon Coupland once again proved to be his typical, inimitable self.
Actually, as USA is in the centre of the world's news once again, it is quite nice to be reading an American (or really North-American, since Coupland is Canadian and makes connections to Canada) novel which is far from glorifying. Instead it focuses on the less prominent and often hush up-ed members of our western societies - AIDS-sick, chronically depressed, and various forms of other more or less grave dysfunctionalities.
However, this is far from "Girlfriend in a Coma". Instead, Coupland has gone a bit "Tarantinoesque", which unfortunately alienates me a little. Over and over again, I twisted my nose over elements I cannot recall being used by Coupland before, but then he made up for it with a short passage of Coupland magic.
Basically, it is a good story, with a few really thought-provoking ideas, but I do not care so much for the more accelerated twists of almost Hollywoodian special effects that Coupland throws in. Maybe it is time to re-read "Girlfriend in a Coma" and "Microserfs"?
(Swedish, 13 Oct 2001)
If I remember correctly, I found Holm's previous novel, "Järnhuvudet eller lejonet i Bender" slightly better than this one, especially in language. Somehow, "Järnhuvudet" succeeded in seducing me better than "Tio dagar i Fredrikshald" did.
Anyway, it is a pretty typical novel in a historical setting by Holm. Here Peter Rosenthal and Catherine is reunited with lots of their cosmopolitan friends (and foes) on the Swedish west coast and in southern Norway during Karl XII's final campaign of war.
Farcical, witty, often spiced with erotical elements, it boils down to pretty light reading. Yet Björn Holm actually manages, in a very subtle way, to present a new theory concerning the death of Karl XII.
(English, 10 Oct 2001)
Since this is a comic book, I hesitated before listing it on this page, but since it is so much more than your average comic, I decided that it deserved room here.
This is volume two in the well-known "Sandman" suit, about Dream, one of the timeless. It is dark. It is disturbing. But it is also beautiful in a complex way. I mean, it is beautiful, it really is, but the concept of calling something at the same time so grotesque beautiful is not trivial. You have to get to know your own demons before you can judge these reasonably neutrally. (Hmmm, I think I am trying to over-dramatise this. My generation have no trouble at all with this kind of fiction, but I guess I am trying to, while applying lots of prejudice, seeing it through the eyes of the old and narrow-minded. Better stop that, right?)
Basically Neil Gaiman has written a modern faery-tale, with the common supernatural elements slightly adapted to our world of believes, and it coupled with the expressiveness of the non-simplified comic strip artistry - advancing both forms of literature. To me, the result is very appealing. I will try to collect all the Sandman volumes.
(English, 6 Oct 2001)
Pratchett, Pratchett, Pratchett. I wonder why he has got some many fans and why they are so enthusiastic? OK, they say that his more resent novels (which I have read) are worse than his earlier (which I have not read) and that his books about the watchmen (of which I now have read two) are worse than the ones about Mort and the ones about the witches (which I have not read). I guess I thus should give the poor chap another chance and ask some fan to lend his best novel or something. Who knows what the future might bring?
So, any bright spots with Pratchett? Well, he writes rather humorous and I do like the way he shows just how absurd our modern world is by projecting different oddities onto his fantasy world. On the other hand, his writing lacks depth and atmosphere, and is pretty stereotype. I am not saying that dialogue-driven novels are bad, but I consider Pratchett so low on "wallpaper" (descriptions and such) that the reading experience deteriorates. Oh well, you cannot like them all...
What is "The Truth" about then? Well, imagine what would happen if you applied our tabloid press upon a world previously blessed from such a thing, and there you pretty much have it.
(Swedish, 30 Sep 2001)
I am beginning to think that it would be worthwhile to check up on all August-prize winners over the years, for this one, the 1997 novel winner, was almost as good as Mikael Niemi's "Populärmusik från Vittula". I guess that I have had a few prejudices on modern Swedish literature that were quite unfortunate.
This is a special novel in many ways. It is a bit supernatural, yet very down to earth and familiar ("familiar" is actually a very good word to describe it). It repeatedly points out some of the downside to relations in our modern society, but does so very subtle. You hardly even notice. Frankly, the book is quite repulsive in parts, but that it also something you do not really notice as you get caught up in the story.
I guess most people would find this novel entertaining and rewarding in some personal way. I certainly did. Why not give it a try?
Ooops! I just discovered that P-O Enquist's "Livläkarens besök" also is a August-prize winner (1999). I do not rate it as high as "Aprilhäxan" and "Populärmusik från Vittula" though.)
(English, 26 Sep 2001)
Why did I buy this book? Because it had a blob on the front, claiming it as the Pulitzer Prize Winner for Fiction in 2001? Yes, actually, that is the case. Then I learnt that Chabon also had written "Wonder Boys", which movie screen adoption I caught and liked this spring. Thus, I opened up the novel with high expectations.
Did it meet my expectations? Yes, it did. It was a very good novel and, more importantly, it surprised me on several accounts, both story- and stylewise. I mean, hey, a great novel about a writer and an artist of comic books? Who furthermore happens to find themselves in the most extraordinary circumstances and situations. This book, at times, made me both breathless, tearful, and laughing. A great story.
Any criticisms? Yes. Chabon's language is both his blessing and curse. He has a very special style of writing that often make you smile while reading him. However, his flowery style sometimes goes overboard. When he introduces too long subordinate clauses in his sentences, and sometime nests the clauses, it is very easy to loose track of oneself. Whenever I have to reread a sentence to get its meaning, it annoys me, because the spell of the story inevitably gets broken...
Any special quality worth mentioning? Yes, Chabon's subtlety. He often introduces something in one chapter and then make more or less obvious references to the same thing later in the novel. I especially like the more hidden references, because they make me feel intelligent when I notice them. To me, that is a telltale of a great author that has confidence in his readers and can resist being too legible.
(Swedish, 11 Sep 2001)
This is the independent fourth part of Guillou's Arn trilogy, where we follow Arn's grandson Birger from the years after Arn's death to the peak of his powers as Jarl of the realm and the founder of Sweden as a nation.
Birger Jarl did live in the thirteenth century, did wield power and did, among other things, found Stockholm. So hoe much has Guillou based on facts and how much is fiction? Well, I am no authority on Birger Jarl, nor medieval history, but as far as I can tell, Guillou has subscribed the framework of accepted history reasonably well, and then just filled in the blanks with whatever he imagined fit. The result is very entertaining, but one have to keep in mind that it is not history, but fiction.
I did skim Mats G. Larsson's historic work "Vikingar i österled" to see if it would confirm any of the contents in "Arvet efter Arn" and actually it did, but Larsson's book has the perspective of Vikings away from home, so it is only the crusades over the Baltic sea to what is today Estonia and Finland that is confirmed. Also the German Livonian Order's cleaning up of the pirates on Ösel is mentioned, but nothing is said of any pre-Swedish participation. In "Arvet efter Arn", it happens on Birger Jarl's initiative...
Anyway, it was a nice book, but I would not say that it is as good as the proper Arn novels. It is a typical Guillou book though, check out my other Guillou mini-reviews if you do not know what I mean. ;-)
(English, 9 Sep 2001)
This was the most complete and entertaining biography I have read in a long, long time. Who would have thought that another mathematician could write a biography that rivals the classical ones on historic people in depth an coverage? In fact, I have seldom come across a biography that goes to such lengths to put the events in the subject's life in perspective to the current state of the world and society surrounding him/her. Thus, as well as telling the tale of Alan Turing, it also doubles as a book about the British society through the end of the Empire, the world wars, the depression and the dawning of the cold war, as well as the second world war in itself, the academic worlds of Britain (especially Cambridge) and USA, and the situation for homosexuals. And it is very readable too, even if a bit demanding.
Andrew Hodges has done a tremendous effort to compile so much facts about Alan Mathison Turing, mostly by interviewing people that met Turing during his lifetime. I guess it would never have been done unless Hodges himself had been both a mathematician and gay, and had deeply felt that the story about Turing badly needed to be told.
On the matter of Turing himself, apparently he was never treated with electrical shocks for his homosexuality as is rumoured. He did get treated with oestrogen, though, and actually started to develop breast as a side effect. An other probable side effect was severe depression, because not long after he ended his life by eating an apple dipped in cyanide...
Turing was a true genius, but a rough one. Had he been able to better communicate and interact socially (that is, be bothered with all the fuss of life he never understood the rationale of), the fields of computer science and machinery had probably developed even quicker than it now did. For instance, Turing's original specifications for the ACE (an early British computer project) contained more than a few details that only got reinvented and implemented ten years, or more, after his death.
Turing loved to work independently with a problem no-one else had done anything with yet. When a field got too crowded, Turing's lost interest in it and moved on. The same way engineers could get surprised by his knowledge in electronics, (knowledge mathematicians usually did not possess nor even desire) his fellow mathematicians were surprised by the things within mathematics he did not know. Turing walked his own ways and often reinvented mathematic methods when he needed them, rather than learn them proper in advance.
What I did not know was how wide his fields of interest were. What is usually associated with Turing is computability, early computer science, early artificial intelligence (philosophical), and cryptography, but did you know that he also worked with chemistry, biology and, as his last huge interest, morphogenetics, that is, the formation and differentiation of tissues and organs (how can a bunch of identical cells know how to organise themselves into the different sorts that together forms, for instance, living creatures).
I would say that this was a more important book than one might think. Turing may have been a pretty odd fellow that never cared for conformity. Thus, he might differ a lot from you and me. Yet we can learn not only from him, but from how he got treated by the world and why. If this brief review has stirred your interest the least, read it!
So, what is in it for the average computer scientists? Well, apart from the fascinating life story of one of the first that can qualify as an computer scientist, we also get a fair share of cryptography, computability (Turing machines), and the early basics of computer programming and machinery. This book presents the early choices of computer design much better than the textbooks on, for instance, computer architecture.
(English, 19 Aug 2001)
This is lightweight, but interesting. It is not a very deep plunge into the realms of Cyberpunk writings. Rather, it is a annotated list of novels and motion pictures, both hard Cyberpunk and "Cyberpunk-Flavoured".
I had hoped for something more exhaustive on the matter, but I still got value for my money: I found a lot of interesting titles and authors to explore. ;-)
(English, 13 Aug 2001)
This must be Douglas Adams least well-known book. Most famous for his five volume "trilogy" of the Hitchhiker's Guide to the Galaxy and the novels about the holistic detective Dirk Gently, he has here join forces with the zoologist Mark Carwardine and travelled world over in pursuit of rare endangered animals.
I originally found this gem in the dusty shelves of zoological literature in the library of my senior secondary school, and really enjoyed it. Later, in the second half of the nineties, I found it on sale at SF-bokhandeln in Stockholm and bought it. Now I reread it to honour the memory of Douglas Adams, who only middle-aged sadly left us earlier this year.
Actually, his more common style of science fiction comedy is less far from this environmentally aware documentary than one might think. It might just be Adams' witty pen, but when he observes all the absurdities he encounters in our supposedly rational world, one is reminded of Arthur Dent's struggle to get a handle of his involuntary rôle as inter-galactic hitchhiker.
Anyway, the novel was written in the end of the eighties, but the subject at hand, endangered species and the heroic efforts to attempt to save them, is only more urgent today, as the developments of the human race constantly multiply and accelerate. Read it to get a laugh, some perspective on ourselves and our planet, and some second thoughts on what we are doing to our fellow inhabitants of the same planet.
(English, 2 Aug 2001)
Another beautiful book by Winterson (I really need to find more alternative words than just beautiful, it does not seem altogether enough...). This one is a bit tricky, because it may seem like just some historical fiction, albeit very poetical, but there is more. Interwoven in the storyline is passages of great philosophical stature. No, to be more precise - existential stature. I know I have asked myself those big questions at times since I started school. It is great to discover Winterson's character stating the same questions and give their beliefs on the answers.
This, Winterson's third novel, is the least typical book of her I have read so far. It is less concerned with gender and its views of love is overall more innocent than her other books. Yet there is passion in this one too, it is just more seeking and philosophical, if that can be.
If the trend continues, I think I am more fond of Winterson's latter novels than her earlier, which means that I can have great expectations on her upcoming novels, right? ;-)
(Swedish, 26 Jul 2001)
This was lots of fun! With wit and sensitivity the editorial staff of the "På stan" ("In city") part of Dagens Nyheter, Sweden's largest daily newspaper, have put together a great guide book to Stockholm. The one bad thing is that they seem to have been about as stressed and non-perfect as when putting together the newspaper. Thus there are a few embarrassing spelling errors and a couple of sloppy non-needed hyphens left in the text.
It is not an ordinary guide book. Instead, it is a pretty biased one, and biased towards a lot of different kinds of Stockholm-visitors too!
This is how it works: as an introduction, we learn on a few pages the most important of how Stockholm works (like that you should stand to the right in escalators).
Then we find ten fictional journals of parties visiting Stockholm: a family with little kids, a retired couple, two homosexual friends (one gay and one lesbian), autograph-hunting teenagers, etc, etc. All parties pretty stereotype, but enough nuanced so that there is something for everyone in it. For instance, the very singled-minded sport freaks also visited some record shops I think I will check out too.
After the fictional visitors, this spring's articles declaring Stockholm's ten most beautiful public rooms are reprinted - each well worth a visit.
Hungry for more, we now enjoy the five best establishment in each of the classes Gourmet/Luxury, Intermediate, Budget, and Bar.
Last, but not least, are a long list of phone numbers and addresses to all places mentioned throughout the book.
The authors believe that this book can be of interest not only to tourist but to Stockholm residents too. I agree completely with them. I have found lots of tips on thing to do and places to visit that I might never have found out about otherwise. ;-)
(Swedish, 25 Jul 2001)
OK, I admit it. I am dating (careful readers of this page might have guessed it from the introduction on the top). I am not dating in the old Swedish sense of the word, that is going out with present girl- or boyfriend. Rather, I am dating in the American sense - to get to know new-made contacts better, to investigate if there is any ground for friendship or more. Really, the point of dating is just to go out and have fun whit someone unknown and exciting. Anything else than that is a pure bonus. ;-)
I wrote "the old Swedish" sense above deliberately, because American dating is becoming more and more common in Sweden, and it is there this book fits in. Linde is trying to teach the masses the fun and practicality of dating. She has been a true investigating journalist and tried most forms of dating before writing the book. However, she also lets other talk - the book is sprinkled throughout with small statements from ordinary people in the margins, and she has interviewed lots of other daters and different experts in the text.
I cannot really say that I learnt anything new in the book, but I must say that it was encouraging to see that one is not strange nor alone being dating in Stockholm. ;-)
(English, 25 Jul 2001)
Ordinary, I do not include technical literature at this page, although I read a lot of it, so why this exception? Well, most reference books is just that - for reference, not for reading from cover to cover, and so I do not list books here that I only read in part. This one is different. Even if you could lookup different sections when needed, the real value lies in reading it all (and contemplating it too). So I read all of this one, and thus it fits here.
This book should really be included in the literature of every curricula in Computer Science. It probably never will, because every faculty prioritises theoretical courses within a concrete field before general courses on good practice in programming. But, as luck would have it, the author of this page has another page, listing books every computer scientist should read. ;-)
So what is it really about? It is basically a collection of good advice drawn from the authors' vast experience. Most advice you nod recognisingly at, but nevertheless, it had to be put in printing before your eyes before you realised their true value and importance.
If you program computers for a living, you should read this book.
(English, 23 Jul 2001)
Er... Maybe this novel should be read exclusively by citizens of the United States of America and not be world-wide available, because it tends to really amplify every prejudice one might have regarding Americans. Maybe I should make my good friend Tomas read it so that I can bring it up among the numerous Americans on the RASSM mailing-list (rec.arts.sf.starwars.misc). Would probably make an animated debate. ;-)
This is Stephenson's first novel. If you have subscribed to my earlier mini-reviews of Stephenson's latter productions, you may have noticed that I consider Stephenson's authorship to have developed greatly inbetween each subsequent novel. Given that observation, is this, his original work, very primitive? No! OK, it is not as complete and excellent as "The Diamond Age" and "Cryptonomicon", but I cannot say that it is obviously less developed than "Snow Crash". It is pretty different than his latter works, but one can easily make out items that Stephenson reuse in his other books; the railgun, the nerd/scientist, the collective mind, etc. The fascinating thing is that these ideas fits as well into the late 1900-campus as in future cyberpunk environments.
So, what is this novel about really? It is on one hand a really odd and twisted adventure of a small group of friends in the sometimes hostile environment of the "American Megaversity" (a gigantic university). At the same time it is a very serious and observant satire about the dark side of current American educational system.
I thought I would recognise similarities with Swedish conditions, and stayed on the look-out throughout the whole volume, but, really, I rather only found difference after difference. Swedish student's general reality is far from perfect, but at least Stephenson's satire is not applicable on our situation - something to be as grateful for as for the great books Stephenson entertain us with.
(English, 21 Jul 2001)
Winterson has a special style of writing, but unfortunately, in this her first novel, it has not yet found its most extravagant pattern. In other words, "Oranges Are Not the Only Fruit" is less than "Written on the Body" and "The Powerbook" is. The latter are filled with poetical prose describing love and other beautiful things. The former is a bit more focused, but not yet full-grown (oh, how I wish that I had read Winterson's novels in chronological order, then I would have appreciated "Oranges" a lot more!).
"Oranges" is about a young girl growing up, a type of novel not uncommon, but by Winterson's pen, it get extra depths and means of expressions. Somehow it reminds med of Neal Stephenson's "The Diamond Age", but they are really not that comparable...
Do you know what? I guess that for conservative people who do not like creative writing, "Oranges" is probably Winterson's most enjoyable book. Do not get me wrong, we who get a deeper reading experience from novels with new and exciting ways will enjoy it too, it will only not give us the same thrilling ride as some of her later books. ;-)
(English, 20 Jul 2001)
"Why is the measure of love loss?"
With that brief question the novel commences. A brief question, yes, but yet astonishingly thought-provoking. Why is the measure of love loss? Is the measure really loss? Why seem the grief over lost love more overwhelming than the joy of present love?
This is a novel about love. All-consuming love and haunting love. But it is also about lost love and grief. I think I will add this precious gem to my recommended books to read after being dumped. I know it brought back memories to me that I long have tried to get rid of...
There is yet another dimension to "Written on the Body". The gender of the narrating main character is never given away. This gives an extra depth to the novel. What if it is a man? What if it is a woman? My guess is that it is a girl, mostly because so it was in the other novel by Winterson I have read, and because I know that Winterson is read by many gay and lesbian people. Still, I liked to halt my reading at places and ponder the ramifications of a certain situation based on the two possible genders in turn.
Winterson writings are very beautiful. Her novels can be erotic without being vulgar. Or rather, she is subtle instead of explicit. She is also intelligent. Take the chapters were the narrator describes the body of her/his true love. Winterson has used a medical textbook as inspiration. Each chapter is begun with a dry scientific quote, followed by the main characters own interpretation of the corresponding part of the lovers body. At first it is so unexpected, yet so refreshingly brilliant!
Rest assured, I will read more of Winterson.
(Swedish, 19 Jul 2001)
Brrr, this was terrifying... Written over twenty years ago, it still feels like a pretty accurate description not only of a typical Swedish hospital, but of large organisations, bureaucracy, lack of a common goal in general. I am no student of medicine, but I can recognise the ways of the medicine doctors among the faculty of my old university.
Using short portraits of common people on different levels of the hospital hierarchy throughout the building - from patient to the hospital director - Jersild builds a very trustworthy story. Everyone has their own aim whether or not they have a clear understanding of how that aim fits within the common goal of giving good health care. The patient wants to get well quick. The hospital management wants efficiency and cost reductions. The hospital staff wants better work conditions. The medicine companies want to sell their products with nice profits. The resulting equation is impossible and in the end it is us - the patients and tax payers - who lose...
Do you know someone who works in health care? Then read this book and make that person read it too and discuss it. Maybe we together can create a better understanding for how the organisation truly works?
(Swedish, 17 Jul 2001)
Two down, one two go! There are three novels about Millan by Baker. My mother borrowed them from the library and read them to me and my siblings when we were kids. Now they are almost impossible to find, but now I have laid my hands on two! ;-)
The novels about Millan is fantasy for kids. I guess it is really more of children bedtime stories than epic fantasy, but they works for me and I sure they will work for my kids, if I ever get any.
In this novel, Grandma is less omnipotent than usual. If not Millan, the self-cooking cauldron Emma, and the blue elephant (a sleeping animal) had been around, the wicked witch may very well have defeated Grandma. ;-)
(Swedish, 6 Jul 2001)
And that was that. Fogelström's epic Stockholm piece ends in 1968 (the fifth book begins after World War II), in a time pretty recognisable even for someone like me, born in 1974 and grown up during the eighties and nineties. The Stockholm suite finishes as it begun - by stating the history of Stockholm as well as the history of the common workers, and on it projecting the history of one family with friends.
When my favourite character Emelie, who I think is the only one who lived through all five novels, finally died I shed a few tears, despite riding the underground from the University to Slussen at the time.
Another mentionable moment: Henning is contemplating Olle's typical grumbling over the switch from left lane to right lane traffic and the betrayal towards the common workers it represents. Henning finds some interesting parallels both to global politics at the time, and the history of the worker's political liberation. And suddenly I realised that Olle's blind resistance is a great summary of today's opposition towards the European Union. Those many who do not want to be farsighted will always feel betrayed by those few farsighted who will try to look after everyone's best interest.
Those who forget the lessons of history are doomed to repeat it. This is the modern history of our Swedish society and especially Stockholm. Yet it is a pleasant story about a few generations of a Stockholm family. You choose how you read it, but please do not choose not to read it.
(Swedish, 28 Jun 2001)
The fourth book covers 1925 to 1945. Especially memorable is the spontaneous celebration of the ending of World War II in Europe. Could something concern and gather as many today?
(Swedish, 20 Jun 2001)
The third volume in Fogelström's Stockholm-suite spans the years 1900-1925, a period during which one can begin to make out our modern society. The first world war once and for all ended the nineteenth century, tore down the old, and paved the way for the new: eight hours work-day, equal rights to vote, both for rich and poor, men and women (but one could not vote until one was twenty-three years old).
Against this intensive historic background, Fogelström projects the story of the descendants of the family and friends of Henning Nilsson, they boy that begun the first book by reaching his new home town Stockholm in 1860. In the centre of "Minns du den stad" we find Emelie, Henning's oldest daughter, and her middle-age years. While still poor, she and the others have got it much better in the new century. Even during the war they have it better than when Emelie grew up.
Stockholm gets more and more recognisable. For instance is Stora Badstugegatan broadened and elevated into the real boulevard Sveavägen, and many today classical Stockholm buildings are built. Not only is it nice to read about streets and buildings you already know, it is also very rewarding to walk around Stockholm and recognise streetnames out of the novel. I did just that today, walked a bit down Folkungagatan on Södermalm, eagerly reading the names of the crossing streets. I also passed a small store specialised on tea, with an ancient wooden desk, cash-machine, and scales. Then I thought to myself, might this have been the store Emelie worked in? ;-)
(Swedish, 16 Jun 2001)
This is second part of Fogelström's famous series about Stockholm. Fogelström lovingly paints the portrait of the main characters, but his real pathos lies with the city itself and its workers. Even as the working conditions then and now cannot really be fairly compared, I actually get a sting of bad conscience now and then when I identify myself with the rich and spoilt, but most of the time I, as most readers, stand firmly on the poorer central figures side.
Fogelström must have done an enormous amount of research, to be able to effortlessly toss in details about new buildings and roads in the city background of the story and its characters movement. This is a real gold mine of history - both concrete history of how Stockholm evolved to the city we live in today, and the history of ideas and the struggle between classes that evolved into the society we live in today. For example: last weekend in Gothenburg, during the European Union summit, Vänsterpartiet held an anti-violence demonstration as as professional and amateur trouble-makers from all over Sweden and Europe made war on the police, the banks and McDonald's. Yet the socialist party that Vänsterpartiet has descended from begun as an association of roughly the same trouble-makers and bomb-throwers (even if there were more threats than actual bombings).
Fogelström has written the history of Stockholm, its people, and their workers movement, employer's associations, and class-struggle. Yet you can easily see past all history and just focus on the gripping tale of the augmented family in the centre of the novel, if all the history is just the same to you. ;-)
(Swedish, 11 Jun 2001)
Passionate, but disturbing. This is a very special, thin little novel. It is neither prose nor poetry, but something in between. It is prose in the way that it actually is a sort of narration. It resembles poetry because it hardly contains any punctuation nor upper case letters. Thus one sentence flows right over in the next, and you have to be an active reader. This novel demands attention, but it is easy to give as its emotions is so bare and touching.
Maybe it is not more than the feelings of someone who have loved but lost her lover. However, I kept reading in darker over-tones between the lines, because her emotions are so terrifying strong and here and there my associative mind made me feel very uneasy as I read it.
This is not beautiful love. This is unrestrained, life-consuming, unreturned, burning love. This is devastating passion. It leaves you with a lot of mixed emotions.
I guess this novel could make a good complement to my other recommended books to read after being dumped, Mike Gayle's "My Legendary Girlfriend" and Titti Hasselrot and Annica Hasselrot-Svensson's "Inte du heller". It not soothing in any way, but maybe it can yet offer some twisted "you-are-not-alone" comfort.
(Swedish, 10 Jun 2001)
I have not read Fogelström's masterpiece about Stockholm since eight grade (some thirteen years ago). It is pretty common throughout Sweden to read "Mina drömmars stad" in Swedish class around that grade. Of course, I then took the chance to read the whole series. Now, as I have lived in Stockholm almost two years and learnt my way around streets, squares and sights, it felt like a good idea to revisit this great book and enjoy a deeper reading experience as I know, and can relate to nearly all the familiar places mentioned in the novel.
"Mina drömmars stad" is a historical novel about Stockholm through the years 1860-1880, its people - both rich and poor, but especially the poor - and in the centre Henning Nilsson, who reaches this city of his dreams at age 16, and the friends and family he makes over the following twenty years.
Fogelström uses a very distinct Swedish. It is very vivid and colourful, with a subtle, poetical air. He uses many old words for things and profession long forgotten today, but he carefully puts them in a context so that no understanding is lost. I have this last week several times caught myself using elderly words, clearly influenced by my reading, and I like it! It can only enrich my Swedish.
This novel has lots of qualities to offer, regardless if you live in Stockholm or not, and is considered a modern Swedish classic. Still, it gives something extra to read it when you sometimes walk the same streets yourself, as they appear today, over a hundred years later.
(English, 3 Jun 2001)
What a beautiful book. What a nice novel. It is both very modern and yet timeless. It is intelligent, and with that I do not mean that it is brainy and stuffed full with facts, but that it is expressive without being explicit, that it is subtle, that it begs for an active reader. It is independent. It does not care whether we love it or not. Seductive? Yes. Very.
It is a book about love. Timeless passion. Restrained affection. Desire. Carnal pleasures. To love but not to have. It is actually about love between women, but it takes a while before one discover that. I must read Winterson's "Written on the Body", which is said to written in first person in such a way that you never really can tell the gender of the main character. In "The PowerBook", it is given away that it is a woman, but in places the waters are quite muddled and deceptive.
Could this novel been half as lovable if it had been written by a man? Perhaps, but less likely. Why is it that love between women is much more beautiful than love between men? The western obsession with the female body? In reality, lesbian love should be a tragedy for single, heterosexual men, while gay love only means less competition.
To put it soberly, people who want their literature concrete and firm would probably not like this novel. People, who treasure the ability to stop on an eye-blink and spare a moment of life in appreciation of whatever non-obvious wonder life choose to spoil us with, will adore it. It is just so... How should I put it? Flexible? It is a little like listening to someone lost in thoughts speaking to herself. We can make what we want of it. It does not argue for a single point. If you want to feel sad, it supports that, as well as there is joy in its beauty if you want to feel glad.
I like Jeanette Winterson.
(English, 30 May 2001)
Williams' novels about Otherland have sailed right up among my favourite books and greatest reading experiences. Not because of some strong recognition of the character's personalities or experiences, nor any extra-ordinary ability to identify myself with any of them. Neither would I say that it is because Williams writes better than most other authors (he does not). Alas, this will probably never be considered as a great classical piece of literature - mostly because of the rather narrow subject: an epic quest cast on the background of the next generation of information technology... But here lies the key to my instant fondness of Otherland. Many of the elements Williams has imagined I really hope will come true in a near future (well, not any of the evil stuff, of course). This is the one chance Otherland has to become a true classic: if it will prove to be an accurate prediction of the future.
"Otherland IV" is actually not as intense as "Otherland III", which is just one cliff-hanger after another, but "Otherland IV" is at least as thrilling, because now, after the three earlier tomes, we finally get the answers to all the riddles, and I can assure you that some of the answers we could not have dreamt of in our wildest dreams. I mean, for a brief moment I was afraid that Williams would turn the end into something catastrophically lame, but half a chapter later I was ashamed I ever doubted him...
Pay close attention when reading the Otherland novels, because some seemingly insignificant things actually forms a very subtle sub-plot - a story within the story that perhaps would not be noticed if it was removed, but which gives "Otherland IV" its most philosophical air...
(English, 15 May 2001)
This was no ordinary cold war thriller. For one thing, it takes place today, well after the end of the cold war. But also, it is about common people thrown into the current of history, rather than world leaders, spies, and military specialists. This gives the novel a nice touch and a kind of laid-back style. It does not try, on a grand scale, to be the most extraordinary thriller. It simply sits down to tell us its tale and in the process ends up as a very, very special thriller.
I must read some other book by Harris to see if this is his trademark. The only other thing by his pen I have read is the short novel "PMQ" in "Speaking with the Angel", which was totally hilarious, but not as special as "Archangel".
And do you want to know the best part? The plot in "Archangel" is not that farfetched. It actually could happen for real, could it not?
(Swedish, 30 Apr 2001)
An odd book about an odd man. Adam is manic depressive. He is of Hungarian origin, but raised in France and Germany, and ended up i Sweden. This book is about the book he always wanted to write. It is also about his disease, the impotent health care, and how next of kin are affected.
Adam is middle aged and furthermore a true cosmopolitan, due all countries he grew up in. I am not. That is probably why I cannot really identify myself with Adam. Thus, it is not any of my greater reading experiences.
However, much of the contents is of the kind you seldom think about, not until you yourself are a part of it (and then it pretty late). In this way, this book is great, because it opens up a window to a world you may not have seen earlier.
Anyway, maybe one should check out what else Åsa Moberg has written?
(Swedish, 24 Apr 2001)
Oddly enough, this novel actually reminds me a little of Rocky, Martin Kellerman's accurate cartoon about young wannabees in Stockholm with alcohol romanticising, commitment problems, and overall stereotype lifestyle. Despite all the stuff in Rocky that is dark and revolting to older generations (and to many young too), Rocky actually contains lots of life wisdom and depicts typical existential questions in a setting where teenagers and young adults can relate to them ("Wow! I am not alone!" and so on).
Maria Hede's book is not a cartoon, nor a humorous novel. It is a book about panic anxiety, depressions, and alcohol and pill abuse. Yet, to me, there are some parallels to Rocky. They both describe worlds that are not for me, that probably would be dangerous for me, but still makes me a bit curious of and longing to try. I mean, would they continue that destructive way of life if it did not offer some sort of release? Oh, yes, then there is that addiction part too. How could I forget about that? (Maybe because I, too, want to discover something greater than life as it is?)
Oh, great, now I am sounding depressing... But Maria Hede's book is not depressing, if not entirely entertaining either. Lots of hypocrite middle aged with proper lives would probably condemn it as dangerous literature. ("I do not want my daughter to became something like that! She should be protected from this book!") What they fail to acknowledge is the fact that it is not a book to lure people into addictions. It is a manual in breaking addictions and handle psychic disorders of various intensity. To once again attack the well ordered who choose not to understand, this book is in itself a much better way to deal with hardships in life than to ignore them. (Is not the latter the modus operandi of the well ordered?).
Anyway, I did some research, and it turns out that this is Maria Hede's second novel, which was published last year. Her first, "Evelyn Spöke" ("Evelyn Ghost"), came 1987 and was about a young girl suffering from anorexia. I will try to get hold of that one too. "... och bli ett vackert lik" ("... and become a handsome corpse") is a direct sequel, because it is also about Evelyn, after she has recovered from her anorexia, finished school, pursued her career as an artist, but yet have to defeat some persistent demons.
Read it. Read it to identify yourself with different aspects of Evelyn and the other characters in it. Read it to relate to different events in their lives. Read it to gain some understanding of another world, if you believe yourself to be very distant from the persons in the book. Read it to be better equipped to aid persons you are close to. Read it to get revolted, if you must... Read it to get release from your everyday routine.
(English, 21 Apr 2001)
This is the second novel Cussler has done with Paul Kemprecos (the first was Serpent). In these books the hero is Kurt Austin, but Cussler also continues to produce books with Dirk Pitt as the hero. So, what role does Kemprecos play? Is there any difference between the Cussler&Kemprecos and the Cussler books beside the main characters? I do not really know, it has gone to much time in between the times I have read them. Yet I have this lingering feeling that the Cussler&Kemprecos books are a bit more cliché and stereotype than Cussler's own. (Talk about degrees in hell - the whole genre that Cussler represents is an orgy of stereotype...)
At least you know what you get - a thrilling tale of a evil conspiracy that our heroes happens to stumble upon and crush while slipping bad jokes while getting beat up. Just the thing for boys of all ages. ;-)
(English, 18 Apr 2001)
Just like in his "A Quarter-Century of Unix", Salus manages to make an excellent historical overview, this time about the Internet from the birth of the ARPANET in 1968 to the state of the net as the book was written in 1995. Thus the last six crucial years are missing. However, this is no disadvantage of this book. Regardless of what overwhelming proliferation the net has achieved since the book was published, the history it describes still stands and is more interesting than ever (at least to me).
Since I liked Hafner and Lyon's "Where Wizards Stay Up Late" very much and since that book is about the history of the net too, I initially had some doubts about "Casting the Net", and, yes, Hafner and Lyon actually makes a better in depth investigation of Internet's development than Salus does. However, Salus presents his material in a much more accessible way and from several more interesting angles.
Both books interviews the same key people, but Salus makes a better job of following up where persons, features and companies are today. I especially enjoyed the narration of the eventful lifespan of net news (Usenet) and that selling access to mail and news gave birth to UUNET which later diversified and today is one of the main Internet backbone providers in the world.
Salus' book are filled with interesting tidbits that make you go "Wow, I was not aware of that and that!". Also, he has included a lot of "diversions" for fun, like net poetry by Vinton Cerf and other net inventors, and some hilarious RFCs (among them an old favourite of mine; RFC 1149 "IP Datagrams on Avian Carriers").
(English, 13 Apr 2001)
This is not a Nick Hornby book (you know, the author of the strange "Fever Pitch" and the lovely "High Fidelity" and "About a Boy"), he is only the editor, although he has written one of the thirteen short stories in it. The rest is by other promising British authors like Helen Fielding ("Bridget Jones Diary"), Melissa Bank ("The Girl's Guide to Hunting and Fishing"), Colin Firth (Mr Darcy in the motion picture "Pride and Prejudice"!), and Robert Harris ("Archangel").
Many of the stories is quite good and make me want to get my hands of other works of the same author. I only have prior experience of Nick Hornby and Helen Fielding. Especially Robert Harris piece about how the British Prime Minister in a dead calm way to the parliament accounts for some rather unusual actions for a person in his position, made me interested of reading more by his pen. (Actually, I laughed out aloud on the subway, drawing looks from the other commuters).
The reason this book ever came to be is worth mentioning too. You see, for every sold copy, one pound goes to a school in London for autistic children. It turns out that Hornby has a son which is autistic and that parents, faced with the government and ordinary schools failure to give their autistic children the support they need, have begun to start special schools themselves.
In short, this book is a convenient introduction to thirteen "new" British authors while at the same time it supports a honourable cause.
(English, 9 Apr 2001)
I really enjoy when a previously unheard-of author emerges and publishes a genuinely great book. No trying to be the new Hemingway, no fuss, just a good story wanting to be told. It also helps if the story is of current interest, which it is in this case.
Lee Stringer was a homeless in New York during the eighties and half the nineties. His novel is about that time. Yet he does not indulge without abandon in his and his peers' misery. Rather, he simply tells a tale that happens to take place among the down and out in the big Apple.
Does he not include any controversial stuff at all? He does. Well, kind of anyway. He mixes in a bit of criticism towards the society, but it is very sober criticism. He does not point his finger at them, or accuse them bitterly, but rather identifies the points were he thinks those who govern society are wrong. This angle makes him sound very trustworthy and there are lots to think about in what he has to say. Have you ever in anyway reacted to a homeless in your home town? Then read this book (well, read it anyway, it can very well justify its existence by itself).
The main reason that Stringer became, and for a while stayed, homeless was his addiction to Crack (smoking-Cocaine). While reading this novel, I also saw the motion picture "Traffic". They both is about drugs and drug addiction but their point of view is very different. Still, they both make me acutely aware of that I should do whatever it takes to avoid drugs, because even if I am scared to death about the consequences of an addiction, I am still very curious about the rush of a heavy drug... Na, I better stick to books. ;-)
(Swedish, 3 Apr 2001)
I cannot recall reading anything of P-O Enquist before, so
I do not know if "Livläkarens besök" was typical for him or if it is
special in any way. Why do I wonder about this? Well, the style of the
novel is rather poetical and rather special, with a bit erratic flowing
sort of narration (that sounded more negative than I intended it to).
Enquist uses a interesting language with parts of sentences iterated
for special emphasis. An interesting choice of form.
Iterated for special emphasis.
It seems that Enquist has thoroughly researched the subject of the royal court in Denmark in the 1760:ies and 1770:ies. Sometimes you get that impression from the great detail and convincing tone of the tale, sometimes he directly refers to old archived documents. However, this is not an history book, but a work of fiction, and I actually find it disturbing not to know when we leave confirmed facts to enter the realm of pure fiction. Which words, thoughts, and feelings are from letters, diaries and questionings of the main characters, and which are imagined by Enquist? Which are their own and which are Enquist's? I would not be disturbed if it either was purely a work of fiction, with no marks of historically confirmed research, or purely a history book, with every thought either collaborated by research or stated as speculation.
Anyway, the book was quite interesting. Naturally, I know Swedish history a lot better than Danish, despite the closeness of the countries and their often interleaved history. It is about the first years of the mad king Christian VII, the persons around him and the Danish revolution of that time, and I can assure you that it is not dull but filled with hot, steaming action (yes, your dirty associations are probably right on target).
(English, 30 Mar 2001)
I have not given "Ender's Game" and "Ender's Shadow" the praise they deserve in this list. Yes, I have been positive about them, but look at their entries - they are way, way too short... I will try to make up for it here.
"Ender's Game" was Card's first great success and is a breath-taking thrilling story about a cruel world failing to break a lone (but brilliant) child. Everyone should read it - it has parallels to Rowling's "Harry Potter" (another lone kid facing a cruel world) and Guillou's books (various lone, but brilliant heroes). But despite the parallels, Card's creation is one of a kind. It takes place during a war between the humans of earth and a insect-like species from outer space, hence the science fiction label.
Then came "Ender's Shadow", decades after the first one, but it was not a sequel but the same story as seen and experienced by Bean, one of the main characters in "Ender's Game". Although one knew the story already, it worked, because Bean had a different look on things than Ender, and Bean also managed to discover a lot of things Ender did not. These two books are among the best I have ever read.
Actually, "Ender's Game" is followed by a few books about the colonisation of a remote planet, with Ender as the main character. These I have not read yet, but Card has said that they are only loosely connected to "Ender's Game". Card has written a lot of other books too, and I have read his series about Alvin Maker. While I love the Ender-novels, I only consider the Alvin-novels as nice. This I cannot really explain, but I think that Card deliberately have used a special style in the Alvin-novels that just does not work as well for me as the style and contents of the Ender-novels. Also, I think my judgement got a bit clouded by the fact that I felt a bit disappointed when reading the Alvin-books after the Ender-books. I simply had too high expectations.
I got very surprised when I saw "Shadow of the Hegemon" at SF-bokhandeln in Gamla stan in Stockholm. I had not known that Card was planning more titles in the series, but I just had to have it and could not wait to sink my teeth into it. And it was good. Not as good as the two first Ender-books, but it was good.
It is about all the ones that Ender leave behind at earth when going away to colonise a remote planet, and especially Bean. After being united during the war with the aliens, the humans of earth once again starts fighting each others, and now the battle school kids, veterans from the war with the aliens, are viewed as important asset among the fighting countries. Once again, a few brilliant kids facing a cruel world.
Do you know what the best part is? Card is actually planning two more novels in the series: "Shadow of Death" and "Shadow of the Giant". Something to really look forward to!
(English, 26 Mar 2001)
This is a pretty thin and somewhat fragmented book - the line of thought tend to get confused at times by back- and forward references. Still, it is one of the very best computer science related biographies I have ever read (and remember that I am a collector of such).
It covers, as the title suggests, the history of Unix and is in form similar to Hafner and Lyon's "Where Wizards Stay Up Late: On the Origins of the Internet". That is, we are presented with the people who played the key roles, the parts they played, and often their own stories in their own words (which is very interesting to read).
To me, the main advantage of this book is that it, by starting from the very beginning, manages to unravel and untangle the complicated history of Unix. It is so much more easy to learn the relations of different Unix dialects when there are just a few to remember, and where new ones get introduced at their natural point of birth, rather than the more common way of starting at a dialect leaf today and tracing the way back up the ancestral tree, sprinkling the narration with confusing facts about other sidelines.
Other highlights include:
This is not a book that offers some extra information on a course. I am not even sure if it gives some better understanding of the topic, like "Where Wizards Stay Up Late" does. This is more a book for pleasure reading if you happen to have an interest in the history of Unix.
It was released in -94, so it does not cover the latest years upspring of Unix, especially the proliferation of Linux. Still, it is no great loss, since the emphasis lies at the origin of Unix - a topic which it covers with excellence, unmatched by any other book I have seen.
(Swedish, 18 Mar 2001)
It is no wonder that this novel is said to be the first example of modern literature. It really does not feel like it is from the 1860's. OK, so the scenery and everyday life is very typical for the time two centuries ago, but I think we today have a lot of prejudice about our ancestors. They were no more simple-minded than we are, albeit having no cars, computers or fancy CD-players. The plot and intrigue in "Crime and Punishment" could as well take place today. Actually, it is even quite of current interest. Staged in a modern city, no one would raise an eyebrow.
So, what about it then? Well, young former student have a though time. It is not hard to identify oneself with him (but it can be a bit disturbing as he is not the most psychologically stable person). Great book, great psychological drama, great vivid persons - a true all time classic.
Actually, I bought it at the big Swedish book-sale (you know, were they, instead of selling out last year's titles to have room for this year's releases, are selling special, cheap, only-for-the-sale editions...) as part of a set of three books by Dostojevskij, so now I have two more left - will they be as good as this one?
So, if the contents felt modern, how about the form? Well, the translation I read was made just some twenty years ago, so it was not heavy reading even with regards to the language. I guess I and people in general have way to much respect for the classical "brick-books" - or rather, we have to low thought about ourselves.
(Swedish, 24 Feb 2001)
This is a book about past and future Swedish, but most of all, it is a book about contemporary Swedish, from a user's perspective. Lindström argues that no one institution owns or rules a language, instead it is the property of all that uses it, and therefor we are all free to invent new words (and should not be afraid to do it) as long as we make ourselves understood.
Most of it is really interesting, especially the thorough list of common misconceptions about Swedish and common mistakes, and the history over how common expressions have evolved since medieval times. Unfortunately, Lindström's own Swedish is not foolproof, and he does not always get his facts perfectly straight (for instance, "bar bar" is Greek onomatopoetry for foreign tongues, not Latin). Also, although I could follow him on how society affect language, he lost me at how the language affects society through how we think. Still, the book made me interested of knowing more, and that is not bad.
(English, 21 Feb 2001)
I have been pretty harsh about the previous ones in these series. However, I think I have to reconsider a little. Card's Alvin Maker-series are very warm and gentle novels, with an original idea about how to explain the history of America (northern America south of Canada and north of Mexico that is). The novels varies some in quality though, but the main reason I have been muttering is that they is not as good as Card's amazing "Ender's Game" and "Ender's Shadow". But, hey, that only goes to show that Card is more human than, for example, Neal Stephenson, who just keeps writing better and better novels.
So, it is worth reading, even if it is not the novel of the century, what about it then? Well, we follow Alvin and his companions, as well as Alvin's wife and kid brother on their adventures in different parts of early nineteenth century America. This time they continue to fight the slave business, and also takes on the witch trials.
This is the last part of the series of Alvin Maker. However, it does not really wrap up the plot much. There are room for more novels about Alvin Maker, mark my words.
(Swedish, 15 Feb 2001)
The most fantastic about this book is how I got it - in a book menu at McDonald's, would you believe it? The Swedish branch of McDonald's in cooperation with Läsrörelsen (a Swedish association that promotes reading) currently offers book menu's with either one of two picture books for children, or one of three youth books. I chose menu B, that is "Sanning eller konsekvens" by Annika Thor.
It is a rather thin novel about a twelve year old girl and a few crucial weeks in her social life during the school semester. Although I find the story a bit light, it is actually a quite good book. However, I imagine that I would appreciate it a lot more if I were fifteen years younger and female. ;-)
(English, 15 Feb 2001)
There is no one like Clive Cussler. You can trust him to produce yet another novel you feel directly at home in if you have read any of his earlier. In Cussler's imaginative world, the earth are covered with world threatening conspiracies, often passed down from from parents to children within a evil family for generations. Amazingly enough, the conspirators seem totally unaware of each other but still manage to have a go at global havoc one at a time, each year another conspiracy. The uttermost fascinating thing is that is is always Dirk Pitt who happens to stumble across the current conspiracy and struggles to put and end to it (well, Cussler has begun to write about a younger hero too, but he also works for the same government agency as Pitt).
Cussler does not write great literature. He writes classical adventure books for grown up in a modern fashion, but with all the cliches about tough heroes throwing as many punch lines as punches, and having strange, arousing effects on all women. Can you find something more entertaining, if not brain stimulating, to read?
What I like the most about Cussler's novels is his grand ideas, often historical like the ancient and previously unknown civilisation that is discovered in this book, that at least I often wish would come true, since they would add value to this old world of ours. What I like the least is that he often adds a strange old characters named Clive Cussler that just happens to cross the path of the heroes in the book...
(English, 11 Feb 2001)
It must be well over five years since I last saw "The Silence of the Lambs", but as I regard it as a very good film, I had no trouble recalling what happened in it whenever passages in "Hannibal" made references to it. Speaking of movies, "Hannibal" is pretty movie-influenced, like most literature these days, with short, scenic chapters. Often, the chapters are just two or three pages, but if you were to make a movie that closely followed the book, your audience would probably have great troubles keeping up.
Hannibal Lecter could very well be the most dreadful sympathetic fictional villain ever thought of. He is an inhuman monster, that is a fact. Still, we cheer on him when he eats the more conventional bad guys, of the kind we all know a few of (we tend to just get annoyed or hurt by them, we do not eat them). He has also got style and know to appreciate luxury in a way I never will be able to (it takes vast amounts of both money and training to do that). I can dream about while enjoying it through Hannibal though.
So, was it any good? Yes, it was, but it was not brilliant. It did not keep me awake at night and could have dug deeper at places, but it still was worth reading.
(Swedish, 6 Feb 2001)
What an excellent book! With it, Mikael Niemi won the August prize for the best Swedish novel in the year 2000 (the prize is named after the famous Swedish nineteen century writer August Strindberg). Prizes usually makes me curious but cautious - prize juries opinions does not always match common peoples opinions - but this time I have to say that they made an excellent choice. "Populärmusik från Vittula" is simply great. ;-)
As I started reading I thought, "-Oh no, not another retrospective novel to deal with the author's childhood...". Somehow I usually appreciate pure fiction, which speeds ahead rather than ponders on the past. But very soon the novel had me caught. What an excellent language! It has overall a high quality but does often - in the middle of a page, paragraph, and sentence - twist in wonderful ways and just dazzles me (I should really put an example here, but I do not think it would work to break one lose from its context, nor be translatable into English).
So, the form is great, what about the contents then? Well, it is a love-declaration to the Tornio valley (Tornedalen), which borders between Sweden and Finland, with all its mosquitoes, midnight sun, six month winter night, bootleg booze, family feuds, communists, religion, etc, etc. Also, although the novel is written in Swedish, it actually does a good job at reflecting the language of the valley, or rather languages: Swedish, Finnish, and Meän Kieli (our language), a home-brewed mix of Finnish, Swedish and local words and expressions.
I am not from the Tornio valley, but I have been there a couple of times (twice to Pajala, where the book take place) and have quite a few personal friends who have grown up there, and I can both recognise them and the places I have visited in the novel. Not to speak about the great meals Niemi describes. I happen to be a sucker for Northern Swedish delicacies - smoked reindeer, cloudberries, raw spiced salmon (gravlax), etc - and I just loved what was eaten at times in the novel. And the sauna bathing, I really have to get me a key to the sauna in my house... But, no, I am not from the Tornio valley, although I am from the north part of Sweden, more than halfway from the capital Stockholm to where the Tornio valley ends and the Tornio river meets the sea (but less than halfway from Stockholm to the northernmost point of the country). Thus I am inclined to feel more positive to fellow northerners, like people from the Tornio valley, than southerners, like people from Stockholm ("-Does the juice come from the same factory as the milk, mommy?") or Gothenburg ("-Gothenburg - the heart of Scandinavia"). After all, the northern two thirds of Sweden only host one eighth of the country's population, and as the rest of the young, I have got an education and moved south. I ended up in Stockholm, but I still mostly hang out with fellow northerners in exile and I can really appreciate such a great book about the far north. Hopefully, it can educate, if not just entertain, some southerners too! ;-)
(Swedish, 5 Feb 2001)
I liked the last collection of poetry she gave me better. I never really got into this one. Sure, it felt very refreshing when Bob Hanson invents new cool words, which feel pretty natural in retrospect, and at least some of the poems capture our reality in a way I can relate to, but overall I am just curious how he ever got accepted by a publisher. It is not that special, is it? Lately, on Monday evenings, I gave been travelling by train and been listening to the radio-show "Frank", who has an poetry slam called "Poesi på minuten" ("Poetry on the Minute") on Mondays were the listeners phone in and get one minute to read their poems. The quality varies, but usually at least some of these amateur works makes a bigger impression on me than Bob Hansson's does.
I am one of those who appreciate the form if not the contents of classical poetry better than modern, free poetry. Whenever the rare event of me writing a poem occurs, I use to both rhyme it and count syllables to get the right rhythm and feel of the poem. How many of todays poets bother to do that? However, I guess they have their audience and fans anyway. The press clips on the cover of the booklet does not spare their superlatives. I do not share their high praise though. Nope, this was not my cup of tea. I think I should rather try to find some poetry collection by Karin Boye for comparison. *ponder*
(English, 1 Feb 2001)
About the right year to read this novel. I should really see the movie again too, it must have been around ten years since I saw the film or read the book the last time. So, what about it? It is not the best Clarke-book I have ever read. I consider both the Rama series (especially the first) and his wonderful "Childhood's End", which I read in eight grade and which forever changed my view of the world (I wonder what I would make of it today, so many years and reading experiences later).
All three, "2001", "Rendezvous with Rama", and "Childhood's End", shares the similarity that we are not alone in the universe, and that there is a higher purpose of life that mankind has yet to discover. It is very thought-provoking stuff. A few thousands years ago, religions was based on basically the same question as Clarke presents his own futuristic answers too.
This is very realistic science fiction (scientific science fiction). It is far from more common space soaps as Star Trek, Star Wars, and such. Which kind is better or worse? Of course, taste differs, but I will argue that they complement each other. Space soaps for entertainment, realistic science fiction for food for thoughts.
(English, 29 Jan 2001)
In the late sixties, the well-known movie-maker Stanley Kubrick and the famous science fiction writer Arthur C. Clarke teamed up and wrote the script for the now classic movie "2001: A Space Odyssey" (or rather, they discussed their ideas together and then Clarke wrote the book, which the movie-script was based upon, although film and novel developed in parallel). Kubrick and Clarke wanted to make a movie that would last and not get outdated by the progress of technology, a seemingly impossible task. Yet they did pretty good, even as they failed to see the coming of the PC:s and PDA:s, the Internet and the general power of graphical interfaces. Also, they were overly optimistic on the state of artificial intelligence by 2001. It is that this book is about.
The book consists of sixteen chapters - two are transcript of interviews with computer scientist, the other original work by Stork and other front-line AI-researchers. They all give their opinion on Hal, the computer that stars in "2001: A Space Odyssey", from the perspective of their own field of expertise. Thus, we get to know what is already done and what have proven difficult in making a computer system of Hal's capacity, and how far science has developed in respective field: chess playing, lip-reading/speech recognition, face recognition, cognitive science, artificial intelligence in general, and so on.
As I am writing this, I have started rereading "2001: A Space Odyssey" and plan to rent the video when finished. It was many years since I read/saw it last time, and it seems quite appropriate to revisit it this year. "Hal's Legacy" will make me appreciate the book/film in a whole new way, since it offers a lot of "behind the scene"-tidbits. It was also a great survey of the current state of cognitive science and a motivation to why we bother with computers at all. It also offers a lot of interesting facts about our human selves, as is it ultimately ourselves we aim to mimic within the fields of artificial intelligence. For example, did you know that you rarely blink in the middle of a word but rather in between them? Something we probably use unconsciously when looking someone we talk to in the face, and something great to exploit by a computerised combined audio-video speech-reading system. ;-)
(English, 21 Jan 2001)
The third volume left me quite exhausted, but desperate for more - the latter somewhat of a problem as volume four is only planned to be released this March... How did it leave me exhausted? Was it too long and winding? NO! It was just so breath-taking thrilling and while it had a climax that Williams worked up to, it still had a rather high level of excitement throughout the almost thousand pages.
How come? Well, Williams' enlists quite a few main characters in the Otherland series; both old and young, good and evil, male and female, healthy and sick or even crippled, etc, etc. This, of course, makes it possible for almost anyone to read the book, find a personal favourite, and just have to read a bit further to see what happens to that particular favourite. Since the characters are scattered around both the real world and the virtual Otherland, the books visit them in sequence - part of a chapter looks in on Orlando and Fredericks, next ten pages on !Xabbu and Reine, the next chapter gives away the villain Dread's next vicious move, and so on. However, in this third volume, each group or single character are met by challenges that increases the pulse of the reader, and again and again, Williams leaves one set of characters in media res, to pay a visit to the next set, creating numerous small but distinct cliff-hangers. That is why volume three left me quite exhausted. Satisfied and eager for the next volume, but exhausted.
The Otherland series has been mysterious from the first volume, and although the third volume have answered some question and - at last - given away a little of the underlying plot, the big question remains unanswered to the fourth and last volume. How on earth am I supposed to wait until March to read on? What if Otherland IV is delayed? Will it keep up the quality of the first three? Only time will tell...
(English, 14 Jan 2001)
It was my friend Frida who thought this was something for me and borrowed me this novel. After listening to her brief review and casting a quick glance at the cover text, I expected something quite nice. I mean, a man who has lost his wife in a car crash and then meets a breath-taking moon goddess - that has potential, does it not?
However, it did not really live up to its true potential... Where I had expected a warm, kind, beautiful and heart-touching story, I found a kind but rather thin and very sexual humorous story instead. So I was a bit disappointed.
It is a fun and witty story about a group of old friends, and how their lives are touched by the moon goddess Jack meets while still grieving his wife's death. They are kind to each other but somehow their portraits is too sketchy. I could not muster up any real sympathy for them, even when they deserved it (when betrayed, abandoned, etc). I guess I had a bad case of "even I can write better than this".
It was not bad, it was just not my cup of tea. I guess I thought I saw a beautiful painting from a distance, but when I got up close, I saw that it was just another funny drawing, and then my disappointment kind of got in the way of really appreciate the book for all its good qualities.
(English, 12 Jan 2001)
I am not ignorant of the fact that Williams paints a dark picture of to what ends the rich and corrupted might use the new virtual reality technology. Still, it is a classic story of the struggle between good and evil, and I suspect that good will win in the end, a few volumes away. I can appreciate the ethical question Williams not only raises but dramatises, but I am still very positive and quite eager to be able to experience myself the cool stuff Williams predicts. I believe that such advanced technologies that Williams suggests are, as so much else, useful for both good and bad, and that we should not sacrifice the good out of fear for the bad.
Are you looking to hire specialists to make Tad Williams' visions happen? Do you plan to create an Otherland and need help? Are you in the front-line of virtual reality gear (for entertainment or for increased life quality for the disabled) and plan to expand? I would find it thrilling to be part of any effort trying to make even just a poor shadow of Williams' imagination reality. CV available.
Sober criticism of the Otherland-series:
Well, what can I say? Great book! ;-)
(English, 28 Dec 2000)
Wow. I say wow... This was something really special. This was really my cup of tea. Where should I begin? Well, this is what I would call "light science fiction". It takes place in the middle of this century and describes a future that is not that impossible nor unlikely. That is one thing that makes me like it. Especially since it centres around the global communication network - the Internet - of that time, and the advanced virtual reality equipment that makes trips on the net very realistic indeed. Tad Williams does not describe only one form of VR equipment. Instead, he introduces a whole range of them - from cheap home entertainment ones, over outdated military system, to the state of the art ones that you connect direct to your neurocannula, projecting the simulations directly onto the brain via the nerves.
One obvious question comes to mind: will this book only entertain people familiar with the Internet and its possibilities? People like me and my fellow computer scientists? It is hard to say. "Otherland" has got a lot of qualities, but it is so very centred around the network. Or perhaps I am fooling myself? Maybe people in general will consider it a fascinating science fiction novel and like it as a good book, while Internet addicts like me will take it to their hearts and elevate it as a forecast of what the future will bring...
Although this is the first volume in a series of at least four, it is a quite voluminous tome of over nine hundred pages (the complete "Lord of the Ring" is only some hundred pages more). Surprisingly enough, the novel does not get stuck or feel slow more than thinner books. I would say that Tad Williams has succeeded very well with this one. I cannot wait to sink my teeth into volume two...
(English, 10 Dec 2000)
Witty and fun, but lacking in "wallpaper".
(Swedish, 4 Dec 2000)
Oh dear... This book really touched me. Touched me deep. It consists of some of Mari's school essays, letters, and diary entries from the years prior to her suicide, and then Mariann's writings to process the grief of losing her daughter. The language and composition is simple, clean and direct. Very direct. Disturbingly direct. Nothing gets in the way of the tragedy. Nothing except from the blurring tears oneself sheds when reading it...
I can relate to much of Mari's thoughts, doubts, anxiety and depressions, as well as much of her reactions to some of what life throws at her. Frightening much. Can everyone recognise themselves in Mari as much? Or is it just me? Does that mean that I will end up as Mari eventually? Actually, this book has made me reconsider my own view of suicide. It have made me less certain that I never would commit it. Frightening stuff...
On the other hand, I tend to get annoyed of Mariann at times when she manages to forget Mari for a moment and go on with her life. I realise that it is necessary in order for her to survive, but never the less I get annoyed as I feel like it is disrespectful not to grieve Mari constantly. An irrational feeling, I know, but still very concrete. Read it yourself and see how you react (see if you are so much better yourself...).
(Swedish, 2 Dec 2000)
One should not begin by reading the latest book in a series, should one? Well, I seem to have done just that. "Järnhuvudet eller Lejonet i Bender" is the latest novel in one of Holm's series about Sweden in the beginning of the eighteenth century, around the time when Karl XII was king, and Swedish armies fought on the battlefields of Europe. However, Holm does not write about the wars from a historical perspective. Rather, he just uses the affairs of the times as background setting as he describes the lives and adventures of a small collection colourful characters.
This was actually a genuinely nice experience. I enjoyed Holm's language - a Swedish with streaks of old and, at times, almost of poetical qualities. Also, he makes Catherine, Peter Rosenthal, count Bielke, and the others pretty likable. ;-)
(Swedish, 29 Nov 2000)
Mankell is one of Sweden's most bestselling author right now, right up among Liza Marklund and Jan Guillou. Although he has written a lot of different books and plays, he is most well known for his series about Kurt Wallander, the police investigator in Ystad, the southernmost city in Sweden.
"Den femte kvinnan" is the sixth book about Wallander and, as the rest, tells the tale of one disturbingly brutal criminal case that takes place around Ystad. Or rather, tells the tale about how the small police force reacts and tries to cope with the hardening times.
Also, the books is about Wallander himself - what happens in his life and about his life-long hate-love-relationship to his line of work.
This mini-review may seem a bit indifferent, but everything by Mankell is actually pretty good. I like the books about Wallander. They are quite thrilling. It is just that they are so well known and well described elsewhere, so I really cannot think of anything original to write about them i general, or this one in particular. ;-)
(English, 23 Nov 2000)
The fourth novel about Alvin Maker - not as good as Card's "Ender's Game" and "Ender's Shadow", but a pleasant tale anyway.
If you want to know more, checkout the entries about other books by Orson Scott Card presented on this page.
(English, 15 Nov 2000)
A very odd book. I cannot remember the last time I lost track so many times when reading and had to go back and reread a passage. Somehow, my thoughts just drifted away. I any case, it is a very bizarre story, although with quite a few unexpected turns. Somehow, I like and appreciate most of the bits and pieces that make up this novel, but yet the complete work does not impress me. Oh well, I guess that you cannot expect every book to rock your world...
(English, 5 Nov 2000)
Simon Singh has ha real gift for making an usually very hard subject both understandable and enjoyable. I liked his "Fermat's Last Theorem", but I like "The Code Book" even better. Singh must research his subject very thoroughly, or else he would not be able to present it as simple and naturally, and with so well-found analogies and examples (or might he just be forwarding what the people he interviews uses to make him understand? Probably not. Either way, he has a way with words and how to attack a subject in an structured, logical way).
"The Code Book" is about the history of codes and ciphers the last 3000 years or so, from simple, monoalphabetic substitution ciphers, over cipher machines like the Enigma and todays computer encryption, to tomorrow's quantum methods of encryption and cryptanalysis. It is really two stories in one, because -- however naturally connected -- is is both the history of codemakers and the history of codebreakers. Not surprisingly, there is an ever ongoing race between the two, where the leader historically always been to overconfident that the other never will catch up, and the other always desperate enough to actually catch up (at the moment the codemakers are in the lead).
Since Singh writes for the masses, he does not offer complete coverage, nor in-depth description of the more advanced ciphers. After the chapter on the RSA method, which was the easiest accountant of that method I ever read, I felt that I once had knew more about it than Singh included in the book, so I dug out my old textbook on computer security (Pfleeger, C.P., "Security in Computing") to read up a bit on the topic. To my surprise, the textbook included, in the introductory chapters, brief coverage of most of the ciphers Singh writes about in "The Code Book". I had never noticed before, since it was only the second text in a course in Distributed Systems, rather than Computer Security, and we naturally focused completely on later chapters. However, I recommend Pfleeger's book to those who wants more in-depth, technical coverage than Singh offers. I also recommend, for those that find Pfleeger dry and intimidating, to first read Singh to get a feeling for the topic and gain a deeper understanding.
(Swedish, 31 Oct 2000)
This is the final novel in the trilogy about the possible medieval times and events prior to the unification and founding of the nation known today as Sweden. Guillou has used a few historical facts to weave a thick, fictive web, ripe of people and plots. Possibly, the third part hold together less than the first two - or rather, the third has a greater span than the previous and is a bit uneven in the coverage of the flow of events. Still, since we have got to know the main characters well in the first books, we just have to see where they are going in the end.
Guillou aimed to show that Sweden is really built on a foundation of foreign - in this case often Arabic - influence. This of course to counteract the current racist flows. Does he succeed? I am not sure. Yes, the message is there for anyone to see, but at the same time he has got the good sense not to be too obvious. Thus I am afraid that certain youngster only will see how great our pre-Swedish forefathers was and totally ignore the origin of the knowledge that made up their greatness...
It is very nice to read Guillou though. I hope he will have lots of new books in him still. He is so easy to recognise, because regardless of the settings of any book of his, there usually is a man apt of violence in the centre of the story, and any existential questions raised are usually about conscience, self-doubt, and right and wrong. If Guillou all of a sudden would change this pattern of writing, his readers would probably feel very lost - at least initially. ;-)
(English, 28 Oct 2000)
Simply hilarious! She is one precious gem, miss Jones. Life often plays rough with her, and at times, she is near despair, but somehow she manages until she is through to the other side.
I cannot really identify with Bridget Jones, because I cannot understand how she can be so naïve about what it takes to success and who she can be careless with money. Also, she and her friends smoke and drink a lot more than me and my friends. Still, I can, at least in some way, relate to what happens to her, and feel sympathetic with her. I do like her for her never-failing ability to see the absurdities in, and laugh about the situations she keeps finding herself in.
Fielding's second novel staring Bridget Jones must be even more hilarious than the first. I sometimes burst out in giggles when reading on the bus or in the underground (when in public, I usually tries to be more peaceful and quiet). If you think that your life is going out of hands, you should read it to get your perspective straight.
(Swedish, 21 Oct 2000)
This volume included Bengtsson's two first books, which both contains collections of essays. When one reads them, one is struck by two things: first, how learnt Bengtsson was in history and literature, and, two, that there already is signs of his later works - there are essays on both Karl XII and the Vikings, both of which Bengtsson later wrote double-volumed books (the Viking-one, "Röde Orm" ("The Long Ships") is his most famous).
The essays are coloured of the times of their writing, i.e. between the world wars. Thus, they reflects the current beliefs and state of the world (India is still a colony, races are not equal, etc). Still, I find that Bengtsson himself seem to have been a rather enlightened thinker, but I better leave such opinions to real biographers to make.
The essays is about a variety of things, such as love-letters, Indian history, or language reforms, but most are about famous authors and poets like Walter Scott and Joseph Conrad, or famous soldiers like Karl XII and Ulysses S. Grant, or both combined like Robert Munro (who wrote about his experiences in the thirty-year war) or Sergeant Bourgogne (who wrote about his experiences in Napoleon's Russian campaign.
I have to say that some of the material is a little out of date, but that only made me more glad that I had a chance to rediscover it. It is very pleasant reading. Bengtsson is a excellent guide into the realms of history and literature. "Röde Orm" was really not just a chance of luck. ;-)
(Swedish, 7 Oct 2000)
This is the second novel of Guillou's trilogy about Arn, the twelfth century old Norse man (before the Norse grew into the independent kingdoms of Sweden, Norway and Denmark). The third part was released this summer, and the books has caused Arn-hysteria in all of Sweden, but particularly in Västergötland, around the place where Arn is said to have lived. It is even rumoured that Swedish television plan to make a mastodont drama production based on Guillou's story.
Guillou's aim was to show that Sweden is less Swedish and owes more to the rest of the world than we realise. Though, I rather think that the Arn-frenzy is more about roots and historical glory than the embracing of different cultures and greater tolerance... Well, Guillou has set a good example in any case, regardless of to what degree people actually realises it.
"Tempelriddaren" tells the stories of Arn and Cecilia in parallel, dividing the chapters between Palestine and Västergötland. Too bad that we probably did not have any Scandinavian crusader of Arn's magnitude in the actual crusades, even if there might have been some participating. See, for instance Mats G. Larsson's book "Vikingar i österled" (also in this list), which is about the same times as Guillou's novels about Arn.
Well, what about it then? Is it any good? Yes, it is. ;-) Maybe the first novel, "Vägen till Jerusalem", is a bit warmer and cozier, but I think "Tempelriddaren" is more thrilling and fascinating. Remains to see if I can wait until the third novel is published in pocket or if I will have to get the hard-cover edition...
Another thing - I have said it before and will say it again - the novel is quite typical for Guillou. The main person is constantly pondering right and wrong and his own conscience, while being extremely apt for violence... Also, Guillou's political beliefs are ever present - even in this story of medieval times.
(English, 1 Oct 2000)
I have read "The Lord of the Rings" a lot of times - it must have been around the time I started school I heard it the first time as my parents read it to me at bedtime, bit by bit, and lately I have read it about every other year (I tend to sometimes go back to great books rather than exploring new authors). However, this was the first time I read it in its original language. I had thought about doing that for quite some time, but what finally spurred me was a discussion with my friends were some spread the rumour that Åke Ohlmarks, who made the Swedish translation, had altered the story a little here and there after his own mind. Then I just had to get it in English, to see for myself.
About Åke Ohlmarks and the Swedish translation - Ohlmarks has not changed the story after his own fashion. The hobbits does not meet Legolas at different times in the original and the Swedish translation. Though, Ohlmarks has been sloppy here and there, and at least in two places he has made huge mistakes. One of them is very unfortunate and there the Swedish version differs from the original, but at the whole, Ohlmarks has followed the original adequately.
Is the rumours about Ohlmarks disrespect to Tolkien without any substance then? Unfortunately no. His sloppy mistakes aside, he has not followed the language as closely as a translator should. It seems that Ohlmarks in some places did not preserved the style of the language as well as he should, for instance he has added extra adjectives where Tolkien on purpose used few and simple words. Even if he has not changed the story, he has not preserved Tolkien's language completely. Tolkien himself, who actually knew a little Swedish, was especially annoyed with some of Ohlmarks' translations of names, which was sometimes rather arbitrary, and also with the fact that Ohlmarks insisted on translating "hobbit" and "hobbits" with "hob" and "hober", even as the existing translation of "The Hobbit" ("Bilbo") uses "hobbit" in Swedish. On the other hand, some of his translated names are quite good, like "Lavskägge" for "Treebeard" and "Vidstige" for "Strider" (how would you translate "Strider" yourself?).
The perhaps biggest difference between Tolkien and other authors of fantasy must be their language. The linguistic professor Tolkien, who developed and experimented with the tongues of the people of Middle-earth just for fun, uses a more complete and suggestive language than most other authors (if I compare with Katharine Kerr, who I recently read, her language seems almost simple and childish...). I thought that I would stumble upon lots of hard and archaic words and expressions in Tolkien's language, but actually, it was not more words that I did not know than usually when reading an English book. The language is simply brilliant! (More brilliant than in the Swedish translation, since Ohlmarks has not preserved the style of the original perfectly, but Tolkien in Swedish is still better than most others - at least in my opinion).
To me, Tolkien is the supreme author of fantasy. Others cannot stand him. Why do I like him so much? Well, first of all, "The Lords of the Rings" was the first fantasy I experienced (even before "The Hobbit"). Then, a world as complete and evolved as Tolkien's Middle-Earth is rare. He worked with it all his life, and had been at it for forty years before publishing "The Lords of the Rings" - with that preparation, it is hardly a surprise that the result is good ("The Lords of the Rings" is about the events that ends the third age, but Tolkien's other books - many published after his death by his son - tells the tales of the first, second, and third ages prior to "The Lords of the Rings"). His brilliant language should not be forgotten, and also, the fact that he completed a finished, finite tale instead of vomiting out book after book in an endless series is pretty nice. ;-)
(Swedish, 16 Sep 2000)
The tenth novel in Kerr's series about Deverry. If you want to know more, checkout my notes on the previous nine.
And I who thought that this was the last of the series! It is only the last published - Kerr will probably go on with them forever, but I for one prefer shorter series, with real closure... Oh well, we will have to see if I ever get around to read the eleventh, when it has been released.
(Swedish, 9 Sep 2000)
The ninth novel in Kerr's series about Deverry. If you want to know more, checkout my notes on the previous eight.
(Swedish, 7 Sep 2000)
The eighth novel in Kerr's series about Deverry. If you want to know more, checkout my notes on the previous seven.
In this volume, Kerr kills quite a few of the more prominent characters - both some that has been around since all the series and some we just got to know. You could say that it is a bit coloured by sorrow...
Another interesting thing, in one passage she introduces an odd, but kind bit of homo-sexuality, and cannot help but think that it is to counter the rather evil use of homo-sexuality in rituals of dark magic in the first four novels. Who knows?
(Swedish, 6 Sep 2000)
The seventh novel in Kerr's series about Deverry. If you want to know more, checkout my notes on the previous six.
Actually, this was the best one so far! Kerr introduces a lot of new, fascinating persons and things, and she keeps the story going very well.
(Swedish, 5 Sep 2000)
The sixth novel in Kerr's series about Deverry. If you want to know more, checkout my notes on the previous five.
(English, 3 Sep 2000)
This is Gayle's third novel. Like his earlier two, it describes ordinary people's ordinary life and ordinary problems in an extraordinary way. It is a pleasant and warm novel, but to me, it was not as heart-touching as the previous. Maybe I will like it better in a few years, when I will turn thirty myself?
(Swedish, 30 Aug 2000)
This, the fifth novel in Kerr's series about Deverry, does not hold together as well as the fourth, but it ends in an awesome cliff-hanger.
I really do not know what to write about it. Once again, Kerr divides the story among different ages. In this novel, she lets more get in the way of the story than in the last one. Still, it is a good novel and it is nice to once again here about the characters introduced in the previous novels.
To sum it up, it is a pretty typical novel by Katharine Kerr. If you want to know more about the type, read my other mini-reviews of her previous novels.
(English, 20 Aug 2000)
Now, after having read two novels by the author, it is official: Selander is a sucker for novels by Mike Gayle. ;-)
"Mr Commitment" is a typical Mike Gayle-novel, but it is not as good as his first one, the splendid "My Legendary Girlfriend", and it is definitely not worth crying over. Or so I thought as I begun to read it. Of course, it turned out very well after a slow start, and of course I shed tears at the (to me) more depressing parts and beautiful moments. Still, it does not beat "My Legendary Girlfriend", which I really could identify myself with.
Mike Gayle writes about ordinary people in their late twenties, suffering from ordinary love-related problems in their ordinary lives - but he succeeds in telling their stories in an extraordinary way and in the end it feels quite genuine and real.
Unfortunately, when I returned to NK's English Bookshop to buy Mike Gayle's third novel, there where not a single copy to be found. Rest assured that I will be on the lookout for it though.
(Swedish, 17 Aug 2000)
So, why did I read this one? To be better prepared if
I would get a daughter of my own? To dream about the cute ones among
the eighteen authors (well, at least those cute ones of the right age
and matching sexual orientation)? To satisfy my curiosity and keep
myself updated on current topics of our western society?
Well, actually all of the above. ;-)
"Fittstim" is a collection of eighteen pieces about women's - and especially young women's - situation today, all written by young women born between 1968 and 1982.
Not surprisingly, it has something to offer for anyone - at least if you are open enough to perceive it (there are fanatics in every camp). Apart from interesting exposés into the reality of the other gender, I especially enjoyed the pieces by Belinda Olsson, Sandra von Plato and Marimba Roney, which each made me realise things I had not thought of before. Even if the stereotype views on how boys and girls usually behaves differ pretty much, that does not mean that we do not react on the same things. Belinda and Marimba both gave me new puzzle-bits to who I am and how I function. Sandra's report from the Swedish school-system just happened to fit well in my own worried view of the same.
This is a book that would be really fun to get some narrow-minded people to read (shove it down their throats) and then discuss it with them. Maybe it could shake up their believes just a little. I know it gave me a healthy if slight shake. ;-)
(Swedish, 15 Aug 2000)
This book I mainly read while taking the subway (and, no, it did not lead to any interesting conversations with other travellers) and since I mostly ride my bicycle to and from work, I have been reading it for quite some time before actually finishing it.
It is very interesting stuff, though. It is not just about the actual female breast - it is about how the breast have been viewed by, and how it had affected, different societies throughout history. For instance, women in old times handled their breast cancer better because they believed that the reason of the disease was beyond their control (punishment from the gods) while modern women get seriously depressed and thus making the disease worse by blaming themselves for the cancer, thinking that if they only had eaten healthier, had their kids earlier, etc, they would never got the disease.
Yalom tells the tale of the female breast from a lot of different perspectives: the historical, erotical, political, psychological, commercial, medical and liberated breasts are discussed. She identifies different historical trends that indicates that today's obsession with large breasts probably will not last forever (it seems that I share my preference in breasts with medieval France). Aside from the erotical, I have to say that I found the political, the commercial and also medical breasts most interesting, because these are the areas that affects our modern society the most.
This is the kind of book that only can make you wiser. I was surprised that it was so broad in its coverage, as well as that it in so many places actually got me both interested and thinking. In other places I got bored for a while before reading any further. I guess that this book, as many other non-fiction ones, is not really supposed to be read from cover to cover in one effort. Rather, it is the kind of book you read a little in now and then. For instance, it is perfect for travelling.
(Swedish, 14 Aug 2000)
I guess that this cute little tale actually qualifies as Fantasy today, even if it is more of a children's book than an epic saga of wizards and dragons. Even if the six-year-old girl Millan, who the book is about, never really grasps just how much powers her new-found grandmother really possesses, it is clear to the more experienced reader that Grandma probably have got more powers as well as responsibilities than is fit to describe in a pleasant children's book.
This is the first of three novels about Millan and the grandmother she found at a difficult time in her young life, when she really could use a true ally.
Millan and Grandma lives in Stockholm and Grandma brings Millan on various trips around the city, which is one of the reasons I was on the look-out for this book. Since I now have lived a year in Stockholm too, it is quite nice to know where they go and be able to picture them in surroundings I know. Another reason was that these are books I want to have around if I would end up with kids of my own one day.
This is a very warmhearted story that I first heard when my parents borrowed it from the library and read to me when I was a kid. I think it is harder to find now, but if you do, do not hesitate to buy it.
(English, 13 Aug 2000)
Wow! At the times I read Stephenson's cyberpunk/science fiction novels "Snow Crash" and "The Diamond Age", I found them fun and enjoyable. I also appreciated how much Stephenson's authorship evolved from the earlier to the latter. Now he has done it again - evolved as an author and managed to write another novel that just out-does the previous in language, completeness, the crafts of the plot and so on. Whatever it is that makes Stephenson strain himself harder for every new novel, I can only hope that he keeps it up, because I really look forward to more future masterpieces.
What about "Cryptonomicon" then? Well, first of all, it does not take place in a possible future. Instead, it divides its chapters between the second world war and the present, describing a flow of events that brings an odd collection of people together during the war, and then let their grand-children's paths cross in the present.
Stephenson weaves in a lot of physics, cryptography and computer science in the story, but he does it so subtle that he in no way hinders non-academicians from enjoying the book - but if you have some notion of science, you only feel more at home.
It is actually great reading for computer geeks - not only because of the computer stuff but because the main character is a likable computer geek who is easy to identify with. Anyone should enjoy this novel though, it is also ripe with war history and corporate economics (the main characters forms a new company to cash in on an idea of theirs).
The story is fiction, yet Stephenson actually introduces real people like Winston Churchill and General MacArthur. Alan Turing, one of the fathers of modern computer science, plays an important rôle (I have to get hold of Andrew Hodges biography on Alan Turing, "Alan Turing: the Enigma", to see how much Stephenson made up and how much was genuine).
Anyway, "Cryptonomicon" is a great story that I encourage you to read. I have two question though. Why call Linux "Finux"? I would have thought that the name of a free operating system like Linux would be free to use too. And the Swedish town "Norrsbruck" - where is that? I am born in Sweden and have lived here all my life and I have never heard of it. It does not even sound Swedish ("Norrbruk" would). Since it seems like Stephenson gone trough lots of trouble to research the rest of the novel, it is kind of odd that he could not find a better name for a Swedish town. ;-)
(Swedish, 27 Jul 2000)
OK, now I know. The four first books in Kerr's series about Deverry belongs together. They tells us about how the young Jill and Rhodry, through lots of adventures, learns about their true Urd (destiny) and purpose in life. Since their present lives are far from the first incarnations of their souls, and since their souls have connections and debts to pay and collect from each other and from other eternal souls, Kerr keeps interleaving the story with hindsights to past times, to give us the background to the relations between the souls. The one constant factor is Nevyn, the ancient master of Dweomer, who just keeps on living waiting for a chance to fulfil his oath to make up for what he once made wrong to a young woman who's soul now happens to live in Jill.
The fourth book is actually rather thrilling, as well as amusing, and actually, Kerr does not include any hindsights at all. Maybe she had too much to tell about the present to squeeze in any of the past? Anyway, all the people in the book really feels like old friends after the previous ones, something that adds a lot to the impact of the sequels and make the first one suffer from the lack of it.
If I have understood it right, the fifth book in the series will begin forty years from were the fourth ended, when Rhodry and Jill has grown old. However, I think I better read some other book first, before going after the rest of Kerr's.
(Swedish, 20 Jul 2000)
Actually, Kerr's series about Deverry actually grows on you. I like each new part better and better. I guess that once you have got to know Jill, Rhodry, Nevyn and the others, you kind of want to know what will happen to them next.
When Kerr tells her exciting stories in a clear and simple way, it is easy to get caught. When she tries more advanced and explanatory stuff, at least I am less impressed.
The big question now is, will the trend last? Will I still find the remaining parts better than the previous? We will have to wait and see.
(Swedish, 16 Jul 2000)
This is the second of Kerr's books about Deverry, and I found it better than the first. This one was hold together better, and did not let pseudo-historical facts interfere with the story.
Kerr still divides the story between different ages, interleaving the present story of the main characters with the previous meetings between the same souls, but here she only tells one story apart from the present. In the first book, she jumped around more frequently between three ages which, of course, made the first book more messy than the second.
Apparently, it is altogether ten books in the series, so it will be a while before I have gone through them all. ;-)
(English, 13 Jul 2000)
I do not like hypes, so I am very glad that I discovered Rowling's Harry Potter before the hysteria broke lose (well, at least before it broke lose in Sweden that is). The release of the fourth book in the series has been world-news, and I have to admit that I was one of them who had pre-ordered it. So, what about it then? Well, it is her longest so far, which she has been criticised for. "-A book this long is no book for children." I disagree however. My guess is that kids who have got hooked reading the previous, thinner volumes will wolf down this one too, and maybe they will gain some self-confidence and lose some respect for thick books in the process. ;-) Besides, Rowling's novels had something to offer for people of all ages.
I was worried that she would not be able to keep up the brilliance of the plots of the first three books and I kept a close eye on the little hints and clues, and what they led the reader to believe. Of course I was completely fooled... In the stunningly exciting end, I was truly surprised and thought of tons of "but what about":s, which Rowling elegantly explained one after another. I do not think she left any loose threads hanging, and, which is one of her trademarks, she makes each explanation feel so obvious in retrospect and fit so nicely in what has taken place before. I have to say that J.K. Rowling is a gifted author, who combines traits from crime-novels and thrillers with magic and fantasy, and wraps it up in a pleasant and easy-accessed children-book style.
As usually, I am reluctant to give anything of the contents away, but I can say as much as there is no Quidditch tournament at Hogwarts during Harry's fourth year... Do you know what the worst part of the fourth book is? Unlike the previous ones, which sort of just ended as the summer-leave started, this one builds up much more suspense. As Harry and the others leave Hogwarts for the summer, the events that ended their school-year have left the wizard-community in quite a busy state. How are we supposed to be able to wait until the fifth book is released to know what will happen next?
(11 Jul 2000) I have got the latest Harry Potter, I have got the latest Harry Potter! Actually, I could have got it yesterday already, if I had come home before the post office closed. Still, since it was only released on the eighth, three days is pretty quick anyway. So far, the book seems to be of the same standard as the previous three, but I have only had time to read about two-hundred pages yet. Have patience. ;-)
(Swedish, 9 Jul 2000)
This novel brings us back to the Bering strait, some seven and a half thousand years ago, when small tribes of "the first people" are scattered around the islands in small villages. We are introduced to the main character, a thirteen year old girl, and her tribe as she becomes a woman and gets a husband. Then strange men attacks the village and kills everyone but our young heroine...
At first I was annoyed because Harrison tried to put in to much facts about the lifestyle and habits of this ancient people into the story, but then she got hold of herself and the story could evolve by itself, with the archaeological tidbits implicitly and not explicitly stated. However, it is pretty clear that Harrison's goal is a historical novel, not just a novel that takes place in ancient settings.
I guess I dare to say that this book is a bit women-oriented (you know, that old stereotype that women only appreciate books loaded with vanity, pleasure, and lust - just like Jackie Collins), but it has got more nerve and is plenty more serious than many other of the same trait. This is actually a pretty exciting as well as educational novel.
(Swedish, 9 Jul 2000)
Why have I never heard of this author before? He was not bad at all... If I got my bearings straight, Björn Larsson is a Swedish author with a love of water (which all of his books I know about are connected to). His "Long John Silver" is actually an the autobiography Long John Silver, the pirate made famous by Robert Louis Stevenson in the classic novel "Treasure Island". That treasure-hunt is about the only thing Larsson lets Long John exclude as the elderly pirate accounts for his whole, adventurous life in his retirement hide out in Ranter Bay.
Who would have thought that a Swedish author would research both the historical and fictitious pirates and use his findings to weave a pretty continuous fabric of Long John Silver's life from the cradle to the grave? Sure, the story takes him to many unlikely places and events, but it still hangs together so that one thinks that, yes, it might actually have happened that way.
Anyway, it is not a book about crime and robberies, rather, it is a book about freedom.
(English, 2 Jul 2000)
OK, I can see why Mike Gayle's novel "My Legendary Girlfriend" was said to be "a Bridget Jones' Diary for men", but yet they are not very alike. For starters is Bridget a couple of crucial years older than the main character of Gayle's and her lifestyle is a lot more "accelerated". Also, Helen Fielding's novel is in the form of a diary.
Although I could not identify myself with Bridget as much as I could with Will in "My Legendary Girlfriend", I recognised some of the situations she got herself into. Quite often I burst out in spontaneous laughter at the more hilarious passages. I can understand why my sister liked this novel so much. Actually, come to think of it, most women I know have read it liked it. They obviously can relate to Bridget, yet I am a bit unsure whether the girls in the novel are realistic or if they are somewhat stereotypically enhanced. Must be because I am not female...
Anyway, I can recommend this book to both men and women. It is fun, witty and rather typical for the 1990:ies.
(English, 26 Jun 2000)
I am not really sure whether this novel is good or bad medicine for me. I kind of suspect that it might be bad, but I could also list quite a few arguments supporting it as good, help-to-deal-with-one's-past medicine (I actually hesitated buying it at all after just briefly reading its cover). It is just that it cuts so very close... It is great when one can relate to, and identify oneself with the main character of a novel, but Will Kelly's past and present happen to include some disturbing similarities with my own (but at least we are very different persons, living very different lives). Especially one certain sentence at page 26 felt like a slap in the face (or rather a kick in the stomach). Later, there were another painfully familiar passage too, but it was enough different to save me from feeling slapped again (I just felt very sympathetic with poor Will).
I have to say that I like Mike Gayle's novel. It is very special, the one book I can think of to compare it with is Nick Hornby's "High Fidelity" (note that they both are young, British authors - is this a trend?). Anyway, it goes right up next to Titti Hasselrot and Annica Hasselrot-Svensson's "Inte du heller" as my recommended reading after being dumped. On the cover, it is claimed to be the male "Bridget Jones' Diary", so I guess that I have to read Helen Fielding's novel sometime so that I can judge for myself.
The differences between me and the main character, Will Kelly, are more numerous and obvious than the similarities. Yet we share some traits - especially in our thinking... Also, in the book he turns 26, which happens to be my age at the moment. It is pretty clear why I feel deeply for this novel, but I believe that it has got qualities enough to appeal to most people. After all, it is about common events in all our lives.
(Swedish, 24 Jun 2000)
Darling is a Swedish magazine, targeted at people in their late teens and twenties. It is very level with the target-group, most of the writers and editorial staff are in the same age themselves. Darling is outspoken and tries to counteract the often false, consumer-manipulating, commercial-driven picture that more conventional magazines try to sell. Darling was most refreshing when it first appeared and has by now gained somewhat of a cult-status among the young in Sweden.
This little book, compiled by the Darling staff, would in English be called "What a Young Man Should Know: Ask Darling De Luxe". It is basically more thorough and meatier answers to common questions Darling receives from young men regarding bodies, sex, relations and especially women (the aim of the book is to try to correct the sometimes poor view of women clue-less young men wield).
I liked it, but I have to say that I would have appreciated it more five to ten years ago. It felt like I already learnt most of the contents just by attending the school of life. However, you cannot single out one year-class of boys that this book is intended for. Some of it, like the chapter on male genitalia, would be of most interest for schoolboys, while the chapter on what to eat on a dinner date felt more right for men in their late twenties or early thirties. Of course, this is a strength, that the book has something to offer to everyone.
This is fun reading for anyone, regardless of age and gender, but you should especially have a look at it if you are a boy about to become a man.
(English, 18 Jun 2000)
This is the latest novel by Douglas Coupland and it continues the legacy from the previous, i.e. Coupland's characteristic way of picturing our today from the ironic perspective of the young. Coupland's books appeals to us born in the late sixties and seventies - at least they appeal to me. ;-) I would not say that "Miss Wyoming" is as good as Coupland's "Girlfriend in a Coma", but it is definitely of pure Couplandish qualities. It is really "Girlfriend in a Coma" that is least Couplandish, and therefore by some considered the worst. I, however, regards it his best. Anyway, "Miss Wyoming" can bring hope to those who feel trapped in their everyday life and desperately long for a release...
(Swedish, 15 Jun 2000)
For me, Chomsky will always be the linguist whose research I was introduced to when taking a course Computational Linguistics (great course for any Computer Science major). But with this book I discovered that Chomsky also is an outspoken political opinionist, or even what you could call an American dissident.
In this book, which really is a collection of six articles by Chomsky and interviews with Chomsky, he expresses a lot of views on today's world's politics and the de facto democracies of the free world. Although he naturally focuses on the situation in USA, much of the material is still applicable on, for instance, Sweden. He is also aware of his focus on USA and very often states his believes on how USA relates to the rest of the world, which makes the book much more easy to follow for a non-American.
Chomsky's goal is to make common people aware of the mechanism of modern democracy - how the governments interact with the companies of the market and their own citizens. According to Chomsky, the governments uses corporate money to lull and control the masses by PR, rather than to educate them and rely on peoples own judgement. One other thing Chomsky identifies, which I agree on, is how you can only be taken seriously by the establishment if you subscribe to their own values and believes. If you do not, they simply will not understand you. Pair that theory with the fact that it is the winners who dictates history. Let us just say that it is quite refreshing to hear the American Chomsky criticise USA in ways that really stands out against the normal, Hollywood-USA.
(Swedish, 4 Jun 2000)
Well, what can I say? It was a pleasant tale, and I liked the idea about reincarnation and personal debts to other souls kept for many lives, but I have read lots of better fantasy. I had an especially hard time getting through the first chapters, since they kept introducing this and that and getting in the way of the story. Why not just telling the story and trust the readers to make the connections as they go along?
Just judging from this sole volume, I would say that Kerr lacks the language and complete world of Tolkien, or the wit and humour of Eddings. She has a nice story, but she could have done so much more of it if she had worked more with it.
Still, I will probably get around to read the rest of the series too - just to see what happens if nothing else. ;-)
(Swedish, 3 Jun 2000)
This is a very thought-provoking novel. You could call it a textbook about what can go wrong when two cultures collides, but that would actually be an over-simplification. Yes, a clash between the Arabic and Swedish cultures take place, but what follows is more caused by one persons disturbed mind, regardless of his cultural origin.
Our Swedish society is built by norms and conventions that we all take for granted. However, the story this novel tells is about how the authorities of our society cannot protect their citizens from someone who chooses not to follow the norms and conventions. Think about it. It is pretty scary. Read the book. It probably will make you a bit uneasy... The authorities want to help, but they have not got the ability. Instead, they leave it to the victims to cope with physical abuse and death threats...
This novel tells Maria Eriksson's own story, and Liza Marklund has helped her to make a book out of it. The young journalist Liza Marklund is otherwise most known for her crime novels about the young female journalist Annica Bengtzon, with which she tops the charts of best-selling books in Sweden.
(Swedish, 1 Jun 2000)
Guillou has gone from an outsider journalist to one of Sweden's best selling authors, mainly because of his books about the fictive Swedish military special agent Carl Hamilton. What is interesting is that although Guillou really can write and is not stuck in one particular style, he still favours male main characters with quite a few similar traits.
As far as I can remember, I have read novels by Guillou of four different kinds: a self-biographical one about a young journalist who makes a great scoop, a possibly self-biographical about a young boy who is abused physically by his father and thus develops a very special relation to violence, the series about the high trained lethal Swedish military special agent whose violent skills are somewhat hard to combine with the typical Swedish mentality, and this one from his latest series - a historical novel about a young innocent Norse boy being trained to crusader knight in a convent in pre-medieval Sweden.
As you can see, these kinds of novels are set in very different kinds of surroundings, but there is a similar focus on main characters who are unusual adept at violence but is basically very good guys, with lots of doubts about themselves and thoughts about the the different societies they live in.
Anyway, Guillou's choice of a historical setting is quite refreshing, and the story is pretty good. I guess I have to go and get the second part of the trilogy. ;-)
(Swedish, 27 May 2000)
The well-known Swedish physicist Bodil Jönsson has in this thin volume collected ten thoughts about time - not really from a physic point of view, but rather with everyday interest. The aim is to make the reader start to reflect their own time and their relation to time, and maybe make them relax the way they consider time and thus give them a sense of having more time. It is all about identifying how we think - what our believes are. Then, when we know that, we are able to question the way we think and introduce alternative views on thing, thus changing our reality and lives.
I recognised myself most when Bodil described how she, when she gets too much to do, just does the small and easy things, leaving the big and hairy things until they are really acute. Also, I liked her thought about different people having their own rhythm and tempo of thought and that, naturally, one feel most comfortable with others that have roughly the same rhythm and tempo as oneself.
This is really a book of Cognitive Psychotherapy in disguise. If you feel stressed out and that you never have time enough, reading this book can be starting point of changing that. That is, if you are ready to question some of your thoughts and believes.
(English, 26 May 2000)
This was odd - Clive Cussler actually sort of retired his hero of so many books, Dirk Pitt, and introduced a new tough guy, Kurt Austin. In need of a new hero for the new century? Kurt and Dirk both differs and share a lot of traits, but, all in all, I would say that the result is pretty much the same as if Dirk would have continued as main character. Also, since Kurt also is working for NUMA, all the bi-characters of NUMA is still there. Hey, Kurt and his side-kick Joe even ran into Dirk and Al in the elevator (this from an author who regularly lets a old man with the name Clive Cussler show up in his previous novels).
Anyway, this is a pretty typical Cusslerian novel. Once again he has managed to come up with yet another historical-archaeological sensation, tightly coupled with an ancient legacy conspiracy. I will not give the plot away, but as always, I really like to ponder about what if he was right... That would really make the world a bit more exiting.
(English, 20 May 2000)
As you can see further down in this list, this is the third piece by Neal Stephenson I have read. I expected that "The Diamond Age" would be of the same kind as the other, especially "Snow Crash", but it was not! It was much more refined and deep. I was most pleasantly surprised. Neal Stephenson is really a talented author that is not stuck in one, narrow style.
So, what makes "The Diamond Age" so good? Well, I appreciate it on several levels. First of all, the possible tomorrow Stephenson describes is one that I find quite possible and is a bit intrigued by. Second, his visions of where nano-technology will take humanity and how it will affect everyday life, is really startling. Last, but not least, the main character Nell is a pretty likable young girl.
Often, authors of Cyberpunk and Science Fiction uses kind of a peephole technique to describe another, future world with only a few details. In "The Diamond Age", Neal Stephenson actually goes a bit further. As you progress through the novel, you get a clearer and clearer picture of how our today transformed into the tomorrow of "The Diamond Age" and how that tomorrow hangs together.
So, if you get hold of a copy of this novel, make yourself comfortable and read the fascinating story of the "primer", the fantastic interactive book made exclusively for the education of the young girl that reads it.
(Swedish, 11 May 2000)
This is a speed-produced anthology concerning the animated debate about pornography that followed Alexa Wolf's documentary "Shocking Truth". It is a pretty thin volume, where fifteen very different people state their thoughts on the matter. Being speed-produced - presumingly to make as much money as possible before the issue becomes old news - it bears some signs of sacrificed quality. For instance, the binding is cheap and a few embarrassing spelling errors have passed uncorrected.
So, the form is pretty cheap - what about the content then? The book is quite thought-provoking! These fifteen authors, some inside the sex industry, most outside, have managed to find a lot of interesting angles that never would have occurred to someone as regular as me. Also, the public debate in TV and the press has been distinctly emotional, where anyone who has tried to reason even a little have instantly been labelled a pervert and pro-porn. To me, this book is so much more appealing since the authors carefully and intelligently investigate the issue, and argues for their believes.
Although I do not agree with all they have to say, they make so much more sense than the radical-feministic stance that all forms of sex is humiliating for women but unfortunately necessary for human reproduction. While the radical-feminists argue that women that like sex and explore their own sexuality have been brainwashed by pornography, this book view all people as sexually equal and equally entitled to their own sexuality (hmmm, is not equality between the sexes usually a feministic goal?). Also, I find the parallels the authors make very interesting, for instance, between sexual liberation and the historical political liberation and between the sex industry and market economy.
Regardless on where you stand in the question of pornography, you should read this book to gain a wider perspective on the issue.
(English, 23 Apr 2000)
Oh, wow! I believe that "Ender's Game" is one of Card's earliest novels and yet I consider it to be his very best book. Now he has written a parallel novel to "Ender's Game", seen through the eyes of "Bean", one of the bi-characters of "Ender's Game". The result is stunning. I would say that Card with "Ender's Shadow" have done better than many of his intermediate novels.
In his introduction to "Ender's Shadow", Card argues that one could read the two books in any order. I do not agree fully with that. I think one should read "Ender's Game" first to get the maximum reading experience. Were "Ender's Shadow" does not loose anything because we already know the outcome, I think "Ender's Game" would suffer if one read them in reversed order.
Anyway, "Ender's Shadow" is a great book. Read it (but make sure to read "Ender's Game first, if you can).
(English, 21 Apr 2000)
This is the third novel in the series about Alvin Maker, Card's fantasy story were the everyday life of the American frontier is spiced up with magic. Many of those who left old Europe for the new continent has themselves a knack or so, which just can make life a little easier to live. ;-)
There is one problem with Card's novels about Alvin Maker, at least for me that is not a native English speaker (or reader). Card has chosen to write dialogues and thought of the uneducated settlers in a simple style were words are written more like they sound than how they are properly spelt in English. Mostly, it is just fine, but sometimes I have to read them out aloud and ponder a little before I get the meaning. Still, the story itself is larger than the collection of single words, is it not?
(Swedish, 15 Apr 2000)
This is really three books in one. The first is about the saga of "Ingvar den vittfarne" and his long travels. Larsson compares the old Nordic legend with historical chronicles of Russia, Georgia and Byzantine and argues that the ships of Ingvar's fleet probably actually visited Georgia in the year 1040.
The second one is about "Väringar", the other kind of Vikings. While the latter travelled the seas for business and warfare, the "värings" got themselves hired as elite troops by the rulers of ancient Russia and the Byzantine emperor. Often, they were considered to be the best and most reliable of soldiers in each army.
The third book is about Nordic connections with early Russia. It is argued that the "Rus", that gave name to Russia, in fact was Vikings from today's Sweden that took charge over and united what would eventually become Russia.
Larsson is a historian, and I get the feeling that this really is scientific papers of his that he have tried to rewrite in a more popular and accessible style. Anyway, it is quite interesting stuff. It seems that the Scandinavian people always have travelled and travelled far. ;-)
(English, 7 Apr 2000)
Aaah, this was pure pleasure. The third novel about the young wizard Harry Potter easily overshone the two previous. J. K. Rowling is a great author. Do not be fooled by the "children book"-package of her tales (there are also available in "adult versions" - serious looking pocket-books for those who dread be seen reading something cuter), they are a lot deeper than that, and so very well-made that I am certain that she have carefully planned all the books of the series long in advance. How else can she make small details of the earlier novels suddenly hang together in an instantly obvious context? I would rather say that the easy and laid back setting of kid bedtime story is quite refreshing and goes very well with the well-composed plot. Maybe there would be less magic (no pun intended) if she would write something more mainstream?
The only trouble is that now I have to wait patiently for the release of the fourth book... I think she have planned to write a total of seven, one for each year Harry spends at Hogwarts, the school of young witches and wizards.
(Swedish, 2 Apr 2000)
This is Johanna Nilsson's second novel, and in many ways it is better than her first. They have a lot in common though. Johanna has really made the young, outsider-girls her trademark. However, Fanny, the main character of "Flickan som uppfann livet" is a lot healthier psychically than Hanna, the girl from "Hon går genom tavlan, ut ur bilden", but she is still a quite disturbed young female.
I really do not know what to make out of Johanna's novels. In some ways I can relate to the feelings expressed in them and I feel an urge to give the girls a great hug as my hearts bleeds for them, but in the end, the books leave me uneasy and disturbed... I wonder were Johanna's authorship might take her in the future. I know that I will be curious enough to check it out, although these, her first novels, do not really cut it as quality literature. I do encourage you to read them however.
(English, 2 Apr 2000)
This one was not bad at all. Kaplan can write, which makes his book so much readable than if he just had been another eye-witness to a more or less interesting story, who puts out a unreadable book about it. Kaplan's story is also quite educational, if not uttermost interesting. It is about the short lifespan of his company GO, which pioneered pen-computing as early as 1987 - 1994. Basically, it is a sad tale about how corporate law, big company politics, and investment funding set the rules for your company, regardless of how great your product is. The main theme of the book is the continuing struggle for enough investor-money to keep the company above water, the second main theme is how big companies as Microsoft and IBM steps on a the little company. In the end, GO has to give up their dreams of success, but they can take comfort in the fact that they made a lasting impression in the area of pen computers, today most visible in the great success of 3Com's PalmPilot. With the PalmPilot in mind, it is very fun to read about GO's PenPoint, which was first with lots of typical pen computer characteristics, but was much larger and heavier. If you ever have thought about starting your own computer or software business, this is great reading which can warn you of lots of pits there are to fall into.
(Swedish, 26 Mar 2000)
I really do not know what to write about this novel. It is, well, it is quite disturbing, to say the least... Anyway, I have to start somewhere. Johanna Nilsson was only 23 years old when she wrote "Hon går genom tavlan, ut ur bilden", which is her first book. It is about the the school-girl Hanna and how she is alienated by her class-mates. One wonders to what extent the story is autobiographical...
One of the contributing reasons for my liking of this novel is the fact that it takes place in the same schoolyards were I grew up (I am just one year younger than the author). I therefor recognise myself in the clothing, music, and other things typical of the middle of the eighties. However, while I admit that we sometimes were very cruel back then, as children sometimes are, I hope that we never were that cruel...
This novel is pretty powerful stuff. It leaves you with a lot of mixed emotions - anger, sadness, emptiness, numbness. Maybe it is far from the best book I ever have read, but I would say that Johanna's future authorship has got potential. I look forward to read more from her pen.
(English, 25 Mar 2000)
This is something quite remarkable - a book about economy, written by economists, that I - a computer scientist - really enjoyed reading. It is far from an ordinary economy book though. Rather, it is a great book about our present time, and the influences the present time brings on all kinds of business and on our lives. It is packed full with small, thought-provoking facts. For instance, as a illustration to the fact that we are - and need to be - more well educated today than ever before, it is stated that only 15% of the Americans who fought in the Vietnam War had a college degree, while as many as 99.3% of the Americans in Operation Desert Storm had one. You can both read it as a manual for managing a business or being a customer. Either way, it is insightful reading. I could not help comparing some of the in the book described present trends in the corporate world - new necessities for companies to assert survival - with the worlds of the Cyberpunk authors (Gibson, Sterling, Stephenson). There are lots of similarities. For instance, "Funky Business" gives governments and national borders less significance as all companies now act in a global market. Many Cyberpunk novels picture a post-governmental world, were the big companies are in control and the governments pretty powerless, if they are left at all. In a way, "Funky Business" describes a Cyberpunk society that is already here. You do not need to be in to neither computers nor economy to enjoy this book. All you need is to be a little curious of the world we live in today.
(English, 18 Mar 2000)
This was quite unexpected! With the exception of Gibson's first and most influencing novel "Neuromancer", I have to say that "All Tomorrow's Parties" is his best one. The third and last in his second trilogy, it has a better and deeper plot as it weaves together the stories of "Virtual Light" and "Idoru", taking it much further and to higher levels. It is peculiar how the same author can write novels of so variating quality. What might have inspired Gibson these last years to make something this great out of "All Tomorrow's Parties"? As for the actual plot, you know that I am reluctant to tell to much, but we once again meet the main characters from the last two novels, and once again visit the interstitial bridge community of the Golden Gate in San Francisco. There, a Sumo-wrestler-looking desk-clerk in an antique shop for old hardware shares with us the two main theories of why we in our time always made computers in boring shades of beige.
(English, 12 Mar 2000)
This is the second novel in Gibson's second cyberpunk trilogy. In the centre of this novel stands Rez, half of the worlds most famous rock-band Lo/Rez, and the Rei Toei, an Idoru (an artificial, computer generated artist). The rumour that Rez and Rei are going to get married sets a lot of things in motion - among these young Chia from the Seattle chapter of the Lo/Rez fan club, who gets send to Japan to investigate the rumour and, as in all Gibson's novels, happens - incidently - to get tangled up in a lot of strange affairs. Gibson's language is very typical. He creates a fascinating presence for the reader by a terse, impression-driven prose. Instead of describing a room, person or event in depth, Gibson lists the things you would see and remember if just briefly glancing at the object in question. Very often, a few details stands out from the rest. It is these details Gibson use to convey his descriptions to the readers. This very cool way of writing can drive some readers nuts, which is sad, because they might otherwise like the contents of Gibson's novels, even if they cannot stand the form.
(English, 11 Mar 2000)
This is the first novel in Gibson's second cyberpunk trilogy. It contains all the hallmarks of Gibson, but is yet the weakest in the trilogy (not that it is bad, but for any of them to be best, one of them has to be a bit less). The plot is a bit more sketchy than the other two, but it is still a true Gibsonian story were a collection of original characters by chance get their destinies mixed up - tangled - for a brief, intensive span of time. Gibson describes one possible future, and does it quite convincing. Even if he paints a, in many ways, dark future, he skillfully builds it on top of our present, which makes it much more plausible."Virtual Light" refers to visions induced, not by ordinary light-carrying photons, but by electro-magnetic pulses right on the optic nerve, bypassing the eye completely. Originally developed as a visual aid for blind people, VL-equipment can add information to the ordinary vision of seeing people. This technique is, to my knowledge, just a research subject today - but tomorrow, who knows? In "Virtual Light", a pair of VL-glasses, used for carrying some sensitive information, happens to find their way to a young bike messenger, who also is one of the inhabitants of the bridge community of the Golden Gate. Of course, the owners of the information wants the glasses back badly...
(English, 4 Mars 2000)
"This story takes place in an America whose history is often similar to, but often quite different from our own." This is the second book in Card's series about Alvin Maker. The first book, "Seventh Son", followed Alvin through his first years quite closely. "Red Prophet" has a grander perspective, and tells the tale of whites and native Americans in the Wobbish Territory - roughly the same that is in our history books, but with the addition of a bit of magic here and there. Of course young Alvin gets caught up in the middle between French, white American and native American interest, and along the way, he learns a lot about his own powers from the Indians. I wonder to what new heights the third book in the series will take the story of Alvin Maker?
(Swedish, 28 Feb 2000)
When I recently read Orson Scott Card's "Ender's Game", I recalled reading Guillou's "Ondskan" long ago. Then, when a cheap edition of "Ondskan" appeared during the annual Swedish book-sale, I just had to buy and reread it. (Once the time of year when the old copies where sold out to give room for new titles, the Swedish book-sale now is an event where special inexpensive editions are dumped onto the market in a frenzy that generates more income for the book houses than the rest of the year put together...).
The reason "Ender's Game" made me think of "Ondskan" is that there are some connections between the two novels, even if they really are miles apart in plot as well as in settings. They are both about a young boy being tormented by a cruel world but refusing to break, even as his enemies attacks gets meaner and meander.
"Ondskan" is one of Guillou's more early books. Over the last ten years, he has established himself as one of Sweden's most best selling authors. His most known series is the books about Hamilton, the Swedish military intelligence agent. As in the Hamilton-books, "Ondskan" contains detailed violence, and the highly trained agent shares some of his personality with Erik, the schoolboy "Ondskan" is about.
All in all, a great book that I am glad I now own a copy of.
(English, 6 Feb 2000)
This is a subjective essay, were Stephenson shares his thought on the Operating System scene for home computers. Quite thoroughly, he describes the history of Operating Systems and what an OS really is. Then he gives his view on Microsoft/Windows, Apple, Linux and BeOS - both on the merits of each OS and on the strategy of the company/community behind them. As a whole, this essay is pretty harmless. I liked his Science Fiction novel "Snow Crash" a lot better (but it is rather fun to make out parallels between that novel and his opinions in the essay). The essay is pretty American and is also meant for the common, non-professional computer user. Still, it has its moments. I especially like the power drill analogy he uses to compare MS-Dos/Windows with UNIX.
(English, 5 Feb 2000)
I just stumbled across Card, and his "Ender's Game", last week, liked it very much, and thus turned to "Seventh Son" with high expectations. Interestingly enough, the two novels are quite different, but is both very good. "Seventh Son" takes place in the very frontier of the settlers movement west in North America, less than two hundred years ago, when magic was ever more present than today (the novel actually states that it was the "gifted" ones in Europe who was driven to emigrate - thus Europe lost all magic long before America). This is the first book about Alvin Maker, a very gifted boy who still has to discover how much powers he possesses. I look forward to read the rest of the books about Alvin Maker.
(Swedish, 5 Feb 2000)
This is quite heavy reading. After all, it is a researcher who has written it, and it shows (for instance, about one seventh of the book is notes). It took a while to get into, and even then it happened that I lost track when there were too much psychological references (I did better with the philosophical ones and, of course, with all the computer science stuff). So, what is this book about? It focuses on the human side of Human-Computer Interaction and Computer Mediated Communication (by email, IRC, web-chats, MUDs and such). It addresses important and interesting questions like how ones own personality is affected if one on the net puts on another personality, or even another gender, and how ordinary people reacts to the question of artificial life - whether it is actually possible or not. Turkle shows that exploring and developing ones personality at the Internet can be both good and bad. Some people eases personal pains and overcome difficulties by experimenting with what they want to become, while others grew envious of the digital alter egos and are left feeling stuck in their real lives. Very thought-provoking stuff! What I liked best, though, is that Turkle takes MUD and IRC dead seriously.
(Swedish, 29 Jan 2000)
Truly magnificent! I could not put this gem down. About the only disharmony I found in it is the fact that, although it takes place in the future, it still divides the earth in the old power centres of the cold war (but, hey, Orson Scott Card wrote it back in -77...).
I will not give away anything of the main plot, but I am impressed that the author have managed to write a story that keeps ascending to higher levels and easily keeps one step ahead of the reader. The main character, the boy Ender Wiggin, is continuously exposed to new cruel and manipulative challenges. One wonders how the challenges might ever be refined any more, but yet they are.
If you ever have liked a story of someone small and alone with the whole world against him/her, you are going to love this novel!
(Swedish, 29 Jan 2000)
I am not especially impressed with this book. The idea - to describe the evolution of mathematics throughout history - is great, but, somehow, that idea is lost somewhere along the way.
The book sets out in ancient Sumer and then goes through about every great civilisation in the history of humanity all the way to our modern computers, describing each cultures main contribution to the art of mathematics.
The line of thought should be more emphasised across the different ancient cultures, though, and the often very sketchy examples of old ways to carry out math should be reworked with more thought.
It is still an interesting book, but it could have been so much more with just a little extra effort.
(Swedish, 15 Jan 2000)
What a precious gem, this double volume by Viktor Rydberg from 1896. Both included novels are of Rydberg's earlier production, but are never the less very nice to read. The age of this edition naturally makes the Swedish old-fashioned and sometimes peculiar. Thus you never see a "v" without an "h" or an "f" in front, if it is not entirely replaced by an "f" ("hvad," "drifven," "af"). For me, who mostly read in English, it is very refreshing to read something like this. Hopefully, my Swedish will grow stronger by this. ;-)
"De vandrande djäknarne" is a story about good and evil, were you can discern quite clearly that power and wealth corrupts people, whereas poverty and fear of God keeps people good. Rydberg sketches his characters with love and care, and one can read this story as a description of the life people lived less than 200 years ago.
"Singoalla" takes place in medieval times, and is an epic love story with lots of tragic trials. It is also about the meeting of different cultures and religions. Somehow, I would say that this is a timeless story. It only shows that, even if the latest 100 years have brought more break-troughs in Technology than ever before, the central themes in our lives are the same. Kind of reassuring that the machines do not really change us, do you not think?
(Swedish, 8 Jan 2000)
This is what you can call a modern classic. Even if you cannot call it quality literature, it is an great example of a literary genre which has been loved by generations of young boys, the world over (or almost the world over, after all, it is the victorious who dictates the history, and most of W.E. Johns novels are very pro-British). This book about Biggles is one of those which takes place during the First World War. Some say that these are W.E. Johns best, were the characters shows signs of both feelings and weaknesses. Also, the concept of war is condemned rather than glorified, but, at the same time, is what the strong companionship between the persons involved is built on. I am glad that I laid my hands on a print as early as from 1946, because in recent times, since the invention of the term "politically correct", new editions have been corrected regarding, for example, the description of foreign cultures. Even if one does not agree with what is expressed in a book, one can appreciate that it is coloured of the times it was written in. Thus I prefer to read books in their original versions.
(English, 6 Jan 2000)
I admit that I personally have little patience with Mac-working - I am too addicted to command line interfaces and get very frustrated with the Macintosh's sole mouse button. Yet I can appreciate that the Macintosh (and most recently, the iMac) is the best choice for computer illiterates. Anyway, even if this book is devoted to the life and times of the Macintosh, I find it very interesting. Stephen Levy writes very well when he describes the history and development of the Mac. Aside of the main theme of history of computing, it also contains lessons on Human-Computer Interaction (for instance, why just one mouse button) and what to do and not to do when marketing a computer (it seems that Apple as a company have made lots of mistakes over the years). Who know? Perhaps we wouldn't have graphical window-interfaces on our computers if the Macintosh never been.
(English, 2 Jan 2000)
The composition, as well as the language itself and the format of the text, are somewhat lame in this book. To put it bluntly: most other books are better than this (most other books are also written by professional writers - this is not). However, to people with hands-on experience of workstations, Internet, the scores of width-spread software packages, and the well-known companies of the business, the book actually offers entertainment since it is packed full of short tidbits of background facts of elements of daily computing. Although all these facts are better and more in-depth described elsewhere, the brief mentionings in this book are more easily accessed. By just reading the story of how Tsutomu Shimomura, after suffering an intrusion in his own network, hunted down the responsible cracker Kevin Mitnick, you happen to find out lots of things you did not know before. If you are into computer security and networking, you will like this books (actually, it also contains a little parallel computing, if you happen to be desperate for some of that). The contents of the story is similar to those of Clifford Stolls "The Cuckoos Egg," but, unfortunately, it is told with far less wit and humour as the latter.
(English, 25 Dec 1999)
I approached this novel, expecting something cyberpunkish as my good friend Bågfors had led me to believe (it was he who tipped me of Neil Stephenson), and - yes - Stephenson is known as the third great cyberpunk author, along with William Gibson and Bruce Sterling, and "Snow Crash" contains all necessary ingredients of cyberpunk; futuristic, "cool" technology, a vivid, computer-generated, alternate reality (known as "the Metaverse," rather than Cyberspace), and a society that has broken down. Yet there is more - there are characters at least as detailed and knowable as Gibson's, and there is a feeling I seldom got before, a feeling that this piece of Sci-Fi is not as far into the future that we might think... All in all, a very nice book. It is quite a ride to share some of Stephenson's more odd ideas; Mafia controlled pizza deliveries ("Keep moving that 'za."), informational warfare through linguistic/religious/biological/digital viruses, etc. It is not everyday the birth of civilization in ancient Sumer gets reinterpreted in the light of our modern information society. Read it! ;-)
(English, 20 Dec 1999)
This is the second book in the second Chronicle of Thomas Covenant, the Unbeliever (the fifth book of a total of six). The main plot is Thomas Covenant's and Linden Avery's, both from our own world, quest for the One Tree, along with a party of which a boatload of Giants are the least amazing. This is epic fantasy - very far from the more light reading produced by, for instance, Eddings. Thus, it is much more demanding to read, but also much more rewarding. Donaldson has also written some less epic fantasy ("The Mirror of Her Dreams") and some science fiction. However, all his books bears his special trademark - that of psychological drama. We get to know the troubled thoughts of the main characters pretty well - a lot more doubts and personal problems than usually in fantasy-books. It is kind of a common novel set in a fantasy world.
(Swedish, 12 Dec 1999)
A book about Fermat, his Last Theorem, number theory, the different mathematicians which paved the way for Fermat (the ancient Greeks), those who failed at proving Fermat's Theorem, and Andrew Wiles, who finally produced a sound proof. The book is very readable and is intended for those with no knowledge in mathematics what so ever. All non-trivial math are broken out and placed in appendices, which still ought to be understandable for any high-school student of Natural Science (I, as a university student, had no problem at all). I am used to biographies that goes much more deeper into the subject than this book, but it is still a great book, which I can recommend.